At length, having passed the night in tedious languor, he called to him Almamoulin, his only son, and dismissing his attendants, "My son," says he, "behold here the weakness and fragility of man; look backward a few days, thy father was great and happy, fresh as the vernal rose, and strong as the cedar of the mountain; the nations of Asia drank his dews, and art and commerce delighted in his shade. Malevolence beheld me, and sighed: 'His root,' she cried, 'is fixed in the depths; it is watered by the fountains of Oxus; it sends out branches afar, and bids defiance to the blast; prudence reclines against his trunk, and prosperity dances on his top.' Now, Almamoulin, look upon me withering and prostrate; look upon me, and attend. I have trafficked, I have prospered, I have rioted in gain; my house is splendid, my servants are numerous; yet I displayed only a small part of my riches; the rest, which I was hindered from enjoying by the fear of raising envy, or tempting rapacity, I have piled in towers, I have buried in caverns, I have hidden in secret repositories, which this scroll will discover. My purpose was, after ten months more spent in commerce, to have withdrawn my wealth to a safer country; to have given seven years to delight and festivity, and the remaining part of my days to solitude and repentance; but the hand of death is upon me; a frigorifick torpor encroaches upon my veins; I am now leaving the produce of my toil, which it must be thy business to enjoy with wisdom." The thought of leaving his wealth filled Nouradin with such grief, that he fell into convulsions, became delirious, and expired.
Almamoulin, who loved his father, was touched a while with honest sorrow, and sat two hours in profound meditation, without perusing the paper which he held in his hand. He then retired to his own chamber, as overborne with affliction, and there read the inventory of his new possessions, which swelled his heart with such transports, that he no longer lamented his father's death. He was now sufficiently composed to order a funeral of modest magnificence, suitable at once to the rank of Nouradin's profession, and the reputation of his wealth. The two next nights he spent in visiting the tower and the caverns, and found the treasures greater to his eye than to his imagination.
Almamoulin had been bred to the practice of exact frugality, and had often looked with envy on the finery and expenses of other young men: he therefore believed, that happiness was now in his power, since he could obtain all of which he had hitherto been accustomed to regret the want. He resolved to give a loose to his desires, to revel in enjoyment, and feel pain or uneasiness no more.
He immediately procured a splendid equipage, dressed his servants in rich embroidery, and covered his horses with golden caparisons. He showered down silver on the populace, and suffered their acclamations to swell him with insolence. The nobles saw him with anger, the wise men of the state combined against him, the leaders of armies threatened his destruction. Almamoulin was informed of his danger: he put on the robe of mourning in the presence of his enemies, and appeased them with gold, and gems, and supplication.
He then sought to strengthen himself by an alliance with the princes of Tartary, and offered the price of kingdoms for a wife of noble birth. His suit was generally rejected, and his presents refused; but the princess of Astracan once condescended to admit him to her presence. She received him, sitting on a throne, attired in the robe of royalty, and shining with the jewels of Golconda; command sparkled in her eyes, and dignity towered on her forehead. Almamoulin approached and trembled. She saw his confusion and disdained him: "How," says she, "dares the wretch hope my obedience, who thus shrinks at my glance? Retire, and enjoy thy riches in sordid ostentation; thou wast born to be wealthy, but never canst be great."
He then contracted his desires to more private and domestick pleasures. He built palaces, he laid out gardens[d], he changed the face of the land, he transplanted forests, he levelled mountains, opened prospects into distant regions, poured fountains from the tops of turrets, and rolled rivers through new channels.
These amusements pleased him for a time; but languor and weariness soon invaded him. His bowers lost their fragrance, and the waters murmured without notice. He purchased large tracts of land in distant provinces, adorned them with houses of pleasure, and diversified them with accommodations for different seasons. Change of place at first relieved his satiety, but all the novelties of situation were soon exhausted; he found his heart vacant, and his desires, for want of external objects, ravaging himself.
He therefore returned to Samarcand, and set open his doors to those whom idleness sends out in search of pleasure. His tables were always covered with delicacies; wines of every vintage sparkled in his bowls, and his lamps scattered perfumes. The sound of the lute, and the voice of the singer, chased away sadness; every hour was crowded with pleasure; and the day ended and began with feasts and dances, and revelry and merriment. Almamoulin cried out, "I have at last found the use of riches; I am surrounded by companions, who view my greatness without envy; and I enjoy at once the raptures of popularity, and the safety of an obscure station. What trouble can he feel, whom all are studious to please, that they may be repaid with pleasure? What danger can he dread, to whom every man is a friend?"
Such were the thoughts of Almamoulin, as he looked down from a gallery upon the gay assembly regaling at his expense; but, in the midst of this soliloquy, an officer of justice entered the house, and in the form of legal citation, summoned Almamoulin to appear before the emperor. The guests stood awhile aghast, then stole imperceptibly away, and he was led off without a single voice to witness his integrity. He now found one of his most frequent visitants accusing him of treason, in hopes of sharing his confiscation; yet, unpatronized and unsupported, he cleared himself by the openness of innocence, and the consistence of truth; he was dismissed with honour, and his accuser perished in prison.
Almamoulin now perceived with how little reason he had hoped for justice or fidelity from those who live only to gratify their senses; and, being now weary with vain experiments upon life and fruitless researches after felicity, he had recourse to a sage, who, after spending his youth in travel and observation, had retired from all human cares, to a small habitation on the banks of Oxus, where he conversed only with such as solicited his counsel. "Brother," said the philosopher, "thou hast suffered thy reason to be deluded by idle hopes, and fallacious appearances. Having long looked with desire upon riches, thou hadst taught thyself to think them more valuable than nature designed them, and to expect from them, what experience has now taught thee, that they cannot give. That they do not confer wisdom, thou mayest be convinced, by considering at how dear a price they tempted thee, upon thy first entrance into the world, to purchase the empty sound of vulgar acclamation. That they cannot bestow fortitude or magnanimity, that man may be certain, who stood trembling at Astracan, before a being not naturally superior to himself. That they will not supply unexhausted pleasure, the recollection of forsaken palaces, and neglected gardens, will easily inform thee. That they rarely purchase friends, thou didst soon discover, when thou wert left to stand thy trial uncountenanced and alone. Yet think not riches useless; there are purposes to which a wise man may be delighted to apply them; they may, by a rational distribution to those who want them, ease the pains of helpless disease, still the throbs of restless anxiety, relieve innocence from oppression, and raise imbecility to cheerfulness and vigour. This they will enable thee to perform, and this will afford the only happiness ordained for our present state, the confidence of Divine favour, and the hope of future rewards."
[Footnote d: See Vathek.]
No. 121. TUESDAY, MAY 14, 1751.
O imitatores, servum pecus! Hor. Lib. i. Ep. xix. 19.
Away, ye imitators, servile herd! ELPHINSTON.
I have been informed by a letter from one of the universities, that among the youth from whom the next swarm of reasoners is to learn philosophy, and the next flight of beauties to hear elegies and sonnets, there are many, who, instead of endeavouring by books and meditation to form their own opinions, content themselves with the secondary knowledge, which a convenient bench in a coffee-house can supply; and without any examination or distinction, adopt the criticisms and remarks, which happen to drop from those who have risen, by merit or fortune, to reputation and authority.
These humble retailers of knowledge my correspondent stigmatises with the name of Echoes; and seems desirous that they should be made ashamed of lazy submission, and animated to attempts after new discoveries and original sentiments.
It is very natural for young men to be vehement, acrimonious, and severe. For, as they seldom comprehend at once all the consequences of a position, or perceive the difficulties by which cooler and more experienced reasoners are restrained from confidence, they form their conclusions with great precipitance. Seeing nothing that can darken or embarrass the question, they expect to find their own opinion universally prevalent, and are inclined to impute uncertainty and hesitation to want of honesty, rather than of knowledge. I may, perhaps, therefore, be reproached by my lively correspondent, when it shall be found, that I have no inclination to persecute these collectors of fortuitous knowledge with the severity required; yet, as I am now too old to be much pained by hasty censure, I shall not be afraid of taking into protection those whom I think condemned without a sufficient knowledge of their cause.
He that adopts the sentiments of another, whom he has reason to believe wiser than himself, is only to be blamed when he claims the honours which are not due but to the author, and endeavours to deceive the world into praise and veneration; for, to learn, is the proper business of youth; and whether we increase our knowledge by books or by conversation, we are equally indebted to foreign assistance.
The greater part of students are not born with abilities to construct systems, or advance knowledge; nor can have any hope beyond that of becoming intelligent hearers in the schools of art, of being able to comprehend what others discover, and to remember what others teach. Even those to whom Providence hath allotted greater strength of understanding, can expect only to improve a single science. In every other part of learning, they must be content to follow opinions, which they are not able to examine; and, even in that which they claim as peculiarly their own, can seldom add more than some small particle of knowledge, to the hereditary stock devolved to them from ancient times, the collective labour of a thousand intellects.
In science, which, being fixed and limited, admits of no other variety than such as arises from new methods of distribution, or new arts of illustration, the necessity of following the traces of our predecessors is indisputably evident; but there appears no reason, why imagination should be subject to the same restraint. It might be conceived, that of those who profess to forsake the narrow paths of truth, every one may deviate towards a different point, since, though rectitude is uniform and fixed, obliquity may be infinitely diversified. The roads of science are narrow, so that they who travel them, must either follow or meet one another; but in the boundless regions of possibility, which fiction claims for her dominion, there are surely a thousand recesses unexplored, a thousand flowers unplucked, a thousand fountains unexhausted, combinations of imagery yet unobserved, and races of ideal inhabitants not hitherto described.
Yet, whatever hope may persuade, or reason evince, experience can boast of very few additions to ancient fable. The wars of Troy, and the travels of Ulysses, have furnished almost all succeeding poets with incidents, characters, and sentiments. The Romans are confessed to have attempted little more than to display in their own tongue the inventions of the Greeks. There is, in all their writings, such a perpetual recurrence of allusions to the tales of the fabulous age, that they must be confessed often to want that power of giving pleasure which novelty supplies; nor can we wonder that they excelled so much in the graces of diction, when we consider how rarely they were employed in search of new thoughts.
The warmest admirers of the great Mantuan poet can extol him for little more than the skill with which he has, by making his hero both a traveller and a warrior, united the beauties of the Iliad and the Odyssey in one composition: yet his judgment was perhaps sometimes overborne by his avarice of the Homeric treasures; and, for fear of suffering a sparkling ornament to be lost, he has inserted it where it cannot shine with its original splendour.
When Ulysses visited the infernal regions, he found among the heroes that perished at Troy, his competitor, Ajax, who, when the arms of Achilles were adjudged to Ulysses, died by his own hand in the madness of disappointment. He still appeared to resent, as on earth, his loss and disgrace, Ulysses endeavoured to pacify him with praises and submission; but Ajax walked away without reply. This passage has always been considered as eminently beautiful; because Ajax, the haughty chief, the unlettered soldier, of unshaken courage, of immovable constancy, but without the power of recommending his own virtues by eloquence, or enforcing his assertions by any other argument than the sword, had no way of making his anger known, but by gloomy sullenness and dumb ferocity. His hatred of a man whom he conceived to have defeated him only by volubility of tongue, was therefore naturally shewn by silence more contemptuous and piercing than any words that so rude an orator could have found, and by which he gave his enemy no opportunity of exerting the only power in which he was superior.
When Æneas is sent by Virgil to the shades, he meets Dido the queen of Carthage, whom his perfidy had hurried to the grave; he accosts her with tenderness and excuses; but the lady turns away like Ajax in mute disdain. She turns away like Ajax; but she resembles him in none of those qualities which give either dignity or propriety to silence. She might, without any departure from the tenour of her conduct, have burst out like other injured women into clamour, reproach, and denunciation; but Virgil had his imagination full of Ajax, and therefore could not prevail on himself to teach Dido any other mode of resentment.
If Virgil could be thus seduced by imitation, there will be little hope, that common wits should escape; and accordingly we find, that besides the universal and acknowledged practice of copying the ancients, there has prevailed in every age a particular species of fiction. At one time all truth was conveyed in allegory; at another, nothing was seen but in a vision; at one period all the poets followed sheep, and every event produced a pastoral; at another they busied themselves wholly in giving directions to a painter.
It is indeed easy to conceive why any fashion should become popular, by which idleness is favoured, and imbecility assisted; but surely no man of genius can much applaud himself for repeating a tale with which the audience is already tired, and which could bring no honour to any but its inventor.
There are, I think, two schemes of writing, on which the laborious wits of the present time employ their faculties. One is the adaptation of sense to all the rhymes which our language can supply to some word, that makes the burden of the stanza; but this, as it has been only used in a kind of amorous burlesque, can scarcely be censured with much acrimony. The other is the imitation of Spenser, which, by the influence of some men of learning and genius, seems likely to gain upon the age, and therefore deserves to be more attentively considered.
To imitate the fictions and sentiments of Spenser can incur no reproach, for allegory is perhaps one of the most pleasing vehicles of instruction. But I am very far from extending the same respect to his diction or his stanza. His style was in his own time allowed to be vicious, so darkened with old words and peculiarities of phrase, and so remote from common use, that Jonson boldly pronounces him to have written no language. His stanza is at once difficult and unpleasing; tiresome to the ear by its uniformity, and to the attention by its length. It was at first formed in imitation of the Italian poets, without due regard to the genius of our language. The Italians have little variety of termination, and were forced to contrive such a stanza as might admit the greatest number of similar rhymes; but our words end with so much diversity, that it is seldom convenient for us to bring more than two of the same sound together. If it be justly observed by Milton, that rhyme obliges poets to express their thoughts in improper terms, these improprieties must always be multiplied, as the difficulty of rhyme is increased by long concatenations.
The imitators of Spenser are indeed not very rigid censors of themselves, for they seem to conclude, that when they have disfigured their lines with a few obsolete syllables, they have accomplished their design, without considering that they ought not only to admit old words, but to avoid new. The laws of imitation are broken by every word introduced since the time of Spenser, as the character of Hector is violated by quoting Aristotle in the play. It would, indeed, be difficult to exclude from a long poem all modern phrases, though it is easy to sprinkle it with gleanings of antiquity. Perhaps, however, the style of Spenser might by long labour be justly copied; but life is surely given us for higher purposes than to gather what our ancestors have wisely thrown away, and to learn what is of no value, but because it has been forgotten.
No. 122. SATURDAY, MAY 18, 1751.
Nescio qua natale solum dulcedine captos
Ducit. OVID, Ex Pon. Lib. i. Ep. iii. 35.
By secret charms our native land attracts.
Nothing is more subject to mistake and disappointment than anticipated judgment concerning the easiness or difficulty of any undertaking, whether we form our opinion from the performances of others, or from abstracted contemplation of the thing to be attempted.
Whatever is done skilfully appears to be done with ease; and art, when it is once matured to habit, vanishes from observation. We are therefore more powerfully excited to emulation, by those who have attained the highest degree of excellence, and whom we can therefore with least reason hope to equal.
In adjusting the probability of success by a previous consideration of the undertaking, we are equally in danger of deceiving ourselves. It is never easy, nor often possible, to comprise the series of any process with all its circumstances, incidents, and variations, in a speculative scheme. Experience soon shows us the tortuosities of imaginary rectitude, the complications of simplicity, and the asperities of smoothness. Sudden difficulties often start up from the ambushes of art, stop the career of activity, repress the gaiety of confidence, and when we imagine ourselves almost at the end of our labours, drive us back to new plans and different measures.
There are many things which we every day see others unable to perform, and perhaps have even ourselves miscarried in attempting; and yet can hardly allow to be difficult; nor can we forbear to wonder afresh at every new failure, or to promise certainty of success to our next essay; but when we try, the same hindrances recur, the same inability is perceived, and the vexation of disappointment must again be suffered.
Of the various kinds of speaking or writing, which serve necessity, or promote pleasure, none appears so artless or easy as simple narration; for what should make him that knows the whole order and progress of an affair unable to relate it? Yet we hourly find such as endeavour to entertain or instruct us by recitals, clouding the facts which they intend to illustrate, and losing themselves and their auditors in wilds and mazes, in digression and confusion. When we have congratulated ourselves upon a new opportunity of inquiry, and new means of information, it often happens, that without designing either deceit or concealment, without ignorance of the fact, or unwillingness to disclose it, the relator fills the ear with empty sounds, harasses the attention with fruitless impatience, and disturbs the imagination by a tumult of events, without order of time, or train of consequence.
It is natural to believe, upon the same principle, that no writer has a more easy task than the historian. The philosopher has the works of omniscience to examine; and is therefore engaged in disquisitions, to which finite intellects are utterly unequal. The poet trusts to his invention, and is not only in danger of those inconsistencies, to which every one is exposed by departure from truth; but may be censured as well for deficiencies of matter, as for irregularity of disposition, or impropriety of ornament. But the happy historian has no other labour than of gathering what tradition pours down before him, or records treasure for his use. He has only the actions and designs of men like himself to conceive and to relate; he is not to form, but copy characters, and therefore is not blamed for the inconsistency of statesmen, the injustice of tyrants, or the cowardice of commanders. The difficulty of making variety consistent, or uniting probability with surprise, needs not to disturb him; the manners and actions of his personages are already fixed; his materials are provided and put into his hands, and he is at leisure to employ all his powers in arranging and displaying them.
Yet, even with these advantages, very few in any age have been able to raise themselves to reputation by writing histories; and among the innumerable authors, who fill every nation with accounts of their ancestors, or undertake to transmit to futurity the events of their own time, the greater part, when fashion and novelty have ceased to recommend them, are of no other use than chronological memorials, which necessity may sometimes require to be consulted, but which fright away curiosity, and disgust delicacy.
It is observed, that our nation, which has produced so many authors eminent for almost every other species of literary excellence, has been hitherto remarkably barren of historical genius; and so far has this defect raised prejudices against us, that some have doubted whether an Englishman can stop at that mediocrity of style, or confine his mind to that even tenour of imagination, which narrative requires.
They who can believe that nature has so capriciously distributed understanding, have surely no claim to the honour of serious confutation. The inhabitants of the same country have opposite characters in different ages; the prevalence or neglect of any particular study can proceed only from the accidental influence of some temporary cause; and if we have failed in history, we can have failed only because history has not hitherto been diligently cultivated.
But how is it evident, that we have not historians among us, whom we may venture to place in comparison with any that the neighbouring nations can produce? The attempt of Raleigh is deservedly celebrated for the labour of his researches, and the elegance of his style; but he has endeavoured to exert his judgment more than his genius, to select facts, rather than adorn them; and has produced an historical dissertation, but seldom risen to the majesty of history.
The works of Clarendon deserve more regard. His diction is indeed neither exact in itself, nor suited to the purpose of history. It is the effusion of a mind crowded with ideas, and desirous of imparting them; and therefore always accumulating words, and involving one clause and sentence in another. But there is in his negligence a rude inartificial majesty, which, without the nicety of laboured elegance, swells the mind by its plenitude and diffusion. His narration is not perhaps sufficiently rapid, being stopped too frequently by particularities, which, though they might strike the author who was present at the transactions, will not equally detain the attention of posterity. But his ignorance or carelessness of the art of writing is amply compensated by his knowledge of nature and of policy; the wisdom of his maxims, the justness of his reasonings, and the variety, distinctness, and strength of his characters.
But none of our writers can, in my opinion, justly contest the superiority of Knolles, who, in his history of the Turks, has displayed all the excellencies that narration can admit. His style, though somewhat obscured by time, and sometimes vitiated by false wit, is pure, nervous, elevated, and clear. A wonderful multiplicity of events is so artfully arranged, and so distinctly explained, that each facilitates the knowledge of the next. Whenever a new personage is introduced, the reader is prepared by his character for his actions; when a nation is first attacked, or city besieged, he is made acquainted with its history, or situation; so that a great part of the world is brought into view. The descriptions of this author are without minuteness, and the digressions without ostentation. Collateral events are so artfully woven into the contexture of his principal story, that they cannot be disjoined without leaving it lacerated and broken. There is nothing turgid in his dignity, nor superfluous in his copiousness. His orations only, which he feigns, like the ancient historians, to have been pronounced on remarkable occasions, are tedious and languid; and since they are merely the voluntary sports of imagination, prove how much the most judicious and skilful may be mistaken in the estimate of their own powers.
Nothing could have sunk this author in obscurity, but the remoteness and barbarity of the people, whose story he relates. It seldom happens, that all circumstances concur to happiness or fame. The nation which produced this great historian, has the grief of seeing his genius employed upon a foreign and uninteresting subject; and that writer who might have secured perpetuity to his name, by a history of his own country, has exposed himself to the danger of oblivion, by recounting enterprises and revolutions, of which none desire to be informed.
No. 123. TUESDAY, MAY 21, 1751.
Quo semet est imbuta recens, servabit odorem Testa din.—HOR. Lib. i. Ep. ii. 69.
What season'd first the vessel, keeps the taste. CREECH.
TO THE RAMBLER.
SIR,
Though I have so long found myself deluded by projects of honour and distinction, that I often resolve to admit them no more into my heart; yet how determinately soever excluded, they always recover their dominion by force or stratagem; and whenever, after the shortest relaxation of vigilance, reason and caution return to their charge, they find hope again in possession, with all her train of pleasures dancing about her.
Even while I am preparing to write a history of disappointed expectations, I cannot forbear to flatter myself, that you and your readers are impatient for my performance; and that the sons of learning have laid down several of your late papers with discontent, when they found that Misocapelus had delayed to continue his narrative.
But the desire of gratifying the expectations that I have raised, is not the only motive of this relation, which, having once promised it, I think myself no longer at liberty to forbear. For, however I may have wished to clear myself from every other adhesion of trade, I hope I shall be always wise enough to retain my punctuality, and amidst all my new arts of politeness, continue to despise negligence, and detest falsehood.
When the death of my brother had dismissed me from the duties of a shop, I considered myself as restored to the rights of my birth, and entitled to the rank and reception which my ancestors obtained. I was, however, embarrassed with many difficulties at my first re-entrance into the world; for my haste to be a gentleman inclined me to precipitate measures; and every accident that forced me back towards my old station, was considered by me as an obstruction of my happiness.
It was with no common grief and indignation, that I found my former companions still daring to claim my notice, and the journeymen and apprentices sometimes pulling me by the sleeve as I was walking in the street, and without any terrour of my new sword, which was, notwithstanding, of an uncommon size, inviting me to partake of a bottle at the old house, and entertaining me with histories of the girls in the neighbourhood. I had always, in my officinal state, been kept in awe by lace and embroidery; and imagined that, to fright away these unwelcome familiarities, nothing was necessary, but that I should, by splendour of dress, proclaim my re-union with a higher rank. I, therefore, sent for my tailor; ordered a suit with twice the usual quantity of lace; and that I might not let my persecutors increase their confidence, by the habit of accosting me, staid at home till it was made.
This week of confinement I passed in practising a forbidding frown, a smile of condescension, a slight salutation, and an abrupt departure; and in four mornings was able to turn upon my heel, with so much levity and sprightliness, that I made no doubt of discouraging all publick attempts upon my dignity. I therefore issued forth in my new coat, with a resolution of dazzling intimacy to a fitter distance; and pleased myself with the timidity and reverence, which I should impress upon all who had hitherto presumed to harass me with their freedoms. But, whatever was the cause, I did not find myself received with any new degree of respect; those whom I intended to drive from me, ventured to advance with their usual phrases of benevolence; and those whose acquaintance I solicited, grew more supercilious and reserved. I began soon to repent the expense, by which I had procured no advantage, and to suspect that a shining dress, like a weighty weapon, has no force in itself, but owes all its efficacy to him that wears it.
Many were the mortifications and calamities which I was condemned to suffer in my initiation to politeness. I was so much tortured by the incessant civilities of my companions, that I never passed through that region of the city but in a chair with the curtains drawn; and at last left my lodgings, and fixed myself in the verge of the court. Here I endeavoured to be thought a gentleman just returned from his travels, and was pleased to have my landlord believe that I was in some danger from importunate creditors; but this scheme was quickly defeated by a formal deputation sent to offer me, though I had now retired from business, the freedom of my company.
I was now detected in trade, and therefore resolved to stay no longer. I hired another apartment, and changed my servants. Here I lived very happily for three months, and, with secret satisfaction, often overheard the family celebrating the greatness and felicity of the esquire; though the conversation seldom ended without some complaint of my covetousness, or some remark upon my language, or my gait. I now began to venture in the publick walks, and to know the faces of nobles and beauties; but could not observe, without wonder, as I passed by them, how frequently they were talking of a tailor. I longed, however, to be admitted to conversation, and was somewhat weary of walking in crowds without a companion, yet continued to come and go with the rest, till a lady whom I endeavoured to protect in a crowded passage, as she was about to step into her chariot, thanked me for my civility, and told me, that, as she had often distinguished me for my modest and respectful behaviour, whenever I set up for myself, I might expect to see her among my first customers.
Here was an end of all my ambulatory projects. I indeed sometimes entered the walks again, but was always blasted by this destructive lady, whose mischievous generosity recommended me to her acquaintance. Being therefore forced to practise my adscititious character upon another stage, I betook myself to a coffee-house frequented by wits, among whom I learned in a short time the cant of criticism, and talked so loudly and volubly of nature, and manners, and sentiment, and diction, and similies, and contrasts, and action, and pronunciation, that I was often desired to lead the hiss and clap, and was feared and hated by the players and the poets. Many a sentence have I hissed, which I did not understand, and many a groan have I uttered, when the ladies were weeping in the boxes. At last a malignant author, whose performance I had persecuted through the nine nights, wrote an epigram upon Tape the critick, which drove me from the pit for ever.
My desire to be a fine gentleman still continued: I therefore, after a short suspense, chose a new set of friends at the gaming-table, and was for some time pleased with the civility and openness with which I found myself treated. I was indeed obliged to play; but being naturally timorous and vigilant, was never surprised into large sums. What might have been the consequence of long familiarity with these plunderers, I had not an opportunity of knowing; for one night the constables entered and seized us, and I was once more compelled to sink into my former condition, by sending for my old master to attest my character.
When I was deliberating to what new qualifications I should aspire, I was summoned into the country, by an account of my father's death. Here I had hopes of being able to distinguish myself, and to support the honour of my family. I therefore bought guns and horses, and, contrary to the expectation of the tenants, increased the salary of the huntsman. But when I entered the field, it was soon discovered, that I was not destined to the glories of the chase. I was afraid of thorns in the thicket, and of dirt in the marsh; I shivered on the brink of a river while the sportsmen crossed it, and trembled at the sight of a five-bar gate. When the sport and danger were over, I was still equally disconcerted; for I was effeminate, though not delicate, and could only join a feeble whispering voice in the clamours of their triumph.
A fall, by which my ribs were broken, soon recalled me to domestick pleasures, and I exerted all my art to obtain the favour of the neighbouring ladies; but wherever I came, there was always some unlucky conversation upon ribands, fillets, pins, or thread, which drove all my stock of compliments out of my memory, and overwhelmed me with shame and dejection.
Thus I passed the ten first years after the death of my brother, in which I have learned at last to repress that ambition, which I could never gratify; and, instead of wasting more of my life in vain endeavours after accomplishments, which, if not early acquired, no endeavours can obtain, I shall confine my care to those higher excellencies which are in every man's power, and though I cannot enchant affection by elegance and ease, hope to secure esteem by honesty and truth.
I am, &c.
MISOCAPELUS.
No. 124. SATURDAY, MAY 25, 1751.
—Taciturn sylvas inter reptare salubres,
Curantem quicquid dignim sapiente bonoque est?
HOR. Lib. i. Ep. iv. 4.
To range in silence through each healthful wood,
And muse what's worthy of the wise and good. ELPHINSTON.
The season of the year is now come, in which the theatres are shut, and the card-tables forsaken; the regions of luxury are for a while unpeopled, and pleasure leads out her votaries to groves and gardens, to still scenes and erratick gratifications. Those who have passed many months in a continual tumult of diversion; who have never opened their eyes in the morning, but upon some new appointment; nor slept at night without a dream of dances, musick, and good hands, or of soft sighs and humble supplications; must now retire to distant provinces, where the syrens of flattery are scarcely to be heard, where beauty sparkles without praise or envy, and wit is repeated only by the echo.
As I think it one of the most important duties of social benevolence to give warning of the approach of calamity, when by timely prevention it may be turned aside, or by preparatory measures be more easily endured, I cannot feel the increasing warmth, or observe the lengthening days, without considering the condition of my fair readers, who are now preparing to leave all that has so long filled up their hours, all from which they have been accustomed to hope for delight; and who, till fashion proclaims the liberty of returning to the seats of mirth and elegance, must endure the rugged 'squire, the sober housewife, the loud huntsman, or the formal parson, the roar of obstreperous jollity, or the dulness of prudential instruction; without any retreat, but to the gloom of solitude, where they will yet find greater inconveniencies, and must learn, however unwillingly, to endure themselves.
In winter, the life of the polite and gay may be said to roll on with a strong and rapid current; they float along from pleasure to pleasure, without the trouble of regulating their own motions, and pursue the course of the stream in all the felicity of inattention; content that they find themselves in progression, and careless whither they are going. But the months of summer are a kind of sleeping stagnation without wind or tide, where they are left to force themselves forward by their own labour, and to direct their passage by their own skill; and where, if they have not some internal principle of activity, they must be stranded upon shallows, or lie torpid in a perpetual calm.
There are, indeed, some to whom this universal dissolution of gay societies affords a welcome opportunity of quitting, without disgrace, the post which they have found themselves unable to maintain; and of seeming to retreat only at the call of nature, from assemblies where, after a short triumph of uncontested superiority, they are overpowered by some new intruder of softer elegance or sprightlier vivacity. By these, hopeless of victory, and yet ashamed to confess a conquest, the summer is regarded as a release from the fatiguing service of celebrity, a dismission to more certain joys and a safer empire. They now solace themselves with the influence which they shall obtain, where they have no rival to fear; and with the lustre which they shall effuse, when nothing can be seen of brighter splendour. They imagine, while they are preparing for their journey, the admiration with which the rusticks will crowd about them; plan the laws of a new assembly; or contrive to delude provincial ignorance with a fictitious mode. A thousand pleasing expectations swarm in the fancy; and all the approaching weeks are filled with distinctions, honours, and authority.
But others, who have lately entered the world, or have yet had no proofs of its inconstancy and desertion, are cut off, by this cruel interruption, from the enjoyment of their prerogatives, and doomed to lose four months in inactive obscurity. Many complaints do vexation and desire extort from those exiled tyrants of the town, against the inexorable sun, who pursues his course without any regard to love or beauty; and visits either tropick at the stated time, whether shunned or courted, deprecated or implored.
To them who leave the places of publick resort in the full bloom of reputation, and withdraw from admiration, courtship, submission, and applause, a rural triumph can give nothing equivalent. The praise of ignorance, and the subjection of weakness, are little regarded by beauties who have been accustomed to more important conquests, and more valuable panegyricks. Nor indeed should the powers which have made havock in the theatres, or borne down rivalry in courts, be degraded to a mean attack upon the untravelled heir, or ignoble contest with the ruddy milkmaid.
How then must four long months be worn away? Four months, in which there will be no routes, no shows, no ridottos; in which visits must be regulated by the weather, and assemblies will depend upon the moon! The Platonists imagine, that the future punishment of those who have in this life debased their reason by subjection to their senses, and have preferred the gross gratifications of lewdness and luxury, to the pure and sublime felicity of virtue and contemplation, will arise from the predominance and solicitations of the same appetites, in a state which can furnish no means of appeasing them. I cannot but suspect that this month, bright with sunshine, and fragrant with perfumes; this month, which covers the meadow with verdure, and decks the gardens with all the mixtures of colorifick radiance; this month, from which the man of fancy expects new infusions of imagery, and the naturalist new scenes of observation; this month will chain down multitudes to the Platonick penance of desire without enjoyment, and hurry them from the highest satisfactions, which they have yet learned to conceive, into a state of hopeless wishes and pining recollection, where the eye of vanity will look round for admiration to no purpose, and the hand of avarice shuffle cards in a bower with ineffectual dexterity.
From the tediousness of this melancholy suspension of life, I would willingly preserve those who are exposed to it, only by inexperience; who want not inclination to wisdom or virtue, though they have been dissipated by negligence, or misled by example; and who would gladly find the way to rational happiness, though it should be necessary to struggle with habit, and abandon fashion. To these many arts of spending time might be recommended, which would neither sadden the present hour with weariness, nor the future with repentance.
It would seem impossible to a solitary speculatist, that a human being can want employment. To be born in ignorance with a capacity of knowledge, and to be placed in the midst of a world filled with variety, perpetually pressing upon the senses and irritating curiosity, is surely a sufficient security against the languishment of inattention. Novelty is indeed necessary to preserve eagerness and alacrity; but art and nature have stores inexhaustible by human intellects; and every moment produces something new to him, who has quickened his faculties by diligent observation.
Some studies, for which the country and the summer afford peculiar opportunities, I shall perhaps endeavour to recommend in a future essay; but if there be any apprehension not apt to admit unaccustomed ideas, or any attention so stubborn and inflexible, as not easily to comply with new directions, even these obstructions cannot exclude the pleasure of application; for there is a higher and nobler employment, to which all faculties are adapted by Him who gave them. The duties of religion, sincerely and regularly performed, will always be sufficient to exalt the meanest, and to exercise the highest understanding. That mind will never be vacant, which is frequently recalled by stated duties to meditations on eternal interests; nor can any hour be long, which is spent in obtaining some new qualification for celestial happiness.
No. 125. TUESDAY, MAY 28, 1751.
Descriptas servare vices, operumque colores,
Cur ego, si nequeo ignoroque, poëta salutor? HOR. De Ar. Poet. 86.
But if, through weakness, or my want of art,
I can't to every different style impart
The proper strokes and colours it may claim,
Why am I honour'd with a poet's name? FRANCIS.
It is one of the maxims of the civil law, that definitions are hazardous. Things modified by human understandings, subject to varieties of complication, and changeable as experience advances knowledge, or accident influences caprice, are scarcely to be included in any standing form of expression, because they are always suffering some alteration of their state. Definition is, indeed, not the province of man; every thing is set above or below our faculties. The works and operations of nature are too great in their extent, or too much diffused in their relations, and the performances of art too inconstant and uncertain, to be reduced to any determinate idea. It is impossible to impress upon our minds an adequate and just representation of an object so great that we can never take it into our view, or so mutable that it is always changing under our eye, and has already lost its form while we are labouring to conceive it.
Definitions have been no less difficult or uncertain in criticisms than in law. Imagination, a licentious and vagrant faculty, unsusceptible of limitations, and impatient of restraint, has always endeavoured to baffle the logician, to perplex the confines of distinction, and burst the inclosures of regularity. There is therefore scarcely any species of writing, of which we can tell what is its essence, and what are its constituents; every new genius produces some innovation, which, when invented and approved, subverts the rules which the practice of foregoing authors had established.
Comedy has been particularly unpropitious to definers; for though perhaps they might properly have contented themselves, with declaring it to be such a dramatick representation of human life, as may excite mirth, they have embarrassed their definition with the means by which the comick writers attain their end, without considering that the various methods of exhilarating their audience, not being limited by nature, cannot be comprised in precept. Thus, some make comedy a representation of mean and others of bad men; some think that its essence consists in the unimportance, others in the fictitiousness of the transaction. But any man's reflections will inform him, that every dramatick composition which raises mirth, is comick; and that, to raise mirth, it is by no means universally necessary, that the personages should be either mean or corrupt, nor always requisite, that the action should be trivial, nor ever, that it should be fictitious.
If the two kinds of dramatick poetry had been defined only by their effects upon the mind, some absurdities might have been prevented, with which the compositions of our greatest poets are disgraced, who, for want of some settled ideas and accurate distinctions, have unhappily confounded tragick with comick sentiments. They seem to have thought, that as the meanest of personages constituted comedy, their greatness was sufficient to form a tragedy; and that nothing was necessary but that they should crowd the scene with monarchs, and generals, and guards; and make them talk, at certain intervals, of the downfall of kingdoms, and the rout of armies. They have not considered, that thoughts or incidents, in themselves ridiculous, grow still more grotesque by the solemnity of such characters; that reason and nature are uniform and inflexible: and that what is despicable and absurd, will not, by any association with splendid titles, become rational or great; that the most important affairs, by an intermixture of an unseasonable levity, may be made contemptible; and that the robes of royalty can give no dignity to nonsense or to folly.
"Comedy," says Horace, "sometimes raises her voice;" and Tragedy may likewise on proper occasions abate her dignity; but as the comick personages can only depart from their familiarity of style, when the more violent passions are put in motion, the heroes and queens of tragedy should never descend to trifle, but in the hours of ease, and intermissions of danger. Yet in the tragedy of Don Sebastian, when the king of Portugal is in the hands of his enemy, and having just drawn the lot, by which he is condemned to die, breaks out into a wild boast that his dust shall take possession of Africk, the dialogue proceeds thus between the captive and his conqueror:
Muley Moluch. What shall I do to conquer thee?
Seb. Impossible! Souls know no conquerors.
M. Mol. I'll shew thee for a monster thro' my Afric.
Seb. No, thou canst only shew me for a man: Afric is stored with monsters; man's a prodigy Thy subjects have not seen.
M. Mol. Thou talk'st as if
Still at the head of battle.
Seb. Thou mistak'st,
For there I would not talk.
Benducar, the Minister. Sure he would sleep. This conversation, with the sly remark of the minister, can only be found not to be comick, because it wants the probability necessary to representations of common life, and degenerates too much towards buffoonery and farce.
The same play affords a smart return of the general to to the emperor, who, enforcing his orders for the death of Sebastian, vents his impatience in this abrupt threat:
—No more replies,
But see thou dost it: Or—
To which Dorax answers,
Choak in that threat: I can say Or as loud.
A thousand instances of such impropriety might be produced, were not one scene in Aureng-Zebe sufficient to exemplify it. Indamora, a captive queen, having Aureng-Zebe for her lover, employs Arimant, to whose charge she had been entrusted, and whom she had made sensible of her charms, to carry her message to his rival.
ARIMANT, with a letter in his hand: INDAMORA.
Arim. And I the messenger to him from you?
Your empire you to tyranny pursue:
You lay commands both cruel and unjust,
To serve my rival, and betray my trust.
Ind. You first betray'd your trust in loving me:
And should not I my own advantage see?
Serving my love, you may my friendship gain;
You know the rest of your pretences vain.
You must, my Arimant, you must be kind:
'Tis in your nature, and your noble mind.
Arim. I'll to the king, and straight my trust resign.
Ind. His trust you may, but you shall never mine.
Heaven made you love me for no other end,
But to become my confidant and friend:
As such, I keep no secret from your sight,
And therefore make you judge how ill I write:
Read it, and tell me freely then your mind,
If 'tis indited, as I meant it, kind.
Arim. I ask not heaven my freedom to restore—[Reading.
But only for your sake—I'll read no more.
And yet I must—
Less for my own, than for your sorrow sad—[Reading.
Another line like this, would make me mad—
Heav'n! she goes on—yet more—and yet more kind!
[—As reading.
Each sentence is a dagger to my mind.
See me this night—[Reading.
Thank fortune who did such a friend provide;
For faithful Arimant shall be your guide.
Not only to be made an instrument,
But pre-engaged without my own consent!
Ind. Unknown to engage you still augments my score,
And gives you scope of meriting the more.
Arim. The best of men
Some int'rest in their actions must confess;
None merit, but in hope they may possess:
The fatal paper rather let me tear,
Than, like Bellerophon, my own sentence hear.
Ind. You may; but 'twill not be your best advice:
'Twill only give me pains of writing twice.
You know you must obey me, soon or late:
Why should you vainly struggle with your fate?
Arim. I thank thee, heav'n! thou hast been wondrous kind!
Why am I thus to slavery design'd,
And yet am cheated with a free-born mind!
Or make thy orders with my reason suit,
Or let me live by sense, a glorious brute—[She frowns.
You frown, and I obey with speed, before
That dreadful sentence comes, See me no more.
In this scene, every circumstance concurs to turn tragedy to farce. The wild absurdity of the expedient; the contemptible subjection of the lover; the folly of obliging him to read the letter, only because it ought to have been concealed from him; the frequent interruptions of amorous impatience; the faint expostulations of a voluntary slave; the imperious haughtiness of a tyrant without power; the deep reflection of the yielding rebel upon fate and free-will; and his wise wish to lose his reason as soon as he finds himself about to do what he cannot persuade his reason to approve, are sufficient to awaken the most torpid risibility.
There is scarce a tragedy of the last century which has not debased its most important incidents, and polluted its most serious interlocutions, with buffoonery and meanness; but though, perhaps, it cannot be pretended that the present age has added much to the force and efficacy of the drama, it has at least been able to escape many faults, which either ignorance had overlooked, or indulgence had licensed. The later tragedies, indeed, have faults of another kind, perhaps more destructive to delight, though less open to censure. That perpetual tumour of phrase with which every thought is now expressed by every personage, the paucity of adventures which regularity admits, and the unvaried equality of flowing dialogue, has taken away from our present writers almost all that dominion over the passions which was the boast of their predecessors. Yet they may at least claim this commendation, that they avoid gross faults, and that if they cannot often move terrour or pity, they are always careful not to provoke laughter.
No. 126. SATURDAY, JUNE 1, 1751.
—Nihil est aliud magnum quam multa minuta. VET. AUCT.
Sands form the mountain, moments make the year. YOUNG.
TO THE RAMBLER.
SIR,
Among other topicks of conversation which your papers supply, I was lately engaged in a discussion of the character given by Tranquilla of her lover Venustulus, whom, notwithstanding the severity of his mistress, the greater number seemed inclined to acquit of unmanly or culpable timidity.
One of the company remarked that prudence ought to be distinguished from fear; and that if Venustulus was afraid of nocturnal adventures, no man who considered how much every avenue of the town was infested with robbers could think him blameable; for why should life be hazarded without prospect of honour or advantage? Another was of opinion, that a brave man might be afraid of crossing the river in the calmest weather, and declared, that, for his part, while there were coaches and a bridge, he would never be seen tottering in a wooden case, out of which he might be thrown by any irregular agitation, or which might be overset by accident, or negligence, or by the force of a sudden gust, or the rush of a larger vessel. It was his custom, he said, to keep the security of daylight, and dry ground; for it was a maxim with him, that no wise man ever perished by water, or was lost in the dark.
The next was humbly of opinion, that if Tranquilla had seen, like him, the cattle run roaring about the meadows in the hot months, she would not have thought meanly of her lover for not venturing his safety among them. His neighbour then told us, that for his part he was not ashamed to confess, that he could not see a rat, though it was dead, without palpitation; that he had been driven six times out of his lodgings either by rats or mice; and that he always had a bed in the closet for his servant, whom he called up whenever the enemy was in motion. Another wondered that any man should think himself disgraced by a precipitate retreat from a dog; for there was always a possibility that a dog might be mad; and that surely, though there was no danger but of being bit by a fierce animal, there was more wisdom in flight than contest. By all these declarations another was encouraged to confess, that if he had been admitted to the honour of paying his addresses to Tranquilla, he should have been likely to incur the same censure; for, among all the animals upon which nature has impressed deformity and horrour, there is none whom he durst not encounter rather than a beetle.
Thus, Sir, though cowardice is universally defined too close and anxious an attention to personal safety, there will be found scarcely any fear, however excessive in its degree, or unreasonable in its object, which will be allowed to characterise a coward. Fear is a passion which every man feels so frequently predominant in his own breast, that he is unwilling to hear it censured with great asperity; and, perhaps, if we confess the truth, the same restraint which would hinder a man from declaiming against the frauds of any employment among those who profess it, should withhold him from treating fear with contempt among human beings.
Yet, since fortitude is one of those virtues which the condition of our nature makes hourly necessary, I think you cannot better direct your admonitions than against superfluous and panick terrours. Fear is implanted in us as a preservative from evil; but its duty, like that of other passions, is not to overbear reason, but to assist it; nor should it be suffered to tyrannize in the imagination, to raise phantoms of horrour, or beset life with supernumerary distresses.
To be always afraid of losing life is, indeed, scarcely to enjoy a life that can deserve the care of preservation. He that once indulges idle fears will never be at rest. Our present state admits only of a kind of negative security; we must conclude ourselves safe when we see no danger, or none inadequate to our powers of opposition. Death, indeed, continually hovers about us, but hovers commonly unseen, unless we sharpen our sight by useless curiosity.
There is always a point at which caution, however solicitous, must limit its preservatives, because one terrour often counteracts another. I once knew one of the speculatists of cowardice, whose reigning disturbance was the dread of housebreakers. His inquiries were for nine years employed upon the best method of barring a window, or a door; and many an hour has he spent in establishing the preference of a bolt to a lock. He had at last, by the daily superaddition of new expedients, contrived a door which could never be forced; for one bar was secured by another with such intricacy of subordination, that he was himself not always able to disengage them in the proper method. He was happy in this fortification, till being asked how he would escape if he was threatened by fire, he discovered, that with all his care and expense, he had only been assisting his own destruction. He then immediately tore off his bolts, and now leaves at night his outer door half-locked, that he may not by his own folly perish in the flames.
There is one species of terrour which those who are unwilling to suffer the reproach of cowardice have wisely dignified with the name of antipathy. A man who talks with intrepidity of the monsters of the wilderness while they are out of sight, will readily confess his antipathy to a mole, a weasel, or a frog. He has indeed no dread of harm from an insect or a worm, but his antipathy turns him pale whenever they approach him. He believes that a boat will transport him with as much safety as his neighbours, but he cannot conquer his antipathy to the water. Thus he goes on without any reproach from his own reflections, and every day multiplies antipathies, till he becomes contemptible to others, and burdensome to himself. It is indeed certain, that impressions of dread may sometimes be unluckily made by objects not in themselves justly formidable; but when fear is discovered to be groundless, it is to be eradicated like other false opinions, and antipathies are generally superable by a single effort. He that has been taught to shudder at a mouse, if he can persuade himself to risk one encounter, will find his own superiority, and exchange his terrours for the pride of conquest.
I am, Sir, &c.
THRASO.
SIR, As you profess to extend your regard to the minuteness of decency, as well as to the dignity of science, I cannot forbear to lay before you a mode of persecution by which I have been exiled to taverns and coffee-houses, and deterred from entering the doors of my friends. Among the ladies who please themselves with splendid furniture, or elegant entertainment, it is a practice very common, to ask every guest how he likes the carved work of the cornice, or the figures of the tapestry; the china at the table, or the plate on the side-board: and on all occasions to inquire his opinion of their judgment and their choice. Melania has laid her new watch in the window nineteen times, that she may desire me to look upon it. Calista has an art of dropping her snuff-box by drawing out her handkerchief, that when I pick it up I may admire it; and Fulgentia has conducted me, by mistake, into the wrong room, at every visit I have paid since her picture was put into a new frame.
I hope, Mr. Rambler, you will inform them, that no man should be denied the privilege of silence, or tortured to false declarations; and that though ladies may justly claim to be exempt from rudeness, they have no right to force unwilling civilities. To please is a laudable and elegant ambition, and is properly rewarded with honest praise; but to seize applause by violence, and call out for commendation, without knowing, or caring to know, whether it be given from conviction, is a species of tyranny by which modesty is oppressed, and sincerity corrupted. The tribute of admiration, thus exacted by impudence and importunity, differs from the respect paid to silent merit, as the plunder of a pirate from the merchant's profit.
I am, &c.
MISOCOLAX
SIR,
Your great predecessor, the Spectator, endeavoured to diffuse among his female readers a desire of knowledge; nor can I charge you, though you do not seem equally attentive to the ladies, with endeavouring to discourage them from any laudable pursuit. But however either he or you may excite our curiosity, you have not yet informed us how it may be gratified. The world seems to have formed an universal conspiracy against our understandings; our questions are supposed not to expect answers, our arguments are confuted with a jest, and we are treated like beings who transgress the limits of our nature whenever we aspire to seriousness or improvement.
I inquired yesterday of a gentleman eminent for astronomical skill, what made the day long in summer, and short in winter; and was told that nature protracted the days in summer, lest ladies should want time to walk in the park; and the nights in winter, lest they should not have hours sufficient to spend at the card-table.
I hope you do not doubt but I heard such information with just contempt, and I desire you to discover to this great master of ridicule, that I was far from wanting any intelligence which he could have given me. I asked the question with no other intention than to set him free from the necessity of silence, and give him an opportunity of mingling on equal terms with a polite assembly, from which, however uneasy, he could not then escape, by a kind introduction of the only subject on which I believed him able to speak with propriety.
I am, &c.
GENEROSA.
No. 127. TUESDAY, JUNE 4, 1751.
Capisti meliust, quam desinis. Ultima primis
Cedunt: dissimiles hic vir et ille puer. Ovid. Ep. ix. 24.
Succeeding years thy early fame destroy;
Thou, who began'st a man, wilt end a boy.
Politian, a name eminent among the restorers of polite literature, when he published a collection of epigrams, prefixed to many of them the year of his age at which they were composed. He might design, by this information, either to boast the early maturity of his genius, or to conciliate indulgence to the puerility of his performances. But whatever was his intent, it is remarked by Scaliger, that he very little promoted his own reputation, because he fell below the promise which his first productions had given, and, in the latter part of his life, seldom equalled the sallies of his youth.
It is not uncommon for those who, at their first entrance into the world, were distinguished for attainments or abilities, to disappoint the hopes which they had raised, and to end in neglect and obscurity that life which they began in celebrity and honour. To the long catalogue of the inconveniencies of old age, which moral and satirical writers have so copiously displayed, may be often added the loss of fame.
The advance of the human mind towards any object of laudable pursuit, may be compared to the progress of a body driven by a blow. It moves, for a time, with great velocity and vigour, but the force of the first impulse is perpetually decreasing, and though it should encounter no obstacle capable of quelling it by a sudden stop, the resistance of the medium through which it passes, and the latent inequalities of the smoothest surface, will, in a short time, by continued retardation, wholly overpower it. Some hindrances will be found in every road of life, but he that fixes his eyes upon any thing at a distance, necessarily loses sight of all that fills up the intermediate space, and therefore sets forward with alacrity and confidence, nor suspects a thousand obstacles, by which he afterwards finds his passage embarrassed and obstructed. Some are indeed stopt at once in their career by a sudden shock of calamity, or diverted to a different direction by the cross impulse of some violent passion; but far the greater part languish by slow degrees, deviate at first into slight obliquities, and themselves scarcely perceive at what time their ardour forsook them, or when they lost sight of their original design.
Weariness and negligence are perpetually prevailing by silent encroachments, assisted by different causes, and not observed till they cannot, without great difficulty, be opposed. Labour necessarily requires pauses of ease and relaxation, and the deliciousness of ease commonly makes us unwilling to return to labour. We, perhaps, prevail upon ourselves to renew our attempts, but eagerly listen to every argument for frequent interpositions of amusement; for, when indolence has once entered upon the mind, it can scarcely be dispossessed but by such efforts as very few are willing to exert.
It is the fate of industry to be equally endangered by miscarriage and success, by confidence and despondency. He that engages in a great undertaking, with a false opinion of its facility, or too high conceptions of his own strength, is easily discouraged by the first hindrance of his advances, because he had promised himself an equal and perpetual progression without impediment or disturbance; when unexpected interruptions break in upon him, he is in the state of a man surprised by a tempest, where he purposed only to bask in the calm, or sport in the shallows.
It is not only common to find the difficulty of an enterprize greater, but the profit less, than hope had pictured it. Youth enters the world with very happy prejudices in her own favour. She imagines herself not only certain of accomplishing every adventure, but of obtaining those rewards which the accomplishment may deserve. She is not easily persuaded to believe that the force of merit can be resisted by obstinacy and avarice, or its lustre darkened by envy and malignity. She has not yet learned that the most evident claims to praise or preferment may be rejected by malice against conviction, or by indolence without examination; that they may be sometimes defeated by artifices, and sometimes overborne by clamour; that, in the mingled numbers of mankind, many need no other provocation to enmity than that they find themselves excelled; that others have ceased their curiosity, and consider every man who fills the mouth of report with a new name, as an intruder upon their retreat, and disturber of their repose; that some are engaged in complications of interest which they imagine endangered by every innovation; that many yield themselves up implicitly to every report which hatred disseminates or folly scatters; and that whoever aspires to the notice of the publick, has in almost every man an enemy and a rival; and must struggle with the opposition of the daring, and elude the stratagems of the timorous, must quicken the frigid and soften the obdurate, must reclaim perverseness and inform stupidity.
It is no wonder that when the prospect of reward has vanished, the zeal of enterprize should cease; for who would persevere to cultivate the soil which he has, after long labour, discovered to be barren? He who hath pleased himself with anticipated praises, and expected that he should meet in every place with patronage or friendship, will soon remit his vigour, when he finds that, from those who desire to be considered as his admirers, nothing can be hoped but cold civility, and that many refuse to own his excellence, lest they should be too justly expected to reward it.
A man, thus cut off from the prospect of that port to which his address and fortitude had been employed to steer him, often abandons himself to chance and to the wind, and glides careless and idle down the current of life, without resolution to make another effort, till he is swallowed up by the gulph of mortality.
Others are betrayed to the same desertion of themselves by a contrary fallacy. It was said of Hannibal, that he wanted nothing to the completion of his martial virtues, but that when he had gained a victory he should know how to use it. The folly of desisting too soon from successful labours, and the haste of enjoying advantages before they are secured, are often fatal to men of impetuous desire, to men whose consciousness of uncommon powers fills them with presumption, and who, having borne opposition down before them, and left emulation panting behind, are early persuaded to imagine that they have reached the heights of perfection, and that now, being no longer in danger from competitors, they may pass the rest of their days in the enjoyment of their acquisitions, in contemplation of their own superiority, and in attention to their own praises, and look unconcerned from their eminence upon the toils and contentions of meaner beings.
It is not sufficiently considered in the hour of exultation, that all human excellence is comparative; that no man performs much but in proportion to what others accomplish, or to the time and opportunities which have been allowed him; and that he who stops at any point of excellence is every day sinking in estimation, because his improvement grows continually more incommensurate to his life. Yet, as no man willingly quits opinions favourable to himself, they who have once been justly celebrated, imagine that they still have the same pretensions to regard, and seldom perceive the diminution of their character while there is time to recover it. Nothing then remains but murmurs and remorse; for if the spendthrift's poverty be embittered by the reflection that he once was rich, how must the idler's obscurity be clouded by remembering that he once had lustre!
These errours all arise from an original mistake of the true motives of action. He that never extends his view beyond the praises or rewards of men will be dejected by neglect and envy, or infatuated by honours and applause. But the consideration that life is only deposited in his hands to be employed in obedience to a Master who will regard his endeavours, not his success, would have preserved him from trivial elations and discouragements, and enabled him to proceed with constancy and cheerfulness, neither enervated by commendation, nor intimidated by censure.
No. 128. SATURDAY, JUNE 8, 1751.
[Greek:
Aion d asphalaes
Ouk egent, out Aiakida para Paelei,
Oute par antitheo
Kadmo legontai man broton
Olbon hupertaton hoi
Schein.] PIND. Py. iii. 153.