Thomas Yalden, the sixth son of Mr. John Yalden, of Sussex, was born in the city of Exeter, in 1671. Having been educated in the grammar-school belonging to Magdalen college in Oxford, he was in 1690, at the age of nineteen, admitted commoner of Magdalen hall, under the tuition of Josiah Pullen[38], a man whose name is still remembered in the university. He became, next year, one of the scholars of Magdalen college, where he was distinguished by a lucky accident.
It was his turn, one day, to pronounce a declamation; and Dr. Hough, the president, happening to attend, thought the composition too good to be the speaker’s. Some time after, the doctor finding him a little irregularly busy in the library, set him an exercise for punishment; and, that he might not be deceived by any artifice, locked the door. Yalden, as it happened, had been lately reading on the subject given, and produced, with little difficulty, a composition which so pleased the president, that he told him his former suspicions, and promised to favour him.
Among his contemporaries in the college were Addison and Sacheverell, men who were in those times friends, and who both adopted Yalden to their intimacy. Yalden continued, throughout his life, to think, as probably he thought at first, yet did not forfeit the friendship of Addison.
When Namur was taken by king William, Yalden made an ode. There was never any reign more celebrated by the poets than that of William, who had very little regard for song himself, but happened to employ ministers who pleased themselves with the praise of patronage.
Of this ode mention is made in a humorous poem of that time, called the Oxford Laureate; in which, after many claims had been made and rejected, Yalden is represented as demanding the laurel, and as being called to his trial, instead of receiving a reward:
His crime was for being a felon in verse,
And presenting his theft to the king;
The first was a trick not uncommon or scarce,
But the last was an impudent thing:
Yet what he had stol’n was so little worth stealing,
They forgave him the damage and cost;
Had he ta’en the whole ode, as he took it piece-mealing,
They had fined him but tenpence at most.
The poet whom he was charged with robbing was Congreve.
He wrote another poem on the death of the duke of Gloucester.
In 1700, he became fellow of the college; and next year, entering into orders, was presented by the society with a living in Warwickshire[39], consistent with the fellowship, and chosen lecturer of moral philosophy, a very honourable office.
On the accession of queen Anne he wrote another poem; and is said, by the author of the Biographia, to have declared himself of the party who had the honourable distinction of high-churchmen.
In 1706, he was received into the family of the duke of Beaufort. Next year he became doctor in divinity, and soon after resigned his fellowship and lecture; and, as a token of his gratitude, gave the college a picture of their founder.
He was made rector of Charlton and Cleanville[40], two adjoining towns and benefices in Hertfordshire; and had the prebends, or sinecures, of Deans, Hains, and Pendles, in Devonshire. He had before[41] been chosen, in 1698, preacher of Bridewell Hospital, upon the resignation of Dr. Atterbury[42].
From this time he seems to have led a quiet and inoffensive life, till the clamour was raised about Atterbury’s plot. Every loyal eye was on the watch for abetters or partakers of the horrid conspiracy; and Dr. Yalden, having some acquaintance with the bishop, and being familiarly conversant with Kelly, his secretary, fell under suspicion, and was taken into custody.
Upon his examination he was charged with a dangerous correspondence with Kelly. The correspondence he acknowledged; but maintained that it had no treasonable tendency. His papers were seized; but nothing was found that could fix a crime upon him, except two words in his pocketbook, “thorough-paced doctrine.” This expression the imagination of his examiners had impregnated with treason, and the doctor was enjoined to explain them. Thus pressed, he told them that the words had lain unheeded in his pocketbook from the time of queen Anne, and that he was ashamed to give an account of them; but the truth was, that he had gratified his curiosity one day, by hearing Daniel Burgess in the pulpit, and those words were a memorial hint of a remarkable sentence by which he warned his congregation to “beware of thorough-paced doctrine, that doctrine, which, coming in at one ear, passes through the head, and goes out at the other.”
Nothing worse than this appearing in his papers, and no evidence arising against him, he was set at liberty.
It will not be supposed that a man of this character attained high dignities in the church; but he still retained the friendship, and frequented the conversation, of a very numerous and splendid set of acquaintance. He died July 16, 1736, in the 66th year of his age.
Of his poems, many are of that irregular kind, which, when he formed his poetical character, was supposed to be Pindarick. Having fixed his attention on Cowley as a model, he has attempted, in some sort, to rival him, and has written a Hymn to Darkness, evidently as a counterpart to Cowley’s Hymn to Light.
This hymn seems to be his best performance, and is, for the most part, imagined with great vigour, and expressed with great propriety. I will not transcribe it. The seven first stanzas are good; but the third, fourth, and seventh, are the best: the eighth seems to involve a contradiction; the tenth is exquisitely beautiful; the thirteenth, fourteenth, and fifteenth, are partly mythological, and partly religious, and, therefore, not suitable to each other: he might better have made the whole merely philosophical.
There are two stanzas in this poem where Yalden may be suspected, though hardly convicted, of having consulted the Hymnus ad Umbram of Wowerus, in the sixth stanza, which answers, in some sort, to these lines:
Illa suo præest nocturnis numine sacris—
Perque vias errare novis dat spectra figuris,
Manesque excitos medios ululare per agros
Sub noctem, et questu notos complere penatcs.
And again, at the conclusion:
Illa suo senium secludit corpore toto
Haud numerans jugi fugientia secula lapsu.
Ergo ubi postremum mundi compage soluta
Hanc rerum molem suprema absumpserit hora
Ipsa leves cineres nube amplectetur opaca,
Et prisco imperio rursus dominabitur UMBRA.
His Hymn to Light is not equal to the other. He seems to think that there is an East absolute and positive, where the morning rises.
In the last stanza, having mentioned the sudden eruption of new-created light, he says,
Awhile th’ Almighty wond’ring stood.
He ought to have remembered that infinite knowledge can never wonder. All wonder is the effect of novelty upon ignorance.
Of his other poems it is sufficient to say, that they deserve perusal, though they are not always exactly polished, though the rhymes are sometimes very ill sorted, and though his faults seem rather the omissions of idleness than the negligences of enthusiasm.
Thomas Tickell, the son of the reverend Richard Tickell, was born, in 1686, at Bridekirk, in Cumberland; and in April, 1701, became a member of Queen’s college, in Oxford; in 1708 he was made master of arts; and, two years afterwards, was chosen fellow; for which, as he did not comply with the statutes by taking orders, he obtained a dispensation from the crown. He held his fellowship till 1726, and then vacated it, by marrying, in that year, at Dublin.
Tickell was not one of those scholars who wear away their lives in closets; he entered early into the world, and was long busy in publick affairs; in which he was initiated under the patronage of Addison, whose notice he is said to have gained by his verses in praise of Rosamond.
To those verses it would not have been just to deny regard; for they contain some of the most elegant encomiastick strains; and, among the innumerable poems of the same kind, it will be hard to find one with which they need to fear a comparison. It may deserve observation, that when Pope wrote, long afterwards, in praise of Addison, he has copied, at least has resembled, Tickell.
Let joy salute fair Rosamonda’s shade,
And wreaths of myrtle crown the lovely maid.
While now perhaps with Dido’s ghost she roves,
And hears and tells the story of their loves,
Alike they mourn, alike they bless their fate,
Since love, which made them wretched, made them great.
Nor longer that relentless doom bemoan,
Which gain’d a Virgil and an Addison. Tickell.
Then future ages with delight shall see
How Plato’s, Bacon’s, Newton’s, looks agree;
Or in fair series laurell’d bards be shown,
A Virgil there, and here an Addison. Pope.
He produced another piece of the same kind at the appearance of Cato, with equal skill, but not equal happiness.
When the ministers of queen Anne were negotiating with France, Tickell published the Prospect of Peace, a poem, of which the tendency was to reclaim the nation from the pride of conquest to the pleasures of tranquillity. How far Tickell, whom Swift afterwards mentioned as whiggissimus, had then connected himself with any party, I know not; this poem certainly did not flatter the practices, or promote the opinions, of the men by whom he was afterwards befriended.
Mr. Addison, however he hated the men then in power, suffered his friendship to prevail over his publick spirit, and gave, in the Spectator, such praises of Tickell’s poem, that when, after having long wished to peruse it, I laid hold on it at last, I thought it unequal to the honours which it had received, and found it a piece to be approved rather than admired. But the hope excited by a work of genius, being general and indefinite, is rarely gratified. It was read at that time with so much favour, that six editions were sold.
At the arrival of king George he sang the Royal Progress; which, being inserted in the Spectator, is well known; and of which it is just to say, that it is neither high nor low.
The poetical incident of most importance in Tickell’s life was his publication of the first book of the Iliad, as translated by himself, an apparent opposition to Pope’s Homer, of which the first part made its entrance into the world at the same time.
Addison declared that the rival versions were both good; but that Tickell’s was the best that ever was made; and with Addison, the wits, his adherents and followers, were certain to concur. Pope does not appear to have been much dismayed; “for,” says he, “I have the town, that is, the mob, on my side.” But he remarks, “that it is common for the smaller party to make up in diligence what they want in numbers; he appeals to the people as his proper judges; and, if they are not inclined to condemn him, he is in little care about the highflyers at Button’s.”
Pope did not long think Addison an impartial judge; for he considered him as the writer of Tickell’s version. The reasons for his suspicion I will literally transcribe from Mr. Spence’s collection.
“There had been a coldness (said Mr. Pope) between Mr. Addison and me for some time; and we had not been in company together, for a good while, any where but at Button’s coffee-house, where I used to see him almost every day. On his meeting me there, one day in particular, he took me aside, and said he should be glad to dine with me, at such a tavern, if I staid till those people were gone, (Budgell and Philips.) We went accordingly; and, after dinner, Mr. Addison said, ‘That he had wanted for some time to talk with me; that his friend Tickell had formerly, whilst at Oxford, translated the first book of the Iliad; that he designed to print it, and had desired him to look it over; that he must, therefore, beg that I would not desire him to look over my first book, because, if he did, it would have the air of double-dealing.’ I assured him that I did not at all take it ill of Mr. Tickell that he was going to publish his translation; that he certainly had as much right to translate any author as myself; and that publishing both was entering on a fair stage. I then added, that I would not desire him to look over my first book of the Iliad, because he had looked over Mr. Tickell’s; but could wish to have the benefit of his observations on my second, which I had then finished, and which Mr. Tickell had not touched upon. Accordingly I sent him the second book the next morning; and Mr. Addison, a few days after, returned it, with very high commendations. Soon after it was generally known that Mr. Tickell was publishing the first book of the Iliad, I met Dr. Young in the street; and, upon our falling into that subject, the doctor expressed a great deal of surprise at Tickell’s having had such a translation so long by him. He said, that it was inconceivable to him, and that there must be some mistake in the matter; that each used to communicate to the other whatever verses they wrote, even to the least things; that Tickell could not have been busied in so long a work there, without his knowing something of the matter; and that he had never heard a single word of it till on this occasion. The surprise of Dr. Young, together with what Steele has said against Tickell in relation to this affair, make it highly probable that there was some underhand dealing in that business; and indeed Tickell himself, who is a very fair worthy man, has since, in a manner, as good as owned it to me. [When it was introduced into a conversation between Mr. Tickell and Mr. Pope, by a third person, Tickell did not deny it; which, considering his honour, and zeal for his departed friend, was the same as owning it.”]
Upon these suspicions, with which Dr. Warburton hints that other circumstances concurred, Pope always, in his Art of Sinking, quotes this book as the work of Addison.
To compare the two translations would be tedious; the palm is now given universally to Pope; but I think the first lines of Tickell’s were rather to be preferred; and Pope seems to have since borrowed something from them, in the correction of his own.
When the Hanover succession was disputed, Tickell gave what assistance his pen would supply. His Letter to Avignon stands high among party-poems; it expresses contempt without coarseness, and superiority without insolence. It had the success which it deserved, being five times printed.
He was now intimately united to Mr. Addison, who, when he went into Ireland as secretary to the lord Sunderland, took him thither, and employed him in publick business; and when, 1717, afterwards he rose to be secretary of state, made him under-secretary. Their friendship seems to have continued without abatement; for, when Addison died, he left him the charge of publishing his works, with a solemn recommendation to the patronage of Craggs.
To these works he prefixed an elegy on the author, which could owe none of its beauties to the assistance, which might be suspected to have strengthened or embellished his earlier compositions; but neither he nor Addison ever produced nobler lines than are contained in the third and fourth paragraphs; nor is a more sublime or more elegant funeral-poem to be found in the whole compass of English literature.
He was afterwards, about 1725, made secretary to the lords justices of Ireland, a place of great honour; in which he continued till 1740, when he died on the twenty-third of April, at Bath.
Of the poems yet unmentioned, the longest is Kensington Gardens, of which the versification is smooth and elegant, but the fiction unskilfully compounded of Grecian deities and Gothick fairies. Neither species of those exploded beings could have done much; and when they are brought together, they only make each other contemptible. To Tickell, however, cannot be refused a high place among the minor poets; nor should it be forgotten that he was one of the contributors to the Spectator. With respect to his personal character, he is said to have been a man of gay conversation, at least a temperate lover of wine and company, and in his domestick relations without censure.
Of Mr. Hammond, though he be well remembered as a man esteemed and caressed by the elegant and great, I was at first able to obtain no other memorials than such as are supplied by a book called Cibber’s Lives of the Poets; of which I take this opportunity to testify that it was not written, nor, I believe, ever seen by either of the Cibbers; but was the work of Robert Shiels, a native of Scotland, a man of very acute understanding, though with little scholastick education, who, not long after the publication of his work, died in London of a consumption. His life was virtuous, and his end was pious. Theophilus Cibber, then a prisoner for debt, imparted, as I was told, his name for ten guineas. The manuscript of Shiels is now in my possession.
I have since found that Mr. Shiels, though he was no negligent inquirer, has been misled by false accounts; for he relates that James Hammond, the author of the elegies, was the son of a Turkey merchant, and had some office at the prince of Wales’s court, till love of a lady, whose name was Dashwood, for a time disordered his understanding. He was unextinguishably amorous, and his mistress inexorably cruel.
Of this narrative, part is true, and part false. He was the second son of Anthony Hammond, a man of note among the wits, poets, and parliamentary orators, in the beginning of this century, who was allied to sir Robert Walpole by marrying his sister[43]. He was born about 1710, and educated at Westminster-school; but it does not appear that he was of any university[44]. He was equerry to the prince of Wales, and seems to have come very early into publick notice, and to have been distinguished by those whose friendship prejudiced mankind at that time in favour of the man on whom they were bestowed; for he was the companion of Cobham, Lyttelton, and Chesterfield. He is said to have divided his life between pleasure and books; in his retirement forgetting the town, and in his gaiety losing the student. Of his literary hours all the effects are here exhibited, of which the elegies were written very early, and the prologue not long before his death.
In 1741, he was chosen into parliament for Truro, in Cornwall, probably one of those who were elected by the prince’s influence; and died next year in June, at Stowe, the famous seat of lord Cobham. His mistress long outlived him, and, in 1779, died unmarried. The character which her lover bequeathed her was, indeed, not likely to attract courtship.
The elegies were published after his death; and while the writer’s name was remembered with fondness, they were read with a resolution to admire them.
The recommendatory preface of the editor, who was then believed, and is now affirmed by Dr. Maty, to be the earl of Chesterfield, raised strong prejudices in their favour.
But of the prefacer, whoever he was, it may be reasonably suspected that he never read the poems; for he professes to value them for a very high species of excellence, and recommends them as the genuine effusions of the mind, which expresses a real passion in the language of nature. But the truth is, these elegies have neither passion, nature, nor manners. Where there is fiction, there is no passion: he that describes himself as a shepherd, and his Neæra or Delia as a shepherdess, and talks of goats and lambs, feels no passion. He that courts his mistress with Roman imagery deserves to lose her; for she may, with good reason, suspect his sincerity. Hammond has few sentiments drawn from nature, and few images from modern life. He produces nothing but frigid pedantry. It would be hard to find in all his productions three stanzas that deserve to be remembered.
Like other lovers, he threatens the lady with dying; and what then shall follow?
Wilt thou in tears thy lover’s corse attend;
With eyes averted light the solemn pyre,
Till all around the doleful flames ascend,
Then, slowly sinking, by degrees expire?
To sooth the hov’ring soul be thine the care,
With plaintive cries to lead the mournful band;
In sable weeds the golden vase to bear,
And cull my ashes with thy trembling hand:
Panchaia’s odours be their costly feast,
And all the pride of Asia’s fragrant year,
Give them the treasures of the farthest East,
And, what is still more precious, give thy tear.
Surely no blame can fall upon the nymph who rejected a swain of so little meaning.
His verses are not rugged, but they have no sweetness; they never glide in a stream of melody. Why Hammond or other writers have thought the quatrain of ten syllables elegiack, it is difficult to tell. The character of the elegy is gentleness and tenuity; but this stanza has been pronounced by Dryden, whose knowledge of English metre was not inconsiderable, to be the most magnificent of all the measures which our language affords.
Of Mr.[45] Somervile’s life I am not able to say any thing that can satisfy curiosity.
He was a gentleman whose estate was in Warwickshire: his house, where he was born, in 1692, is called Edston, a seat inherited from a long line of ancestors; for he was said to be of the first family in his county. He tells of himself that he was born near the Avon’s banks. He was bred at Winchester-school, and was elected fellow of New college. It does not appear that in the places of his education he exhibited any uncommon proofs of genius or literature. His powers were first displayed in the country, where he was distinguished as a poet, a gentleman, and a skilful and useful justice of the peace.
Of the close of his life, those whom his poems have delighted will read with pain the following account, copied from the letters of his friend Shenstone, by whom he was too much resembled.
“—Our old friend Somervile is dead! I did not imagine I could have been so sorry as I find myself on this occasion: ‘Sublatum quærimus.’ I can now excuse all his foibles; impute them to age, and to distress of circumstances: the last of these considerations wrings my very soul to think on. For a man of high spirit, conscious of having, at least in one production, generally pleased the world, to be plagued and threatened by wretches that are low in every sense; to be forced to drink himself into pains of the body, in order to get rid of the pains of the mind, is a misery.”
He died July 19,1742, and was buried at Wotton, near Henley on Arden.
His distresses need not be much pitied: his estate is said to have been fifteen hundred a-year, which, by his death, devolved to lord Somervile, of Scotland. His mother, indeed, who lived till ninety, had a jointure of six hundred.
It is with regret that I find myself not better enabled to exhibit memorials of a writer, who, at least, must be allowed to have set a good example to men of his own class, by devoting part of his time to elegant knowledge; and who has shown, by the subjects which his poetry has adorned, that it is practicable to be at once a skilful sportsman, and a man of letters.
Somervile has tried many modes of poetry; and though, perhaps, he has not in any reached such excellence as to raise much envy, it may commonly be said, at least, that “he writes very well for a gentleman.” His serious pieces are sometimes elevated, and his trifles are sometimes elegant. In his verses to Addison, the couplet which mentions Clio is written with the most exquisite delicacy of praise; it exhibits one of those happy strokes that are seldom attained. In his odes to Marlborough there are beautiful lines; but, in the second ode, he shows that he knew little of his hero, when he talks of his private virtues. His subjects are commonly such as require no great depth of thought, or energy of expression. His fables are generally stale, and, therefore, excite no curiosity. Of his favourite, the Two Springs, the fiction is unnatural, and the moral inconsequential. In his tales there is too much coarseness, with too little care of language, and not sufficient rapidity of narration.
His great work is his Chase, which he undertook in his maturer age, when his ear was improved to the approbation of blank verse, of which, however, his two first lines give a bad specimen. To this poem praise cannot be totally denied. He is allowed, by sportsmen, to write with great intelligence of his subject, which is the first requisite to excellence; and, though it is impossible to interest the common readers of verse in the dangers or pleasures of the chase, he has done all that transition and variety could easily effect; and has, with great propriety, enlarged his plan by the modes of hunting used in other countries.
With still less judgment did he choose blank verse as the vehicle of Rural Sports. If blank verse be not tumid and gorgeous, it is crippled prose; and familiar images, in laboured language, have nothing to recommend them but absurd novelty, which, wanting the attractions of nature, cannot please long. One excellence of the Splendid Shilling is, that it is short. Disguise can gratify no longer than it deceives[46].
It has been observed, in all ages, that the advantages of nature, or of fortune, have contributed very little to the promotion of happiness; and that those whom the splendour of their rank, or the extent of their capacity, have placed upon the summits of human life, have not often given any just occasion to envy, in those who look up to them from a lower station: whether it be that apparent superiority incites great designs, and great designs are naturally liable to fatal miscarriages; or, that the general lot of mankind is misery, and the misfortunes of those, whose eminence drew upon them an universal attention, have been more carefully recorded, because they were more generally observed, and have, in reality, been only more conspicuous than those of others, not more frequent, or more severe.
That affluence and power, advantages extrinsick and adventitious, and, therefore, easily separable from those by whom they are possessed, should very often flatter the mind with expectations of felicity which they cannot give, raises no astonishment; but it seems rational to hope, that intellectual greatness should produce better effects; that minds qualified for great attainments should first endeavour their own benefit; and that they, who are most able to teach others the way to happiness, should with most certainty follow it themselves.
But this expectation, however plausible, has been very frequently disappointed. The heroes of literary as well as civil history, have been very often no less remarkable for what they have suffered, than for what they have achieved; and volumes have been written only to enumerate the miseries of the learned, and relate their unhappy lives and untimely deaths.
To these mournful narratives, I am about to add the life of Richard Savage, a man whose writings entitle him to an eminent rank in the classes of learning, and whose misfortunes claim a degree of compassion, not always due to the unhappy, as they were often the consequences of the crimes of others, rather than his own.
In the year 1697, Anne, countess of Macclesfield, having lived, for same time, upon very uneasy terms with her husband, thought a publick confession of adultery the most obvious and expeditious method of obtaining her liberty; and, therefore, declared, that the child, with which she was then great, was begotten by the earl Rivers. This, as may be imagined, made her husband no less desirous of a separation than herself, and he prosecuted his design in the most effectual manner; for he applied not to the ecclesiastical courts for a divorce, but to the parliament for an act, by which his marriage might be dissolved, the nuptial contract totally annulled, and the children of his wife illegitimated. This act, after the usual deliberation, he obtained, though without the approbation of some, who considered marriage as an affair only cognizable by ecclesiastical judges[48]; and, on March 3rd, was separated from his wife, whose fortune, which was very great, was repaid her, and who having, as well as her husband, the liberty of making another choice, was, in a short time, married to colonel Brett.
While the earl of Macclesfield was prosecuting this affair, his wife was, on the 10th of January, 1697-8, delivered of a son; and the earl Rivers, by appearing to consider him as his own, left none any reason to doubt of the sincerity of her declaration; for he was his godfather, and gave him his own name, which was, by his direction, inserted in the register of St. Andrew’s parish[49] in Holborn, but, unfortunately, left him to the care of his mother, whom, as she was now set free from her husband, he, probably, imagined likely to treat with great tenderness the child that had contributed to so pleasing an event. It is not, indeed, easy to discover what motives could be found to overbalance that natural affection of a parent, or what interest could be promoted by neglect or cruelty. The dread of shame or of poverty, by which some wretches have been incited to abandon or to murder their children, cannot be supposed to have affected a woman who had proclaimed her crimes and solicited reproach, and on whom the clemency of the legislature had undeservedly bestowed a fortune, which would have been very little diminished by the expenses which the care of her child could have brought upon her. It was, therefore, not likely that she would be wicked without temptation; that she would look upon her son, from his birth, with a kind of resentment and abhorrence; and, instead of supporting, assisting, and defending him, delight to see him struggling with misery, or that she would take every opportunity of aggravating his misfortunes, and obstructing his resources, and, with an implacable and restless cruelty, continue her persecution from the first hour of his life to the last.
But, whatever were her motives, no sooner was her son born, than she discovered a resolution of disowning him; and, in a very short time, removed him from her sight, by committing him to the care of a poor woman, whom she directed to educate him as her own, and enjoined never to inform him of his true parents.
Such was the beginning of the life of Richard Savage. Born with a legal claim to honour and to affluence, he was, in two months, illegitimated by the parliament, and disowned by his mother, doomed to poverty and obscurity, and launched upon the ocean of life, only that he might be swallowed by its quicksands, or dashed upon its rocks.
His mother could not, indeed, infect others with the same cruelty. As it was impossible to avoid the inquiries which the curiosity or tenderness of her relations made after her child, she was obliged to give some account of the measures she had taken; and her mother, the lady Mason, whether in approbation of her design, or to prevent more criminal contrivances, engaged to transact with the nurse, to pay her for her care, and to superintend the education of the child.
In this charitable office she was assisted by his godmother, Mrs. Lloyd, who, while she lived, always looked upon him with that tenderness which the barbarity of his mother made peculiarly necessary; but her death, which happened in his tenth year, was another of the misfortunes of his childhood; for though she kindly endeavoured to alleviate his loss by a legacy of three hundred pounds, yet, as he had none to prosecute his claim, to shelter him from oppression, or call in law to the assistance of justice, her will was eluded by the executors, and no part of the money was ever paid[50].
He was, however, not yet wholly abandoned. The lady Mason still continued her care, and directed him to be placed at a small grammar-school near St. Alban’s, where he was called by the name of his nurse, without the least intimation that he had a claim to any other.
Here he was initiated in literature, and passed through several of the classes, with what rapidity or with what applause cannot now be known. As he always spoke with respect of his master, it is probable that the mean rank, in which he then appeared, did not hinder his genius from being distinguished, or his industry from being rewarded; and if in so low a state he obtained distinction and rewards, it is not likely they were gained but by genius and industry.
It is very reasonable to conjecture, that his application was equal to his abilities, because his improvement was more than proportioned to the opportunities which he enjoyed; nor can it be doubted, that if his earliest productions had been preserved, like those of happier students, we might in some have found vigorous sallies of that sprightly humour which distinguishes the Author to be let, and in others strong touches of that ardent imagination which painted the solemn scenes of the Wanderer.
While he was thus cultivating his genius, his father, the earl Rivers, was seized with a distemper, which, in a short time, put an end to his life[51]. He had frequently inquired after his son, and had always been amused with fallacious and evasive answers; but, being now, in his own opinion, on his deathbed, he thought it his duty to provide for him among his other natural children, and, therefore, demanded a positive account of him, with an importunity not to be diverted or denied. His mother, who could no longer refuse an answer, determined, at least, to give such as should cut him off for ever from that happiness which competence affords, and, therefore, declared that he was dead; which is, perhaps, the first instance of a lie invented by a mother to deprive her son of a provision which was designed him by another, and which she could not expect herself, though he should lose it.
This was, therefore, an act of wickedness which could not be defeated, because it could not be suspected; the earl did not imagine there could exist in a human form a mother that would ruin her son without enriching herself, and, therefore, bestowed upon some other person six thousand pounds, which he had in his will bequeathed to Savage.
The same cruelty which incited his mother to intercept this provision which had been intended him, prompted her, in a short time, to another project, a project worthy of such a disposition. She endeavoured to rid herself from the danger of being at any time made known to him, by sending him secretly to the American plantations[52].
By whose kindness this scheme was counteracted, or by what interposition she was induced to lay aside her design, I know not; it is not improbable that the lady Mason might persuade or compel her to desist, or, perhaps, she could not easily find accomplices wicked enough to concur in so cruel an action; for it may be conceived, that those who had, by a long gradation of guilt, hardened their hearts against the sense of common wickedness, would yet be shocked at the design of a mother to expose her son to slavery and want, to expose him without interest, and without provocation; and Savage might, on this occasion, find protectors and advocates among those who had long traded in crimes, and whom compassion had never touched before.
Being hindered, by whatever means, from banishing him into another country, she formed, soon after, a scheme for burying him in poverty and obscurity in his own; and, that his station of life, if not the place of his residence, might keep him for ever at a distance from her, she ordered him to be placed with a shoemaker in Holborn, that, after the usual time of trial, he might become his apprentice[53].
It is generally reported, that this project was, for some time, successful, and that Savage was employed at the awl longer than he was willing to confess; nor was it, perhaps, any great advantage to him, that an unexpected discovery determined him to quit his occupation.
About this time his nurse, who had always treated him as her own son, died; and it was natural for him to take care of those effects which, by her death, were, as he imagined, become his own: he, therefore, went to her house, opened her boxes, and examined her papers, among which he found some letters written to her by the lady Mason, which informed him of his birth, and the reasons for which it was concealed.
He was no longer satisfied with the employment which had been allotted him, but thought he had a right to share the affluence of his mother; and, therefore, without scruple, applied to her as her son, and made use of every art to awaken her tenderness, and attract her regard. But neither his letters, nor the interposition of those friends which his merit or his distress procured him, made any impression upon her mind. She, still resolved to neglect, though she could no longer disown him.
It was to no purpose that he frequently solicited her to admit him to see her: she avoided him with the most vigilant precaution, and ordered him to be excluded from her house, by whomsoever he might be introduced, and what reason soever he might give for entering it.
Savage was at the same time so touched with the discovery of his real mother, that it was his frequent practice to walk in the dark evenings[54] for several hours before her door, in hopes of seeing her as she might come by accident to the window, or cross her apartment with a candle in her hand.
But all his assiduity and tenderness were without effect, for he could neither soften her heart nor open her hand, and was reduced to the utmost miseries of want, while he was endeavouring to awaken the affection of a mother. He was, therefore, obliged to seek some other means of support; and, having no profession, became, by necessity, an author.
At this time the attention of the literary world was engrossed by the Bangorian controversy, which filled the press with pamphlets, and the coffee-houses with disputants. Of this subject, as most popular, he made choice for his first attempt, and, without any other knowledge of the question than he had casually collected from conversation, published a poem against the bishop[55].
What was the success or merit of this performance, I know not; it was probably lost among the innumerable pamphlets to which that dispute gave occasion. Mr. Savage was himself in a little time ashamed of it, and endeavoured to suppress it, by destroying all the copies that he could collect.
He then attempted a more gainful kind of writing[56], and, in his eighteenth year, offered to the stage a comedy, borrowed from a Spanish plot, which was refused by the players, and was, therefore, given by him to Mr. Bullock, who, having more interest, made some slight alterations, and brought it upon the stage, under the title of Woman’s a Riddle[57], but allowed the unhappy author no part of the profit.
Not discouraged, however, at his repulse, he wrote, two years afterwards, Love in a Veil, another comedy, borrowed likewise from the Spanish, but with little better success than before; for, though it was received and acted, yet it appeared so late in the year, that the author obtained no other advantage from it, than the acquaintance of sir Richard Steele, and Mr. Wilks, by whom he was pitied, caressed, and relieved.
Sir Richard Steele, having declared in his favour with all the ardour of benevolence which constituted his character, promoted his interest with the utmost zeal, related his misfortunes, applauded his merit, took all the opportunities of recommending him, and asserted, that “the inhumanity of his mother had given him a right to find every good man his father[58].”
Nor was Mr. Savage admitted to his acquaintance only, but to his confidence, of which he sometimes related an instance too extraordinary to be omitted, as it affords a very just idea of his patron’s character.
He was once desired by sir Richard, with an air of the utmost importance, to come very early to his house the next morning. Mr. Savage came as he had promised, found the chariot at the door, and sir Richard waiting for him, and ready to go out. What was intended, and whither they were to go, Savage could not conjecture, and was not willing to inquire; but immediately seated himself with sir Richard. The coachman was ordered to drive, and they hurried, with the utmost expedition, to Hyde-park corner, where they stopped at a petty tavern, and retired to a private room. Sir Richard then informed him, that he intended to publish a pamphlet, and that he had desired him to come thither that he might write for him. They soon sat down to the work. Sir Richard dictated, and Savage wrote, till the dinner that had been ordered was put upon the table. Savage was surprised at the meanness of the entertainment, and, after some hesitation, ventured to ask for wine, which sir Richard, not without reluctance, ordered to be brought. They then finished their dinner, and proceeded in their pamphlet, which they concluded in the afternoon.
Mr. Savage then imagined his task over, and expected that sir Richard would call for the reckoning, and return home; but his expectations deceived him, for sir Richard told him that he was without money, and that the pamphlet must be sold, before the dinner could be paid for; and Savage was, therefore, obliged to go and offer their new production to sale for two guineas, which, with some difficulty, he obtained. Sir Richard then returned home, having retired that day only to avoid his creditors, and composed the pamphlet only to discharge his reckoning.
Mr. Savage related another fact equally uncommon, which, though it has no relation to his life, ought to be preserved. Sir Richard Steele having one day invited to his house a great number of persons of the first quality, they were surprised at the number of liveries which surrounded the table; and after dinner, when wine and mirth had set them free from the observation of rigid ceremony, one of them inquired of sir Richard, how such an expensive train of domesticks could be consistent with his fortune. Sir Richard very frankly confessed, that they were fellows of whom he would very willingly be rid: and being then asked why he did not discharge them, declared that they were bailiffs, who had introduced themselves with an execution, and whom, since he could not send them away, he had thought it convenient to embellish with liveries, that they might do him credit while they staid.
His friends were diverted with the expedient, and, by paying the debt, discharged their attendance, having obliged sir Richard to promise that they should never again find him graced with a retinue of the same kind.
Under such a tutor Mr. Savage was not likely to learn prudence or frugality; and, perhaps, many of the misfortunes which the want of those virtues brought upon him in the following parts of his life, might be justly imputed to so unimproving an example.
Nor did the kindness of sir Richard end in common favours. He proposed to have established him in some settled scheme of life, and to have contracted a kind of alliance with him, by marrying him to a natural daughter, on whom he intended to bestow a thousand pounds. But, though he was always lavish of future bounties, he conducted his affairs in such a manner, that he was very seldom able to keep his promises, or execute his own intentions; and, as he was never able to raise the sum which he had offered, the marriage was delayed. In the mean time he was officiously informed, that Mr. Savage had ridiculed him; by which he was so much exasperated, that he withdrew the allowance which he had paid him, and never afterwards admitted him to his house.
It is not, indeed, unlikely that Savage might, by his imprudence, expose himself to the malice of a talebearer; for his patron had many follies, which, as his discernment easily discovered, his imagination might sometimes incite him to mention too ludicrously. A little knowledge of the world is sufficient to discover that such weakness is very common, and that there are few who do not sometimes, in the wantonness of thoughtless mirth, or the heat of transient resentment, speak of their friends and benefactors with levity and contempt, though, in their cooler moments, they want neither sense of their kindness, nor reverence for their virtue: the fault, therefore, of Mr. Savage was rather negligence than ingratitude. But sir Richard must, likewise, be acquitted of severity, for who is there that can patiently bear contempt from one whom he has relieved and supported, whose establishment he has laboured, and whose interest he has promoted?
He was now again abandoned to fortune, without any other friend than Mr. Wilks; a man who, whatever were his abilities or skill as an actor, deserves, at least, to be remembered for his virtues[59], which are not often to be found in the world, and, perhaps, Jess often in his profession than in others. To be humane, generous, and candid, is a very high degree of merit in any case; but those qualities deserve still greater praise, when they are found in that condition which makes almost every other man, for whatever reason, contemptuous, insolent, petulant, selfish, and brutal.
As Mr. Wilks was one of those to whom calamity seldom complained without relief, he naturally took an unfortunate wit into his protection, and not only assisted him in any casual distresses, but continued an equal and steady kindness to the time of his death.
By his interposition Mr. Savage once obtained from his mother[60] fifty pounds, and a promise of one hundred and fifty more; but it was the fate of this unhappy man, that few promises of any advantage to him were performed. His mother was infected, among others, with the general madness of the South-sea traffick; and, having been disappointed in her expectations, refused to pay what, perhaps, nothing but the prospect of sudden affluence prompted her to promise.
Being thus obliged to depend upon the friendship of Mr. Wilks, he was, consequently, an assiduous frequenter of the theatres; and, in a short time, the amusements of the stage took such possession of his mind, that he never was absent from a play in several years.
This constant attendance naturally procured him the acquaintance of the players; and, among others, of Mrs. Oldfield, who was so much pleased with his conversation, and touched with his misfortunes, that she allowed him a settled pension of fifty pounds a year, which was during her life regularly paid.
That this act of generosity may receive its due praise, and that the good actions of Mrs. Oldfield may not be sullied by her general character, it is proper to mention what Mr. Savage often declared, in the strongest terms, that he never saw her alone, or in any other place than behind the scenes.
At her death he endeavoured to show his gratitude in the most decent manner, by wearing mourning, as for a mother; but did not celebrate her in elegies[61], because he knew that too great profusion of praise would only have revived those faults which his natural equity did not allow him to think less, because they were committed by one who favoured him; but of which, though his virtue would not endeavour to palliate them, his gratitude would not suffer him to prolong the memory, or diffuse the censure.
In his Wanderer, he has, indeed, taken an opportunity of mentioning her; but celebrates her not for her virtue, but her beauty, an excellence which none ever denied her: this is the only encomium with which he has rewarded her liberality; and, perhaps, he has, even in this, been too lavish of his praise. He seems to have thought, that never to mention his benefactress would have an appearance of ingratitude, though to have dedicated any particular performance to her memory would have only betrayed an officious partiality, that, without exalting her character, would have depressed his own.
He had sometimes, by the kindness of Mr. Wilks, the advantage of a benefit, on which occasions he often received uncommon marks of regard and compassion; and was once told, by the duke of Dorset, that it was just to consider him as an injured nobleman; and that, in his opinion, the nobility ought to think themselves obliged, without solicitation, to take every opportunity of supporting him by their countenance and patronage. But he had generally the mortification to hear, that the whole interest of his mother was employed to frustrate his applications, and that she never left any expedient untried, by which he might be cut off from the possibility of supporting life. The same disposition she endeavoured to diffuse among all those over whom nature or fortune gave her any influence; and, indeed, succeeded too well in her design; but could not always propagate her effrontery with her cruelty; for some of those, whom she incited against him, were ashamed of their own conduct, and boasted of that relief which they never gave him.
In this censure I do not indiscriminately involve all his relations; for he has mentioned, with gratitude, the humanity of one lady, whose name I am now unable to recollect, and to whom, therefore, I cannot pay the praises which she deserves, for having acted well, in opposition to influence, precept, and example.
The punishment which our laws inflict upon those parents who murder their infants, is well known; nor has its justice ever been contested; but, if they deserve death who destroy a child in its birth, what pains can be severe enough for her who forbears to destroy him, only to inflict sharper miseries upon him; who prolongs his life, only to make him miserable; and who exposes him, without care and without pity, to the malice of oppression, the caprices of chance, and the temptations of poverty; who rejoices to see him overwhelmed with calamities; and, when his own industry, or the charity of others, has enabled him to rise, for a short time, above his miseries, plunges him again into his former distress?
The kindness of his friends not affording him any constant supply, and the prospect of improving his fortune by enlarging his acquaintance necessarily leading him to places of expense, he found it necessary[62] to endeavour, once more, at dramatick poetry, for which he was now better qualified, by a more extensive knowledge and longer observation. But having been unsuccessful in comedy, though rather for want of opportunities than genius, he resolved now to try whether he should not be more fortunate in exhibiting a tragedy.
The story which he chose for the subject, was that of sir Thomas Overbury, a story well adapted to the stage, though, perhaps, not far enough removed from the present age to admit properly the fictions necessary to complete the plan; for the mind, which naturally loves truth, is always most offended with the violation of those truths of which we are most certain; and we, of course, conceive those facts most certain, which approach nearest to our own time.
Out of this story he formed a tragedy, which, if the circumstances in which he wrote it be considered, will afford, at once, an uncommon proof of strength of genius, and evenness of mind, of a serenity not to be ruffled, and an imagination not to be suppressed.
During a considerable part of the time in which he was employed upon this performance, he was without lodging, and often without meat; nor had he any other conveniences for study than the fields or the streets allowed him: there he used to walk and form his speeches, and, afterwards, step into a shop, beg for a few moments the use of the pen and ink, and write down what he had composed, upon paper which he had picked up by accident.
If the performance of a writer thus distressed is not perfect, its faults ought, surely, to be imputed to a cause very different from want of genius, and must rather excite pity than provoke censure.
But when, under these discouragements, the tragedy was finished, there yet remained the labour of introducing it on the stage; an undertaking, which, to an ingenuous mind, was, in a very high degree, vexatious and disgusting; for, having little interest or reputation, he was obliged to submit himself wholly to the players, and admit, with whatever reluctance, the emendations of Mr. Cibber, which he always considered as the disgrace of his performance.
He had, indeed, in Mr. Hill, another critick of a very different class, from whose friendship he received great assistance on many occasions, and whom he never mentioned but with the utmost tenderness and regard. He had been for some time distinguished by him with very particular kindness, and on this occasion it was natural to apply to him, as an author of an established character. He, therefore, sent this tragedy to him, with a short copy of verses[63], in which he desired his correction. Mr. Hill, whose humanity and politeness are generally known, readily complied with his request; but, as he is remarkable for singularity of sentiment, and bold experiments in language, Mr. Savage did not think his play much improved by his innovation, and had, even at that time, the courage to reject several passages which he could not approve; and, what is still more laudable, Mr. Hill had the generosity not to resent the neglect of his alterations, but wrote the prologue and epilogue, in which he touches on the circumstances of the author with great tenderness.
After all these obstructions and compliances, he was only able to bring his play upon the stage in the summer, when the chief actors had retired, and the rest were in possession of the house for their own advantage. Among these, Mr. Savage was admitted to play the part of sir Thomas Overbury[64], by which he gained no great reputation, the theatre being a province for which nature seemed not to have designed him; for neither his voice, look, nor gesture, were such as were expected on the stage; and he was so much ashamed of having been reduced to appear as a player, that he always blotted out his name from the list, when a copy of his tragedy was to be shown to his friends.
In the publication of his performance he was more successful, for the rays of genius that glimmered in it, that glimmered through all the mists which poverty and Cibber had been able to spread over it, procured him the notice and esteem of many persons eminent for their rank, their virtue, and their wit.
Of this play, acted, printed, and dedicated, the accumulated profits arose to a hundred pounds, which he thought at that time a very large sum, having been never master of so much before.
In the dedication[65], for which he received ten guineas, there is nothing remarkable. The preface contains a very liberal encomium on the blooming excellencies of Mr. Theophilus Cibber, which Mr. Savage could not in the latter part of his life see his friends about to read without snatching the play out of their hands. The generosity of Mr. Hill did not end on this occasion; for afterwards, when Mr. Savage’s necessities returned, he encouraged a subscription to a Miscellany of Poems in a very extraordinary manner, by publishing his story in the Plain Dealer [66], with some affecting lines, which he asserts to have been written by Mr. Savage upon the treatment received by him from his mother, but of which he was himself the author, as Mr. Savage afterwards declared. These lines, and the paper in which they were inserted, had a very powerful effect upon all but his mother, whom, by making her cruelty more publick, they only hardened in her aversion.
Mr. Hill not only promoted the subscription to the Miscellany, but furnished likewise the greatest part of the poems of which it is composed, and particularly the Happy Man, which he published as a specimen.
The subscriptions of those whom these papers should influence to patronise merit in distress, without any other solicitation, were directed to be left at Button’s coffee-house; and Mr. Savage going thither a few days afterwards, without expectation of any effect from his proposal, found to his surprise seventy guineas[67], which had been sent him in consequence of the compassion excited by Mr. Hill’s pathetick representation.
To this Miscellany he wrote a preface, in which he gives an account of his mother’s cruelty in a very uncommon strain of humour, and with a gaiety of imagination; which the success of his subscription probably produced.
The dedication is addressed to the lady Mary Wortley Montague, whom he flatters without reserve, and, to confess the truth, with very little art[68]. The same observation may be extended to all his dedications: his compliments are constrained and violent, heaped together without the grace of order, or the decency of introduction: he seems to have written his panegyricks for the perusal only of his patrons, and to have imagined that he had no other task than to pamper them with praises, however gross, and that flattery would make its way to the heart, without the assistance of elegance or invention.
Soon afterwards the death of the king furnished a general subject for a poetical contest, in which Mr. Savage engaged, and is allowed to have carried the prize of honour from his competitors: but I know not whether he gained by his performance any other advantage than the increase of his reputation; though it must certainly have been with further views that he prevailed upon himself to attempt a species of writing, of which all the topicks had been long before exhausted, and which was made at once difficult by the multitudes that had failed in it, and those that had succeeded.
He was now advancing in reputation, and though frequently involved in very distressful perplexities, appeared, however, to be gaining upon mankind, when both his fame and his life were endangered by an event, of which it is not yet determined, whether it ought to be mentioned as a crime or a calamity.
On the 20th of November, 1727, Mr. Savage came from Richmond, where he then lodged, that he might pursue his studies with less interruption, with an intent to discharge another lodging which he had in Westminster; and accidentally meeting two gentlemen, his acquaintances, whose names were Merchant and Gregory, he went in with them to a neighbouring coffee-house, and sat drinking till it was late, it being in no time of Mr. Savage’s life any part of his character to be the first of the company that desired to separate. He would willingly have gone to bed in the same house; but there was not room for the whole company, and, therefore, they agreed to ramble about the streets, and divert themselves with such amusements as should offer themselves till morning.
In this walk they happened unluckily to discover a light in Robinson’s coffee-house, near Charing-cross, and, therefore, went in. Merchant, with some rudeness, demanded a room, and was told that there was a good fire in the next parlour, which the company were about to leave, being then paying their reckoning. Merchant, not satisfied with this answer, rushed into the room, and was followed by his companions. He then petulantly placed himself between the company and the fire, and soon after kicked down the table. This produced a quarrel, swords were drawn on both sides, and one Mr. James Sinclair was killed. Savage, having likewise wounded a maid that held him, forced his way with Merchant out of the house; but being intimidated and confused, without resolution either to fly or stay, they were taken in a back court by one of the company, and some soldiers, whom he had called to his assistance.
Being secured and guarded that night, they were in the morning carried before three justices, who committed them to the Gate-house, from whence, upon the death of Mr. Sinclair, which happened the same day, they were removed in the night to Newgate, where they were, however, treated with some distinction, exempted from the ignominy of chains, and confined, not among the common criminals, but in the press-yard.
When the day of trial came, the court was crowded in a very unusual manner; and the publick appeared to interest itself, as in a cause of general concern. The witnesses against Mr. Savage and his friends were, the woman who kept the house, which was a house of ill fame, and her maid, the men who were in the room with Mr. Sinclair, and a woman of the town, who had been drinking with them, and with whom one of them had been seen in bed. They swore in general, that Merchant gave the provocation, which Savage and Gregory drew their swords to justify; that Savage drew first, and that he stabbed Sinclair when he was not in a posture of defence, or while Gregory commanded his sword; that after he had given the thrust he turned pale, and would have retired, but that the maid clung round him, and one of the company endeavoured to detain him, from whom he broke, by cutting the maid on the head, but was afterwards taken in a court.
There was some difference in their depositions; one did not see Savage give the wound, another saw it given when Sinclair held his point towards the ground; and the woman of the town asserted, that she did not see Sinclair’s sword at all: this difference, however, was very far from amounting to inconsistency; but it was sufficient to show that the hurry of the dispute was such, that it was not easy to discover the truth with relation to particular circumstances, and that, therefore, some deductions were to be made from the credibility of the testimonies.
Sinclair had declared several times before his death, that he received his wound from Savage; nor did Savage at his trial deny the fact, but endeavoured partly to extenuate it, by urging the suddenness of the whole action, and the impossibility of any ill design, or premeditated malice; and partly to justify it by the necessity of self-defence, and the hazard of his own life, if he had lost that opportunity of giving the thrust: he observed, that neither reason nor law obliged a man to wait for the blow which was threatened, and which, if he should suffer it, he might never be able to return; that it was always allowable to prevent an assault, and to preserve life by taking away that of the adversary by whom it was endangered.
With regard to the violence with which he endeavoured to escape, he declared, that it was not his design to fly from justice, or decline a trial, but to avoid the expenses and severities of a prison; and that he intended to have appeared at the bar without compulsion.
This defence, which took up more than an hour, was heard by the multitude that thronged the court with the most attentive and respectful silence; those who thought he ought not to be acquitted, owned that applause could not be refused him; and those who before pitied his misfortunes, now reverenced his abilities.
The witnesses which appeared against him were proved to be persons of characters which did not entitle them to much credit; a common strumpet, a woman by whom strumpets were entertained, and a man by whom they were supported: and the character of Savage was, by several persons of distinction, asserted to be that of a modest inoffensive man, not inclined to broils or to insolence, and who had, to that time, been only known for his misfortunes and his wit.
Had his audience been his judges, he had undoubtedly been acquitted; but Mr. Page, who was then upon the bench, treated him with his usual insolence and severity, and when he had summed up the evidence, endeavoured to exasperate the jury, as Mr. Savage used to relate it, with this eloquent harangue:
“Gentlemen of the jury, you are to consider that Mr. Savage is a very great man, a much greater man than you or I, gentlemen of the jury; that he wears very fine clothes, much finer clothes than you or I, gentlemen of the jury; that he has abundance of money in his pocket, much more money than you or I, gentlemen of the jury; but, gentlemen of the jury, is it not a very hard case, gentlemen of the jury, that Mr. Savage should, therefore, kill you or me, gentlemen of the jury?”
Mr. Savage, hearing his defence thus misrepresented, and the men who were to decide his fate incited against him by invidious comparisons, resolutely asserted, that his cause was not candidly explained, and began to recapitulate what he had before said with regard to his condition, and the necessity of endeavouring to escape the expenses of imprisonment; but the judge having ordered him to be silent, and repeated his orders without effect, commanded that he should be taken from the bar by force.
The jury then heard the opinion of the judge, that good characters were of no weight against positive evidence, though they might turn the scale where it was doubtful; and that though, when two men attack each other, the death of either is only manslaughter; but where one is the aggressor, as in the case before them, and, in pursuance of his first attack, kills the other, the law supposes the action, however sudden, to be malicious. They then deliberated upon their verdict, and determined that Mr. Savage and Mr. Gregory were guilty of murder; and Mr. Merchant, who had no sword, only of manslaughter.