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The Works of Thomas Hood; Vol. 01 (of 11) / Comic and Serious, in Prose and Verse, With All the Original Illustrations cover

The Works of Thomas Hood; Vol. 01 (of 11) / Comic and Serious, in Prose and Verse, With All the Original Illustrations

Chapter 78: THE DOUBLE KNOCK.
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About This Book

The collection presents comic and serious verse and prose by a single author, assembled with editorial prefaces and notes that trace development and textual variants. It juxtaposes playful sketches, whimsical essays and illustrative woodcuts with sober lyrics and social commentary that address domestic hardship and labor. Included are fugitive articles, occasional dramatic fragments, and lighter narrative pieces, all ordered to suggest the writer’s growth. The tone ranges from satire and buffoonery to poignant moral reflection, using concise rhymes, narrative sketches, and clear, accessible language aimed at general readers.

THE DOUBLE KNOCK.


Rat-tat it went upon the lion’s chin
“That hat, I know it!” cried the joyful girl:
“Summer’s it is, I know him by his knock,
Comers like him are welcome as the day!
Lizzy! go down and open the street-door,
Busy I am to anyone but him
Know him you must—he has been often here;
Show him up stairs, and tell him I’m alone.”
Quickly the maid went tripping down the stair;
Thickly the heart of Rose Matilda beat;
“Sure he has brought me tickets for the play—
Drury or Covent Garden—darling man!—
Kemble will play—or Kean who makes the soul
Tremble; in Richard or the frienzied Moor—
Farren, the stay and prop of many a farce
Barren beside—or Liston, Laughter’s Child—
Kelly the natural, to witness whom
Jelly is nothing to the public’s jam—
Cooper, the sensible—and Walter Knowles
Super, in William Tell—now rightly told.
Better—perchance, from Andrews, brings a box,
Letter of boxes for the Italian stage—
Brocard! Donzelli! Taglioni! Paul!
No card—thank Heaven—engages me to-night!
Feathers, of course, no turban, and no toque—
Weather’s against it, but I’ll go in curls.
Dearly I dote on white—my satin dress,
Merely one night—it won’t be much the worse—
Cupid the New Ballet I long to see—
Stupid! why don’t she go and ope the door!”
Glisten’d her eye as the impatient girl
Listen’d, low bending o’er the topmost stair.
Vainly, alas! she listens and she bends,
Plainly she hears this question and reply:
“Axes your pardon, Sir, but what d’ye want?”
“Taxes,” says he, “and shall not call again!”