A GAME AT CHESS.
Of A Game at Chess I have seen three different editions, all 4to, n. d. To two of them, abounding in the grossest errors, is prefixed the engraved title-page, of which a fac-simile is given in the present work. The other edition, which is comparatively very correct, and which I have therefore made the basis of my text (designating it in the notes as Quarto C.), has also an engraved title-page, but less curious and containing fewer figures than that above mentioned.[506]
Mr. J. P. Collier possesses a letter-press title-page of the play, “Printed 1625,” belonging to some edition of which, I believe, no copies are known to exist.
A MS. of A Game at Chess, dated 1624, is in the British Museum (Lansdown, 690); and another, imperfect, in the library at Bridgewater House: I have collated both for the present edition.
This allegorical and political drama was brought on the stage in 1624; and its production forms a memorable incident in the author’s life: see Account of Middleton and his Writings.
Two of the most important characters in the play are the Black-Knight, that is, Gondonmar the Spanish ambassador, and the Fat Bishop, that is, Antonio de Dominis. The story of the latter is thus concisely related by Hume: “The famous Antonio di Dominis, Archbishop of Spalato, no despicable philosopher, came likewise into England [in 1616], and afforded great triumph to the nation by their gaining so considerable a proselyte from the papists. But the mortification followed soon after. For the Archbishop, though advanced to some ecclesiastical preferments, received not encouragement sufficient to satisfy his ambition, and he made his escape into Italy [in 1622], where soon after he died in confinement.” Hist. of England, vol. vi. p. 136, ed. 1763. Such particulars concerning Antonio as were necessary for the illustration of the text will be found in my notes. That he was a man of a restless spirit, vain, ambitious, and avaricious, is no more to be doubted than that his talents and acquirements were of a superior order.
The White King and the Black King represent, I presume, the respective monarchs of England and Spain (see Secretary Conway’s letter in Account of Middleton and his Writings); and the White Queen’s Pawn seems intended to stand for the Church of England.
PROLOGUE.
| White King. | Black King. | |
| White Knight. | Black Knight. | |
| White Duke. | Black Duke. | |
| White Bishop. | Black Bishop. | |
| Pawns. | Pawns. | |
| Fat Bishop. | ||
| His Pawn. | ||
| White Queen. | Black Queen. | |
| Her Pawn. | Her Pawn. |
INDUCTION.
Music: enter severally, in order of the game, the White and Black Houses.