This post-war business is inartistic, for it is seldom that any one does anything well for the sake of doing it well; and it is un-Christian, if you value Christianity, for men are out to hurt and not to help—can you wonder, when the Ten Commandments were hurled straight from the pulpit through good stained glass. It is all very interesting and uncomfortable, and it has been a great relief to wander back in one's thoughts and correspondence and personal dealings to an age in geological time, so many hundred years ago, when we were artistic Christians, doing our jobs as well as we were able just because we wished to do them well, helping one another with all our strength, and (I speak with personal humility) living a life of co-operation, in the face of hardships and dangers, which has seldom been surpassed.

The mutual conquest of difficulties is the cement of friendship, as it is the only lasting cement of matrimony. We had plenty of difficulties; we sometimes failed, we sometimes won; we always faced them—we had to. Consequently we have some friends who are better than all the wives in Mahomet's paradise, and when I have asked for help in the making of this book I have never never asked in vain. Talk of ex-soldiers: give me ex-antarcticists, unsoured and with their ideals intact: they could sweep the world.

To all these good friends I can do no more than express my very sincere thanks.

I determined that the first object of the illustrations should be descriptive of the text: Wright and Debenham have photographs, sledging and otherwise, which do this admirably. Mrs. Wilson has allowed me to have any of her husband's sketches and drawings reproduced that I wished, and there are many hundreds from which to make a selection. In addition to the six water-colours, which I have chosen for their beauty, I have taken a number of sketches because they illustrate typical incidents in our lives. They are just unfinished sketches, no more: and had Bill been alive he would have finished them before he allowed them to be published. Then I have had reproduced nearly all the sketches and panoramas drawn by him on the Polar Journey and found with him where he died. The half-tone process does not do them justice: I wish I could have had them reproduced in photogravure, but the cost is prohibitive.

When I went South I never meant to write a book: I rather despised those who did so as being of an inferior brand to those who did things and said nothing about them. But that they say nothing is too often due to the fact that they have nothing to say, or are too idle or too busy to learn how to say it. Every one who has been through such an extraordinary experience has much to say, and ought to say it if he has any faculty that way. There is after the event a good deal of criticism, of stock-taking, of checking of supplies and distances and so forth that cannot really be done without first-hand experience. Out there we knew what was happening to us too well; but we did not and could not measure its full significance. When I was asked to write a book by the Antarctic Committee I discovered that, without knowing it, I had intended to write one ever since I had realized my own experiences. Once started, I enjoyed the process. My own writing is my own despair, but it is better than it was, and this is directly due to Mr. and Mrs. Bernard Shaw. At the age of thirty-five I am delighted to acknowledge that my education has at last begun.

APSLEY CHERRY-GARRARD.

Lamer, Wheathampstead,

1921.