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These are the British

Chapter 15: A NOTE ON THE TYPE
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About This Book

A journalistic survey of contemporary Britain that examines its institutions, political parties, social change, economy, and international role. The author sketches the monarchy, parliamentary government, Conservative and Labour movements, class mobility, and cultural traits, and analyzes economic challenges and Atlantic alliances, drawing on observations and interviews to portray both continuity and postwar transformation. Emphasis falls on regional diversity, traditions, and the societal tensions generated by migration, new social groups, and shifting political alignments, concluding with reflections on prospects and the nation's character as it adapts to modern pressures.

A NOTE ON THE TYPE

The text of this book was set on the Linotype in a face called TIMES ROMAN, designed by STANLEY MORISON for The Times (London), and first introduced by that newspaper in the middle nineteen thirties.

Among typographers and designers of the twentieth century, Stanley Morison has been a strong forming influence, as typographical adviser to the English Monotype Corporation, as a director of two distinguished English publishing houses, and as a writer of sensibility, erudition, and keen practical sense.

In 1930 Morison wrote: "Type design moves at the pace of the most conservative reader. The good type-designer therefore realises that, for a new fount to be successful, it has to be so good that only very few recognise its novelty. If readers do not notice the consummate reticence and rare discipline of a new type, it is probably a good letter." It is now generally recognized that in the creation of Times Roman Morison successfully met the qualifications of this theoretical doctrine.

Composed, printed, and bound by H. WOLFF, New York. Paper manufactured by S.D. WARREN CO., Boston.