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"This was a man"

Chapter 16: ACT III
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About This Book

A three-act comedy that follows a successful portrait painter and his fashionable circle as romantic entanglements, jealousies, and social pretenses are unveiled. Action moves between the painter’s studio and a friend’s flat, where clandestine meetings, confidences, and flirtations reveal tensions between public decorum and private desire. Witty situations and incisive observation expose changing social manners and the characters’ attempts to manage reputation and intimacy, with complications building to dawn reckonings and ironic reversals.

ACT III

The scene is the same as Act I. It is about twelve o’clock in the morning. One night has elapsed since Act II.

[When the curtain rises the studio is empty. There is the sound of the front-door bell ringing with some violence. Berry enters, R., and crosses over L. He exits and reappears in a moment, ushering in Evelyn. Evelyn is looking extremely white and strained.]

Berry

Can I offer you anything to drink, sir?

Evelyn

No, thanks.

Berry

The master’s sure to be in soon, sir.

Evelyn

All right, thanks.

Berry

He’s only taking a walk in the Park.

Evelyn

I think I will have a drink, after all.

Berry

Very good, sir. Whisky and soda?

Evelyn

Yes, please.

[Berry goes out. Evelyn proceeds to pace up and down the room a little. Berry returns with a whisky and soda.]

Evelyn

Oh, thanks.

[He takes it.]

Berry

Would you like the papers, sir, or have you seen them already?

Evelyn

I’ve seen them, thanks.

Berry

Shall I tell Mrs. Churt that you are here, sir?

Evelyn

No—no. Please don’t disturb her.

Berry

Very good, sir.

[He goes out again. Evelyn once more proceeds to pace up and down with the whisky and soda in his hand. He is obviously extremely agitated. After a moment Carol enters from R. She looks fresh and charming. She gives a slight start on seeing Evelyn.]

Carol

Evie!

Evelyn

[Jumping—he turns]

I’ve come to see Edward.

Carol

What’s the matter?

Evelyn

I’ve come to see Edward.

Carol

[With faint apprehension]

I know—you just said so. Aren’t you going to say good morning?

Evelyn

Good morning.

Carol

[Going over to him]

No more than that?

Evelyn

No—no more.

[He turns away.]

Carol

[Biting her lip]

I see.

Evelyn

I want to see him alone.

Carol

[Putting her hand on his arm]

Evie, what’s wrong?

Evelyn

You can seriously ask me that?

Carol

Why are you behaving like this?

Evelyn

[Turning away]

You’re hopeless.

Carol

You’re not going to do anything foolish, are you?

Evelyn

I’m going to do the only thing possible.

Carol

[Swinging him round]

Evie!

Evelyn

Leave me alone.

Carol

But listen—

Evelyn

[Wrenching himself free from her]

Don’t touch me, please.

Carol

[Pleading]

Evie—please—why are you being so horrid?

Evelyn

I don’t want to look at you—or see you again ever!

Carol

Why—why—what have I done?

Evelyn

[Sinking into a chair with his face in his hands]

Leave me alone. Leave me alone.

Carol

You don’t love me at all, then?

Evelyn

For God’s sake stop!

Carol

You don’t—you don’t—

Evelyn

Shut up! Shut up!

Carol

You coward!

[She goes over to the window.]

Evelyn

Please go away. You’ll only make everything much worse.

Carol

Why have you come here this morning?

Evelyn

To tell Edward about last night.

Carol

What will you tell him?

Evelyn

The truth.

Carol

You’re insane.

Evelyn

I was—but I’m not any more.

Carol

[Coming quickly back to him]

You can’t mean this.

Evelyn

I do mean it.

Carol

But why! Why!! Why!!!

Evelyn

I don’t expect you to understand.

Carol

Evie, listen. Be sensible for a moment.

Evelyn

It’s no use going on like that. I’ve made up my mind.

Carol

Evie—

Evelyn

[Rising]

Go away! Go away!

Carol

[Following him]

I love you.

Evelyn

Be quiet.

Carol

I love you—I love you. Tell what you like—shout it from the housetops. I love you!

Evelyn

[Catching hold of her]

Shut up—you must. Some one will hear.

Carol

I don’t care.

Evelyn

You don’t love me—you never did for a moment—it was all a trick.

Carol

[Outraged]

Evie!

Evelyn

I can see it all now—I can see it all.

Carol

You’re talking nonsense.

Evelyn

For God’s sake go away from me.

Carol

[Helplessly]

I don’t know what to do.

Evelyn

Leave me alone. I’ve got to tell Edward the truth.

Carol

In Heaven’s name, why?

Evelyn

Can’t you see why?

Carol

No. What good will it do?

Evelyn

I’ve betrayed him.

Carol

That’s no reason for you to betray me as well.

Evelyn

He trusted me—completely.

Carol

Well, why not let him go on trusting you?

Evelyn

Because I’m unworthy of it forever.

Carol

And what about me?

Evelyn

It was your fault.

Carol

How chivalrous.

Evelyn

You lied to me.

Carol

[Firmly]

I did not lie to you.

Evelyn

You said you came last night because you loved me.

Carol

So I did!

Evelyn

You came out of curiosity and stayed out of revenge.

Carol

What a fool you are!

Evelyn

You determined to get even with me.

Carol

Evie!

Evelyn

It’s true—it’s true—you know it is.

Carol

Why have you built up this ridiculous story in your mind?

Evelyn

It’s true.

Carol

[With great firmness]

It’s nothing of the sort, and if you calm yourself and think seriously for a moment, you’ll realize the complete absurdity of it. You must be sensible. Do you hear—you must be sensible. You’re on the verge of wrecking everything out of sheer hysteria.

Evelyn

Everything is wrecked already. I’ve got nothing left—no honor, no decency—

Carol

[Quietly]

I gave myself to you last night, Evie—

Evelyn

Don’t—don’t—

Carol

I gave myself to you completely and for one reason only—I loved you. I love you now.

Evelyn

Carol, please—

Carol

If you tell Edward—I shall go away and never see either of you again.

Evelyn

I can’t help it. I—

Carol

You can help it. What you’re contemplating is utterly without reason. If you’re trying to vindicate your honor, you can’t seriously achieve it by betraying mine. We’ve both behaved abominably, I admit. We’ve both been weak and uncontrolled and given way completely and we shall suffer for it accordingly, you needn’t doubt that for a minute. We’re in a terrible mess, but we’re in it together and together we must remain—

Evelyn

I shall never be able to look Edward in the face again.

Carol

Will you be able to face him any better after you’ve told him?

Evelyn

Yes.

Carol

Why?

Evelyn

Because I shall have done the only decent thing left to me.

Carol

You’ll only succeed in making him suffer as well as yourself and me. Can’t you see the uselessness of it?

Evelyn

I can’t see him and talk to him with this shame between us.

Carol

You must—so must I. It’s the just penalty for what we’ve done. You said just now you never wanted to see me again. Well, I promise you you never shall—alone. You at least can go away. I can’t—I’ve got to stay and get through the next few months as best I can—

[There comes a ring at the front-door bell.]

Evelyn

[Pacing the room]

O God! what am I to do?

Carol

[Quickly]

Nothing—nothing yet, anyhow. Think sensibly and quietly—everything depends on your keeping calm—

[Berry enters and crosses over L. and exits.]

Evelyn

Is that Edward?

Carol

Yes, I expect so. He’s always forgetting his key.

Evelyn

[Terribly undecided]

Carol, I—

Carol

Promise you’ll do nothing yet.

Evelyn

I can’t—I—

Carol

[Whispering violently]

Promise me—wait a little—promise me. Will you promise me?

Evelyn

[Helplessly]

Yes.

[Berry re-enters.]

Berry

[Announcing]

Mrs. St. Merryn.

[Zoe enters briskly.]

Zoe

Good morning, Carol. I haven’t seen you for months. How are you?

Carol

[As they kiss]

Splendid. I heard you were back.

Zoe

Hallo, Evie!

Evelyn

[Coldly]

Good morning.

Zoe

I gather that Edward is expected?

Carol

Yes, he’ll be back at any minute.

Evelyn

Good-by.

[He goes out abruptly.]

Zoe

[Surprised]

That was one of the most sudden exits I’ve ever seen.

Carol

[Carelessly]

I think Evie’s upset about something.

Zoe

I didn’t think he was capable of it.

Carol

[Conventionally]

Are you glad to be back?

Zoe

Delighted. London’s looking so pretty with all the roads up.

Carol

[Absently]

Are they? I hadn’t noticed.

Zoe

I don’t see how you could fail to unless you travel exclusively in the underground.

Carol

Where are you staying?

Zoe

Claridge’s.

Carol

Oh!

Zoe

It’s so beautifully austere.

Carol

What?

Zoe

[Patiently]

I said it was so beautifully austere.

Carol

Oh yes, it is.

Zoe

You’re looking awfully well.

Carol

I am, frightfully well.

Zoe

Don’t you think I’m looking frightfully well?

Carol

Yes, you certainly are. Traveling obviously agrees with you.

Zoe

It’s so comforting to know that we both look so awfully well. Can I have a cigarette?

Carol

Yes, of course. I’m so sorry. Here—

[She hands her a box open.]

Zoe

Thank you, dear. There aren’t any in this box, but it doesn’t matter.

Carol

How annoying! Wait a minute. [She takes another box off a table, left.] Here—

Zoe

[Taking one]

You seem a little distrait this morning, if I may say so.

Carol

I’ve got rather a headache.

Zoe

I’m so sorry. You don’t look very well.

Carol

I think, if you’ll forgive me, I’ll go and take some aspirin.

Zoe

Of course. I should lie down until lunch if I were you.

Carol

Perhaps I will. Edward’s certain to be in soon.

Zoe

I’ll be perfectly happy waiting.

Carol

You must come and dine one night.

Zoe

I’d adore to.

Carol

Good-by for the present, dear.

[She kisses her.]

Zoe

Good-by. I’m sorry you’re so seedy. I’m afraid you’ve been overdoing it lately.

Carol

[Irritatedly]

Overdoing what?

Zoe

[Vaguely]

Oh, everything.

Carol

No, I haven’t.

Zoe

I’m so glad.

[Carol goes out. Zoe wanders round the room, smiling to herself, examining various portraits, etc. After a moment Edward enters.]

Edward

Zoe! How long have you been here?

Zoe

Only a few minutes.

Edward

I’ve been out in the Park.

Zoe

I didn’t know it was still there.

Edward

I’m afraid you’re finding the old town sadly changed.

Zoe

I’m sure it’s much more hygienic now.

Edward

Have you seen Carol?

Zoe

Yes. She’s just gone to bed.

Edward

Gone to bed?

Zoe

She said she had a headache.

Edward

How do you think she’s looking?

Zoe

[Laughing]

Awfully well.

Edward

What are you laughing at?

Zoe

Carol always makes me laugh.

Edward

Why?

Zoe

She’s so consistent.

Edward

Are you lunching with me?

Zoe

If you like. I’ve got to go to Sloane Street first and look at Mary Phillip’s house. She wants to let it to me.

Edward

Pick me up here on the way back.

Zoe

I really came to ask you to dine to-night and go to a play.

Edward

I’d love to. What do you want to see?

Zoe

A nice clean play, please, Edward.

Edward

Splendid. We shan’t have any trouble getting seats.

Zoe

I’m so old-fashioned—I like love stories without the slightest suggestion of sex.

Edward

You ought to be a critic.

Zoe

You’re an awfully nice person to come back to!

Edward

[Smiling]

Am I?

Zoe

Yes. One picks up the threads exactly where they were dropped.

Edward

They were never dropped.

Zoe

Carol’s an awful fool.

Edward

Why?

Zoe

She could hold you if she wanted to.

Edward

Don’t be tiresome, Zoe.

Zoe

What are you going to do about it?

Edward

About what?

Zoe

Do you really want me to be explicit?

Edward

No. I know perfectly well what you mean.

Zoe

You’re wasting time.

Edward

Not at all. I’m working hard.

Zoe

You said that yesterday and it was no more convincing then than it is now.

Edward

It’s true.

Zoe

Perhaps, but rather beside the point.

Edward

What is the point?

Zoe

Your happiness.

Edward

What beautiful thoughts you have, Zoe.

Zoe

Don’t be flippant.

Edward

Flippancy alleviates my boredom with the whole subject.

Zoe

Are you sure you’re not confusing boredom with lack of moral courage?

Edward

Possibly.

Zoe

Well, don’t.

Edward

I refuse to be dominated, Zoe—even by you!

Zoe

[Smiling]

That’s right, dear.

Edward

And don’t laugh at me.

Zoe

I always have. I fail to see why I should stop now.

Edward

I resent it bitterly.

Zoe

Dear Edward.

Edward

What do you expect me to do?

Zoe

Deliver an ultimatum.

Edward

That would be stepping out of my character.

Zoe

Nonsense!

Edward

I am essentially a weak-minded man.

Zoe

Nothing of the sort—you’re a lazy idealist.

Edward

That sounds delightful.

Zoe

So it is in theory; in practice it’s sterility personified.

Edward

You’re terribly didactic.

Zoe

I’m trying to rouse you.

Edward

Why?

Zoe

Because you’re discontented and unhappy.

Edward

I never said so.

Zoe

You don’t need to—it’s written all over you.

Edward

You think I’d be happier if I bashed about making scenes and delivering ultimatums?

Zoe

Certainly—you at least might achieve something.

Edward

What, for instance?

Zoe

Freedom!

Edward

That’s a myth.

Zoe

Oh no, it isn’t.

Edward

In this case it’s impossible.

Zoe

Why?

Edward

[Turning away]

Oh, don’t let’s discuss it any more.

Zoe

You are annoying, Edward.

Edward

Evie went on like that for hours yesterday.

Zoe

Evie?

Edward

Yes. He seemed to advocate violence as being the best method.

Zoe

He would.

Edward

He even offered to teach Carol a lesson.

Zoe

What sort of lesson?

Edward

He didn’t explain.

Zoe

Poor Evie.

Edward

You needn’t despise him so utterly. He’s a good sort.

Zoe

He’s the quintessence of masculine complacency.

Edward

I’m sure it’s a great comfort to him. I wish I was.

Zoe

Evie will get into trouble one of these days. He’s too worldly.

Edward

If I were free, Zoe, would you marry me?

Zoe

Edward!

Edward

I suddenly thought of it.

Zoe

[Laughing]

This is terribly sudden.

Edward

Don’t be silly.

Zoe

You must give me time to think.

Edward

Do shut up and be serious.

Zoe

I have a vague feeling that your proposal is a little previous.

Edward

It wasn’t a proposal—just an idea.

Zoe

Not exactly an original one. We discussed it all ages ago.

Edward

And whose fault was it that it never came off?

Zoe

[Promptly]

Yours.

Edward

Zoe, how can you? It was entirely yours.

Zoe

Nonsense! I was dead set on it.

Edward

You refused me and rushed off to Africa.

Zoe

You can’t call Algiers Africa.

Edward

It is, all the same.

Zoe

If you’d loved me enough, you’d have followed me.

Edward

I was waiting for you to come back.

Zoe

Let’s stop talking about it—it’s rather painful.

Edward

We weren’t in love, really, anyhow.

Zoe

Weren’t we?

Edward

I don’t know.

Zoe

It’s all very difficult.

Edward

Yes.

Zoe

I think I shall go away again soon.

Edward

Oh, Zoe, please don’t!

Zoe

It’s going to be awkward if I stay.

Edward

No, it isn’t.

Zoe

We’re both on rather dangerous ground.

Edward

I don’t see why.

Zoe

Yes, you do, perfectly.

Edward

I do not.

Zoe

If I stay, we shall probably fall in love properly—we’re both at a perilous age.

Edward

What if we do?

Zoe

It would be too horrible, with all this Carol business going on and everything.

Edward

You’re crossing your bridges before you come to them.

Zoe

I shall go, all the same.

Edward

That is rank cowardice.

Zoe

No, it isn’t; it’s sound sense.

Edward

It will be beastly for me.

Zoe

Not so beastly as if I stayed, really—in the long run.

Edward

What could happen?

Zoe

Oh, the usual thing, I suppose—we should have an affair and spoil everything.

Edward

I don’t see why.

Zoe

You’re being very obstinate this morning.

Edward

If I were in love with you at all, it would be in a very nice, restrained way.

Zoe

We should both tire of that very quickly.

Edward

Zoe, how can you be so unpleasant?

Zoe

I’m only facing facts.

Edward

We’ve been together a good deal in the past.

Zoe

I know.

Edward

And everything was above reproach.

Zoe

Entirely.

Edward

Well, why can’t we go on like that?

Zoe

Because even if we do, people will say we don’t.

Edward

What does that matter?

Zoe

It matters a lot. I’ve had enough squalor in the past few years to last me for life.

Edward

Yes, but I don’t see—

Zoe

Also I have a strange aversion to coming between man and wife.

Edward

Oh, shut up, Zoe.

Zoe

It’s true. I suffer from a pre-war conscience.

Edward

There’s no question of that, really.

Zoe

Don’t be silly. Of course there is.

Edward

Carol wouldn’t care.

Zoe

What difference does that make? Really, Edward, you’re being horribly flaccid over the whole thing!

Edward

Don’t let’s argue about it.

Zoe

All right.

Edward

But please don’t go away again—just yet.

Zoe

I’ll think it over, Edward.

Edward

You’ve depressed me terribly.

Zoe

I’m sorry.

Edward

It’s all such a hopeless muddle.

Zoe

It needn’t be.

Edward

I’d no idea you were so designing.

Zoe

What a horrid thing to say!

Edward

It’s true though, isn’t it?

Zoe

Absolutely.

Edward

Oh, Zoe—

Zoe

I must go.

Edward

Remember lunch.

Zoe

I’ll pick you up here.

Edward

No, don’t—I’ll meet you.

Zoe

Where?

Edward

Berkeley—one o’clock.

Zoe

I’m sure to be late.

Edward

So am I.

Zoe

Good-by, dear.

[She goes up to him and kisses him lightly.]

Edward

Zoe!

Zoe

That was part of the design!

[She goes out. Edward walks up and down irritably for a moment, then lights a cigarette and flings himself into an armchair. The telephone rings. He gives an exclamation of annoyance and rises to answer it.]

Edward

[At telephone]

Hallo!... Yes—yes.... Who is it speaking?... No, I’m afraid you can’t. She isn’t very well—

[Carol enters in time to catch the last sentence.]

Carol

Who is it?

Edward

Oh.... Hold on, please.... Harry Challoner.

[He hands her the telephone curtly and goes over to the window.]

Carol

[At telephone]

Hallo!... Yes, it’s me.... No—no, I can’t. I’m sorry.... All right, if you like.... I’ll be in between six and seven.... Yes.... Good-by.

[She hangs up the receiver and looks toward Edward who has his back turned. She is about to go out again, when he turns.]

Edward

Carol.

Carol

Yes?

Edward

I want to talk to you.

Carol

Is anything the matter?

Edward

Yes. Sit down, will you?

Carol

[Sitting]

If you like.

Edward

I want to get things settled.

Carol

Get things settled?

Edward

Yes.

Carol

What sort of things?

Edward

Our exact relationship.

Carol

What do you mean?

Edward

Just that.

Carol

I don’t understand.

Edward

I think you do.

Carol

[By now extremely apprehensive]

I don’t Edward, honestly.

Edward

Do you intend to pursue your present course indefinitely?

Carol

What are you talking about?

Edward

Infidelity.

Carol

Are you insinuating that I—

Edward

I’m insinuating nothing. I’m stating that you have been unfaithful to me.

Carol

[Rising]

Edward!

Edward

[Firmly]

Sit down. This is not a scene—it’s a process of readjustment. Please let us keep it as brief as possible.

Carol

[Sinking down]

How can you be so horrible!

Edward

Do you deny it?

Carol

Of course I do.

Edward

Carol, let me disillusion you. I’m not bluffing. I know. I’ve known for ages. It’s no use wasting time denying and arguing. We must decide what’s to be done about it.

Carol

How can you be so foul!

Edward

[Wearily]

Oh, Carol, do stop acting.

Carol

You’re insufferable.

Edward

Once and for all will you be sensible?

Carol

I hate you.

Edward

That would be beautifully definite if you weren’t so unreliable.

Carol

Do you want me to hate you?

Edward

To be honest with you, I really don’t mind.

Carol

[Outraged]

Edward!

Edward

Don’t be a fool, Carol.

Carol

How dare you! How dare you!

Edward

We will face facts, please.

Carol