CHAPTER XXV
The Art Association of Newport
When I was asked to write that paper on “Artists’ Life in Rome” for the Current Topics Club of Newport, I little thought what the consequences would be! Glad of the opportunity to tell those thoughtful women about our wonderful years in the Eternal City, I set gaily about my task. Had I foreseen just what those consequences would be, would I have accepted the club’s invitation?
Looking back, I now see that between us all we sowed a seed that afternoon destined to germinate and grow into a living plant, whose nurture was to become the controlling interest of my life and my husband’s. For the direct outcome of that innocent talk was the Art Association of Newport, an institution of which, since its founding, I have been the secretary and pulling horse, and he has been the power behind the throne.
In the month of May, 1912, a group of artists living in Newport issued a circular letter proposing the incorporation of an Art Association, whose prime object should be the cultivation of artistic endeavor and interest among the citizens of Newport. The response was instant and cordial. A month later, the new association was organized with one hundred and forty-one charter members. Our first home was the old Hunt studio on Church Street, formerly used by William Morris Hunt, the painter, and by his brother, Richard Hunt, the architect. In her diary for 1865, my mother speaks of having given a lecture in the Hunt studio, to help the fund to send her beloved pastor, Charles Brooks, on a much-needed vacation to Europe. In this studio Henry James, his brother William, and John La Farge studied art under William Hunt. When he moved to Boston, Richard Hunt took over the studio, and here the plans for some of the famous architect’s noble buildings were drawn. After Mr. Hunt’s death, the studio passed out of the hands of the family and, when we took it over, it had fallen from its high estate, having served for some time as an upholsterer’s workshop. The place had an atmosphere about it, though, as if some influence of the extraordinary personalities of those two men of genius still lingered there. Though it was in a rather dilapidated condition when our artists took possession, they saw great possibilities in it and bravely set to work to restore it to its original status of an art center. In the little garden at the back, syringas, lilacs, and shade-loving flowers were planted. The two spacious ateliers on the ground floor and the large upper studio were transformed into excellent exhibition galleries. The paved courtyard, connecting the main building with the old stable in the rear, soon took on a picturesque air, and here on warm summer afternoons the artists and their friends gathered round the tea table and discussed the future of the young institution.
Among those who rallied to our fellowship were several men and women well acquainted with the history of the old town; with their help I began to hunt up the art traditions of Newport. These proved astonishingly interesting to us all, and we spent much time in tracing out what was to be learned of the earlier artists who had lived here. Their names are legion, the best known perhaps being Gilbert Stuart, Edward Malbone, the painter of those exquisite miniatures treasured in many old American families, and John Smibert, the Edinborough carriage painter, who came to Newport in the train of Bishop Berkeley and made the famous portrait of Berkeley and his family at Yale University.
From the beginning, the founders of the new association were filled with enthusiasm and worked for it early and late, in season and out. It will be seen from the following extracts from my journal how it grew to fill an ever larger and larger place in the lives of my husband and myself, and that it always had a certain breadth of character, from having from the first been identified with matters of national and international significance.
January 7, 1913. To the William Sargeant Kendalls’, where we discussed plans and laid out an excellent programme of work for the Art Association. We must not abandon this enterprise into which J. and I have already built so much of our time and energies. As I work more in these matters of public service, I see that all human undertakings are merely different uses of the stone from the same quarry. Institution building is perfectly fascinating—you can throw all of yourself into it, make it a means of self-expression and yet get rid of the sense of ego that underlies all mere personal work. We are to have a course of lectures, I to open it with a paper on “The Art Traditions of Newport.”
January 31, 1913. J. busy about his Red Cross picture show and sale for the Balkan Relief Fund at the Art Association. He has shown great energy and persistence and the artists have rallied generously, as they always do! He has secured paintings by twenty-five of the leading Rhode Island painters. Kazanjian, the Armenian, frames the pictures as his gift. A Greek resident, Mr. Cascambas, has contributed some of his excellent confectionery for the tea, and all the Greeks have shown a fine spirit. One tall fellow said to J., “I have often taken flowers to Dr. Howe’s grave at Mount Auburn!” I have not been allowed to work at this venture at all, J. preferring to put it through himself, with the help of an excellent committee, Doctor Terry, Doctor Brackett, and others. William Safford Jones issued a stirring call, beginning with the words:
“Come over into Macedonia and help us!”
February 3, 1913. Opening of J.’s Red Cross exhibition. A terrific blizzard—a large attendance for such a day. The pictures looked fine. The first to be sold was Mrs. Kendall’s landscape, bought by Miss Ellery, perhaps the person who could afford it least of all who visited the show. Mr. Cantrell read Byron’s “Isles of Greece”, then Whittier’s “Hero.” Mr. Merrill explained the connection, how the first poem had aroused the Philhellenes of England and America, how S. G. H. had gone out to help the Greeks, and how Whittier’s poem described an incident of which Papa was the hero, in the Greek campaign. George Merrill also recited a lovely poem in French by his brother, “La Pluie.” The rain drumming on the roof made it very real.
March 23, 1913. News of the killing of poor King George of Greece came two days since. I danced with him more than once at the court balls in Athens years ago. The murderer seems to have been a crank; how many such murders there have been, and how near we have been to some of them. We were in Rome at the time of the murder of King Umberto; in Madrid when poor Don Carlos of Portugal was killed, and when the attempt on the life of the King and Queen of Spain was made on their wedding day. How uncomfortable to be a crowned head! They are fast becoming real martyrs to the cause of monarchy, as they must think.
February 14, 1914. I had a wonderful visitation (I cannot use another word) in the night. Mother was with me, looking in every way like herself. It was a dream of course, but a more vivid one than any I remember. We had a good deal of talk. I asked her, “Are you happy?”
Her answer, in her most energetic and characteristic way, “Very happy.”
I asked her if she had suffered much, referring to her end. She said, with the same optimistic cheerfulness: “No, not much.” She went on to say that she had rather expected to be left to the care of nurses, “but when I saw my dear Maud’s face”, meaning, as I thought, that she had been aware of the agony my face must have expressed. She seemed to be accompanied by a tall silent figure like Dante. At the end of the interview the side of the house melted away, and the two figures seemed just wafted from me. A most comforting and glorified vision! If I could believe such things, I should believe that her spirit had sought to reach and animate mine. I am none the less comforted and animated.
April 22, 1914. In the evening came rumors that war with Mexico has begun, though not yet declared. Vera Cruz has been invested, the Customhouse occupied. Four of our young men have been killed, twenty wounded, Mexican loss about one hundred and fifty. This dreadful news somewhat discounted by a talk with Captain Belknap, who thinks there is strong hope the matter may go no further. Our Japanese servant, Matsura, gave warning at six o’clock, with the following note:
“They have a great Japanese (of East) an assembly at New York, so I must go there to meet. I will start this night, and if you do not pay money that I earned six days you may don’t pay.”
With this he departed. In speaking to J. of this meeting, he mentioned “Carnegie Hall.” He came to us late one night two years ago without recommendations, pale, thin, hollow-eyed, all his belongings, a map of the U. S. A., and a Japanese and English dictionary, tied up in a handkerchief. He leaves with two handsome, brand-new, leather suit cases, much better than J.’s, filled with clothes J. has given him, fat as a seal, and speaking and writing English.
August 4, 1914. Looked in at Lady Decies’ tea. She afflicted by the news of war, which now takes all the color out of life. We think and speak of little else. I am deeply afflicted by this war. Where is all the boasted progress, the hope of peace universal?
August 9, 1914. Captain Belknap sailed to-day with twenty-four hours’ warning, on the Tennessee, as aide to Mr. Breckenridge in carrying help to stranded Americans in Europe. The whole Continent is honeycombed with Americans, gone over to spend the summer and take their good American money out of the country. This war will teach them how good a place U. S. A. is to live in! The papers are too full of the small discomforts of these travelers. Millionaires are coming home in the steerage; this may improve the conditions in the steerage for future emigrants.
August 17, 1914. The war news always worse and worse, the whole of Germany and the whole of England are pitted against each other. The sweet summer earth has become one awful carnage pit. We in America can only agonize and try to help the stricken peoples with a little money, saved or earned, so that we are morally helped by our intense desire to serve those others. There are also great commercial opportunities, brought us now by the conditions of world struggle, and every day the press harks on the people to take advantage of the fact that we can supply the markets that, for the moment, neither of the fighting nations can supply. Still we seem to suffer, too. The prices of flour, sugar, beef, almost everything, except fruit, have gone up dreadfully.
September 24, 1914. The grim tragedy of the war settles more and more upon our spirits. The horror of horrors is that so many intelligent people feel that the peace movement and all the ideals of the higher civilization are proven to be all in vain, and that the world must and will, after this lesson, return to the more purely military attitude of an earlier time. What we call the higher civilization seems to these people merely a symptom of effete weakness. The word for the hour is “In time of peace prepare for war!” People talk most about our own unpreparedness. Roosevelt says in a recent speech that he has seen the plans of two foreign nations for the conquest of the United States; it is understood that Germany is one of these nations. His comment is:
“Let them destroy our cities, but do not let us give a dollar for ransom.”
The ransoms demanded by these modern Goths upon the cities of Belgium, the cheerful, hard-working, little nation, are enough to sicken the stoutest optimist. Laura and I are now glad that Mother has not lived to endure this pain. The worst of it is, the mildest people are turned into furies, even by the faint and distant echoes of the passions that are destroying Europe and England. I feel a savage exultation when I hear of so many Germans killed or wounded. Then comes remorse for the hateful feeling, the remembrance that those men are inspired by a passionate patriotism, that their wives and mothers love them as much as English wives and mothers love their men; but the ugly feeling was there, was uppermost before reflection seized and tried to down it.
Gardiner, October 19, 1914. Here in my sister’s house they do not feel the war quite as we do, and the gloom is not quite so intense as in our own house, and yet the news, of course, is the thing of the day, but after it is read the day’s work is taken up quite firmly. The girls are all knitting socks for the soldiers. The idle hands of many American women, I trust, will grow as tirelessly useful as the hands of the German women! A telegram from the Progressive National Service, asking me to speak for Gifford Pinchot in his campaign for senatorship in Pennsylvania. I am more interested in relief work. The whole political world seems to be overclouded and obscured by Europe’s horror; we somehow feel that our fate, too, is bound up in the great struggle.
Gardiner, October 22, 1914. Harriet Blaine Beal came down for tea, delightful as ever. I had bought a nice pair of aluminum needles. She set up my first muffler for the British Relief. The war news continues indefinite.
General John Richards to dine. He is wonderfully rejuvenated by the war that has so sadly cast down most of us. His old stories of the Civil War are again rubbed up and thrill us as all real war stories do. We were reminded of his military skill and the part he played as Adjutant General of the State of Maine at the time of the Spanish War, when his Maine militia were the best equipped men who appeared in response to the call to arms. The fact that we all looked up to him as a military authority helped to animate what has seemed of late a very much diminished vitality. It’s an ill wind!
November 1, 1914. To Providence to speak before the People’s Forum on the report of the Voters’ League, a very valuable document, non-partisan in character, giving the political history of every candidate for election in the State, and all the measures he has stood for or opposed. I never was in such a bear-pit before. After my forty minutes’ speech, which they had the patience to listen to, I was asked many questions; and afterwards the members made five-minute speeches. Most of the speakers were socialists, the others anarchists or cranks. One demagogue, a cockney Englishman, spoke very well as far as force and fluency goes, but his doctrines were poisonous. He contended that organized capital had no end save the exploitation of the workers. The spirit revealed was dour, bitter, and most distressing. Hatred seemed the dominant note. I have not often been so depressed. The atmosphere of passionate discontent appalled me. I have read of such things, but have never before actually felt the atmosphere of angry hatred and distrust.
November 3, 1914. To a fashionable tea party of ladies, where no mention was made either of war or politics! It was known early that Mr. Beeckman, Republican candidate for Governor, would carry the State. The election has proved a Republican landslide. A good deal more depressed than is philosophical. Well, it’s a long way to Tipperary! This fight goes on under other names and other leadership. The longer I live, the more sure I grow of the justness and wisdom of the middle course Roosevelt has steered, between the rancor of the “have nots” and the greed of the “haves”! The Progressive platform, in its essentials, will gain year by year in the Nation’s councils.
November 9, 1914. My birthday! Well, I still am glad to answer “here” when the roll call sounds, and that’s all there is to say. I have some cares and some pains, but I like life, I like my husband and my job, and that’s more than many a woman can say. Therefore, I have much to be thankful for, but I don’t like to grow old.
November 25, 1914. Last night a gentleman said to me at dinner, “When Count von Bernstorff, the German Ambassador, was at the Newport Reading Room last summer, he said, ‘If we win, we shall be over here in another five years.’ Is it possible that he could have said this? If so, it ought to be made public!”
Thursday, November 26, 1914. To-day is Thanksgiving. Filled with an immense gratitude for all that I have to be thankful for: health, a beloved and loving husband, a warm house, plenty to eat, a faithful helper, farther off a circle of kindly neighbors, and, not too far away, dear sisters, a beloved brother, nieces, nephews, friends, and oh, my country! Well may we Americans hold our heads high. This is our hour of success, in spite of Roosevelt’s defeat—if he is defeated! With the world gone war-mad and murderous hate beside us in Mexico, beside us in Canada, we cling to our ideals of peace, we are the courted of all the belligerents and we, out of our plenty, are the naturally appointed helpers and friends of all who are wounded, ravaged, desperate, bankrupt. “Golden Hope of the World,” said Roosevelt, and said it well. Never shall this golden hope be dragged in the dust. In this dies irae the Americans are proving to be all we hoped. The women of fashion, many of them only known as society belles, are nursing the wounded in France and in England. Everywhere is the same story of help and sacrifice, warm generous giving, giving, giving. And yet let us not forget two words of the hour,—Kaiser William’s advice to his army “to remember Attila and the Huns and strike terribly”, and Kipling’s “The Hun is at the Gate”!
This conscious savagery from a highly intellectual people like the Germans seems new in history. There is something deadlier in this barbarity that knows it is barbarous and openly admits that it is using barbaric methods than in the unconscious brutality of the wild Moroccan hordes of savage men whose gospel is war. The cynicism of the man who assumes that he is acting as God’s partner and representative on earth, and yet is willing to lead his people through the Red Sea of blood, in order that they may win to the fat lands of his rivals, passes anything I remember in history. Beginning with his treatment of his mother and following with his treatment of his enemies and of Belgium, his record grows from bad to worse. And Belgium? On the scroll of History she has written a deathless name, for as long as men shall tell over the stories of great heroic acts, they will thrill at the names of Thermopylae and of Liège.
We dined at Mrs. Shaw Safe’s. Sir Arthur Herbert took me in to dinner, and we had much talk of the war. He echoed Kitchener’s wish that some bomb might fall in London to wake up the people; said that our papers gave better news than the English. He spoke of the behavior of a certain type of his people, who wrote letters to the papers, complaining when German waiters were dismissed from hotels “that it was hard on their wives and children.” Said that in the clubs Austrians and Germans were allowed, the common law holding that if you elected a German a member of your club, you could not put him out. Said that in wartime these civil laws should be set aside for military laws. Said a certain German nobleman, of whom many people were very fond, had a big house in the country, where all the important political people visited. It was proved that all the servants at this house were German soldiers or spies. The place is still honeycombed with spies. He himself had been hoodwinked completely. Until war was declared, he had no suspicion that Germany was unfriendly to England. Had heard that the Crown Prince said to Mrs. Whitehouse (née Armour) that Germany wanted war; would crush France first, England second, and two years later, would come to America!
Boston, December 1, 1914. Busy all day preparing for the Belgian Relief meeting at Tremont Temple, where I am to preside. The meeting was very fine. I took great pains, wrote out my speeches, and took the whole day to think out what I should say. Thrilled by the sight of the familiar old hall, crowded to its capacity; there were thirty-five hundred people present and one thousand turned away. I introduced first Margaret Deland, next Josephine Peabody Marks, last Madame Vandervelde. Major Henry Higginson, who has just celebrated his eightieth birthday, sat in the front row, many other old friends scattered through the house. Madame Vandervelde was deeply interesting. We took in $5,000 for the Belgians. It was a heart-warming occasion, reminding me of many notable gatherings in Tremont Temple in the old heroic time. Isn’t this perhaps the new heroic time? I think so. To see Mrs. Gardner’s new additional rooms at Fenway Court. The Chinese room downstairs like a Chinese temple, rather awful in its dark thrill, like a tomb. These new rooms seem to me the best in the palace.
I first remember Mrs. Gardner in the old Boston Music Hall. Any picture of the Harvard Musical Thursday afternoon concerts would be incomplete without her elegant figure, her expressive face as she glided quietly to her seat escorted by—to be exact—escorting three conspicuously well dressed, very young tow-haired gentlemen, Mr. Gardner’s orphan nephews, much of whose up-bringing was intrusted to her care. Two of these blond boys lived to attain considerable distinction. The oldest Joseph Gardner died young, the youngest, Augustus, familiarly known as “Gussie”, served his state and country well as a member of Congress, made a name for himself in the Spanish War, and gave his life for the preservation of civilization in the World War. He married the daughter of Senator Lodge, and is said to have remarked when the newspapers were full of his good service at San Juan Hill:
“They cannot say I did that because I was the son-in-law of Cabot Lodge!”
The third brother, Mr. Amory Gardner, is still with us; he is a classical scholar of note and a member of that interesting group of masters who have made Groton School famous the world over.
In those days Mrs. Gardner was called “Mrs. Jack” by her intimates to distinguish her from the elder Mrs. Gardner, her husband’s mother. At that time it was the custom for ladies to carry bouquets at balls or evening receptions. There was a good deal of rivalry among women of fashion as to the number and style of these votive offerings. Mrs. Gardner was always among the most favored of our belles, and I have a vision of her now, coming into a certain assembly at the old Horticultural Hall, resplendent in a Worth dress of white uncut velvet,
her arms filled with flowers. It was an open secret that, while outside the houses of many of our belles one could see on Friday mornings, before the city carts made their rounds, the faded bouquets of the week thrown carelessly into the ash barrels, the flowers Mrs. Gardner had worn or carried were never thus desecrated. It was said that she herself committed the faded blossoms to the clean flames. I have always remembered this as a small instance indicative of the good taste that in her has proved equivalent to genius, and to which the art world owes beautiful Fenway Court, in the future to be known as the Isabella Stewart Gardner Museum.
At the time of which I am writing, the Gardners lived at Number 152 Beacon Street, an attractive house whose windows looked out upon Charles River. Mr. Gardner was a genial, kindly man, greatly beloved by a large circle of friends and relatives by whom he is remembered as the prince of hosts. I learned from him one valuable secret I pass on to all young housekeepers.
“Why is the coffee at your house so much better than other people’s?” I once asked him.
“Because we are very extravagant. The only way to have good coffee is to buy the best, and use a lot of it!”
The Gardners lost their only child, a promising boy, in infancy. They both took a great interest in young people of talent, and if all the boys and girls this generous couple helped to educate should raise their voices in grateful praise, there would be a veritable chorus of appreciation.
Among Mrs. Gardner’s qualities is the capacity for making enduring friendships, not too common a trait in our restless age when people are continually on the move. Her circle has always included the talented and brilliant people of the day, and most distinguished visitors to Boston pay their court at Fenway Court. With all the pressure of her busy and interesting life, she always finds time for her old friends, among whom I am happily numbered. In our family she is best known as Kepoura, the Greek word for gardener, a nickname given her by my brother-in-law Anagnos, who greatly admired her.
January 3, 1915. Finished reading aloud Richard Harding Davis’ “With the Allies.” A good walk over the winter fields to Lawton’s Valley with A. He is very comforting and fine in many ways, but there is a note not quite in tune. “It’s the easiest thing in the world to make money or a reputation,” he said. This shows in a nutshell what I have always felt about him. It is not easy to make either! This is a false view of life and not good, I think. Still it is a wholesome antidote in these materialistic days of grab and swagger.
January 25, 1915. To-day came the news of the sinking of the Blücher with many men. The ship carried over eight hundred and between one and two hundred were rescued. Strange that she should bear the name of the famous, or infamous, Prussian Field Marshal, who, when he visited Barclay and Perkins’ Brewery in London, after Waterloo was manhandled by the British workmen because of the cruelties committed by his soldiers at his command, in the Napoleonic war. The worst of it all is that we have all grown so full of wrath that the first instinct was a primitive savage joy at the loss of the Blücher. Only as an afterthought comes sorrow for the men who were drowned and for their families, but the first impulse was the natural brute instinct, alas!
January 27, 1915. War news, chiefly echoes of the last real happening we have knowledge of, the naval battle in which the Blücher was sunk. The Germans insist the English lost three ships, one large and two small. This the British deny. They must, however, have been somewhat punished. To-day was the Kaiser’s birthday. The Germans interned on the Princessen Cecile in Boston got leave to have a concert in his honor at the bandstand on the Common. Nothing was said about this in the evening papers. If the celebration did come off, our press would not notice it.
January 28, 1915. Mr. Samuels’ lecture on the “Humor and Philosophy of Woman Suffrage in England.” He was neither humorous nor philosophical. He was loudly applauded by a group of Antis. I had written Flossie to come and heckle him at the close of the lecture, which she did extremely well. Going out, I shook hands with him and said:
“No hard feelings. You will make more converts to our cause than I ever can!”
February 2, 1915. To Boston and to the Opera House to see the ballet, “Silvia”, given for the Suffrage cause. Spoke with Alice Blackwell, Maud Wood Park and others. They advise Beatrice Forbes-Robertson to take the taste out of Newport’s mouth after that unspeakable Samuels. Stayed with the L.’s, much Christian Science in the air. It’s an excellent thing for both of them, especially for M., “to get religion”, but people of this sort act as if they had a patent on Christianity and all other sincere religious conviction. I have yet to meet the Christian Scientist who ever thought seriously about any other form of religion before he took this up. They are like the lovers who think they have discovered love, and the young mothers who believe that they only understand the true depths and meaning of motherhood. In the evening to the reception for the opening of the new wing of the Museum of Fine Arts, given in memory of Robert Evans by his widow. Found it just as it should be; everybody there,—Beacon Street in evening dress and diamonds, Shawmut Avenue and the South End in half dress, Jamaica Plain and Dorchester in bonnets. My portrait by Porter in a place of honor. It holds its own well.
February 9, 1915. Scareheads in the papers which I believe to be German propaganda, stating that the Lusitania was flying the American flag as she sailed into the harbor of Liverpool. Much talk of this simple fact, which proves a common and justifiable expedient in war. I grow more and more afraid of Germany and of a certain exasperating density of the British that is Germany’s great ally!
February 14, 1915. To-day the one hundredth anniversary of peace between the United States and Great Britain was observed in the churches. Safford Jones’ sermon was to the point, and the quotation from Emerson’s Manchester Address very apt. To see Mrs. Lorillard Spencer. She is most interesting in telling of her experiences in the Philippines and her work under Bishop Brent for the Moros. The change of administration and the poor appointments Wilson has made have brought about a state of things out there that she describes as “hopeless.” Spoke of the work done there by Cameron Forbes and the others of his kind as of some splendid structure whose foundations have been shaken! More and more it seems to me we should follow the methods of France and cut out the spoils system. All people concerned in constructive work should be permanent and not floating appointments to suit the politicians.
February 17, 1915. Many serious developments in the war. Talked over the matter of an entertainment for the local British Relief association. To meet Beatrice Forbes-Robertson, who arrived late through the mistake of her agent. To the hall in fear and trembling. Had worked hard to get an audience and found we had succeeded beyond all hopes. The president and vice-president of the Antis and all the Suffragists were there. She gave a good summing up of the suffrage situation in England and then spoke of the woman question in the U. S. A. A very fine address; she spoke nearly two hours and nobody felt it too long. Her art as an actress made it admirable from the dramatic point of view, as well as good sound common sense.
February 28, 1915. To see Mrs. —— after church, found her and her husband at home. A signed photograph of the German Emperor in her parlor,—the mark of the beast! Wherever you find this, you find the people who own it completely pro-German. It has cost him a good deal in photographs, and it has cost our people a good deal in gilt and silver photograph frames with an imperial crown atop, but it was a cheap outlay for what it has brought about for German propaganda.
May 7, 1915. To-day Germany dropped the mask and stood, declared to all the world, a Savage Nation. She has thrown behind her with both hands the civilization which the ages have slowly raised, and stands an exultant rebel, a magnificent Brute with all the human qualities gone. The Cunard steamer, Lusitania, was torpedoed by German submarines off Kinsale, three miles from the coast of Ireland, and sank eighteen minutes later, carrying down more than one thousand souls. Our neighbor, Alfred Vanderbilt, died like a brave man; he is reported to have given away his life belt and also tried to save some of the children. The shock of it stuns us all. Elbert Hubbard and his wife are lost, and many others known to us by name. The first outcry is for war—revenge! Sober second thought with most takes on another complexion. Germany did this thing with the idea, above all else, of provoking us to fight. From the observation of the clever spies who live among us, it was known that the two events which had roused our people more than any other since the Civil War were the sinking of the Maine and of the Titanic. This outrage of the sinking of the Lusitania was the thing best calculated to make us declare war. As we stand now, the silent friend behind the Allies, we are one thousand times more deadly to Germany than if we went into the war. The great stream of food, arms, money, stores of all sorts, doctors, nurses, helpers of every kind, the resources of our nation, in fact, would be diverted and kept at home. The hot-bloods clamor for war, but not the long-headed,—or so it seems. Italy would never have attained her freedom and the unification could never have come about, if England had not stood solidly and quietly behind her, the great friend and helper of the liberals. To-day we stand much in the same attitude as the England of that time, and we must fulfill the rôle as best we can.
In a little more than four years after its founding, the Art Association had already outgrown the little Hunt studio and, thanks to the group of powerful men and women who had become interested in building up the new association, we secured for its home the fine estate, formerly belonging to Mr. John N. A. Griswold, on the corner of Bellevue Avenue and Touro Park. It was with something of a heartache that we gave up that modest first home of ours, for the larger dwelling with the greater possibilities of service. One of the last general gatherings in the Hunt studio was a New Year’s reception.
January 1, 1916. To the Art Association for the New Year’s reception and musicale. Lydia Hughes (Dudley Foulkes’ daughter) sang charmingly. My brief speech was all about our new home, the Griswold house. I recalled the story of Apollo coming to Delphi to establish his temple, and how the god, finding no people to serve him, compelled some sailors who were passing in a boat to come on shore and act as his servants. I then sketched the wonderful influence of the Delphic oracle through many centuries; spoke of the part played in history of civilization by the temple, the oracle, and the priests, and likened ourselves, the pioneers of the new temple of the Arts, to those sailors compelled by the god to serve him,—the servants of Apollo!
When we were youngsters we played a game in which one child, placing a closed fist on the palm of another, whispered:
“Hold fast what I give you.”
From the moment war was declared and I realized that all I held dear and sacred was in danger of being wiped out, I was haunted by those words. If our civilization is to survive, the two main factors of its salvation must be religion and art. Those of us who worked for the young Art Association were a small band, holding an outpost of civilization against the forces of anarchy and materialism. Because the garrison was small and hard pressed, the fight was worth while. In the great cities were thousands far better equipped to carry on the forlorn hope; here in the small community, where for so long my people had lived and labored, I saw my chance to “hold fast.”
In the midst of the chaos that seemed to threaten the civilization I knew and loved, I had the feeling that, like the coral insect, my duty was to sit tight in my own little cell and work at it for all I was worth. The impulse to toil at the building of this particular cell—the Newport Art Association—was more like a blind instinct than a conscious exercise of will power.
It was borne in upon me from the first that I could do my best war work in my own country. Though often tempted to depart from this decision, I managed to resist the ever-returning impulse to go overseas. The lure of active adventure was ever present and I constantly felt the urge of it, but my better judgment told me that my task was to “Keep the Home Fires Burning.” Some of my contemporaries accomplished great things by “going across”; more of them were sadly in the way of the younger people and gave endless trouble by falling ill and having to be taken care of. Only great wealth or very exceptional qualifications excused a woman of sixty for trying to throw in her lot with the field workers. There was enough to do at home between transforming my own particular charge, the Art Association, into a nerve center of patriotic activity, raising money for the war sufferers, and holding meetings to rouse public opinion and combat the enemy propaganda so insidiously spread in our community!
In the spring of 1915, one of the earliest of these meetings was held with the double purpose of raising money for the British War Relief, and of rousing the public to a better understanding of the great struggle overseas. It was part of our policy to bring speakers from the larger cities on all such occasions, as well as to give our own people the opportunity of expressing their convictions. In the last days of 1916, my husband and I called together an influential group of persons and with their help organized a citizens’ meeting to protest against the deportations of the Belgians by Germany. This meeting followed close upon the great gathering in Carnegie Hall, and was the second of the kind to be held in the United States. Mr. Daniel Fearing, the genial and popular president of the Historical Society, presided at the meeting, which took place December 22 in the Auditorium of the Historical Society, a beautiful ancient hall piously preserved by the society and formerly the old Seventh Day Baptist Meeting House, where my ancestor, Governor Ward, worshipped. After the long series of patriotic functions I attended during the war, this gathering still remains as clear to me as if it had happened yesterday. Our fellow citizens made a good showing, and two distinguished speakers from out of town came to join in our protest, William Roscoe Thayer, and Major Louis Livingston Seaman. It was a glowing meeting. Major Seaman’s flaming indignation roused the audience to a white-hot heat, and Thayer’s graver, but not less ardent, appeal led the way to the final feature of the programme, the reading of a letter from Theodore Roosevelt written for the occasion to Mrs. Hamilton Fish Webster. I quote but one of his burning sentences:
This last and crowning brutality, which amounts to the imposition of a cruel form of slavery on a helpless and unoffending people, must make our people realize that they peril their own souls, that they degrade their own manhood, if they do not bear emphatic testimony against the perpetration of this iniquity.
The meeting closed with a resolution of protest to President Wilson, and a telegram of sympathy to King Albert of Belgium.
Among the other valuable experiences of the war was our work for the Italian Relief. We were charter members of the Boston society and served upon the executive committee, and when the time came to found a kindred association in New York, it so happened that this too devolved upon us. Our choice of the leader of this work was a very fortunate one, and I shall always take great pride in the fact that I, personally, not only proposed the name of Robert Underwood Johnson for chairman, but that I also was able to prevail upon him to accept the office which he filled so ably and which I like to think may have had some bearing on his subsequent interesting experiences as American Ambassador to Italy.
On April 7, 1917, the New York Times brought us the news that war was declared against Germany by the United States. On the front page under a cut of the American flag, the Times printed the “Battle Hymn of the Republic”, now become one of the popular war songs not only in our country, but in England and France. The effort often before made to have it declared the national hymn would have succeeded at this time, I believe, but for one reason. While the words were acceptable to all sections of the country, the South could not forget that the music was formerly sung to other verses, and the supporters of the Confederacy and their descendants could not forget or forgive the words of the older song:
I first learned of this sentiment at a patriotic meeting at the house of Arthur Curtis James, when the “Battle Hymn” was recited by Julia Marlowe. I happened to be sitting near two Southern ladies who were much moved by the recitation and overheard one say to the other:
“Why on earth do they persist in singing those beautiful words to that abominable tune?”
Many earnest efforts have been made to set the “Battle Hymn” to other music, but I believe this to be a hopeless task. The words were inspired by the music and are inseparable from it. When we remember that the same air is sung to the words of the English “God Save the King”, to the German National Hymn, and to our own “America”, may we not hope that in the future the bitter memories connected with the air will be forgotten, and that every section of our country will accept both air and music?
After the Art Association moved to its larger quarters, my husband took the old Hunt studio, and when war was declared, turned it over to the use of the Surgical Dressings Committee, which under the leadership of Miss Renée Cortazzo, did such magnificent work, and to the British and Italian War Relief societies. Among the memories of that time are certain joyous quilting parties. An ancient quilting frame was unearthed from the lumber room where it had long slept, and groups of gay young girls gathered around the old frame to make warm wadded quilts for the soldiers. Another pleasant memory picture of the old studio is of an exhibition and sale of fine Belgian laces brought to this country by a pair of patriotic Belgians, M. and Mme. Dethoor, who by their efforts managed to support the families of many Belgian lace makers during the war.
The most haunting and touching of all the war memories that center about the old studio is the exhibition of portrait drawings, by my husband, of certain young American soldiers who, before we entered the conflict, gave their lives for the great cause. Two of these young men, both members of the Lafayette Escadrille, were of our kindred, Victor Chapman, the stepson of our cousin, Elizabeth Chanler, and Norman Prince, whose grandfather, Mayor Frederick Prince of Boston, called my mother “cousin.” Others, like Quentin Roosevelt, Hamilton Coolidge, and Marquand Ward, were the sons of intimate friends. The names of these heroic youths will never be forgotten, for they were the first fruits of the harvest of sacrifice, and, by their example, led the way to all that followed.
On the sixth day of January, 1919, the mail brought me a letter from Mrs. Roosevelt, written in answer to one from me to her husband, who “was not feeling quite equal to write himself.” A few hours before the newspaper had brought the news of the passing of our great leader in the night. The following Sunday I called the first of the many Roosevelt Memorial Meetings. It was held at the Strand Theatre in Newport. The meeting opened with a prayer by Dr. Roderick Terry, and closed with a resolution prepared and offered by me:
RESOLUTION
The standard bearer has fallen, but his colors still lead us on. Having met together to express our sense of a common loss in the death of that great American, Theodore Roosevelt, we pledge ourselves anew to the service of the country he so greatly served and so deeply loved. Thankful for his life, we are thankful for the manner of his death that seems as a reward for his great service, coming painlessly while he slept; He giveth his beloved sleep. While sorrowing for our lost leader, we know that his dearest wish would be that instead of wasting ourselves in vain lamentations for his death, we should gird ourselves anew to fight the good fight with all the strength that is in us, and show our sense of his loss by the added impetus for good in our lives gained from his high example. I move that this resolution be adopted as an expression of the feeling of this meeting and a copy thereof be sent to Mrs. Roosevelt.
One of the miracles of the World War was the way in which all manner of institutions, factories, plants of every kind were transformed from their original purpose to meet the needs of the hour. There never was a more striking exhibition of American genius than the Protean changes that all sorts and kinds of institutions underwent. In Rhode Island, Brown University, like Harvard, became a training school for reservists, our famous jewelry factories were turned into munition plants, and so we were only doing what every other sort of institution was doing, when we transformed the Art Association from a purely cultural æsthetic institution, into a live patriotic nerve center. Every Sunday afternoon and every holiday during the war, and while the large number of reservists and enlisted men remained in Newport after the war, the Art Association kept open house for the soldiers and sailors. We found among the reservists many high-grade professional musicians. One of the best features of our Sunday afternoons was that they gave these men the opportunity to practice the art they had perforce laid down for the time of their service. Among the performers were several artists of great talent, pianists, violinists, ’cellists, and singers. To these men the opportunity of expressing themselves in their own calling, was life saving. A group of our members got together and bought a Steinway piano for these artists. I shall never forget the face of a certain pianist who, after six days of hard manual labor, stretched his fingers for the first time over the keyboard of our Steinway.
“Nothing is too good for our boys”,—that was the word for the hour. It is as true now as it was then, let us remember. Besides those blessed Sunday afternoons, when the Art Association coffee made a name for itself that is known from Maine to California—we opened classes in mechanical drawing for the enlisted men, and included in the regular classes of our art school all such reservists as were able to profit by the opportunity. Meanwhile the other functions of the Art Association were maintained, and the building was a humming hive of workers every day in the week, Sundays and holidays included. Those Sunday afternoon festivities always closed with the boys singing the popular war songs,—“There’s a Long Long Trail”—“Pack up Your Troubles in Your Old Kit Bag”—“Tipperary”, the whole company joining in the chorus with a right good will. There are certain of those songs I can never hear without a vision of the shining faces of our boys as they sat cheek by jowl with our dainty belles, our grave social workers and clergymen, our plain workaday folk, and our summer plutocrats. The light that never was on land or sea glowed in those faces, young and old, familiar and foreign, for many nations were represented in those gatherings, as well as all classes,—Jews and Gentiles, Scandinavians, Teutons, Celts, Latins, and Slavs. One common feeling bound them all together, the love of our country, the hope of the world.
If, sometimes in these post-war days, I feel a moment of doubt or fear for the future of America, to find comfort I have but to call to mind the memory of those Sunday afternoon gatherings and to listen in fancy to the strong young voices singing the familiar words: