[307]
CHAPTER XXIX
AND THEN NO MORE
Ted’s chuckle over the inference Freddie left for Dolly to draw from his remark gave place suddenly to an indignant shout.
A boy with a large parcel had just entered the gate, and had actually had the temerity to approach the house in the way Dolly had done, regardless of flower-borders. At the moment of Ted’s shout he was setting a desecrating foot recklessly down upon the pansy-bed that was the pride of the house.
Ted disentangled himself from the wiles of Weenie, who had occupied herself by chaining him to a garden-seat with trails of wild clematis.
“I’ll knock the good-for-nothing little beggar’s head off,” he said, and took a tempestuous step in the direction of the impertinent lad.
But Phyl was before him. One great gasp and choking cry she gave, then she broke away from the [308] tea-ring, rushed madly across the grass and flower-beds, and to the incredulous astonishment of the family fell upon the boy and his parcel and began to hug him in a way marvellous to behold.
Up rose the family to investigate. And lo! it too found itself rushing madly over the well-ordered pansy and primrose retreats, and also falling upon the parcel-carrying youth and hugging him.
Freddie was the first to recover himself.
“I’ll be undoing the parcel, Alf,” he said, “I’d like just to have a look at my drum.”
[309]
Then Alf laughed. He had been crying like a
baby on his step-mother’s shoulder until now.
“That’s all the luggage I brought, the rest’s on the ship,” he said, and pulled the brown paper off his parcel.
“Chirrup, chirrup!” said the fat little yellow bird, and sang at the sweet sun that the dark paper had hidden away.
“Get some water, Weenie, and a bit of green; all the voyage I couldn’t get any green,” said Alf.
In through the gate came the doctor’s bicycle, and once again the pansies suffered from the wild impetuosity of humans. Nobody in the least believed their eyes, but each waited for the other to discredit the apparition.
“Oh, I know we’re dreaming,” said Dolly; “in a minute we’ll all wake up.”
“Oh, will we!” said Weenie contentedly. There had been no standing-room for her in the general rush, and she had fallen on the grass, and was still sitting there embracing the wanderer’s legs.
“If we do wake up,” said Alf, and there was a note of almost hysterical gladness in his voice, “I’ll take a dose of your prussic acid, father.”
The father’s arm was round his little son’s shoulder; he knew that nothing—no gold or promise of fame—could ever make him willingly let the lad go again.
“You shall stop at home now,—there, old fellow, [310] you shall never go back again,” he said from time to time, and little Alf continued to blubber happily.
“Just don’t ask me anything yet,” he said in a low tone to his father; “just be as if I’ve only come in from school, will you?”
And Dr. Wise, recognizing the state of tension the lad was in, forbade a single question being put to him.
But after dinner—there was Queen’s pudding, and the pyramid of icing did not go to Freddie—he pulled himself together and told his story.
After he had written that last of his letters to his family and told of his aunt’s sudden death, a strange thing had happened. He found at the bottom of the bird-seed tin, which she had delivered into his hands with so many injunctions, a sealed note.
“Here it is,” he said, and with a blurring of eyes took out gently from his waistcoat pocket the short letter written in the stiff, would-be German hand that had become part of herself.
The family read it silently, one after the other.
“Little Boy,” it said—
“When I feel ill as I do to-night my eyes grow clear-sighted. This is no place for you, here with a soured old man and a sourer old maid; you would have grown to far healthier manhood across the sea in that merry family that I have never let you talk about just as much as you wanted. But is it [311] too late? I think you know the way back. I was not blind to the looks you cast at Hamburg and Bremen on the boats that happened to have Sydney for their destination. Suppose you break away from us and make your way back to them all, little Alf? There are times in the lives of many of us when breaking away from a life that stifles the good in us is a necessary as well as a brave thing to do. I was too weak always and have stayed here warping all my life.
“I am putting four ten-pound notes with this; they will carry you across the water again if you have the courage to fling the big fortune you would have had to the winds. You have no ties here; grandfather is too old and lives too much to himself to care for you; I would far rather spare you than keep you and watch you grow hard and money-fond like us.
“Think of it, little Alf; your mother, my own sister that I played dolls with, makes no softening feeling in me at all now when I think of her. I made myself feel hard to her, years ago, and now when I should like to change and would give the world to feel a natural gush of love for her, I can wake no emotion at all; that is my punishment, for the heart will not be trifled with.
“But you, warm from the hearts of all those sisters and brothers—oh, go back to them and be poor and happy, and grow up in the healthy atmosphere of [312] ‘give and take’ instead of our most wretched one of ‘keep.’
“Little Alf, who has been the kindest, tenderest, most patient laddie all these months, spare sometimes a loving thought to
“But I wasn’t what she says at the end,” Alf said in a choking voice; “I’ve been a beast to her,—think how I used to make fun of her in my letters!”
But they who knew warm-hearted little Alf knew without telling just in what way he had been a comfort to the lonely, mistaken woman.
“Pater,” the boy said wistfully when the general conversation was loud, and the doctor so near he could hear a whisper, “I won’t be very much expense,—are you very vexed with me for chucking the money? I came back steerage, so I’ve got twenty-two pounds left out of the forty. That’ll pay for my food for a long time.”
But the doctor, who had always been rather an impetuous, improvident man, blew his nose as loudly as Herr Ollendorf was wont to do, and said—
“Hang the expense!” with great vigour. “Thank heaven, I’ve got you again, old lad,” he added; “your punishment is, you’ll stop here now, and be poor with the rest of us.”
A week later came a German letter. It was from the grandfather’s solicitors, and bore strange news. Alf was [313] his aunt’s heir. Everything she had she had left to him unconditionally. Not a very vast inheritance, it is true, for the poor little woman’s mania for beautiful clothes had greatly crippled a once handsome income. Still, three hundred a year would do many things, and at least keep away the terrible necessity of Alf being compelled to teach German for a living.
The letter went on to state the fact of the boy’s disappearance; inquiries had been made, and it seemed reasonable to conclude he had run away from his grandfather’s care, and sailed for Australia by the Barbarossa. “If this proved to be the case,” said the solicitors, “and if the boy had returned, or in process of time did return to his father, then his grandfather washed his hands of him for all time.”
The young reprobate leaned back when the reading of the letter reached this point, and sighed relievedly.
“That’s something to be thankful for,” he said; “every night I’ve dreamt he’d sent to get me back.”
“I’m afraid it’s a stony-hearted laddie,” Mrs. Wise said. “I don’t at all like to picture to myself that lonely old man.”
“But he never cared a dump for me—you ask him; why, he nearly used to get a fit sometimes if I came near him; he said I fidgeted so,” Alf said excitedly.
“He’s precious glad I cleared, I’ll bet; he only wanted some one to leave his rubbishy money to; the little mummies can have it, and welcome.”
“The who?” said the doctor.
[314]
“Oh, those kids in Egypt,” said Alfred.
Dolly was in the corner reading the “further” letter from her publisher-elect, and surely there was a smile wrapped up with the kindly note.
“Hello, Dolly looks as if she couldn’t help it,” said Richie, the speaker of slang.
“O-o-oh!” said Dolly ruefully, “neither I can.”
Down had come many of her card-castles; flat on the earth they lay. The publisher would give her a royalty, and a fair one, on every copy, but—
“I cannot entertain paying you such a sum for copyright,” he wrote; “you are entirely unknown as a juvenile writer, and your tale is very short. I can only offer you fifteen pounds for that; but should the book succeed as I expect, the royalties will total up no inconsiderable sum each year.”
“Fifteen pounds!” repeated Dolly in a disappointed tone. Last night she and Phyl had lain awake spending the two hundred pounds in most magnificent fashion; a trip to Stevenson’s Samoa for their mother, themselves, and Alf, being the choicest item on the list.
“Never mind,” said Freddie kindly, “I can do without the cricket things now, Dolly—Alf’ll get them for me; won’t you, Alf?” and he fondled his millionaire brother’s hand with the most respectful affection.
Dolly’s eyes went skimming along over the page to the agent’s disquisition on “Covers.” Russian leather and white parchment with rough edges were [315] impossible, it seemed. Mr. Ledman wrote at length, and with eloquence, of the beauties of gilt edges, and the chaste and elegant appearance of some appropriate floral emblem on a bright red, blue, or green ground. He said he proposed to include it in the well-known “Bluebell Series,” of which they had sold one million copies.
But Dolly was not entirely vanquished. She had carried with her for three long days the dear vision of sage-green Russian leather, severely plain and artistic, and the crude colouring of her shelf of “Bluebell Series” made her shudder. The voyage to the Happy Isles she relinquished with a sigh, and wrote that she accepted the offer of fifteen pounds and a royalty. But she added a most agitated couple of pages whereon she made known her undying hatred of covers of the “Bluebell” description.
The kindly agent soothed her in his next reply; she should not be in the “Bluebell Series,” he promised, and she should have the most artistic covers compatible with the fact that the book was for young readers. So she took heart again, and speedily forgot Vailima and the skies she might have seen, rough-edged parchment and everything in the world but the fact that flying forward, forward through the shouting seas was a ship, bearing in its breast that precious parcel of her very own writing, that London magic would turn into a book, a book, a book!
[A1]
Works by Ethel Turner
THE STOLEN VOYAGE.
Illustrated by J. Macfarlane and others.
“The book is prettily bound and profusely illustrated, and although it is primarily intended for the young, one may safely say that when its lucky boy or girl owner has to shut it up and trot off to bed, there will be an older member of the family thankful for the opportunity of getting a bit more read.”—The Schoolmaster.
IN THE MIST OF THE MOUNTAINS.
“A story that will at once appeal to both boys and girls by reason of its natural setting and its captivating dialogue. It is without doubt one of the best of the season’s gift books.”—The Teacher’s Aid.
THE WHITE ROOF-TREE.
Illustrations by A. J. Johnson.
“It is a charming picture of young life, painted as the authoress knows how to depict it. She has a fresh and tender touch indeed, which has singled her out as the happy successor of Miss Alcott, and won for her the golden opinions of her juvenile readers.”—The Leicester Post.
MOTHER’S LITTLE GIRL.
Illustrations by A. J. Johnson.
“A beautiful story. . . . One that draws out all the author’s wonderful capacities for direct and naturally emotional and sentimental writing. The grown-ups, the little folks and their every-day experiences are portrayed and described with a realism that brings them very near to the reader, affecting the feelings and impressing the memory.”—The Dundee Advertiser.
BETTY & CO.
Illustrated.
“Miss Ethel Turner has lost none of her freshness, her tenderness, her charm, after so many years writing. . . . She comes very near genius in depicting child-life, and she is Australian to the core.”—The Queen.
LITTLE MOTHER MEG.
With Twenty-five Illustrations by A. J. Johnson.
This book is another of the Author’s delightful stories of child life, full of the same charms which brought into popularity her earlier stories; this new story is bound to enhance her reputation as one who can picture child life in all its natural innocence.
THE STORY OF A BABY.
Illustrated by Frances Ewan and others.
“A pretty and graceful little narrative.”—Daily Telegraph.
“A charming sketch of a girl-wife and the pitfalls of early married life.”—Liverpool Mercury.
[A2]
THE RAFT IN THE BUSH.
With Sixteen Illustrations by H. C. Sandy and D. H. Souter.
SEVEN LITTLE AUSTRALIANS.
With Twenty-six Illustrations by A. J. Johnson.
“The pictures of their characters and careers seem taken from the life, and there is a novelty in some of the surroundings of the household which makes the volume eminently readable. . . . There are not wanting passages of true pathos, and some vividly picturesque descriptions of Australian scenery.”—Daily Telegraph.
THE FAMILY AT MISRULE. A Sequel to the above.
With Twenty-nine Illustrations by A. J. Johnson.
“Delightful young people they are, with all their mistakes and innocent naughtiness, yet so bright and natural they cannot fail to charm.”—Graphic.
“All who were delighted with ‘Seven Little Australians’—as all were who read the charming story—will welcome ‘The Family at Misrule.’ . . . The story is charmingly written.”—Leeds Mercury.
THREE LITTLE MAIDS.
Illustrated by A. J. Johnson.
“A tale of absorbing interest. The book all through is written in a vein that will afford genuine delight to those into whose hands it may fall.”—Morning Advertiser.
“A capital story, told with vivacity, point and humour. Admirably calculated to interest young people.”—Publishers’ Circular.
THE CAMP AT WANDINONG.
Illustrated by Frances Ewan and others.
“Ethel Turner has given us in ‘The Camp at Wandinong’ such an insight into the thoughts and nature of childhood as is nothing short of marvellous. It is no exaggeration to say that in our experience no truer representations of child life have ever been brought before the public. Mrs. Curlewis’s pathos is of that simple and intimate description that will find its way straight to the hearts of her readers.”—Ladies’ Field.
MISS BOBBIE.
Illustrated by Harold Copping.
“Simply delightful. . . . In its humour and its penetrating insight it is quite a masterpiece, comparable only with Miss Alcott’s ‘Little Men.’”—Daily Mail.
“In every way a delightful book. It is one of those simple histories of everyday life that children of all ages like to read, full of fast and furious fun.”—British Weekly.
THE LITTLE LARRIKIN.
Illustrated by A. J. Johnson.
“This is a most delightful, pathetic, and humorous—yet neither too pathetic nor too humorous—story.”—Speaker.
“So brightly written, and so full of delicate touches of both humour and pathos.”—Pall Mall Gazette.
“An exceedingly clever and amusing story.”—St. James’s Gazette.
[A3]
The ROYAL SERIES
An important new series, which will aim at including all the Classic Gift Books. Printed from new type on good paper, and attractively bound, with gilt side and back. It is believed the series will surpass anything ever offered to the public at the price.
| 1 | ROBINSON CRUSOE | Daniel Defoe |
| 2 | THE PILGRIM’S PROGRESS | John Bunyan |
| 3 | THE HOLY WAR | John Bunyan |
| 4 | UNCLE TOM’S CABIN | Mrs. H. B. Stowe |
| 5 | GRIMMS’ FAIRY TALES | Bros. Grimm |
| 6 | GRIMMS’ FAIRY STORIES | Bros. Grimm |
| 7 | ANDERSEN’S POPULAR TALES | Hans Christian Andersen |
| 8 | ANDERSEN’S FAIRY STORIES | Hans Christian Andersen |
| 9 | FROM LOG CABIN TO WHITE HOUSE | W. M. Thayer |
| 10 | THE WIDE, WIDE WORLD | E. Wetherell |
| 11 | MELBOURNE HOUSE | E. Wetherell |
| 12 | DAISY | E. Wetherell |
| 13 | DAISY IN THE FIELD | E. Wetherell |
| 14 | LITTLE WOMEN | L. M. Alcott |
| 15 | GOOD WIVES | L. M. Alcott |
| 16 | THE PRINCE OF THE HOUSE OF DAVID | J. H. Ingraham |
| 17 | BEULAH | A. J. Evans Wilson |
| 18 | ST. ELMO | A. J. Evans Wilson |
| 19 | THAT LASS O’LOWRIE’S | Mrs. F. H. Burnett |
| 20 | DANESBURY HOUSE | Mrs. Henry Wood |
| 21 | MINISTERING CHILDREN | Mrs. Charlesworth |
| 22 | BEN-HUR | Lew Wallace |
| 23 | JOHN HALIFAX, GENTLEMAN | Mrs. Craik |
| 24 | THE HEROES | Charles Kingsley |
| 25 | A WONDER BOOK | Nathaniel Hawthorne |
| 26 | THE CORAL ISLAND | R. M. Ballantyne |
| 27 | MARTIN RATTLER | R. M. Ballantyne |
| 28 | THE WORLD OF ICE | R. M. Ballantyne |
| 29 | PETER THE WHALER | W. H. G. Kingston |
| 30 | TOM BROWN’S SCHOOL DAYS | Thomas Hughes |
| 33 | FEATS ON THE FIORD | H. Martineau |
| [A4] 34 | THE BASKET OF FLOWERS | G. T. Bedell |
| 35 | THE GORILLA HUNTERS | R. M. Ballantyne |
| 36 | TALES FROM SHAKESPEARE | Chas. and M. Lamb |
| 37 | STEPPING HEAVENWARD | E. Prentiss |
| 39 | THE MILL ON THE FLOSS | George Eliot |
| 40 | OLD JACK | W. H. G. Kingston |
| 41 | WHAT KATY DID AT HOME | Susan Coolidge |
| 42 | WHAT KATY DID AT SCHOOL | Susan Coolidge |
| 43 | THE LAMPLIGHTER | Miss Cummins |
| 44 | UNGAVA | R. M. Ballantyne |
| 45 | THE YOUNG FUR TRADERS | R. M. Ballantyne |
| 46 | WESTWARD HO! | Charles Kingsley |
| 47 | THE DAYS OF BRUCE | Grace Aguilar |
| 49 | THE DOG CRUSOE | R. M. Ballantyne |
| 50 | THE RED ERIC | R. M. Ballantyne |
| 51 | TITUS | F. M. Kingsley |
| 53 | THE THRONE OF DAVID | Rev. J. H. Ingraham |
| 54 | HELEN’S BABIES | John Habberton |
| 55 | OTHER PEOPLE’S CHILDREN | John Habberton |
| 56 | THE VICAR OF WAKEFIELD | Oliver Goldsmith |
| 57 | AT THE MERCY OF TIBERIUS | A. J. Evans Wilson |
| 58 | THE OLD HELMET | E. Wetherell |
| 59 | THE PILLAR OF FIRE | J. H. Ingraham |
| 60 | HOLIDAY HOUSE | Catherine Sinclair |
| 61 | THE WATER-BABIES | Charles Kingsley |
| 62 | AGATHA’S HUSBAND | Mrs. Craik |
| 63 | QUEECHY | E. Wetherell |
| 64 | SANDFORD AND MERTON | |
| 65 | EVENINGS AT HOME | |
| 66 | ARABIAN NIGHTS’ ENTERTAINMENTS | |
| 67 | ANDERSEN’S STORIES FOR THE YOUNG | |
| 68 | ANDERSEN’S FAVOURITE TALES | |
| 69 | THE SCOTTISH CHIEFS | Jane Porter |
| 70 | INFELICE | A. J. Evans Wilson |
| 71 | VASHTI | A. J. Evans Wilson |
| 72 | MACARIA | A. J. Evans Wilson |
| 73 | INEZ | A. J. Evans Wilson |
| 74 | THE FLOWER OF THE FAMILY | E. Prentiss |
| 75 | MABEL VAUGHAN | Miss Cummins |
| 77 | SWISS FAMILY ROBINSON | |
| 78 | WILLIS, THE PILOT | Sequel to “Swiss Family Robinson” |
| 79 | NAOMI | J. B. Webb |
| 80 | AESOP’S FABLES | |
| 81 | ALICE’S ADVENTURES IN WONDERLAND | Lewis Carroll |
Transcriber’s note
Inconsistent hyphenation has been retained: bedtime/bed-time, bookcase/book-case, child-life/child life, currant-bushes/currant bushes, drawing-room/drawing room, eiderdown/eider-down, everyday/every-day, forever/for ever, heartbroken/heart-broken, hearthrug/hearth-rug, nightgown/night-gown, nightgowns/night-gowns, someone/some one, washstand/wash-stand, washing-day/washing day.
The following words have been retained as printed: woful, wofully.
Occasional inconsistencies in character names (Phyl/Phil, Phyllida/Phyllis, Clif/Cliff) have been regularised.