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Timar's Two Worlds

Chapter 36: CHAPTER I. A NEW GUEST.
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About This Book

The narrative follows Michael Timar as his life traverses contrasting realms: river voyages and the isolation of an ownerless island, and the social worlds tied to nobility and humble islanders. Episodes aboard a ship, frontier inspections, and a mysterious marble statue intersect with romantic entanglements involving Timéa, Noémi, and Athalie. Interwoven mysteries of identity, duty, and legacy propel a series of adventures, moral tests, and personal reckonings. The work alternates vivid set pieces and local histories with reflective passages, exploring loyalty, fate, and how past choices shape present responsibilities and relationships.

Timar had to listen to these lamentations all the way, but Timéa never uttered a complaint.

When they arrived at Komorn, Frau Sophie informed them that she had turned gray with loneliness. Gray indeed! She had been very happy—being able to go about all day from house to house to gossip to her heart's content. Timar felt a painful anxiety. Home is either a heaven or a hell. Now at last he would know what lay behind the marble coldness of this silent face.

As he entered the room with his wife, she handed him the key of his desk. Michael knew she had opened it to get out the contract.

This writing-desk was an old and elaborate piece of furniture, whose upper part was closed by a rolled falling cover, under which were drawers of various sizes. In the large drawer lay the contracts, in the small ones notes and valuables; the lock was a puzzle one, which you might vainly turn if you did not know its secret.

Timéa was in the secret, and could have access to all the drawers. With an uneasily beating heart Timar drew out the drawer where those jewels were kept which it had been unadvisable to place on the market. These gems have their own experts, who recognize by certain marks where this stone or that gem came from; and then follows the question, how did he get it? Only the third generation from the finder can venture to show it, as to him it is all one in what way his grandfather came into its possession.

If Timéa had been inquisitive enough to open that drawer she must have seen these gems. And if so, one among them, the diamond locket with the portrait which is so like her, must have been recognized by her. It is her mother's picture, and then she must know all. She knows that Timar has received her father's treasures; it is hard to believe he came by them honestly. And by that dark, perhaps criminal road, they would lead to the fabulous riches which gained her hand for Timar, while he played the generous friend to her whom he had robbed. She may even think worse things of him than are true. Her father's mysterious death, his secret burial, might awake in her the suspicion that Timar had a hand in it.

These doubts were unbearable. Timar must set them at rest, and call yet one more falsehood to his aid. He took out the medallion and went with it to Timéa. "Dear Timéa," he said, sitting down beside his wife, "I have been living a long time in Turkey. What I did there you will learn later on. When I was in Scutari an Armenian jeweler offered me a diamond-framed picture, which is very like you. I bought it, and have brought you the ornament."

When Timéa saw the portrait her face changed in an instant. An emotion which could neither be assumed nor concealed was visible in her sculptured features; she seized the picture with both hands and pressed it eagerly to her lips; her eyes filled with tears. This was true feeling; Timéa's face began to live.

Michael was saved. The girl, overpowered by her long-suppressed feelings, began to sob violently. Athalie heard and came in; she was surprised—she had never known Timéa to sob. But when she saw Athalie she ran toward her like a child, and cried, in a tone of mingled laughter and tears, "See, see! my mother! It is my mother's picture. . . . He has brought it to me!"

And then she hastened back to Michael, put both her arms round his neck, and whispered in a broken voice, "Thanks, oh, a thousand thanks!"

It seemed to Timar as if the time had come to kiss these grateful lips, and to kiss them on and on.

But alas! his heart said, "Thou shalt not steal." Now a kiss on these lips would be a theft, after all that had passed on the ownerless island.

Another thought struck him. He went back to his room, and fetched all the hidden jewels which remained in the drawer.

A wonderful woman this, who, though she had the key in her hands, left the secret drawers untouched and only took out the one paper she required! Then he packed all the ornaments into the bag he had over his shoulder when he came home, and went back to his wife. "I have not told you all," he said to Timéa. "Where I found the picture I discovered also these jewels, and bought them for you. Take them as a present from me."

And then he laid the dazzling gems one after another in Timéa's lap, until the sparkling heap quite covered her embroidered apron. It was like some magical gift from the thousand and one nights.

Athalie stood there pale with envy, with angrily clinched teeth. Perhaps these might all have been hers! But Timéa's face darkened and grew marble-like again. She looked with indifference at the heap of jewels in her lap. The fire of diamonds and rubies could not warm her.

BOOK FOURTH.—NOÉMI.

CHAPTER I.
A NEW GUEST.

What rich bankers call business filled up the winter season, and Levetinczy began to enjoy his position. Riches bring pleasant dreams. He went often to Vienna and took part in the amusements of the commercial world, where many good examples were presented to him. A man who owns a million can allow himself the luxury, when he goes to the jeweler to buy New Year's gifts, of buying two of everything to please two hearts at once.

One for his wife, who sits at home and receives guests or looks after the household—the other for another lady, who either dances or sings, but in any case requires an elegant hotel, jewels, and laces. Timar was so fortunate as to be invited to the parties given at home by his friends, where the lady of the house makes tea—as well as to those differently organized soirées, where a very unceremonious set of ladies preferred champagne, and where Timar was constantly attacked by the question whether he had no little friend at the opera yet.

"The pattern of a faithful husband," declared his admirers.

"An unbearable prig," was the verdict of his critics.

But he says nothing, and thinks of—Noémi. What an eternity to have been separated from her—six months; to think of her every day, and not dare to confide his thoughts to a single soul!

He often caught himself on the point of betraying his thoughts; once as he sat at table the words all but escaped him, "Look! those are the same apples which grow on Noémi's island." "When Noémi had a headache, it went away if I laid my hand on her forehead." And if he looked at Timéa's pet white cat, the exclamation hovered on his lips, "Narcissa, where did you leave your mistress, eh?"

He had every reason to be on his guard, for there was a being in the house who watched him as well as Timéa with Argus eyes.

Athalie could not but remark that since his return he was no longer so melancholy as before; every one noticed how well he looked; there must be some mystery in it. And Athalie could not bear any one in this house to be happy. Where did he steal his contentment? Why does he not suffer as he ought to do?

Business prospered. In the first month of the new year news came from the other side of the sea. The flour exported had arrived safely, and its success was complete. Hungarian flour had won such renown in South America, that now people tried to sell the native product under that name. The Austrian consul in Brazil hastened to inform his government of this important result, by which the export trade was increased in a marked degree. The consequence was that Timar was made a privy councilor, and received the minor order of St. Stephen, as an acknowledgment of the services rendered by him to his native land in the fields of commerce and philanthropy.

How the mocking demon in his breast laughed when they fastened the order on to his coat and called him "the right honorable!" "You have to thank two women for this—Noémi and Timéa." Be it so. The discovery of the purple dye had its origin in the eating of a purple snail by the little dog of a shepherd's mistress; but yet purple has become a royal color.

Herr von Levetinczy now first began to rise in the estimation of the people of Komorn. When a man is a privy councilor, one can not deny him a proper portion of respect. Every one hastened to congratulate him, and he received them all with a gracious condescension. Our Johann Fabula came too to wish him joy in the name of the fisher-folk. He was in the gala clothes of his class. On his short dolman of dark-blue cloth shone three rows of shell-shaped silver buttons, as large as nuts, and from one shoulder to the other hung a broad silver chain with a large medallion for a clasp, on which the Komorn silversmith had stamped the head of Julius Cæsar. The other members of the deputation were equally splendid. Silver buttons and chains were at that time still worn by the mariners of Komorn. It was the custom to keep the visitors to dinner, and this honor fell to Fabula. He was a very frank person, who spoke with complete unreserve. When wine had loosened his tongue, he could not forbear to tell the gracious lady that when he first saw her as a girl he would never have thought that she would have become such a good housewife and be the wife of Herr von Levetinczy. Yes, indeed; he was afraid of her then, and now see how wonderful are the ways of God's providence, and how short-sighted are men; how everything has been ordered for the best: what happiness reigns in this house! If only a kind Providence would hear the prayers of those who entreat that a new blessing may be sent down from heaven to the good lord of Levetinczy, in the shape of a little angel.

Timar covered his glass with his hand; a thought started through his mind—"Such a wish might have an unlooked-for result."

But Herr Fabula was not content with good wishes, he thought he must add some good advice. "But his honor rushes about too much. In good truth I would not leave such a sweet, pretty lady alone. But it can't be helped if the master must see to everything himself, for that's why it succeeds. Who would have thought of sending our flour across the sea? To tell the truth, when I heard it—excuse me for making so free—I thought to myself the master must have gone silly; before that flour gets there it will all be musty, while loaves grow out there on the trees and roll on the bushes. And now just see what credit we have all got by it. But it is the master's eye that feeds the horse—"

This was to Michael an unwelcome irony, which he could not leave without contradiction. "My good Johann, if that was the secret of our success, you must bestow all your praises on my wife, for it was she who looked after everything."

"Yes, indeed; all honor to the merits of our noble lady!" said Fabula; "but, with his honor's permission, I know what I know. I know where his honor spent the whole summer."

Michael felt as if his hair stood on end with horror. Could this man know where he had been? It would be awful if he did.

Michael winked with one eye over his glass at his guest, but in vain.

"Well, shall I tell our gracious lady where the master spent the summer? Shall I let it out?"

Michael felt every limb paralyzed by terror. Athalie kept her eyes fixed on his face; he durst not betray by a gesture that the gossip of the tipsy chatterer confused him. "Well, tell us then, Johann, where I was," he said, with enforced calmness.

"I will complain of you to the gracious lady; I will tell her," cried Fabula, putting down his glass. "His honor ran away without saying a word to any one. He went quietly on board a ship and sailed away to Brazil; he was over there in America and settled everything himself, and that's why it all went so smoothly."

Timar looked at the two women. On Timéa's face was reflected pure surprise, Athalie was vexed. She believed as fully in the truth of Fabula's tale as he did himself, and he would have staked his head on it.

Timar also smiled mysteriously at the story; now he was the one who lied, not Johann Fabula. The man of gold must go on lying.


The story was very useful to Timar. He had now a sufficient excuse for his mysterious disappearances, and it was possible for him to give such an air of probability to the story of his Brazilian voyage that even Athalie believed it. Indeed, she was the easiest to deceive. She knew what Timéa was feeling, and that she was glad to distract herself by absence and work from the thought of him on whose account her heart ached. If a wife can do so, why not the husband? It was even simpler for him to fly from his sorrows to another hemisphere, and in the pursuit of wealth to forget what his heart coveted. How should Athalie have guessed that it was the husband who had already found a cure for his mortal sickness, and who was happy away from home? What would she have given to him who should have revealed the truth? But the rushes round the ownerless island did not chatter like the reeds to which King Midas's barber trusted his secret. Athalie was consumed with envy, while she vainly sought for a key to the riddle. At home and in public, Timar and Timéa presented the exemplary picture of a happy marriage. He heaped on his wife expensive jewels, and Timéa loaded herself with them when they went into society; she wished to shine by this means.

What could better prove the affection of the husband than the diamonds of the wife? Could Timar and Timéa really be a couple whose love consisted in giving and receiving diamonds, or are there people in this world who can be happy without love?

Athalie still suspected Timéa and not Timar. But Timar could hardly wait till the winter was over and spring had come: of course, because then the mills can begin to grind again—what else could a man of business have in his mind?

This year Michael persuaded Timéa not to try her health by the management of business; he would give it over to his agents, and she should go during the summer to some sea-bathing place, to get rid of her neuralgia.

No one asked him where he was going. It was taken for granted that he would again travel to South America, and pretend he had been in Egypt or Italy.

But he hurried away to the Lower Danube. When the poplars grew green, he could not stay at home: the alluring picture filled his dreams and took captive all his thoughts. He never stopped at Levetinczy, but only gave general instructions to his agent and his steward to do their best; then he went on to Golovacz, where he stayed a night with the dean; thence he had only a half-day's journey to get to Noémi. He had not seen her for six long months; his mind was filled with the picture of the meeting. Awake and asleep he was full of longing, and could hardly wait for dawn. Before sunrise he was up, put on his knapsack, threw his gun over his shoulder, and without waiting for the appearance of his host, he left the presbytery and hastened to the wooded river-bank.

The Danube does a good work in widening the limits of the wood every year by retreating from its banks, for in this way the watch-houses built twenty-five years ago on the shore have now taken up a position much further inland. And he who wishes to cross the river without a passport finds in the young brushwood an entirely neutral territory.

Timar had sent a new boat to the hut, where he went on foot; he found it ready, and started as usual alone on the way to the reed-beds. The skiff floated like a fish on the water, and that it traveled so swiftly was not owing to itself alone. The year had grown to April, it was spring, and the trees at Ostrova were already in blossom. So much the more astonished was he at the sight which met his eyes on the other side. The ownerless island did not look green; it seemed to have been burned. As he approached he saw the reason; all the trees on the northern side were quite brown. The boat traversed the rushes quickly; when it touched the bank, Michael saw plainly that a whole long row of trees, Frau Therese's favorite walnuts, were dead—every one of them. Michael felt quite downcast at the sight. At this season he was generally greeted by green branches and rosebuds. Now a dead forest welcomed him—a bad omen.

He pressed forward and listened for the bark of greeting: not a sound to be heard. He walked on anxiously; the paths were neglected, covered by dry autumn leaves, and it seemed to him as if even the birds were silent. When he drew near the hut, a dreadful feeling overcame him—where were the inhabitants? They might be dead and not buried; he had been busied about other things for half a year—with affairs of state, with showing off his young wife, and making money. And meanwhile Heaven had watched over the islanders—if it chose.

As he entered the veranda, a door opened and Therese came out. She looked serious, as if something had frightened her; and then a bitter smile appeared on her face. "Ah! you have come!" said she, and came to press his hand. And then it was she who asked him why he came looking so grave. "No misfortune has happened?" Timar asked, hastily.

"Misfortune? No," said Therese, with a melancholy smile.

"My heart was sore when I saw the dead trees," said Michael, to excuse his serious looks.

"The flood last summer did that," answered Therese; "walnut-trees can not stand wet."

"And how are you both?" asked Timar, uneasily.

Therese answered gently, "We are pretty well, I and the other two."

"What do you mean? the other two?"

She smiled and sighed, and smiled again; then she laid her hand on Michael's shoulder and said, "The wife of a poor smuggler fell ill here: the woman died, the child remained here. Now you know who the other two are."

Timar rushed into the house: at the far end of the room stood a cradle woven of osiers, and near it, on one side, was Almira, on the other Noémi. Noémi rocked the cradle and waited till Timar came to her. In it lay a little baby, with chubby cheeks, which pressed the cherry lips into a soft pout; its eyes were only half shut, and the tiny fists lay over its face. Michael stood spell-bound before the cradle. He looked at Noémi as if to seek the answer to the riddle in her face, on which a sweet ray of heavenly light seemed to shine, in which modesty and love were combined. She smiled and cast her eyes down. Michael thought he would lose his senses.

Therese laid her hand on his arm, "Then are you angry that we have adopted the orphan child of the poor smuggler's wife? God sent it to us."

Angry? He had fallen on his knees, and held the cradle in his embrace, pressing it and its inhabitant to his breast; then he began to sob violently, like one who has kept a whole ocean of sorrow in his heart, which suddenly overflows its bounds.

Timar kissed the little messenger from God wherever he could—its little hands and feet, the hem of its robe, its rosy cheeks. The baby made grimaces under the kisses, but did not wake. At last it opened its eyes, its great blue eyes, and looked at the strange man with astonishment, as if to say, "Does this man want anything of me?" and then it laughed, as if it thought, "I don't care what he wants," and after that it shut its eyes and slumbered on, still smiling and undisturbed by the flood of kisses.

Therese said, smiling, "You poor orphan! you never dreamed of this, did you?" and turned away to hide her tears.

"And am I to have no greeting?" said Noémi, with charming anger. Michael turned to her, still on his knees. He spoke not a word, only pressed her hand to his lips and hid his face silently in her lap. He was dumb as long as the child slept. When the little creature awoke, it began to talk in its own language—which we call crying. It is lucky there are those who understand it. The baby was hungry.

Noémi said to Michael that he must now leave the room, for he was not to know what the poor little orphan was fed upon.

Michael went outside; he was in a transport. It seemed as if he was on a new star, from which one could look down on the earth as on a foreign body. All he had called his own on the terrestrial ball was left behind, and he no longer felt its attraction drawing him thither. The circle in which he had spent his former life was trodden under foot, and he had attained a new center of gravity. A new object, a new life, stood before him; only one uncertainty remained—-how could he contrive to vanish from the world? To pass into another sphere without leaving this mortal life behind; to live on two different planets at once, to mount from earth to heaven, to pass again from heaven to earth, there to entertain angels, and here to live for money—alas! this was no task for human nerves. He would lose his reason in the attempt.

Not without reason are little children called angels, or "messengers:" children are indeed messengers from the other world, whose mysterious influence is visible in their eyes, to those who receive them as gifts of God. A wonderful look often meets us in the eye of an infant, which is lost when the lips learn speech. How often Michael gazed for hours at this blue ray from heaven in the baby's eyes, when it lay on a lambskin out on the grass, and he stretched himself beside it, and plucked the flowers it wanted—"There, then, here it is." He had his work cut out to get it away, for the little thing put everything in its mouth. He studied its first attempts at language, he let it drag at his beard, and sung lullabies to put it to sleep.

His feeling for Noémi was quite different now; it was not desire, but bliss—the glow of passion had given place to a sweet contented calm, and he felt like one convalescent from a fever. Noémi, too, had altered since they last met; on her face lay an expression of submissive tenderness, and in all her conduct was a consistent gentleness, which could not have been assumed—a quiet dignity combined with chaste reserve, which surrounds a woman with a halo, compelling respect. Timar could not get used to his happiness: he required many days to be convinced that it was not a dream—that this little hut, half wood, half clay, and the smiling woman with the babbling babe at her breast, were reality and not a vision.

And then he thought, what will become of them?

He strode about the island and brooded on the future.

"What can I give this child? Much money? They know nought of money here. Great estates? This island suffices. Shall I take him with me and make him into a great and wealthy man? But the women could not part with him. Shall I take them too? But even if they consented, I could not do it; they would learn what I am, and would despise me. They can only be happy here: only here can this child hold up its head, where none can ask its name."

The women had called it Adeodatus (Gift of God). It had no other name. What other could it have?

One day when he was wandering aimlessly, deep in thought, about the island, striding through the bushes and weeds, Timar came suddenly to a part where the dry twigs crackled under his feet. He looked round; he was in the melancholy little plantation of dead walnut-trees. The beautiful trees were all dried up: spring had not clothed them with fresh green foliage, and the dead leaves covered the ground.

An idea struck Michael in this vegetable cemetery. He hastened back to the hut. "Therese, have you still the tools you used in building your house?"

"There they are on the shelf."

"Give them here. I have an idea; I will fell the dead walnuts and build of them a little house for Dodi."

Therese clasped her hands in astonishment. But Noémi's answer was to kiss her little Dodi and say to him, "Dost thou hear?"

Michael interpreted the wonder on Therese's face as incredulity. "Yes, yes," he persisted, "I will build the house myself without any help—a little house like a jewel-case, like those the Wallachians build, lined with beautiful oak; mine shall be of walnut, and fit for a prince. I will drive every nail myself, and it shall be Dodi's house when he gets bigger."

Therese only smiled. "That will be fine, Michael. I too built my nest as the swallows do; I formed the walls of clay, and thatched my roof with rushes. But carpentry is not one man's work; the old saw has two handles, and one can not manage it alone."

"But are we not two?" cried Noémi, eagerly. "Can't I help him? Do you fancy my arm is not strong enough?" and she turned her sleeve up to her shoulder to show off her arm. It was beautifully formed, yet muscular, fit for Diana. Michael covered it with kisses from the shoulder down to the finger-tips, and then said, "Be it so."

"Oh, we will work together," cried Noémi, whose lively fancy had seized on Michael's suggestion with lightning speed. "We will both go out into the wood; we will make a hammock for Dodi and sling it from the branches. Mother shall bring us out our meals, and we will sit on the planks we have sawn, and take our dinner out of the same plate: how good it will taste!"

And so it did. Michael took the ax and went out to the walnut-grove, where he set to work. Before he had felled and topped one tree his hands were blistered. Noémi told him women's hands never got sore. When three trees were cut down, so that one trunk could be laid across the other two, Michael wanted Noémi's help. She was quite in earnest, and attacked the task bravely. In her slender form lay stores of strength and endurance. She handled the great saw as cleverly as if she had been taught to do it.

Michael gradually got used to the dressing of the walnut planks; the ax, too, did good service, and Noémi admired him greatly. "Tell me, Michael," she asked him one day, "have you never been a carpenter?"

"Oh, yes," he answered, "a ship's carpenter."

"And tell me, how did you become such a rich man that you can stay away a whole summer from your work, and spend your time elsewhere? You are your own master, I suppose? You take orders from no one?"

"I must tell you all about it some day," said Michael; and yet he never told her how he became rich, so as to be able to spend weeks on the island sawing wood. He often related to Noémi stories of his adventurous journeys through all lands, but in his romantic tales he never said anything about himself. He escaped inquisitive pressure by working hard all day; and when he lay down at night, it was not the time to tease him with questions, though many wives take advantage of the opportunity.

During the long time Timar spent in the ownerless island, he had gradually become convinced that it was by no means so concealed as to be unknown: its existence was known to a large class of visitors. But they never revealed it to the outer world. Smuggling, on the banks of this wooded river, was a regular profession, with its own constitution, its own schools, its secret laws, forming a state within a state. It often surprised Timar to find among the willow-copses of the island a canoe or a boat, watched by no one. If he came back a few hours later, it was no longer there. Another time he stumbled on great bales of goods, which also had disappeared when he returned. All the mysterious people who used the island as a resting-place seemed purposely to avoid the neighborhood of the hut; they went and came without leaving a footmark on the turf. There were cases, however, in which they visited the hut; and then it was always Therese who received their visit. When Almira gave the signal that strangers were coming, Timar left his work and retired into the inner room; he must not be seen by any stranger. It is true the beard he had grown had altered him considerably, but yet some one might come who had seen him elsewhere. The wild people always came to Therese if they had been hurt; they often frequented places where they were likely to be wounded. Sometimes they had deep, dangerous gunshot wounds, which they could not show to the regimental surgeon, for the result would be a court-martial; but the island lady knew of healing salves, could reduce fractures, bind up wounds, and prescribe medicines for fevers. She was sought by sick people who kept secret their abode, for they knew the physicians would never endure this quack-doctoring. She reconciled enemies who dared not go to law, and consoled criminals who repented of their sins, with the hope of God's mercy. Often some fugitive, tired and exhausted with hunger and thirst, came to her threshold. She asked not, "Whence do you come or whither do you go?" She took him in, and let him go when restored and refreshed, after filling his pouch with food.

Many know her whose religion is silence, and there is no bond which binds master and disciple so closely as this. Every one knows that no money is to be found here; even avarice has no reason to wish her ill.

Timar could be certain of having found a place over which centuries might pass before the history of its inhabitants should be drawn into that chaos we call the world. He could go on with his carpentry without fearing that the news would leak out that Michael Timar Levetinczy, privy councilor, landowner, banker, had turned into a woodcutter in an unknown island; and that, when he rested from his hard labor, he cut willow branches to shelter a poor orphan child which had neither parents nor a name of its own. What joys he knew here! how he listened for the first word the child could speak! The little man had such trouble to shape his unskillful lips to the words. "Papa," of course, was the first; what else could it be? The child learns also to understand the sorrowful side of life; when a new tooth comes, what pain and sleepless nights must be endured! Noémi remains at home with it, and Michael runs back from his work to see how little Dodi is. He takes the child from Noémi and carries him about, singing lullabies to him. If he succeeds in putting Dodi to sleep and soothing his pain, how triumphant he is! He sings—

"For all the gold the world could hold,
I would not give my Dodi's curl."

One day Michael suddenly found that he had grubbed up and cut down all the timber. So far the work had prospered; but now he found he could not get on. House-carpentry is a trade like any other, and must be learned, and he had not spoken the truth when he said he understood it.

Autumn drew near. Therese and Noémi were already used to think it quite natural for Timar to leave them at this season; he must of course earn his bread. His business is of a sort which gets on by itself in the summer, but in winter he must give himself up to it. They knew that from other tradespeople. But in another house the same idea reigned. Timéa believed Michael had business which obliged him to spend the summer away from home: at that season the management of his estates, of his building and export contracts, demanded all his attention.

From autumn to spring he deceived Timéa, from spring to autumn he deceived Noémi. He could not be called inconsistent.

This time he left the island earlier than in other years. He hastened back to Komorn, where all his affairs had progressed in his absence beyond his expectations. Even in the government lottery the first prize must needs fall to him; the long-forgotten ticket lay buried somewhere in a drawer under other papers, and not till three months after the drawing did he bring it out, and claim the unhoped-for hundred thousand gulden, like one who hardly cares for such a trifle. The world admired him all the more. He had so much money, people said, that he wished for no more.

What could he do with it?

He began by sending for celebrated cabinet-makers from Szekler and Zarand, who understand the building of those splendid wooden houses which last for centuries—real palaces of hard wood. The Roumanian nobility live in such houses as these, which are full of beautiful carving inside. The house and its furniture, tables, chairs, and wardrobes, are all the work of one hand. Everything in it is of wood—not a single bit of iron is used.

CHAPTER II.
THE WOOD-CARVER.

On his return home, Michael found Timéa somewhat unwell. This induced him to call in two celebrated doctors from Vienna in order to consult them about his wife's health. They agreed that a change of climate was necessary, and advised a winter sojourn in Meran; so Michael accompanied thither his wife and Athalie. In the sheltered valley, he chose for Timéa a villa in whose garden stood a pavilion built like a Swiss châlet. He knew that Timéa would like it. In the course of the winter he often visited her, generally in the company of an elderly man, and found that, as he expected, the châlet was her favorite resort.

When he returned to Komorn he set to work to build just such another châlet as the one at Meran. The cabinet-maker he had brought with him was a master of his art. He copied the châlet and its furniture in the minutest detail; then he installed a large workshop in Timar's one-storied house in the Servian Street, and there set to work. No one was to know anything about it—it was to be a surprise. But the architect required an apprentice to help him, and it was difficult to find one who could hold his tongue. There was nothing for it but to turn Timar himself into an apprentice, and he now vied with his master from morning to night with chisel and gimlet, in carving, planing, polishing, and turning. But as to the cabinet-maker himself, if you had closed his mouth with Solomon's seal, you could not have made him discreet enough to refrain from letting out the secret to his Sunday evening boon companions, of the surprise Herr von Levetinczy was preparing for his wife. First they made the different parts and fitted them together: then the whole, as fast as it was ready, was set up in the beautiful park on the Monostor. He himself, a regular Crœsus, does not shrink from working all day like a laborer, and is as good at the tools as if he were a foreman. He does not trouble about his own affairs, he leaves them to his agents, and saws and carves the whole day long in the workshop. But they must not let it go further, for the gracious lady was to have a surprise when she came home. Naturally the whole town heard of it, and so did Frau Sophie, who wrote to Athalie, who told Timéa, so that Timéa knew beforehand that Michael, when she came home in the spring, would drive with her some fine day to the Monostor hill, where they had a large orchard: there, on the side overlooking the Danube, she would find her dear Meran pavilion exactly copied, her work-basket at the window, her favorite books on the birchwood shelves, her cane chair on the veranda. All this to surprise her; and she must smile as if much pleased, and when she praised the maker, she would hear from him, "You must not compliment me, gracious lady, but my apprentice." "Who executed the best carvings, who made the footstool, these elegant balustrades, these columns and capitals?" "My apprentice." "And who was he?" "The noble lord of Levetinczy himself. All this is his work, gracious lady."

And then Timéa would smile and try to find words to express her thanks. Only words: for he may heap treasures on his wife, or give her black bread that he had earned by his labor; he can not purchase her affection.

And so it was. In the spring Timéa came back. The Monostor surprise was skillfully planned, with a splendid banquet and a troop of guests. On Timéa's face hovered a melancholy smile; on Timar's, reserved kindness; and on those of the guests, envious congratulation. The ladies said no woman was worthy of such a husband as Timar, he was an ideal husband; but the men said it was not a good sign when a husband tried to win his wife's favor by presents and attentions.

Only Athalie said nothing: she sought a clew to the mystery and found none. What had come to Timar? His countenance betrayed something like happiness; what was he concealing under his care for Timéa? In company he was bright and cheerful, unconstrained and at ease with Athalie, sometimes even taking her for a turn in the cotillon. Was he really happy, or was he indifferent? It was vain for him to try and win Timéa's heart; Athalie knew that by her own experience. She had found plenty of wooers, but refused them all—all men were alike to her; she had only loved one, whom now she hated. She alone understood Timéa.

But Michael she could not fathom. He was a man of pure gold, without a speck of rust upon him.

When spring came, Timar again called in the physicians to pronounce on Timéa's health. This time she was advised to try the sea-bathing at Biarritz. Michael took her there, arranged her apartments, took care that she should be able to compete in dress and equipages with English peeresses and Russian princesses, and left a heavy purse with her, begging her to bring it back empty. He was generous to Athalie, put her down as Timéa's cousin in the visitor's list, and she too was to change her dress five times a day, like Timéa. Could any one better fulfill the duties of the head of a family?

Then he hurried away, not homeward, but to Vienna; there he bought the whole furniture of a workshop, and had it sent in chests to Pancsova.

Here he had to invent some pretense to get the boxes over to the island. Caution was most necessary. The fishermen, who often saw him go round the Ostrova Island in a boat, and not return for months, had puzzled their heads as to who he was and what brought him here. When the cases arrived, he had them conveyed to the poplar-groves of the left bank of the Danube, and there unloaded. Then he called in the fishermen, and said they must get them over to the lonely island—they contained arms.

That one word was enough to sink the secret to the bottom of the sea. Henceforward he could go backward and forward by day or night, no one would ever mention his name. They all knew now that he was an agent of the Servian and Montenegrin heroes of the insurrection, and the rack would not have extorted information from them. He became a sacred personage in their eyes. In this way, in order to hide himself in darkness, he deceived every one with whom he exchanged a word. The fishermen ferried over the cases at night, and Timar with them; they looked out for a place on the shore where the thickest bushes grew, and carried the boxes there, and when Michael would have paid them, they would not accept a groschen from him, only grasping his hand.

He remained on the island, and the fishermen left him. It was a splendid moonlight night; the nightingale sung on its nest. Michael went along the bank till he came to the path, and passed the place where he had left off his work last year; the trunks were carefully covered with rushes to keep the wet off.

He approached the little dwelling on tiptoe. It was a good sign that he heard no noise. Almira does not bark, because she is sleeping in the kitchen so as not to wake the child. All is well in the house.

How should he announce himself, and surprise Noémi? He stood before the little window, half covered by climbing roses, and began to sing—

"For all the gold the world could hold,
I would not give my Dodi's curl."

He was not disappointed; a moment later the window opened, and Noémi looked out with a face radiant with joy. "My Michael," whispered the poor child.

"Yes, thy Michael," he murmured, clasping the dear head in both arms. "And Dodi?"

"He is asleep; hush, we must not wake him." And still the lips murmured tenderly, "Come in."

"He might wake and cry."

"Oh, he is no longer a crying child. Just think, he is a year old."

"What! a year already! He is quite a big fellow."

"He can say your name already."

"Does he really talk?"

"And he is learning to walk."

"Just fancy!"

"He eats anything now."

"Impossible; that is too soon."

"What do you know about it? wait till you see him."

"Push the curtain aside that I may see him by the moonlight."

"No; that would not do. If the moon shines on a sleeping child it makes it ill."

"Nonsense!"

"There are all sorts of wonderful things about children, and one must have plenty of faith; that is why women have charge of children, because they believe everything. Come in and look at him."

"I will not go in as long as he is asleep—I might wake him; you come out."

"I can not do that; he would wake if I left him, and mother is asleep."

"Well, then, you go back to him, and I will remain outside."

"Won't you lie down?"

"It is almost day-break. Go back to him, and leave the window open."

And he remained standing by the window, looking into the little room, on whose floor the moon painted silver patterns, and trying to distinguish the tones which came from the quiet chamber—a little whimper of an awakened child, then a low song like a dreamy lullaby, "For all the gold . . ." Then the sound of a kiss, which a good baby gets as a reward for going to sleep. With his elbows on the window-sill, and listening to the breaths of the sleepers, Timar awaited the dawn, which filled the little house with light. The red sunrise awoke the child, and there was no more sleep for the others. The baby crowed and babbled; what it said only those two understood—itself and Noémi.

When at last Michael got it into his arms he said, "I shall stay here, Dodi, till I have finished your house."

The child said something which Noémi interpreted to mean, "That is just what I wish."

These were the happiest days of Timar's dual life. Nothing troubled the serenity of his happiness, except the thought of that other life to which he must return. If he could find ways and means to sever himself from that, he might live on here in peace. Nothing would be easier; he simply had to stay here. He would be sought for during the first year, for two or three more he would be remembered from time to time; then the world would forget him and he it, and Noémi would remain to him. And what a jewel she was! Whatever was lovable in woman was combined in her, and every feminine defect was wanting. Her beauty was not of the kind which satiates by its monotony: with every change of expression arose a new charm. Tenderness, gentleness, and fire were united in her disposition. The virgin, the fairy, the woman were harmoniously blended in her. Her love was never selfish; her whole being went out to him whom she loved: his sorrows and joys were hers, she knew no others. At home she thought of every trivial detail which could conduce to his comfort; she helped him in his work with an untiring hand. Ever bright and fresh, if she felt unwell a kiss from him drove away the pain. She was submissive to him, who worshiped her. And when she took the child on her lap, it was a sight to drive the man mad who had made her his own—and yet not really his.

But Timar had not yet made up his mind. He still played with Fate. The price was too high even for such a treasure as a lovely woman with a smiling child in her arms.

The cost was—a whole world! a property amounting to millions; his position in society; his rank and noble friends; the enterprise of world-wide influence, on whose result hung the future of a great national branch of trade! and besides—Timéa. He might have reconciled himself to the idea of treading his riches under foot: they came from the submarine depths, and might return thither.

But his vanity refused to contemplate the notion that that woman with the white face, which no glow from her husband could animate, might be happy in this life—with another man. Perhaps he hardly knew himself what a fiend was hidden in his breast. The woman who could not love him was fading away before his eyes, while he could live through happy days where he was well beloved. And during this time the house-building made rapid progress, and was already being put together by the workman's skillful hand; the roof was on, and covered with wide planks formed like fish-scales to overlap each other. The carpentry was done, and now came the cabinet-work. Michael completed it without any assistance, and might be seen from morn to eve in the workshop he had arranged in the new house, where he sung all day as he planed and sawed. Like the steadiest of day-laborers, he never left off his work before dark; then he returned to the hut where an appetizing supper awaited him. After the meal he sat down on the bench outside the house, and lighted his clay pipe. Noémi sat by him and took Dodi on her knees, who was now expected to exhibit what he had learned during the day. A new word! And is not this one word a greater acquirement than all the wisdom of the world? "What would you sell Dodi for?" Noémi asked him once in jest. "For the whole earth full of diamonds?"

"Not for the whole heaven full of angels."

Little Dodi happened that day to be full of spirits. In a mischievous mood he caught hold with his little hand of the pipe Michael had in his mouth, and pulled till he got it out of his hold, when he at once threw it on the ground; as it was made of clay, of course it was broken into atoms. Timar was rather hasty in his exercise of justice, and bestowed a little tap on the child's hand as a punishment for the damage done. The boy looked at him, then hid his head in his mother's breast, and began to cry.

"See now," said Noémi, sadly, "you would give him away for a pipe, and this one was only of clay."

Michael was very sorry to have slapped Dodi's hand. He tried to make it up by coaxing words, and kissed the little hand, but the child was shy of him, and crept under Noémi's shawl. All night he was restless, wakeful, and crying. Timar got angry, and said the child was of a willful nature, his obstinacy must be overcome. Noémi cast a gently reproachful glance on him.

The next day Timar left his bed earlier than usual, and went to his work, but he was never heard to sing all day. He left off early in the afternoon, and when he came home he could see by Noémi's face that she was quite alarmed at his appearance. His complexion was quite altered. "I am not well," he said to Noémi, "my head is so heavy, my feet will hardly carry me, and I have pain in all my limbs. I must lie down."

Noémi hastened to make up a bed for him in the inner room, and helped him to undress. With anxiety she noticed that Michael's hands were cold and his breath burning. Frau Therese felt his forehead, and advised him to cover himself well, for he was going to have ague. But Michael had the sensation that something worse was at hand. In this district typhus was raging, for the spring floods had swelled the Danube in an unusual degree, and left malaria behind them. When he laid his head on the pillow he was still sensible enough to think of what would happen if a serious illness attacked him; no doctor was near to help. He might die here, and no one would know what had become of him. What would become of Timéa, and above all, of Noémi? Who would care for the forsaken one, a widow without being a wife? Who would bring up Dodi, and what fate awaited him when he should be grown up, and Michael underground? Two women's lives would be wrecked by his death!

And then he began to think of the revelations of his delirium before the two women who would be with him day and night—of his stewards, his palaces, and of his pale wife—of how he would see Timéa before him, call her by name, and speak of her as his wife—and Noémi knows that name.

Besides his bodily pain, another thing tormented him—that he had struck Dodi yesterday. This trifle lay heavy as a crime on his soul. After he was in bed he wanted the child brought to him that he might kiss it, and whispered "Noémi," with hot breath.

"What is it?" she answered.

But already he know not what he had asked. Directly he was in bed the fever broke out with full force. He was a strong man, and such are the first to succumb to this "aid-de-camp" of death, and suffer the most from it. Thenceforward he wandered continually; and Noémi heard every word he spoke. The sick man knew no one, not even himself. He who spoke through his lips was a stranger—a man who had no secrets, and told all he knew. The visions are akin to the delusions of madness; they turn on one fixed idea, and however the detail may change, the central figure returns ever and again to the surface.

In Timar's wandering there was one of these dominating figures—a woman. Not Timéa, but Noémi—of her he continually spoke. Timéa's name never passed his lips—she did not fill his soul.

For Noémi it was horror and rapture combined to listen to this unconscious babble—horror, because it spoke of such strange things, and took her with him to such unknown regions, that she trembled at a fever which compelled him to look on at such marvels—and yet it was bliss to hear him, for he always talked of her, and her only.

Once he was in a princely palace and talking with some great man. "To whom should his excellency give this decoration? I know a girl on the ownerless island—no one is more worthy of it than she. Give her the order. She is called Noémi; her other name? Do queens have another name? The first. Noémi the first, by the grace of God queen of the ownerless island and the rose-forest."

He carried his idea further. "If I become king of the ownerless island, I shall form a ministry. Almira will be inspector of meat, and Narcissa will be appointed to the dairy department. I shall demand security from them, and name them as confidential advisers." Then he talked of his palaces. "How do you like these saloons, Noémi? Does the gilding of this ceiling please you? Those children dancing on the golden background are like Dodi—are they not like him? A pity they are so high up. Are you cold in these great halls? So am I—come, let us go away. It is better by the fire in our little hut. I do not love these high palaces; and this town is often visited by earthquakes—I fear the vault may fall in on us. There! behind that little door some one is spying on us—an envious woman. Do not look, Noémi! Her malicious glance might do you harm. This house once belonged to her, and now she wanders through it like a ghost. See, she has a dagger in her hand, and wants to murder you; let us run away!"

But there was a hinderance in the way of escape—the frightful mass of gold. "I can not stand up, the gold drags me down. It is all on my breast; take it away! Oh, I am drowning in gold! The roof has fallen in, and gold is rolling down on me. I am suffocating. Noémi, give me your hand; pull me from under this horrible mountain of gold."

His hand lay in Noémi's all the time, and she thought, trembling, what a fearful power it was which tortured a poor sailor with such dreams of money. Then he began again: "You don't care for diamonds, Noémi? You little fool! Do you think their fire burns? Don't be afraid. Ha! you are right, it does burn—I did not know that—it is hell-fire. Even the names are alike—Diamond, Demon. We will throw them into the water—throw them from you. I know where they came from, and I will throw them back into the water. Don't be afraid, I will not remain long under water. Hold your breath and pray. As long as you can stay without taking breath I shall be down below; I am only going to dive into the cabin of the sunken ship. Ah! who is lying on this bed?"

Such a shudder seized him that he sprung from his couch and would have rushed away. Noémi was hardly able to get him back to bed. "Some one is lying there, but I must not say the name. See how the red moon shines in at the window. Shut the light out. I will not have it on my face. How near it is coming! Draw the curtain across!"

But the curtains were drawn, and besides, it was pitch-dark outside. When the fever-fit passed, he murmured, "Oh, how lovely you are without diamonds, Noémi!"

Then a fantasy seized him. "That man stands at our antipodes on the other side of the earth. If the earth were of glass he could look down upon us. But he can see me just as well as I see him. What is he doing? He is catching rattlesnakes, and when he comes back he will let them loose on the island. Don't let him land; don't let him come back! Almira! Almira! At him! tear him! Aha! now a giant snake has got him; it is strangling him. How frightful his face is! If only I need not see the snake swallow him! Will he look at me? Now there is only his head out, and he keeps looking at me. Oh, Noémi, cover my face that I may not see him!"

Again the dream-scene changes. "A whole fleet floats on the sea. What are the ships laden with? With flour. Now comes a whirlwind, a tornado seizes the ships, carries them into the clouds and tears them into splinters. The flour is all spilled: the whole world is white with it, white is the sea, white the heavens, and white the air. The moon peeps from the clouds, and only look how the wind covers its face with flour! It looks like some red-nosed old toper who has powdered his face. Laugh then, Noémi!" But she wrung her hands and shuddered. The poor creature was by his bed day and night. By day she sat on a chair at his side; by night she pulled her bed close to his and slept beside him: careless of the infection, she laid her head on Michael's pillow, pressed his perspiring brow to her cheek, and kissed away the burning fever-breaths from his parched lips.

Frau Therese tried by harmless remedies to reduce the fever, and took out the glass casements that the fresh air—the best medicine in fever cases—might freely penetrate the little room. She said to Noémi, that by her calculation the crisis would set in on the thirteenth day, when the illness would either take a turn for the better or terminate fatally.

How long Noémi knelt during these days by the sick man's bed and prayed to God, who had tried her so heavily, to have mercy on her poor heart! If only He would give Michael back to life—and then if the grave must have a sacrifice, there was she ready to die in his stead.

Providence delights in what one might call the irony of fate—Noémi offered to cruel death the whole world and her own self, in exchange for Michael's life. She fancied she had to do with a good fellow who might be bargained with. The destroying angel accepted her challenge.

On the thirteenth day the fever and delirium ceased: the previous nervous excitement gave place to intense exhaustion, which is a symptom of improvement, and permits a hope that with the greatest care the patient may be given back to life, if his mind is kept calm and he is preserved from anxiety or emotion: sick people are so easily excited at this stage of convalescence. His recovery hung on perfect tranquillity; any violent excitement would kill him. Noémi stayed all night by Timar's sick-bed: she never even went out once to see little Dodi; he slept in the outer room with Frau Therese. On the morning of the fourteenth day, while Michael lay sound asleep, Therese whispered in Noémi's car, "Little Dodi is very ill." The child now! Poor Noémi! Her little Dodi had the croup, the most dangerous of all childish maladies, against which all the skill of the physician is often powerless.

Mortally terrified, Noémi rushed to her child. The face of the innocent creature was quite changed. It was not crying—this disease has no characteristic cry, but so much the more dreadful is the suffering. How terrible, a child who can not complain, whom men can not help! Noémi looked blankly at her mother as if to ask, "And have you no cure for this?" Therese could hardly bear this look. "So many miserable sick and dying people have been helped by you, and for this one you know of no remedy!"

"None!" Noémi knelt down beside the child's little bed, pressed her lips on his, and murmured softly, "What is it, my darling, my little one, my angel? Look at me with thy pretty eyes."

But the little one would not lift up the pretty eyes, and when at last, after many kisses and entreaties, it opened the heavy lids, its expression was terrible—the look of a child which has already learned to fear death. "Oh, don't look so! not so!" The child never cried, but only gave utterance to a hoarse cough.

If only the other invalid in there does not hear it! Noémi held her child trembling in her arms, and listened to hear if the sleeper close by was yet awake. When she heard his voice she left the child and went to Michael. He was suffering from great exhaustion, irritable and peevish.

"Where had you gone?" he questioned Noémi. "The window is open; a rat might get in while I was asleep. Don't you see a rat about?" It is a constant delusion of typhus patients to see rats everywhere.

"They can't get in, my darling; there is a grating over the window."

"Ah! and where is the cold water?" Noémi gave him some to drink. But he was very angry with it. "That is not fresh cold water, it is quite warm. Do you want me to die of thirst?"

Noémi bore his crossness patiently. And when Michael fell asleep again, she ran out to Dodi. The two women replaced each other, so that as long as Michael slept, Therese sat by him, and when he awoke she gave Noémi a sign to leave her sick child and take her place by Michael's bed. And this went on through the long night. Noémi passed constantly from one sick-bed to the other, and she had to keep excuses always ready for her husband if he should ask where she had been.

The child grew worse. Therese could do nothing, and Noémi dared not weep for fear of Michael seeing her tearful eyes and asking the reason. The next morning Timar felt easier, and wished for some soup. Noémi hastened out to fetch it, as it was kept ready. The invalid swallowed it, and said he felt the better for it. Noémi seemed delighted at the good news.

"Well, and what is Dodi doing?" asked Michael.

Noémi trembled lest he should see the throbs of her heart at the question.

"He is asleep," she replied, gently.

"Asleep? But why asleep now? He is not ill?"

"Oh, no; he is all right."

"And why do you not bring him to me when he is awake?"

"Because then you are asleep."

"That is true; but when we are both awake together, you must bring him in and let me see him."

"I will do so, Michael."

The child sunk gradually. Noémi had to conceal from Timar that Dodi was ill, and constantly to invent stories about him, for his father constantly asked for him. "Does Dodi play with his little man?"

"Oh, yes, he is always playing with him" ( . . . with that fearful skeleton!).

"Does he talk of me?"

"He loves to talk of you" ( . . . he will do so soon when he is with the good God).

"Take him this kiss from me;" and Noémi bore to her child the parting kiss of his father.

Another day dawned. The awakening invalid found himself alone in the room. Noémi had watched all night by her child: she had looked on his death-struggle, and pressed her tears back into her heart; why had it not burst? When she went in to Michael she smiled again.

"Were you with Dodi?" asked the sick man.

"Yes, I have been with him."

"Is he asleep now?"

"Yes, he is asleep."

"Not really?"

"Truly, he sleeps well."

Noémi has just closed his eyes—for his last sleep. And she dared not betray her agony. She must show a smiling face. In the afternoon Michael was much excited again: as the day drew on, his nervous irritation increased. He called to Noémi, who was in the next room; she hastened in and looked lovingly at him. The invalid was peevish and suspicious. He noticed that a needle was sticking in Noémi's dress, with a thread of silk in it.

"Ah, you are beginning to work again! Have you time for that? What finery are you making?"

Noémi looked at him silently, and thought, "I am making Dodi's shroud;" and then aloud, "I am making myself a collar."

"Vanity, thy name is woman!" sighed Michael.

Noémi found a smile for him, and answered, "You are quite right."

Again the morning broke. Michael now suffered from sleeplessness; he could not close his eyes. And the thought troubled him as to what Dodi was doing. He sent Noémi out often to see if he wanted anything. And whenever she did so she kissed the little dead child on the bier, and spoke caressing words for Michael to hear: "My little Dodi! my darling sweet, asleep again! Tell mother you love her;" and then she came back to say that Dodi wanted for nothing.

"The boy sleeps too much," said Michael; "why don't you wake him?"

"I must wake him soon," said Noémi, gently.

Michael dozed a little, only a few minutes, and woke with a start. He did not know he had been asleep. "Noémi," he cried, "Dodi was singing; I heard him: how sweetly he sings!"

Noémi pressed both her hands to her heart, and drove back the outward expression of her agony with superhuman courage. Yes, he is already singing in heaven, amidst the angelic choir—among the innumerable seraphim! that was the song he joined in.

Toward evening Michael sent Noémi out. "Go and put Dodi to bed, and give him a kiss for me."

She did so. "What did Dodi say?" he asked her. Noémi could not speak; she bent over Michael and pressed a kiss on his lips.

"That was his message, the treasure!" cried Michael, and the kiss sent him to sleep. The child sent it to him from his own slumber.

The next morning he asked again about the boy. "Take Dodi out into the air; it is bad for him to be in the house; carry him into the garden."

They were about to do so. Therese had dug a grave during the night at the foot of a weeping-willow.

"You go too; and stay out there with him. I shall doze, I think, I feel so much better," Michael told Noémi.

Noémi left the sick-room and turned the key: then they carried God's recovered angel out, and committed him to the care of the universal mother—earth. Noémi would not have a mound raised over him; Michael would be so sad when he saw it, and it would retard his recovery. They made a flower-bed there, and planted in its midst a rose-tree—one of those Timar had grafted—with white flowers, whose purity was unstained. Then she went back to the sick man.

His first words were, "Where have you left Dodi?"

"Out in the garden."

"What has he on?"

"His white frock and blue ribbons."

"That suits him so well. Is he well wrapped up?"

"Oh, yes, very well" (with three feet of earth).

"Bring him in when you go out again."

At this Noémi could not stop in the room; she went out and threw herself on Therese's breast, but even then she could not shed a tear. She must not. Then she tottered on into the garden, went to the willow, broke off a bud from the rose-tree, and went back to Michael.

"Well, where's Dodi?" he said, impatiently.

But Noémi knelt down by his bed and held out to him—the white rose. Michael took it and smelled it. "How curious!" he said; "this flower has no scent—as if it had grown on a grave."

She rose and went out. "What is the matter?" asked Timar, turning to Therese.

"Don't be angry," said she in a gentle, soothing tone. "You were so dangerously ill. Thank Heaven, you are getting over it. But this illness is infectious, and particularly during convalescence. I told Noémi that until you were quite well she must not bring the child near you. Perhaps I was wrong, but I meant it for the best."

Michael pressed her hand. "You did quite right. Stupid that I was, not to have thought of it myself. Perhaps he is not even in the next room?"

"No. We have made him a little house out in the garden." Poor thing, she told the truth.

"You are very good, Therese. Go to Dodi and send Noémi to me. I will not ask her again to bring him to me. Poor Noémi! But as soon as I can get up and go out, you will let me go to him, won't you?"

"Yes, Michael." By this pious fraud it was possible to satisfy him till he was out of bed and on the road to recovery. He was still very weak, and could hardly walk. Noémi helped him to dress. Leaning on her shoulder, he left his room, and she led him to the little seat before the house, sat beside him, put her arm in his, and supported his head on her shoulder. It was a lovely warm summer afternoon. Michael felt as if the murmuring trees were whispering in his ears, as if the humming bees brought him a message, and the grass made music at his feet. His head swam.

One thought grew on him. When he looked at Noémi, a painful suspicion awoke in his breast. There was something in her expression which he could not understand; he must know it. "Noémi."

"What is it, my Michael?"

"Darling Noémi, look at me." She raised her eyes to his. "Where is little Dodi?"

The poor creature could no longer hide her grief. She raised her martyr face to heaven, stretched up both hands, and faltered, "There! . . . there!"

"He is dead!" Michael could hardly utter the words. Noémi sunk on his breast. Her tears were no longer to be controlled; she sobbed violently.

He put his arm round her and let her weep on. It would have been sacrilege not to let these tears have free course.

He had no tears—no. He was all wonder; he was amazed at the greatness of soul which raised the poor despised creature so far above himself. That she should have been able to conceal her sorrow so long out of tender consideration for him whom she loved! How great that love must be! When the paroxysm was over she looked smiling at Timar, like the sun through the rainbow.

"And you could keep this from me?"

"I feared for your life."

"You dared not weep lest I should see traces of tears."

"I waited for the time when I might weep."

"When you were not with me, you nursed the sick child, and I was angry with you."

"You were never unkind, Michael."

"When you took my kiss to him you knew it was a farewell; when I reproached you with your vanity you were sewing his shroud; when you showed me a cheerful face your heart was pierced with the seven wounds of the Blessed Virgin! Oh, Noémi, I worship you!"

But the poor thing only asked him to love her. Michael drew her on to his knee. The leaves, the grass, the bees, whispered now so clearly that he began to understand the swimming in his head.

After a long and gloomy silence he spoke again. "Where have you laid him? Take me to him, Noémi."

"Not to-day," said Noémi. "It is too far for you—to-morrow."

But neither to-morrow nor the next day would she take him there.

"You would sit by the grave and make yourself ill again: that is why I have made no mound over him, nor raised a cross, that you may not go there and grieve."

Timar, however, was sad at this. When he was strong enough to walk alone, he went about seeking for what they would not show him.

One day he came back to the house with a cheerful face. In his hand he held a half-blown rosebud, one of those white ones which have no scent. "Is it this?" he asked Noémi.

She nodded: it could no longer be concealed. The white rose had put him on the track, and he noticed that it had been newly transplanted. And then he was tranquil, like one who has done with all that had given an object to life. He sat all day on the little bench near the house, drew on the gravel with his stick, and muttered to himself, "You would not exchange him for the whole earth full of diamonds, nor the whole heaven full of angels; . . . but for a miserable pipe you could strike his hand."

The beautiful walnut-wood house stood half finished, and the great convolvulus had crept over its four walls. Michael never set foot in it.

The only thing that kept up his half-recovered strength and his broken spirit was Noémi's love.