A first-person narrator describes visiting a future national theatre whose architecture and seating are engineered to place audiences in a suggestible posture while a central director, called the fairfusser, stages curated 'clutches'—performances assembled from light, shadow, voice, scent and rhythm. These sensory sequences project apparitions on a domed stage and orchestrate collective emotional responses, shifting from despair to pity, joy and generosity. The account treats drama as a technique for summoning specific states of being, questions simple genre labels, and reflects on the ethical and biological framing of emotion within a technologically mediated theatrical culture.