|
1,2 1,5 2,1 2,5 3,1 3,4 4,2 4,3 B 5,1 B 5,3 |
With these ten Hunts, the first change in each Peal is made by hunting down the whole Hunt. |
|
1,3 1,4 2,3 2,4 3,1 3,5 B 4,1 4,5 5,4 5,2 |
With these ten Hunts, the first change in each Peal is made by hunting the whole Hunt up. |
Where the letter B stands next to any hunt; the first change which that hunt makes, is a bob: But with all the other hunts, the first change in each Peal is made double, either between the four first, or four last bells; yet in many of them, the first change may be made single, as in 1,2: 1,5: 2,1: 2,3: 2,5: 3,5: 4,3: 4,5: 5,2: 5,3:
Before I conclude my directions to this excellent Peal of Grandsire, I will set down one general Rule for making the single changes in any Peal (at places differing from any of the former Rules) viz. wheresoever the whole hunt and half hunt meets together to make a change (which constantly happens every time the whole hunt hunts up, and every time it hunts down in every Peal) the other three bells may lie still in their places, whil'st the whole hunt and half hunt makes the change; which being made, the whole hunt, the half hunt, and the other bells are immediately to proceed in their course; which single change is as effectual, as those which are made by the Rules aforesaid. Observing to make the first single change in any Peal, within sixty changes from the beginning; and the second single change must be made (just sixty changes from the first) between the whole hunt, and half hunt, which two bells will in course lie in the same places where the first single change was made.
The Seven-score and four on six Bells.
This Peal containing Seven-score and four changes, is to be Rang on six bells, in which, the treble and tenor are both whole hunts, and the second is half hunt; the whole hunts do both hunt at one and the same time in a direct course, one up, and the other down; and alwayes when one of them lies before the bells, the other lies behind them; and when that hunt which lies before the bells, leaves the trebles place hunting up, the other hunt lying behind, leaves the tenors place hunting down; each hunt lies only twice together before the bells, and twice behind throughout the Peal.
The second bell is the half hunt in this following Peal, for the second, third, fourth and fifth bells make the twenty four changes herein; every time the whole hunts come before and behind the bells, there is one change made in the Twenty-four (which is alwayes once in six changes) the second bell being the hunt on the Twenty-four; so that every time it comes before or behind the extream bells, there is an extream change to be made, which in the following Peal is made between the two farthest extream bells from the second. I have only set down part of this Peal, which is sufficient to shew the course and method thereof.
| 1 | 2 | 3 | 4 | 5 | 6 |
| 2 | 1 | 3 | 4 | 6 | 5 |
| 2 | 3 | 1 | 6 | 4 | 5 |
| 2 | 3 | 6 | 1 | 4 | 5 |
| 2 | 6 | 3 | 4 | 1 | 5 |
| 6 | 2 | 3 | 4 | 5 | 1 |
| 6 | 3 | 2 | 4 | 5 | 1 |
| 3 | 6 | 2 | 4 | 1 | 5 |
| 3 | 2 | 6 | 1 | 4 | 5 |
| 3 | 2 | 1 | 6 | 4 | 5 |
| 3 | 1 | 2 | 4 | 6 | 5 |
| 1 | 3 | 2 | 4 | 5 | 6 |
| 1 | 3 | 4 | 2 | 5 | 6 |
| 3 | 1 | 4 | 2 | 6 | 5 |
| 3 | 4 | 1 | 6 | 2 | 5 |
| 3 | 4 | 6 | 1 | 2 | 5 |
| 3 | 6 | 4 | 2 | 1 | 5 |
| 6 | 3 | 4 | 2 | 5 | 1 |
| 6 | 3 | 4 | 5 | 2 | 1 |
| 3 | 6 | 4 | 5 | 1 | 2 |
| 3 | 4 | 6 | 1 | 5 | 2 |
| 3 | 4 | 1 | 6 | 5 | 2 |
| 3 | 1 | 4 | 5 | 6 | 2 |
| 1 | 3 | 4 | 5 | 2 | 6 |
| 1 | 4 | 3 | 5 | 2 | 6 |
| 4 | 1 | 3 | 5 | 6 | 2 |
| 4 | 3 | 1 | 6 | 5 | 2 |
| 4 | 3 | 6 | 1 | 5 | 2 |
| 4 | 6 | 3 | 5 | 1 | 2 |
| 6 | 4 | 3 | 5 | 2 | 1 |
| 6 | 4 | 3 | 2 | 5 | 1 |
| 4 | 6 | 3 | 2 | 1 | 5 |
| 4 | 3 | 6 | 1 | 2 | 5 |
| 4 | 3 | 1 | 6 | 2 | 5 |
| 4 | 1 | 3 | 2 | 6 | 5 |
| 1 | 4 | 3 | 2 | 5 | 6 |
| 1 | 4 | 2 | 3 | 5 | 6 |
| 4 | 1 | 2 | 3 | 6 | 5 |
| 4 | 2 | 1 | 6 | 3 | 5 |
At the extream change next before, I have drawn a line between the figures, that next below the line is the extream: The aforesaid Peal may be Rang with any other whole hunt, or half hunt; and also the Twenty-four changes doubles and singles, may be made in the room of the plain Twenty-four in the aforesaid Peal.
Trebles and Doubles on six Bells.
There are many Peals of Trebles and Doubles to be Rang on six bells, as, Six-score changes, Seven-score and four, Twelve-score, and Seven-hundred and twenty. In each of which Peals, the changes that are made from the time that the whole hunt leaves the trebles place hunting up, until it comes down into that place again, are all made in one and the same manner, so that the only difference in these Peals, consists in making the changes when the whole hunt leads. These Peals are called Trebles and Doubles, because one is a treble change (that is, 3 changes made together, in which all the six bells do change their places, thus, 123456:214365:) and the next is a double change between the 4 bells, in the midst, thus, 241635: And in this course the changes are alwayes made from the time that the whole hunt leaves the trebles place hunting up, until it comes down into the trebles place again; and in Ringing this Peal, 'tis observed, that every bell does hunt in a perfect and direct course, and be twice together before, and twice behind, until the whole hunt leads.
The manner of Ringing the Seven-score and four, is this; the treble and tenor are both whole hunts, and the second is the half hunt; the first change is a treble change, and the next a double change, as I shewed you before; in which course they are made, until the treble leads again, and the tenor lie behind; at which time there's a single change to be made in third and fourths places: But when the half hunt lies next to the treble, then the next single change must be made in fourths and fifths places, as in this following Peal, where I have only set down part of it for an example.
| 1 | 2 | 3 | 4 | 5 | 6 |
| 2 | 1 | 4 | 3 | 6 | 5 |
| 2 | 4 | 1 | 6 | 3 | 5 |
| 4 | 2 | 6 | 1 | 5 | 3 |
| 4 | 6 | 2 | 5 | 1 | 3 |
| 6 | 4 | 5 | 2 | 3 | 1 |
| 6 | 5 | 4 | 3 | 2 | 1 |
| 5 | 6 | 3 | 4 | 1 | 2 |
| 5 | 3 | 6 | 1 | 4 | 2 |
| 3 | 5 | 1 | 6 | 2 | 4 |
| 3 | 1 | 5 | 2 | 6 | 4 |
| 1 | 3 | 2 | 5 | 4 | 6 |
| 1 | 3 | 5 | 2 | 4 | 6 |
| 3 | 1 | 2 | 5 | 6 | 4 |
| 3 | 2 | 1 | 6 | 5 | 4 |
| 2 | 3 | 6 | 1 | 4 | 5 |
| 2 | 6 | 3 | 4 | 1 | 5 |
| 6 | 2 | 4 | 3 | 5 | 1 |
| 6 | 4 | 2 | 5 | 3 | 1 |
| 4 | 6 | 5 | 2 | 1 | 3 |
| 4 | 5 | 6 | 1 | 2 | 3 |
| 5 | 4 | 1 | 6 | 3 | 2 |
| 5 | 1 | 4 | 3 | 6 | 2 |
| 1 | 5 | 3 | 4 | 2 | 6 |
| 1 | 5 | 4 | 3 | 2 | 6 |
| 5 | 1 | 3 | 4 | 6 | 2 |
| 5 | 3 | 1 | 6 | 4 | 2 |
| 3 | 5 | 6 | 1 | 2 | 4 |
| 3 | 6 | 5 | 2 | 1 | 4 |
| 6 | 3 | 2 | 5 | 4 | 1 |
| 6 | 2 | 3 | 4 | 5 | 1 |
| 2 | 6 | 4 | 3 | 1 | 5 |
| 2 | 4 | 6 | 1 | 3 | 5 |
| 4 | 2 | 1 | 6 | 5 | 3 |
| 4 | 1 | 2 | 5 | 6 | 3 |
| 1 | 4 | 5 | 2 | 3 | 6 |
| 1 | 4 | 2 | 5 | 3 | 6 |
| 4 | 1 | 5 | 2 | 6 | 3 |
| 4 | 5 | 1 | 6 | 2 | 3 |
| 5 | 4 | 6 | 1 | 3 | 2 |
| 5 | 6 | 4 | 3 | 1 | 2 |
| 6 | 5 | 3 | 4 | 2 | 1 |
| 6 | 3 | 5 | 2 | 4 | 1 |
| 3 | 6 | 2 | 5 | 1 | 4 |
| 3 | 2 | 6 | 1 | 5 | 4 |
| 2 | 3 | 1 | 6 | 4 | 5 |
| 2 | 1 | 3 | 4 | 6 | 5 |
| 1 | 2 | 4 | 3 | 5 | 6 |
| 1 | 2 | 4 | 5 | 3 | 6 |
| 2 | 1 | 5 | 4 | 6 | 3 |
| 2 | 5 | 1 | 6 | 4 | 3 |
| 5 | 2 | 6 | 1 | 3 | 4 |
| 5 | 6 | 2 | 3 | 1 | 4 |
| 6 | 5 | 3 | 2 | 4 | 1 |
This Peal is grounded on the Twenty-four changes doubles and singles, the second, third, fourth and fifth makes the Twenty-four changes; the second bell is the hunt in the Twenty-four, therefore the extream in the Peal next before, is made between the two farthest extream bells from it when it lies before them: At the extream changes there's a line drawn between the figures, but the extreams may be made every time the second lies behind the extream bells; or else, every time it lies before and behind them, in the same manner, as I told you before in my directions to the Twenty-four Doubles and Singles: And this Peal may be also Rang with any other whole hunts, or half hunts.
In the Six-score Trebles and Doubles, the changes are the same as in the Peal next before, until the whole hunt leads, at which time (in this Peal) there is a double change to be made between the four hindmost bells; but when the whole hunt leads, and the half hunt lies next to it, then there is a single change to be made, either between the two nearest bells to the half hunt, or else between the two farthest bells from it; there are but two single changes in the Peal, and the second single change must be made between those two bells which made the first. In this following, the treble is the whole hunt, and the second the half hunt, and the first single change is made when the bells do lie 124365: which is sixty changes from the beginning of the Peal; after the whole hunt has at first hunted up and down again: I have set down only those changes which are made every time the whole hunt leads.
| 1 | 2 | 3 | 4 | 5 | 6 |
| 2 | 1 | 4 | 3 | 6 | 5 |
| 2 | 4 | 1 | 6 | 3 | 5 |
| 4 | 2 | 6 | 1 | 5 | 3 |
| 4 | 6 | 2 | 5 | 1 | 3 |
| 6 | 4 | 5 | 2 | 3 | 1 |
| 6 | 5 | 4 | 3 | 2 | 1 |
| 5 | 6 | 3 | 4 | 1 | 2 |
| 5 | 3 | 6 | 1 | 4 | 2 |
| 3 | 5 | 1 | 6 | 2 | 4 |
| 3 | 1 | 5 | 2 | 6 | 4 |
| 1 | 3 | 2 | 5 | 4 | 6 |
| 1 | 3 | 5 | 2 | 6 | 4 |
| 1 | 5 | 3 | 6 | 2 | 4 |
| 1 | 5 | 6 | 3 | 4 | 2 |
| 1 | 6 | 5 | 4 | 3 | 2 |
| 1 | 6 | 4 | 5 | 2 | 3 |
| 1 | 4 | 6 | 2 | 5 | 3 |
| 1 | 4 | 2 | 6 | 3 | 5 |
| 1 | 2 | 4 | 3 | 6 | 5 |
| 1 | 2 | 3 | 4 | 6 | 5 |
| 1 | 3 | 2 | 6 | 4 | 5 |
| 1 | 3 | 6 | 2 | 5 | 4 |
| 1 | 6 | 3 | 5 | 2 | 4 |
| 1 | 6 | 5 | 3 | 4 | 2 |
| 1 | 5 | 6 | 4 | 3 | 2 |
| 1 | 5 | 4 | 6 | 2 | 3 |
| 1 | 4 | 5 | 2 | 6 | 3 |
| 1 | 4 | 2 | 5 | 3 | 6 |
| 1 | 2 | 4 | 3 | 5 | 6 |
| 1 | 2 | 3 | 4 | 5 | 6 |
The course of the Twelve-score, and the Seven-hundred and twenty, are both one and the same; for the Twelve-score changes, are only part of the Seven-hundred and twenty. There's a whole hunt, a half hunt, a quarter hunt, and three extream bells in the Seven-hundred and twenty; the changes are all treble and double (in the same course, as in the Six-score next before set down) until the whole hunt leads, and the half hunt lies next to it, at which time there's a single change to be made in fourth and fifths places: But when the whole hunt leads, and the half hunt lies next to it, and the quarter hunt lies next to the half hunt, then there's an extream to be made, which is a single change, and made between the two farthest extream bells from the quarter hunt; and by observing this course, you may prick down, or Ring the Seven-hundred and twenty: But if you would only Ring Twelve-score changes (and then end there, by bringing the bells round) you must make no extream change at all; for in making every single change in fourth and fifths places, the bells will come round in course at the end of Twelve-score changes if you make no extream change to carry the Peal forward. In the following changes, the treble is the whole hunt, the 2 is the half hunt, the 3 the quarter hunt, and the 4, 5, and 6, are the extream bells. It being not much material to set down this Peal at large, therefore after the treble (which is the whole hunt) has hunted twice up and down, I have put down only the two changes which are made every time the treble leads to the end of the Twelve-score, as follows.
| 1 | 2 | 3 | 4 | 5 | 6 |
| 2 | 1 | 4 | 3 | 6 | 5 |
| 2 | 4 | 1 | 6 | 3 | 5 |
| 4 | 2 | 6 | 1 | 5 | 3 |
| 4 | 6 | 2 | 5 | 1 | 3 |
| 6 | 4 | 5 | 2 | 3 | 1 |
| 6 | 5 | 4 | 3 | 2 | 1 |
| 5 | 6 | 3 | 4 | 1 | 2 |
| 5 | 3 | 6 | 1 | 4 | 2 |
| 3 | 5 | 1 | 6 | 2 | 4 |
| 3 | 1 | 5 | 2 | 6 | 4 |
| 1 | 3 | 2 | 5 | 4 | 6 |
| 1 | 3 | 5 | 2 | 6 | 4 |
| 3 | 1 | 2 | 5 | 4 | 6 |
| 3 | 2 | 1 | 4 | 5 | 6 |
| 2 | 3 | 4 | 1 | 6 | 5 |
| 2 | 4 | 3 | 6 | 1 | 5 |
| 4 | 2 | 6 | 3 | 5 | 1 |
| 4 | 6 | 2 | 5 | 3 | 1 |
| 6 | 4 | 5 | 2 | 1 | 3 |
| 6 | 5 | 4 | 1 | 2 | 3 |
| 5 | 6 | 1 | 4 | 3 | 2 |
| 5 | 1 | 6 | 3 | 4 | 2 |
| 1 | 5 | 3 | 6 | 2 | 4 |
| 1 | 5 | 6 | 3 | 4 | 2 |
| 1 | 6 | 5 | 4 | 3 | 2 |
| 1 | 6 | 4 | 5 | 2 | 3 |
| 1 | 4 | 6 | 2 | 5 | 3 |
| 1 | 4 | 2 | 6 | 3 | 5 |
| 1 | 2 | 4 | 3 | 6 | 5 |
| single | |||||
| 1 | 2 | 4 | 6 | 3 | 5 |
| 1 | 4 | 2 | 3 | 6 | 5 |
| 1 | 4 | 3 | 2 | 5 | 6 |
| 1 | 3 | 4 | 5 | 2 | 6 |
| 1 | 3 | 5 | 4 | 6 | 2 |
| 1 | 5 | 3 | 6 | 4 | 2 |
| 1 | 5 | 6 | 3 | 2 | 4 |
| 1 | 6 | 5 | 2 | 3 | 4 |
| 1 | 6 | 2 | 5 | 4 | 3 |
| 1 | 2 | 6 | 4 | 5 | 3 |
| single | |||||
| 1 | 2 | 6 | 5 | 4 | 3 |
| 1 | 6 | 2 | 4 | 5 | 3 |
| 1 | 6 | 4 | 2 | 3 | 5 |
| 1 | 4 | 6 | 3 | 2 | 5 |
| 1 | 4 | 3 | 6 | 5 | 2 |
| 1 | 3 | 4 | 5 | 6 | 2 |
| 1 | 3 | 5 | 4 | 2 | 6 |
| 1 | 5 | 3 | 2 | 4 | 6 |
| 1 | 5 | 2 | 3 | 6 | 4 |
| 1 | 2 | 5 | 6 | 3 | 4 |
| single | |||||
| 1 | 2 | 5 | 3 | 6 | 4 |
| 1 | 5 | 2 | 6 | 3 | 4 |
| 1 | 5 | 6 | 2 | 4 | 3 |
| 1 | 6 | 5 | 4 | 2 | 3 |
| 1 | 6 | 4 | 5 | 3 | 2 |
| 1 | 4 | 6 | 3 | 5 | 2 |
| 1 | 4 | 3 | 6 | 2 | 5 |
| 1 | 3 | 4 | 2 | 6 | 5 |
| 1 | 3 | 2 | 4 | 5 | 6 |
| 1 | 2 | 3 | 5 | 4 | 6 |
The last change is 123456: which is at the end of Twelve-score changes; and here you see, that the whole hunt, the half hunt, and quarter hunt, do lie next to each other before the extream bells; therefore the bells may either be brought round, by making the single change in the same place, as those next before, are made thus, 123456: or else, if you would proceed forward to the end of the Seven-hundred and twenty, then the next must be an extream change between the fourth and sixth, which are the 2 hindmost bells, thus, 123564: and by observing to make an extream change behind every time the 1, 2, 3, lie together before the bells, the bells will come round in course at the end of the Seven-hundred and twenty; at the end of every Three score changes, there's a single change throughout the Peal, and an extream change at the end of every Twelve-score. This Peal (by the Rules aforesaid) may be Rang with any whole hunt, half hunt, and quarter hunt.
In this Peal is contained the Six-score changes of Old Doubles on five bells, and also the Twenty-four changes Doubles and Singles on four bells; the half hunt, the quarter hunt, and three extream bells, makes the Six-score changes of Old Doubles in a perfect course; and the quarter hunt, and three extream bells, do make the Twenty-four changes Doubles and Singles. Every time the whole hunt leads, there are made two changes of the Six-score; and every time the whole hunt leads, and the half hunt lies next to it, there are two changes mades in the Twenty-four.
Grandsire Bob. On six Bells.
In this Peal of Grandsire Bob, there are Seven-hundred and twenty changes, in Ringing of which, there is the same course, as in Trebles and Doubles (before set down) until the bob-changes come to be made; this Peal may more properly be called Trebles and Doubles than the former, because all the changes throughout the Seven-hundred and twenty, are treble and double, except only the two single changes: But in Ringing an Eighteen-score (which is half the Seven-hundred and twenty, and a complete Peal of it self) the changes are all treble and double without any single change therein; for you must know, that in any Peal of Grandsire bob, the bells will come round in course at the end of Eighteen-score changes, if you make no single change to carry it on farther to the end of the Seven-hundred and twenty.
This Peal has a whole hunt, a half hunt, a quarter hunt, and three extream bells; every bell hunts in a direct course, and lies twice together before, and twice behind, until the whole hunt leads, and then the four hindmost bells do dodge, that is, they make a double change; in which 'tis alwayes observed, that the two bells which lie in third and fifths places (in the change next before the dodge) are hunting down, and in making this double change, each of those bells do dodge with the bell next above it, that is, they move up over one bell, and then each of them moves directly down; and the two bells that lie in fourth and tenors places in the change next before every dodge, are hunting up, and in making the dodge change, each of those bells do move down under one bell, and then they move up again in their course, as before; the dodge changes in all Peals of Trebles and Doubles, are made in the same manner as these.
There are two sorts of bobs in this Peal, viz. a single, and a double Bob; the Rule for making the single bob, is this, when the whole hunt leads, and the half hunt lies in tenors place, and the quarter hunt in fourths place, the next change is a bob; and when the whole hunt leads, and the half hunt lies in fifths place, and the quarter hunt in seconds place, then there is a double bob, that is, two bob-changes; one of which is made the next change, and the other is made the next time the whole hunt leads after. The bobs are all double changes, and made in one and the same manner (i.e.) the leading bell, and that in fourths place, do both lie still, whil'st the two bells in second and thirds places, and those in fifth and tenors places make the bob-change; and as soon as 'tis made, the bell in fourths place moves directly down. The half hunt is alwayes one of the two hindmost bells which makes every bob-change.
In Ringing this Peal, there is a Rule observed, whereby the person that does Ring the quarter hunt, may give notice of the bobs before they come to be made, without which it were impossible to Ring it; the Rule is this: In the dodge which is made between the four hindmost bells every time the whole hunt leads, if the half hunt and quarter hunt do dodge in fifth and tenors place, then the next time the whole hunt leads, there's a single bob; if they dodge in fourth and thirds places, then there's a double bob that is, two bob-changes, one of which is made the next time, the whole hunt leads after the dodge, and the other is made the next time the whole hunt leads after the former is made: He that does Ring the quarter hunt, may give notice of every bob-change, by saying (Bob) when the whole hunt is going to lead, which is a change next before the bob is to be made.
There are certain Rules very convenient to be known by all that practise to Ring this Peal; (viz.) he that does Ring the whole hunt, must observe that the bell which he first follows when he leaves the trebles place hunting up, he must follow the same bell the next time he lies behind; and the second bell which he follows in hunting up, he must also follow the same bell when he next leaves the tenors place hunting down; and likewise, the third bell which he follows in hunting up, he must also follow the same bell when he leaves the fifths place hunting down: For instance, in the first change of the following Peal, the bells stand thus: 214365: here the treble (being the whole hunt) does first follow the second, therefore when the treble has hunted up, and lies behind, it follows the second again, as in this change, 654321: And again, the second change of the following Peal, is 241635: here the fourth is the second bell, which the treble follows in hunting up, therefore he follows that bell again the next time he leaves the tenors place hunting down, as in this change, 563412: which course is observed throughout the Peal. And in Ringing any other bell (beside the whole Hunt) 'tis observed, that the next time you lie before the bells after a bob, that bell which you first follow in hunting up, you must also follow the same bell when you lie behind; and the same bell you must first follow every time you hunt up, and every time you lie behind, until the next bob comes to be made, but if the whole hunt is the second bell which you follow in hunting up, then you must follow the whole Hunt when you lie behind; and the next time you lead, and lie behind, you must follow the former bell as before, until the bobs come to be made; and after the bobs, the course is the same (though you do not follow the same bell) as before.
These Rules and Directions before set down, are to be observed in Ringing any Peal of Grandsire bob with any whole Hunt, half Hunt, and quarter Hunt: An Example I have here set down, wherein the treble is the whole Hunt, the second the half Hunt, and the fourth the quarter Hunt, as in these following changes.