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Tommy and Grizel

Chapter 12: CHAPTER III
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About This Book

A young man named Tommy and a spirited woman, Grizel, move through a series of comic and poignant episodes that blend courtship, misunderstanding, and personal change. The narrative traces Tommy's sentimental confessions, public myths about his romantic authority, Grizel's proud reserve and solitude, and the secondary figures—Sandys, Elspeth, Pym—who provoke and observe events. Over two parts the story follows a love that falters and is tested by jealousy, absence, and a mysterious menace, then follows journeys, reversals, and small domestic reconciliations, oscillating between satire of social manners and tender attention to grief, courage, and the awkwardness of becoming worthy of another.






CHAPTER III

SANDYS ON WOMAN


"Can you kindly tell me the name of the book I want?"

It is the commonest question asked at the circulating library by dainty ladies just out of the carriage; and the librarian, after looking them over, can usually tell. In the days we have now to speak of, however, he answered, without looking them over:

"Sandys's 'Letters,'"

"Ah, yes, of course. May I have it, please?"

"I regret to find that it is out."

Then the lady looked naughty. "Why don't you have two copies?" she pouted.

"Madam," said the librarian, "we have a thousand."

A small and very timid girl of eighteen, with a neat figure that shrank from observation, although it was already aware that it looked best in gray, was there to drink in this music, and carried it home in her heart. She was Elspeth, and that dear heart was almost too full at this time. I hesitate whether to tell or to conceal how it even created a disturbance in no less a place than the House of Commons. She was there with Mrs. Jerry, and the thing was recorded in the papers of the period in these blasting words: "The Home Secretary was understood to be quoting a passage from 'Letters to a Young Man,' but we failed to catch its drift, owing to an unseemly interruption from the ladies' gallery."

"But what was it you cried out?" Tommy asked Elspeth, when she thought she had told him everything. (Like all true women, she always began in the middle.)

"Oh, Tommy, have I not told you? I cried out, 'I'm his sister.'"

Thus, owing to Elspeth's behaviour, it can never be known which was the passage quoted in the House; but we may be sure of one thing—that it did the House good. That book did everybody good. Even Pym could only throw off its beneficent effects by a tremendous effort, and young men about to be married used to ask at the bookshops, not for the "Letters," but simply for "Sandys on Woman," acknowledging Tommy as the authority on the subject, like Mill on Jurisprudence, or Thomson and Tait on the Differential Calculus. Controversies raged about it. Some thought he asked too much of man, some thought he saw too much in women; there was a fear that young people, knowing at last how far short they fell of what they ought to be, might shrink from the matrimony that must expose them to each other, now that they had Sandys to guide them, and the persons who had simply married and risked it (and it was astounding what a number of them there proved to be) wrote to the papers suggesting that he might yield a little in the next edition. But Sandys remained firm.

At first they took for granted that he was a very aged gentleman; he had, indeed, hinted at this in the text; and when the truth came out ("And just fancy, he is not even married!") the enthusiasm was doubled. "Not engaged!" they cried. "Don't tell that to me. No unmarried man could have written such a eulogy of marriage without being on the brink of it." Perhaps she was dead? It ran through the town that she was dead. Some knew which cemetery.

The very first lady Mr. Sandys ever took in to dinner mentioned this rumour to him, not with vulgar curiosity, but delicately, with a hint of sympathy in waiting, and it must be remembered, in fairness to Tommy, that all artists love sympathy. This sympathy uncorked him, and our Tommy could flow comparatively freely at last. Observe the delicious change.

"Has that story got abroad?" he said simply. "The matter is one which, I need not say, I have never mentioned to a soul."

"Of course not," the lady said, and waited eagerly.

If Tommy had been an expert he might have turned the conversation to brighter topics, but he was not; there had already been long pauses, and in dinner talk it is perhaps allowable to fling on any faggot rather than let the fire go out. "It is odd that I should be talking of it now," he said musingly.

"I suppose," she said gently, to bring him out of the reverie into which he had sunk, "I suppose it happened some time ago?"

"Long, long ago," he answered. (Having written as an aged person, he often found difficulty in remembering suddenly that he was two and twenty.)

"But you are still a very young man."

"It seems long ago to me," he said with a sigh.

"Was she beautiful?"

"She was beautiful to my eyes."

"And as good, I am sure, as she was beautiful."

"Ah me!" said Tommy.

His confidante was burning to know more, and hoping they were being observed across the table; but she was a kind, sentimental creature, though stout, or because of it, and she said, "I am so afraid that my questions pain you."

"No, no," said Tommy, who was very, very happy.

"Was it very sudden?"

"Fever."

"Ah! but I meant your attachment."

"We met and we loved," he said with gentle dignity.

"That is the true way," said the lady.

"It is the only way," he said decisively.

"Mr. Sandys, you have been so good, I wonder if you would tell me her name?"

"Felicity," he said, with emotion. Presently he looked up. "It is very strange to me," he said wonderingly, "to find myself saying these things to you who an hour ago were a complete stranger to me. But you are not like other women."

"No, indeed!" said the lady, warmly.

"That," he said, "must be why I tell you what I have never told to another human being. How mysterious are the workings of the heart!"

"Mr. Sandys," said the lady, quite carried away, "no words of mine can convey to you the pride with which I hear you say that. Be assured that I shall respect your confidences." She missed his next remark because she was wondering whether she dare ask him to come to dinner on the twenty-fifth, and then the ladies had to retire, and by the time he rejoined her he was as tongue-tied as at the beginning. The cork had not been extracted; it had been knocked into the bottle, where it still often barred the way, and there was always, as we shall see, a flavour of it in the wine.

"You will get over it yet; the summer and the flowers will come to you again," she managed to whisper to him kind-heartedly, as she was going.

"Thank you," he said, with that inscrutable face. It was far from his design to play a part. He had, indeed, had no design at all, but an opportunity for sentiment having presented itself, his mouth had opened as at a cherry. He did not laugh afterwards, even when he reflected how unexpectedly Felicity had come into his life; he thought of her rather with affectionate regard, and pictured her as a tall, slim girl in white. When he took a tall, slim girl in white in to dinner, he could not help saying huskily:

"You remind me of one who was a very dear friend of mine. I was much startled when you came into the room."

"You mean some one who is dead?" she asked in awe-struck tones.

"Fever," he said.

"You think I am like her in appearance?"

"In every way," he said dreamily; "the same sweet—pardon me, but it is very remarkable. Even the tones of the voice are the same. I suppose I ought not to ask your age?"

"I shall be twenty-one in August." "She would have been twenty-one in August had she lived," Tommy said with fervour. "My dear young lady—"

This was the aged gentleman again, but she did not wince; he soon found out that they expect authors to say the oddest things, and this proved to be a great help to him.

"My dear young lady, I feel that I know you very well."

"That," she said, "is only because I resemble your friend outwardly. The real me (she was a bit of philosopher also) you cannot know at all."

He smiled sadly. "Has it ever struck you," he asked, "that you are very unlike other women?"

"Oh, how ever could you have found that out?" she exclaimed, amazed.

Almost before he knew how it came about, he was on terms of very pleasant sentiment with this girl, for they now shared between them a secret that he had confided to no other. His face, which had been so much against him hitherto, was at last in his favour; it showed so plainly that when he looked at her more softly or held her hand longer than is customary, he was really thinking of that other of whom she was the image. Or if it did not precisely show that, it suggested something or other of that nature which did just as well. There was a sweet something between them which brought them together and also kept them apart; it allowed them to go a certain length, while it was also a reason why they could never, never exceed that distance; and this was an ideal state for Tommy, who could be most loyal and tender so long as it was understood that he meant nothing in particular. She was the right kind of girl, too, and admired him the more (and perhaps went a step further) because he remained so true to Felicity's memory.

You must not think him calculating and cold-blooded, for nothing could be less true to the fact. When not engaged, indeed, on his new work, he might waste some time planning scenes with exquisite ladies, in which he sparkled or had a hidden sorrow (he cared not which); but these scenes seldom came to life. He preferred very pretty girls to be rather stupid (oh, the artistic instinct of the man!), but instead of keeping them stupid, as he wanted to do, he found himself trying to improve their minds. They screwed up their noses in the effort. Meaning to thrill the celebrated beauty who had been specially invited to meet him, he devoted himself to a plain woman for whose plainness a sudden pity had mastered him (for, like all true worshippers of beauty in women, he always showed best in the presence of plain ones). With the intention of being a gallant knight to Lady I-Won't-Tell-the-Name, a whim of the moment made him so stiff to her that she ultimately asked the reason; and such a charmingly sad reason presented itself to him that she immediately invited him to her riverside party on Thursday week. He had the conversations and incidents for that party ready long before the day arrived; he altered them and polished them as other young gentlemen in the same circumstances overhaul their boating costumes; but when he joined the party there was among them the children's governess, and seeing her slighted, his blood boiled, and he was her attendant for the afternoon.

Elspeth was not at this pleasant jink in high life. She had been invited, but her ladyship had once let Tommy kiss her hand for the first and last time, so he decided sternly that this was no place for Elspeth. When temptation was nigh, he first locked Elspeth up, and then walked into it.

With two in every three women he was still as shy as ever, but the third he escorted triumphantly to the conservatory. She did no harm to his work—rather sent him back to it refreshed. It was as if he were shooting the sentiment which other young men get rid of more gradually by beginning earlier, and there were such accumulations of it that I don't know whether he ever made up on them. Punishment sought him in the night, when he dreamed constantly that he was married—to whom scarcely mattered; he saw himself coming out of a church a married man, and the fright woke him up. But with the daylight came again his talent for dodging thoughts that were lying in wait, and he yielded as recklessly as before to every sentimental impulse. As illustration, take his humourous passage with Mrs. Jerry. Geraldine Something was her name, but her friends called her Mrs. Jerry.

She was a wealthy widow, buxom, not a day over thirty when she was merry, which might be at inappropriate moments, as immediately after she had expressed a desire to lead the higher life. "But I have a theory, my dear," she said solemnly to Elspeth, "that no woman is able to do it who cannot see her own nose without the help of a mirror." She had taken a great fancy to Elspeth, and made many engagements with her, and kept some of them, and the understanding was that she apprenticed herself to Tommy through Elspeth, he being too terrible to face by himself, or, as Mrs. Jerry expressed it, "all nose." So Tommy had seen very little of her, and thought less, until one day he called by passionate request to sign her birthday-book, and heard himself proposing to her instead!

For one thing, it was twilight, and she had forgotten to ring for the lamps. That might have been enough, but there was more: she read to him part of a letter in which her hand was solicited in marriage. "And, for the life of me," said Mrs. Jerry, almost in tears, "I cannot decide whether to say yes or no."

This put Tommy in a most awkward position. There are probably men who could have got out of it without proposing; but to him there seemed at the moment no other way open. The letter complicated matters also by beginning "Dear Jerry," and saying "little Jerry" further on—expressions which stirred him strangely.

"Why do you read this to me?" he asked, in a voice that broke a little.

"Because you are so wise," she said. "Do you mind?"

"Do I mind!" he exclaimed bitterly. ("Take care, you idiot!" he said to himself.)

"I was asking your advice only. Is it too much?"

"Not at all. I am quite the right man to consult at such a moment, am I not?"

It was said with profound meaning; but his face was as usual.

"That is what I thought," she said, in all good faith.

"You do not even understand!" he cried, and he was also looking longingly at his hat.

"Understand what?"

"Jerry," he said, and tried to stop himself, with the result that he added, "dear little Jerry!" ("What am I doing!" he groaned.)

She understood now. "You don't mean—" she began, in amazement.

"Yes," he cried passionately. "I love you. Will you be my wife?" ("I am lost!")

"Gracious!" exclaimed Mrs. Jerry; and then, on reflection, she became indignant. "I would not have believed it of you," she said scornfully. "Is it my money, or what? I am not at all clever, so you must tell me."

With Tommy, of course, it was not her money. Except when he had Elspeth to consider, he was as much a Quixote about money as Pym himself; and at no moment of his life was he a snob.

"I am sorry you should think so meanly of me," he said with dignity, lifting his hat; and he would have got away then (which, when you come to think of it, was what he wanted) had he been able to resist an impulse to heave a broken-hearted sigh at the door.

"Don't go yet, Mr. Sandys," she begged. "I may have been hasty. And yet—why, we are merely acquaintances!"

He had meant to be very careful now, but that word sent him off again. "Acquaintances!" he cried. "No, we were never that."

"It almost seemed to me that you avoided me."

"You noticed it!" he said eagerly. "At least, you do me that justice. Oh, how I tried to avoid you!"

"It was because—"

"Alas!"

She was touched, of course, but still puzzled. "We know so little of each other," she said.

"I see," he replied, "that you know me very little, Mrs. Jerry; but you—oh, Jerry, Jerry! I know you as no other man has ever known you!"

"I wish I had proof of it," she said helplessly.

Proof! She should not have asked Tommy for proof. "I know," he cried, "how unlike all other women you are. To the world you are like the rest, but in your heart you know that you are different; you know it, and I know it, and no other person knows it."

Yes, Mrs. Jerry knew it, and had often marvelled over it in the seclusion of her boudoir; but that another should have found it out was strange and almost terrifying.

"I know you love me now," she said softly. "Only love could have shown you that. But—oh, let me go away for a minute to think!" And she ran out of the room.

Other suitors have been left for a space in Tommy's state of doubt, but never, it may be hoped, with the same emotions. Oh, heavens! if she should accept him! He saw Elspeth sickening and dying of the news.

His guardian angel, however, was very good to Tommy at this time; or perhaps, like cannibals with their prisoner, the god of sentiment (who has a tail) was fattening him for a future feast; and Mrs. Jerry's answer was that it could never be.

Tommy bowed his head.

But she hoped he would let her be his very dear friend. It would be the proudest recollection of her life that Mr. Sandys had entertained such feelings for her.

Nothing could have been better, and he should have found difficulty in concealing his delight; but this strange Tommy was really feeling his part again. It was an unforced tear that came to his eye. Quite naturally he looked long and wistfully at her.

"Jerry, Jerry!" he articulated huskily, and whatever the words mean in these circumstances he really meant; then he put his lips to her hand for the first and last time, and so was gone, broken but brave. He was in splendid fettle for writing that evening. Wild animals sleep after gorging, but it sent this monster, refreshed, to his work.

Nevertheless, the incident gave him some uneasy reflections. Was he, indeed, a monster? was one that he could dodge, as yet; but suppose Mrs. Jerry told his dear Elspeth of what had happened? She had said that she would not, but a secret in Mrs. Jerry's breast was like her pug in her arms, always kicking to get free. "Elspeth," said Tommy, "what do you say to going north and having a sight of Thrums again?"

He knew what she would say. They had been talking for years of going back; it was the great day that all her correspondence with old friends in Thrums looked forward to.

"They made little of you, Tommy," she said, "when we left; but I'm thinking they will all be at their windows when you go back."

"Oh," replied Thomas, "that's nothing. But I should like to shake Corp by the hand again."

"And Aaron," said Elspeth. She was knitting stockings for Aaron at that moment.

"And Gavinia," Tommy said, "and the Dominie."

"And Ailie."

And then came an awkward pause, for they were both thinking of that independent girl called Grizel. She was seldom discussed. Tommy was oddly shy about mentioning her name; he would have preferred Elspeth to mention it: and Elspeth had misgivings that this was so, with the result that neither could say "Grizel" without wondering what was in the other's mind. Tommy had written twice to Grizel, the first time unknown to Elspeth, but that was in the days when the ladies of the penny numbers were disturbing him, and, against his better judgment (for well he knew she would never stand it), he had begun his letter with these mad words: "Dear Little Woman." She did not answer this, but soon afterwards she wrote to Elspeth, and he was not mentioned in the letter proper, but it carried a sting in its tail. "P.S.," it said "How is Sentimental Tommy?"

None but a fiend in human shape could have written thus, and Elspeth put her protecting arms round her brother. "Now we know what Grizel is," she said. "I am done with her now."

But when Tommy had got back his wind he said nobly: "I'll call her no names. If this is how she likes to repay me for—for all my kindnesses, let her. But, Elspeth, if I have the chance, I shall go on being good to her just the same."

Elspeth adored him for it, but Grizel would have stamped had she known. He had that comfort.

The second letter he never posted. It was written a few months before he became a celebrity, and had very fine things indeed in it, for old Dr. McQueen, Grizel's dear friend, had just died at his post, and it was a letter of condolence. While Tommy wrote it he was in a quiver of genuine emotion, as he was very pleased to feel, and it had a specially satisfying bit about death, and the world never being the same again. He knew it was good, but he did not send it to her, for no reason I can discover save that postscripts jarred on him.






CHAPTER IV

GRIZEL OF THE CROOKED SMILE


To expose Tommy for what he was, to appear to be scrupulously fair to him so that I might really damage him the more, that is what I set out to do in this book, and always when he seemed to be finding a way of getting round me (as I had a secret dread he might do) I was to remember Grizel and be obdurate. But if I have so far got past some of his virtues without even mentioning them (and I have), I know how many opportunities for discrediting him have been missed, and that would not greatly matter, there are so many more to come, if Grizel were on my side. But she is not; throughout those first chapters a voice has been crying to me, "Take care; if you hurt him you will hurt me"; and I know it to be the voice of Grizel, and I seem to see her, rocking her arms as she used to rock them when excited in the days of her innocent childhood. "Don't, don't, don't!" she cried at every cruel word I gave him, and she, to whom it was ever such agony to weep, dropped a tear upon each word, so that they were obliterated; and "Surely I knew him best," she said, "and I always loved him"; and she stood there defending him, with her hand on her heart to conceal the gaping wound that Tommy had made.

Well, if Grizel had always loved him there was surely something fine and rare about Tommy. But what was it, Grizel? Why did you always love him, you who saw into him so well and demanded so much of men? When I ask that question the spirit that hovers round my desk to protect Tommy from me rocks her arms mournfully, as if she did not know the answer; it is only when I seem to see her as she so often was in life, before she got that wound and after, bending over some little child and looking up radiant, that I think I suddenly know why she always loved Tommy. It was because he had such need of her.

I don't know whether you remember, but there were once some children who played at Jacobites in the Thrums Den under Tommy's leadership. Elspeth, of course, was one of them, and there were Corp Shiach, and Gavinia, and lastly, there was Grizel. Had Tommy's parents been alive she would not have been allowed to join, for she was a painted lady's child; but Tommy insisted on having her, and Grizel thought it was just sweet of him. He also chatted with her in public places, as if she were a respectable character; and oh, how she longed to be respectable! but, on the other hand, he was the first to point out how superbly he was behaving, and his ways were masterful, so the independent girl would not be captain's wife; if he said she was captain's wife he had to apologize, and if he merely looked it he had to apologize just the same.

One night the Painted Lady died in the Den, and then it would have gone hard with the lonely girl had not Dr. McQueen made her his little housekeeper, not out of pity, he vowed (she was so anxious to be told that), but because he was an old bachelor sorely in need of someone to take care of him. And how she took care of him! But though she was so happy now, she knew that she must be very careful, for there was something in her blood that might waken and prevent her being a good woman. She thought it would be sweet to be good.

She told all this to Tommy, and he was profoundly interested, and consulted a wise man, whose advice was that when she grew up she should be wary of any man whom she liked and mistrusted in one breath. Meaning to do her a service, Tommy communicated this to her; and then, what do you think? Grizel would have no more dealings with him! By and by the gods, in a sportive mood, sent him to labour on a farm, whence, as we have seen, he found a way to London, and while he was growing into a man Grizel became a woman. At the time of the doctor's death she was nineteen, tall and graceful, and very dark and pale. When the winds of the day flushed her cheek she was beautiful; but it was a beauty that hid the mystery of her face. The sun made her merry, but she looked more noble when it had set; then her pallor shone with a soft, radiant light, as though the mystery and sadness and serenity of the moon were in it. The full beauty of Grizel came out only at night, like the stars.

I had made up my mind that when the time came to describe Grizel's mere outward appearance I should refuse her that word "beautiful" because of her tilted nose; but now that the time has come, I wonder at myself. Probably when I am chapters ahead I shall return to this one and strike out the word "beautiful," and then, as likely as not, I shall come back afterwards and put it in again. Whether it will be there at the end, God knows. Her eyes, at least, were beautiful. They were unusually far apart, and let you look straight into them, and never quivered; they were such clear, gray, searching eyes, they seemed always to be asking for the truth. And she had an adorable mouth. In repose it was, perhaps, hard, because it shut so decisively; but often it screwed up provokingly at one side, as when she smiled, or was sorry, or for no particular reason; for she seemed unable to control this vagary, which was perhaps a little bit of babyhood that had forgotten to grow up with the rest of her. At those moments the essence of all that was characteristic and delicious about her seemed to have run to her mouth; so that to kiss Grizel on her crooked smile would have been to kiss the whole of her at once. She had a quaint way of nodding her head at you when she was talking. It made you forget what she was saying, though it was really meant to have precisely the opposite effect. Her voice was rich, with many inflections. When she had much to say it gurgled like a stream in a hurry; but its cooing note was best worth remembering at the end of the day. There were times when she looked like a boy. Her almost gallant bearing, the poise of her head, her noble frankness—they all had something in them of a princely boy who had never known fear.

I have no wish to hide her defects; I would rather linger over them, because they were part of Grizel, and I am sorry to see them go one by one. Thrums had not taken her to its heart. She was a proud-purse, they said, meaning that she had a haughty walk. Her sense of justice was too great. She scorned frailties that she should have pitied. (How strange to think that there was a time when pity was not the feeling that leaped to Grizel's bosom first!) She did not care for study. She learned French and the pianoforte to please the doctor; but she preferred to be sewing or dusting. When she might have been reading, she was perhaps making for herself one of those costumes that annoyed every lady of Thrums who employed a dressmaker; or, more probably, it was a delicious garment for a baby; for as soon as Grizel heard that there was a new baby anywhere, all her intellect deserted her, and she became a slave. Books often irritated her because she disagreed with the author; and it was a torment to her to find other people holding to their views when she was so certain that hers were right. In church she sometimes rocked her arms; and the old doctor by her side knew that it was because she could not get up and contradict the minister. She was, I presume, the only young lady who ever dared to say that she hated Sunday because there was so much sitting still in it.

Sitting still did not suit Grizel. At all other times she was happy; but then her mind wandered back to the thoughts that had lived too closely with her in the old days, and she was troubled. What woke her from these reveries was probably the doctor's hand placed very tenderly on her shoulder, and then she would start, and wonder how long he had been watching her, and what were the grave thoughts behind his cheerful face; for the doctor never looked more cheerful than when he was drawing Grizel away from the ugly past, and he talked to her as if he had noticed nothing; but after he went upstairs he would pace his bedroom for a long time; and Grizel listened, and knew that he was thinking about her. Then, perhaps, she would run up to him, and put her arms around his neck. These scenes brought the doctor and Grizel very close together; but they became rarer as she grew up, and then for once that she was troubled she was a hundred times irresponsible with glee, and "Oh, you dearest, darlingest," she would cry to him, "I must dance,—I must, I must!—though it is a fast-day; and you must dance with your mother this instant—I am so happy, so happy!" "Mother" was his nickname for her, and she delighted in the word. She lorded it over him as if he were her troublesome boy.

How could she be other than glorious when there was so much to do? The work inside the house she made for herself, and outside the doctor made it for her. At last he had found for nurse a woman who could follow his instructions literally, who understood that if he said five o'clock for the medicine the chap of six would not do as well, who did not in her heart despise the thermometer, and who resolutely prevented the patient from skipping out of bed to change her pillow-slips because the minister was expected. Such tyranny enraged every sufferer who had been ill before and got better; but what they chiefly complained of to the doctor (and he agreed with a humourous sigh) was her masterfulness about fresh air and cold water. Windows were opened that had never been opened before (they yielded to her pressure with a groan); and as for cold water, it might have been said that a bath followed her wherever she went—not, mark me, for putting your hands and face in, not even for your feet; but in you must go, the whole of you, "as if," they said indignantly, "there was something the matter with our skin."

She could not gossip, not even with the doctor, who liked it of an evening when he had got into his carpet shoes. There was no use telling her a secret, for she kept it to herself for evermore. She had ideas about how men should serve a woman, even the humblest, that made the men gaze with wonder, and the women (curiously enough) with irritation. Her greatest scorn was for girls who made themselves cheap with men; and she could not hide it. It was a physical pain to Grizel to hide her feelings; they popped out in her face, if not in words, and were always in advance of her self-control. To the doctor this impulsiveness was pathetic; he loved her for it, but it sometimes made him uneasy.

He died in the scarlet-fever year. "I'm smitten," he suddenly said at a bedside; and a week afterwards he was gone.

"We must speak of it now, Grizel," he said, when he knew that he was dying.

She pressed his hand. She knew to what he was referring. "Yes," she said, "I should love you to speak of it now."

"You and I have always fought shy of it," he said, "making a pretence that it had altogether passed away. I thought that was best for you."

"Dearest, darlingest," she said, "I know—I have always known."

"And you," he said, "you pretended because you thought it was best for me."

She nodded. "And we saw through each other all the time," she said.

"Grizel, has it passed away altogether now?"

Her grip upon his hand did not tighten in the least. "Yes," she could say honestly, "it has altogether passed away."

"And you have no more fear?"

"No, none."

It was his great reward for all that he had done for Grizel.

"I know what you are thinking of," she said, when he did not speak. "You are thinking of the haunted little girl you rescued seven years ago."

"No," he answered; "I was thanking God for the brave, wholesome woman she has grown into; and for something else, Grizel—for letting me live to see it."

"To do it," she said, pressing his hand to her breast.

She was a strange girl, and she had to speak her mind. "I don't think God has done it all," she said. "I don't even think that He told you to do it. I think He just said to you, 'There is a painted lady's child at your door. You can save her if you like.'

"No," she went on, when he would have interposed; "I am sure He did not want to do it all. He even left a little bit of it to me to do myself. I love to think that I have done a tiny bit of it myself. I think it is the sweetest thing about God that He lets us do some of it ourselves. Do I hurt you, darling?"

No, she did not hurt him, for he understood her. "But you are naturally so impulsive," he said, "it has often been a sharp pain to me to see you so careful."

"It was not a pain to me to be careful; it was a joy. Oh, the thousand dear, delightful joys I have had with you!"

"It has made you strong, Grizel, and I rejoice in that; but sometimes I fear that it has made you too difficult to win."

"I don't want to be won," she told him.

"You don't quite mean that, Grizel."

"No," she said at once. She whispered to him impulsively: "It is the only thing I am at all afraid of now."

"What?"

"Love."

"You will not be afraid of it when it comes."

"But I want to be afraid," she said.

"You need not," he answered. "The man on whom those clear eyes rest lovingly will be worthy of it all. If he were not, they would be the first to find him out."

"But need that make any difference?" she asked. "Perhaps though I found him out I should love him just the same."

"Not unless you loved him first, Grizel."

"No," she said at once again. "I am not really afraid of love," she whispered to him. "You have made me so happy that I am afraid of nothing."

Yet she wondered a little that he was not afraid to die, but when she told him this he smiled and said: "Everybody fears death except those who are dying." And when she asked if he had anything on his mind, he said: "I leave the world without a care. Not that I have seen all I would fain have seen. Many a time, especially this last year, when I have seen the mother in you crooning to some neighbour's child, I have thought to myself, 'I don't know my Grizel yet; I have seen her in the bud only,' and I would fain—" He broke off. "But I have no fears," he said. "As I lie here, with you sitting by my side, looking so serene, I can say, for the first time for half a century, that I have nothing on my mind.

"But, Grizel, I should have married," he told her. "The chief lesson my life has taught me is that they are poor critturs—the men who don't marry."

"If you had married," she said, "you might never have been able to help me."

"It is you who have helped me," he replied. "God sent the child; He is most reluctant to give any of us up. Ay, Grizel, that's what my life has taught me, and it's all I can leave to you." The last he saw of her, she was holding his hand, and her eyes were dry, her teeth were clenched; but there was a brave smile upon her face, for he had told her that it was thus he would like to see her at the end. After his death, she continued to live at the old house; he had left it to her ("I want it to remain in the family," he said), with all his savings, which were quite sufficient for the needs of such a manager. He had also left her plenty to do, and that was a still sweeter legacy.

And the other Jacobites, what of them? Hi, where are you, Corp? Here he comes, grinning, in his spleet new uniform, to demand our tickets of us. He is now the railway porter. Since Tommy left Thrums "steam" had arrived in it, and Corp had by nature such a gift for giving luggage the twist which breaks everything inside as you dump it down that he was inevitably appointed porter. There was no travelling to Thrums without a ticket. At Tilliedrum, which was the junction for Thrums, you showed your ticket and were then locked in. A hundred yards from Thrums. Corp leaped upon the train and fiercely demanded your ticket. At the station he asked you threateningly whether you had given up your ticket. Even his wife was afraid of him at such times, and had her ticket ready in her hand.

His wife was one Gavinia, and she had no fear of him except when she was travelling. To his face she referred to him as a doited sumph, but to Grizel pleading for him she admitted that despite his warts and quarrelsome legs he was a great big muckle sonsy, stout, buirdly well set up, wise-like, havering man. When first Corp had proposed to her, she gave him a clout on the head; and so little did he know of the sex that this discouraged him. He continued, however, to propose and she to clout him until he heard, accidentally (he woke up in church), of a man in the Bible who had wooed a woman for seven years, and this example he determined to emulate; but when Gavinia heard of it she was so furious that she took him at once. Dazed by his good fortune, he rushed off with it to his aunt, whom he wearied with his repetition of the great news.

"To your bed wi' you," she said, yawning.

"Bed!" cried Corp, indignantly. "And so, auntie, says Gavinia, 'Yes,' says she, 'I'll hae you.' Those were her never-to-be-forgotten words."

"You pitiful object," answered his aunt. "Men hae been married afore now without making sic a stramash."

"I daursay," retorted Corp; "but they hinna married Gavinia." And this is the best known answer to the sneer of the cynic.

He was a public nuisance that night, and knocked various people up after they had gone to bed, to tell them that Gavinia was to have him. He was eventually led home by kindly though indignant neighbours; but early morning found him in the country, carrying the news from farm to farm.

"No, I winna sit down," he said; "I just cried in to tell you Gavinia is to hae me." Six miles from home he saw a mud house on the top of a hill, and ascended genially. He found at their porridge a very old lady with a nut-cracker face, and a small boy. We shall see them again. "Auld wifie," said Corp, "I dinna ken you, but I've just stepped up to tell you that Gavinia is to hae me."

It made him the butt of the sportive. If he or Gavinia were nigh, they gathered their fowls round them and then said: "Hens, I didna bring you here to feed you, but just to tell you that Gavinia is to hae me." This flustered Gavinia; but Grizel, who enjoyed her own jokes too heartily to have more than a polite interest in those of other people, said to her: "How can you be angry! I think it was just sweet of him."

"But was it no vulgar?"

"Vulgar!" said Grizel. "Why, Gavinia, that is how every lady would like a man to love her."

And then Gavinia beamed. "I'm glad you say that," she said; "for, though I wouldna tell Corp for worlds, I fell likit it."

But Grizel told Corp that Gavinia liked it.

"It was the proof," she said, smiling, "that you have the right to marry her. You have shown your ticket. Never give it up, Corp."

About a year afterwards Corp, armed in his Sunday stand, rushed to Grizel's house, occasionally stopping to slap his shiny knees. "Grizel," he cried, "there's somebody come to Thrums without a ticket!" Then he remembered Gavinia's instructions. "Mrs. Shiach's compliments," he said ponderously, "and it's a boy."

"Oh, Corp!" exclaimed Grizel, and immediately began to put on her hat and jacket. Corp watched her uneasily. "Mrs. Shiach's compliments," he said firmly, "and he's ower young to be bathed yet; but she's awid to show him off to you," he hastened to add. "'Tell Grizel,' was her first words."

"Tell Grizel"! They were among the first words of many mothers. None, they were aware, would receive the news with quite such glee as she. They might think her cold and reserved with themselves, but to see the look on her face as she bent over a baby, and to know that the baby was yours! What a way she had with them! She always welcomed them as if in coming they had performed a great feat. That is what babies are agape for from the beginning. Had they been able to speak they would have said "Tell Grizel" themselves.

"And Mrs. Shiach's compliments," Corp remembered, "and she would be windy if you would carry the bairn at the christening."

"I should love it, Corp! Have you decided on the name?"

"Lang syne. Gin it were a lassie we were to call her Grizel—"

"Oh, how sweet of you!"

"After the finest lassie we ever kent," continued Corp, stoutly. "But I was sure it would be a laddie."

"Why?" "Because if it was a laddie it was to be called after Him," he said, with emphasis on the last word; "and thinks I to mysel', 'He'll find a way.' What a crittur he was for finding a way, Grizel! And he lookit so holy a' the time. Do you mind that swear word o' his—'stroke'? It just meant 'damn'; but he could make even 'damn' look holy."

"You are to call the baby Tommy?"

"He'll be christened Thomas Sandys Shiach," said Corp. "I hankered after putting something out o' the Jacobites intil his name; and I says to Gavinia, 'Let's call him Thomas Sandys Stroke Shiach,' says I, 'and the minister'll be nane the wiser'; but Gavinia was scandalized."

Grizel reflected. "Corp," she said, "I am sure Gavinia's sister will expect to be asked to carry the baby. I don't think I want to do it."

"After you promised!" cried Corp, much hurt. "I never kent you to break a promise afore."

"I will do it, Corp," she said, at once.

She did not know then that Tommy would be in church to witness the ceremony, but she knew before she walked down the aisle with T.S. Shiach in her arms. It was the first time that Tommy and she had seen each other for seven years. That day he almost rivalled his namesake in the interests of the congregation, who, however, took prodigious care that he should not see it—all except Grizel; she smiled a welcome to him, and he knew that her serene gray eyes were watching him.






CHAPTER V

THE TOMMY MYTH


On the evening before the christening, Aaron Latta, his head sunk farther into his shoulders, his beard gone grayer, no other perceptible difference in a dreary man since we last saw him in the book of Tommy's boyhood, had met the brother and sister at the station, a barrow with him for their luggage. It was a great hour for him as he wheeled the barrow homeward, Elspeth once more by his side; but he could say nothing heartsome in Tommy's presence, and Tommy was as uncomfortable in his. The old strained relations between these two seemed to begin again at once. They were as self-conscious as two mastiffs meeting in the street; and both breathed a sigh of relief when Tommy fell behind.

"You're bonny, Elspeth," Aaron then said eagerly. "I'm glad, glad to see you again."

"And him too, Aaron?" Elspeth pleaded.

"He took you away frae me."

"He has brought me back." "Ay, and he has but to whistle to you and away you go wi' him again. He's ower grand to bide lang here now."

"You don't know him, Aaron. We are to stay a long time. Do you know Mrs. McLean invited us to stay with her? I suppose she thought your house was so small. But Tommy said, 'The house of the man who befriended us when we were children shall never be too small for us.'"

"Did he say that? Ay, but, Elspeth, I would rather hear what you said."

"I said it was to dear, good Aaron Latta I was going back, and to no one else."

"God bless you for that, Elspeth."

"And Tommy," she went on, "must have his old garret room again, to write as well as sleep in, and the little room you partitioned off the kitchen will do nicely for me."

"There's no a window in it," replied Aaron; "but it will do fine for you, Elspeth." He was almost chuckling, for he had a surprise in waiting for her. "This way," he said excitedly, when she would have gone into the kitchen, and he flung open the door of what had been his warping-room. The warping-mill was gone—everything that had been there was gone. What met the delighted eyes of Elspeth and Tommy was a cozy parlour, which became a bedroom when you opened that other door. "You are a leddy now, Elspeth," Aaron said, husky with pride, "and
you have a leddy's room. Do you see the piano?"

He had given up the warping, having at last "twa three hunder'" in the bank, and all the work he did now was at a loom which he had put into the kitchen to keep him out of languor. "I have sorted up the garret, too, for you," he said to Tommy, "but this is Elspeth's room."

"As if Tommy would take it from me!" said Elspeth, running into the kitchen to hug this dear Aaron.

"You may laugh," Aaron replied vindictively, "but he is taking it frae you already"; and later, when Tommy was out of the way, he explained his meaning. "I did it all for you, Elspeth; 'Elspeth's room,' I called it. When I bought the mahogany arm-chair, 'That's Elspeth's chair,' I said to mysel'; and when I bought the bed, 'It's hers,' I said. Ay; but I was soon disannulled o' that thait, for, in spite of me, they were all got for him. Not a rissom in that room is yours or mine, Elspeth; every muhlen belongs to him."

"But who says so, Aaron? I am sure he won't."

"I dinna ken them. They are leddies that come here in their carriages to see the house where Thomas Sandys was born."

"But, Aaron, he was born in London!" "They think he was born in this house," Aaron replied doggedly, "and it's no for me to cheapen him."

"Oh, Aaron, you pretend——"

"I was never very fond o' him," Aaron admitted, "but I winna cheapen Jean Myles's bairn, and when they chap at my door and say they would like to see the room Thomas Sandys was born in, I let them see the best room I have. So that's how he has laid hands on your parlor, Elspeth. Afore I can get rid o' them they gie a squeak and cry, 'Was that Thomas Sandys's bed?' and I says it was. That's him taking the very bed frae you, Elspeth."

"You might at least have shown them his bed in the garret," she said.

"It's a shilpit bit thing," he answered, "and I winna cheapen him. They're curious, too, to see his favourite seat."

"It was the fender," she declared.

"It was," he assented, "but it's no for me to cheapen him, so I let them see your new mahogany chair. 'Thomas Sandys's chair,' they call it, and they sit down in it reverently. They winna even leave you the piano. 'Was this Thomas Sandys's piano?' they speir. 'It was,' says I, and syne they gowp at it." His under lip shot out, a sure sign that he was angry. "I dinna blame him," he said, "but he had the same masterful way of scooping everything into his lap when he was a laddie, and I like him none the mair for it"; and from this position Aaron would not budge.

"Quite right, too," Tommy said, when he heard of it. "But you can tell him, Elspeth, that we shall allow no more of those prying women to come in." And he really meant this, for he was a modest man that day, was Tommy. Nevertheless, he was, perhaps, a little annoyed to find, as the days went on, that no more ladies came to be turned away.

He heard that they had also been unable to resist the desire to shake hands with Thomas Sandys's schoolmaster. "It must have been a pleasure to teach him," they said to Cathro.

"Ah me, ah me!" Cathro replied enigmatically. It had so often been a pleasure to Cathro to thrash him!

"Genius is odd," they said. "Did he ever give you any trouble?"

"We were like father and son," he assured them. With natural pride he showed them the ink-pot into which Thomas Sandys had dipped as a boy. They were very grateful for his interesting reminiscence that when the pot was too full Thomas inked his fingers. He presented several of them with the ink-pot.

Two ladies, who came together, bothered him by asking what the Hugh Blackadder competition was. They had been advised to inquire of him about Thomas Sandys's connection therewith by another schoolmaster, a Mr. Ogilvy, whom they had met in one of the glens.

Mr. Cathro winced, and then explained with emphasis that the Hugh Blackadder was a competition in which the local ministers were the sole judges; he therefore referred the ladies to them. The ladies did go to a local minister for enlightenment, to Mr. Dishart; but, after reflecting, Mr. Dishart said that it was too long a story, and this answer seemed to amuse Mr. Ogilvy, who happened to be present.

It was Mr. McLean who retailed this news to Tommy. He and Ailie had walked home from church with the newcomers on the day after their arrival, the day of the christening. They had not gone into Aaron's house, for you are looked askance at in Thrums if you pay visits on Sundays, but they had stood for a long time gossiping at the door, which is permitted by the strictest. Ailie was in a twitter, as of old, and not able even yet to speak of her husband without an apologetic look to the ladies who had none. And oh, how proud she was of Tommy's fame! Her eyes were an offering to him.

"Don't take her as a sample of the place, though," Mr. McLean warned him, "for Thrums does not catch fire so readily as London." It was quite true. "I was at the school wi' him," they said up there, and implied that this damned his book.

But there were two faithful souls, or, more strictly, one, for Corp could never have carried it through without Gavinia's help. Tommy called on them promptly at their house in the Bellies Brae (four rooms, but a lodger), and said, almost before he had time to look, that the baby had Corp's chin and Gavinia's eyes. He had made this up on the way. He also wanted to say, so desirous was he of pleasing his old friends, that he should like to hold the baby in his arms; but it was such a thundering lie that even an author could not say it.

Tommy sat down in that house with a very warm heart for its inmates; but they chilled him—Gavinia with her stiff words, and Corp by looking miserable instead of joyous.

"I expected you to come to me first, Corp," said Tommy, reproachfully. "I had scarcely a word with you at the station."

"He couldna hae presumed," replied Gavinia, primly.

"I couldna hae presumed," said Corp, with a groan.

"Fudge!" Tommy said. "You were my greatest friend, and I like you as much as ever, Corp." Corp's face shone, but Gavinia said at once, "You werena sic great friends as that; were you, man?"

"No," Corp replied gloomily.

"Whatever has come over you both?" asked Tommy, in surprise. "You will be saying next, Gavinia, that we never played at Jacobites in the Den!"

"I dinna deny that Corp and me played," Gavinia answered determinedly, "but you didna. You said to us, 'Think shame,' you said, 'to be playing vulgar games when you could be reading superior books.' They were his very words, were they no, man?" she demanded of her unhappy husband, with a threatening look.

"They were," said Corp, in deepest gloom.

"I must get to the bottom of this," said Tommy, rising, "and as you are too great a coward, Corp, to tell the truth with that shameless woman glowering at you, out you go, Gavinia, and take your disgraced bairn with you. Do as you are told, you besom, for I am Captain Stroke again."

Corp was choking with delight as Gavinia withdrew haughtily. "I was sure you would sort her," he said, rubbing his hands, "I was sure you wasna the kind to be ashamed o' auld friends."

"But what does it mean?"

"She has a notion," Corp explained, growing grave again, "that it wouldna do for you to own the like o' us. 'We mauna cheapen him,' she said. She wanted you to see that we hinna been cheapening you." He said, in a sepulchral voice, "There has been leddies here, and they want to ken what Thomas Sandys was like as a boy. It's me they speir for, but Gavinia she just shoves me out o' sight, and says she, 'Leave them to me.'"

Corp told Tommy some of the things Gavinia said about Thomas Sandys as a boy: how he sat rapt in church, and, instead of going bird-nesting, lay on the ground listening to the beautiful little warblers overhead, and gave all his pennies to poorer children, and could repeat the Shorter Catechism, beginning at either end, and was very respectful to the aged and infirm, and of a yielding disposition, and said, from his earliest years, "I don't want to be great; I just want to be good."

"How can she make them all up?" Tommy asked, with respectful homage to Gavinia.

Corp, with his eye on the door, produced from beneath the bed a little book with coloured pictures. It was entitled "Great Boyhoods," by "Aunt Martha." "She doesna make them up," he whispered; "she gets them out o' this."

"And you back her up, Corp, even when she says I was not your friend!"

"It was like a t' knife intil me," replied loyal Corp; "every time I forswore you it was like a t' knife, but I did it, ay, and I'll go on doing it if you think my friendship cheapens you."

Tommy was much moved, and gripped his old lieutenant by the hand. He also called Gavinia ben, and, before she could ward him off, the masterful rogue had saluted her on the cheek. "That," said Tommy, "is to show you that I am as fond of the old times and my old friends as ever, and the moment you deny it I shall take you to mean, Gavinia, that you want another kiss."

"He's just the same!" Corp remarked ecstatically, when Tommy had gone.

"I dinna deny," Gavinia said, "but what he's fell taking"; and for a time they ruminated.

"Gavinia," said Corp, suddenly, "I wouldna wonder but what he's a gey lad wi' the women!"

"What makes you think that?" she replied coldly, and he had the prudence not to say. He should have followed his hero home to be disabused of this monstrous notion, for even while it was being propounded Tommy was sitting in such an agony of silence in a woman's presence that she could not resist smiling a crooked smile at him. His want of words did not displease Grizel; she was of opinion that young men should always be a little awed by young ladies.

He had found her with Elspeth on his return home. Would Grizel call and be friendly? he had asked himself many times since he saw her in church yesterday, and Elspeth was as curious. Each wanted to know what the other thought of her, but neither had the courage to inquire, they both wanted to know so much. Her name had been mentioned but casually, not a word to indicate that she had grown up since they saw her last. The longer Tommy remained silent, the more, he knew, did Elspeth suspect him. He would have liked to say, in a careless voice, "Rather pretty, isn't she?" but he felt that this little Elspeth would see through him at once.

For at the first glance he had seen what Grizel was, and a thrill of joy passed through him as he drank her in; it was but the joy of the eyes for the first moment, but it ran to his heart to say, "This is the little hunted girl that was!" and Tommy was moved with a manly gladness that the girl who once was so fearful of the future had grown into this. The same unselfish delight in her for her own sake came over him again when he shook hands with her in Aaron's parlor. This glorious creature with the serene eyes and the noble shoulders had been the hunted child of the Double Dykes! He would have liked to race back into the past and bring little Grizel here to look. How many boyish memories he recalled! and she was in every one of them. His heart held nothing but honest joy in this meeting after so many years; he longed to tell her how sincerely he was still her friend. Well, why don't you tell her, Tommy? It is a thing you are good at, and you have been polishing up the phrases ever since she passed down the aisle with Master Shiach in her arms; you have even planned out a way of putting Grizel at her ease, and behold, she is the only one of the three who is at ease. What has come over you? Does the reader think it was love? No, it was only that pall of shyness; he tried to fling it off, but could not. Behold Tommy being buried alive!

Elspeth showed less contemptibly than her brother, but it was Grizel who did most of the talking. She nodded her head and smiled crookedly at Tommy, but she was watching him all the time. She wore a dress in which brown and yellow mingled as in woods on an autumn day, and the jacket had a high collar of fur, over which she watched him. Let us say that she was watching to see whether any of the old Tommy was left in him. Yet, with this problem confronting her, she also had time to study the outer man, Tommy the dandy—his velvet jacket (a new one), his brazen waistcoat, his poetic neckerchief, his spotless linen. His velvet jacket was to become the derision of Thrums, but Tommy took his bonneting haughtily, like one who was glad to suffer for a Cause. There were to be meetings here and there where people told with awe how many shirts he sent weekly to the wash. Grizel disdained his dandy tastes; why did not Elspeth strip him of them? And oh, if he must wear that absurd waistcoat, could she not see that it would look another thing if the second button was put half an inch farther back? How sinful of him to spoil the shape of his silly velvet jacket by carrying so many letters in the pockets! She learned afterwards that he carried all those letters because there was a check in one of them, he did not know which, and her sense of orderliness was outraged. Elspeth did not notice these things. She helped Tommy by her helplessness. There is reason to believe that once in London, when she had need of a new hat, but money there was none, Tommy, looking very defiant, studied ladies' hats in the shop-windows, brought all his intellect to bear on them, with the result that he did concoct out of Elspeth's old hat a new one which was the admired of O.P. Pym and friends, who never knew the name of the artist. But obviously he could not take proper care of himself, and there is a kind of woman, of whom Grizel was one, to whose breasts this helplessness makes an unfair appeal. Oh, to dress him properly! She could not help liking to be a mother to men; she wanted them to be the most noble characters, but completely dependent on her.

Tommy walked home with her, and it seemed at first as if Elspeth's absence was to be no help to him. He could not even plagiarize from "Sandys on Woman." No one knew so well the kind of thing he should be saying, and no one could have been more anxious to say it, but a weight of shyness sat on the lid of Tommy. Having for half an hour raged internally at his misfortune, he now sullenly embraced it. "If I am this sort of an ass, let me be it in the superlative degree," he may be conceived saying bitterly to himself. He addressed Grizel coldly as "Miss McQueen," a name she had taken by the doctor's wish soon after she went to live with him.

"There is no reason why you should call me that," she said. "Call me Grizel, as you used to do."

"May I?" replied Tommy, idiotically. He knew it was idiotic, but that mood now had grip of him.

"But I mean to call you Mr. Sandys," she said decisively.

He was really glad to hear it, for to be called Tommy by anyone was now detestable to him (which is why I always call him Tommy in these pages). So it was like him to say, with a sigh, "I had hoped to hear you use the old name."

That sigh made her look at him sharply. He knew that he must be careful with Grizel, and that she was irritated, but he had to go on.

"It is strange to me," said Sentimental Tommy, "to be back here after all those years, walking this familiar road once more with you. I thought it would make me feel myself a boy again, but, heigh-ho, it has just the opposite effect: I never felt so old as I do to-day."

His voice trembled a little, I don't know why. Grizel frowned.

"But you never were as old as you are to-day, were you?" she inquired politely. It whisked Tommy out of dangerous waters and laid him at her feet. He laughed, not perceptibly or audibly, of course, but somewhere inside him the bell rang. No one could laugh more heartily at himself than Tommy, and none bore less malice to those who brought him to land.

"That, at any rate, makes me feel younger," he said candidly; and now the shyness was in full flight.

"Why?" asked Grizel, still watchful.

"It is so like the kind of thing you used to say to me when we were boy and girl. I used to enrage you very much, I fear," he said, half gleefully.

"Yes," she admitted, with a smile, "you did."

"And then how you rocked your arms at me, Grizel! Do you remember?"

She remembered it all so well! This rocking of the arms, as they called it, was a trick of hers that signified sudden joy or pain. They hung rigid by her side, and then shook violently with emotion.

"Do you ever rock them now when people annoy you?" he asked.

"There has been no one to annoy me," she replied demurely, "since you went away."

"But I have come back," Tommy said, looking hopefully at her arms.

"You see they take no notice of you."

"They don't remember me yet. As soon as they do they will cry out."

Grizel shook her head confidently, and in this she was pitting herself against Tommy, always a bold thing to do.

"I have been to see Corp's baby," he said suddenly; and this was so important that she stopped in the middle of the road.

"What do you think of him?" she asked, quite anxiously.

"I thought," replied Tommy, gravely, and making use of one of Grizel's pet phrases, "I thought he was just sweet."

"Isn't he!" she cried; and then she knew that he was making fun of her. Her arms rocked.

"Hurray!" cried Tommy, "they recognize me now! Don't be angry, Grizel," he begged her. "You taught me, long ago, what was the right thing to say about babies, and how could I be sure it was you until I saw your arms rocking?"

"It was so like you," she said reproachfully, "to try to make me do it."

"It was so unlike you," he replied craftily, "to let me succeed. And, after all, Grizel, if I was horrid in the old days I always apologized."

"Never!" she insisted.

"Well, then," said Tommy, handsomely, "I do so now"; and then they both laughed gaily, and I think Grizel was not sorry that there was a little of the boy who had been horrid left in Tommy—just enough to know him by.

"He'll be vain," her aged maid, Maggy Ann, said curiously to her that evening. They were all curious about Tommy.

"I don't know that he is vain," Grizel replied guardedly.

"If he's no vain," Maggy Ann retorted, "he's the first son of Adam it could be said o'. I jalouse it's his bit book."

"He scarcely mentioned it."

"Ay, then, it's his beard."

Grizel was sure it was not that.

"Then it'll be the women," said Maggy Ann.

"Who knows!" said Grizel of the watchful eyes; but she smiled to herself. She thought not incorrectly that she knew one woman of whom Mr. Sandys was a little afraid.

About the same time Tommy and Elspeth were discussing her. Elspeth was in bed, and Tommy had come into the room to kiss her good-night—he had never once omitted doing it since they went to London, and he was always to do it, for neither of them was ever to marry.

"What do you think of her?" Elspeth asked. This was their great time for confidences.

"Of whom?" Tommy inquired lightly.

"Grizel."

He must be careful.

"Rather pretty, don't you think?" he said, gazing at the ceiling.

She was looking at him keenly, but he managed to deceive her. She was much relieved, and could say what was in her heart. "Tommy," she said, "I think she is the most noble-looking girl I ever saw, and if she were not so masterful in her manner she would be beautiful." It was nice of Elspeth to say it, for she and Grizel were never very great friends.

Tommy brought down his eyes. "Did you think as much of her as that?" he said. "It struck me that her features were not quite classic. Her nose is a little tilted, is it not?"

"Some people like that kind of nose," replied Elspeth. "It is not classic," Tommy said sternly.