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Tschaikowsky and his orchestral music cover

Tschaikowsky and his orchestral music

Chapter 36: Transcriber’s Notes
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About This Book

The author provides a compact life sketch of the composer, tracing his shift from a nonmusical profession into a devoted musical career, his formative teachers and patrons, and the emotional turbulence that shaped his work. The book then offers concise analyses and backgrounds of major orchestral pieces—symphonies, concertos, overtures, ballets, operas, and chamber works—highlighting recurring melancholic lyricism, dramatic contrasts, memorable melodies, and public and critical receptions. Short discussions link specific works to personal circumstances and compositional traits, aiming to illuminate musical structure, thematic material, and the expressive intent behind familiar concert staples.

Transcriber’s Notes

  • Illustrations shifted to the nearest paragraph break.
  • Copyright notice is from the printed exemplar. (U.S. copyright was not renewed: this ebook is in the public domain.)

Following remarks have been marked in the text as well:

  • Page 8, “Solenelle” changed to “Solennelle”
  • Page 13, first name spelled here as “Nadeshka” or “Nadezhka”, elsewhere as “Nadezhda”.
  • “Desirée” (Artôt), usually “Désirée” (2x)
  • Page 33, “Pathetique” changed to “Pathétique”
  • Page 33, “espressive” changed to “espressivo”
  • Page 55, “Cosi fan Tutti” kept, but should be “Cosi fan Tutte”
  • Page 56-58, “Saint-Saens” kept, but should be “Saint-Saëns” (3 times)