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Twenty-One Days in India, or, the Tour Of Sir Ali Baba K.C.B.; and, the Teapot Series cover

Twenty-One Days in India, or, the Tour Of Sir Ali Baba K.C.B.; and, the Teapot Series

Chapter 21: THE CIVIL SURGEON
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About This Book

A series of satirical sketches and newspaper essays portraying social and administrative life in imperial India through episodic character studies and vignettes. The pieces lampoon ceremonial display, bureaucratic routines, and the pretensions of officials, local dignitaries, planters, and mixed-heritage communities, while alternating affectionate mockery with pointed observation. Interleaved are short reflective columns offering social dissection and commentary on manners, religion, and provincial life. The collection emphasizes tone and scene over linear plot, arranging humor, irony, and moral reflection into discrete, observational portraits.

In England the Collector is to be found riding at anchor in the Bandicoot Club. He makes two or three hurried cruises to his native village, where he finds himself half forgotten. This sours him. The climate seems worse than of old, the means of locomotion at his disposal are inconvenient and expensive; he yearns for the sunshine and elephants of Gharibpur, and returns an older and a quieter man. The afternoon of life is throwing longer shadows, the Acheron of promotion is gaping before him; he falls into a Commissionership; still deeper into an officiating seat on the Board of Revenue. Facilis est descensus, etc. Nothing will save him now; transmigration has set in; the gates of Simla fly open; it is all over. Let us pray that his halo may fit him.—ALI BABA, K.C.B.

No. X

BABY IN PARTIBUS

[October 11, 1879.]

The Empire has done less for Anglo-Indian Babies than for any class of the great exile community. Legislation provides them with neither rattle nor coral, privilege leave nor pension. Papa has a Raja and Star of India to play with; Mamma the Warrant of Precedence and the Hill Captains; but Baby has nothing—not even a missionary; Baby is without the amusement of the meanest cannibal.

Baby is debarred from the society of his compatriots. His father is cramped and frozen with the chill cares of office; his mother is deadened by the gloomy routine of economy and fashion; custom lies upon her with a weight heavy as frost and deep almost as life; the fountains of natural fancy and mirth are frozen over; so Baby lisps his dawn pæans in soft Oriental accents, wakening harmonious echoes amongst those impulsive and impressionable children of Nature that masque themselves in the black slough of Bearers and Ayahs; and Baby blubbers in Hindustani.

These Ayah and Bearer people sit with Baby in the verandah on a little carpet; broken toys and withered flowers lie around. They croon to Baby some old-world katabaukalesis, while beauty, born of murmuring sound, passes into Baby's eyes. The squirrel sits chirruping familiarly on the edge of the verandah with his tail in the air and some uncracked pericarp in his uplifted hands, the kite circles aloft and whistles a shrill and mournful note, the sparrows chatter, the crow clears his throat, the minas scream discordantly, and Baby's soft, receptive nature thus absorbs an Indian language. Very soon Baby will think from right to left, and will lisp in the luxuriant bloom of Oriental hyperbole. [Presently, when Baby grows a little older, Baby will say to the Bearer, through his sweet little nose, "Arreh! Ulu ka bacha, tu kya karta hai?" Which being interpreted, is, "Ah! Child of night's sweet bird, what dost thou now?" Afterwards Baby will learn to say many other things which it is not good to repeat here.]

In the evening Baby will go out for an airing with the Bearer and Ayah people, and while they dawdle along the dusty road, or sit on kerb-stones and on culvert parapets, he will listen to the extensile tale of their simple sorrows. He will hear, with a sigh, that the profits of petty larceny are declining; he will be taught to regret the increasing infirmities of his Papa's temper; and portraits in sepia of his Mamma will be observed by him to excite laughter mingled with dark impulsive words. Thus there will pass into Baby's eyes glances of suspicious questionings, "the blank misgivings of a creature moving about in worlds not realised."

In the long summer days Baby will patter listlessly about the darkened rooms accompanied by his suite, who will carry a feeding bottle—Maw's Patent Feeding Bottle—just as the Sergeant-at-Arms carries the mace; and, from time to time, little Mister Speaker will squat down on his dear little hams and take a refreshing pull or two. At breakfast and luncheon time little Mister Speaker will straggle into the dining-room, and fond parents will give him a tidbit of many soft dainties, to be washed down with brandy and water, beer, sherry, or other alcoholic draught. On such broken meals Baby is raised.

The little drawn face, etiolated and weary-looking, recommends sleep; but Baby is a bad sleeper. The Bearer-in-waiting carries about a small pillow all day long, and from time to time Baby is applied to it. He frets and cries, and they brood over him humming some old Indian song, ["Keli Blai," or "Hillu Milli Pania"]. Still he turns restlessly and whimpers, though they pat him and shampoo him, and call him fond names and tell him soothing stories of bulbuls and flowers and woolly sheep. But Baby does not sleep, and even Indian patience is exhausted. Both Ayah and Bearer would like to slip away to their mud houses at the other end of the compound and have a pull at the fragrant huqqa and a gossip with the saices;[Q] but while Sunny Baba is at large, and might at any moment make a raid on Mamma, who is dozing over a novel on a spider-chair near the mouth of the thermantidote, the Ayah and Bearer dare not leave their charge. So Sunny Baba must sleep, and the Bearer has in the folds of his waist-cloth a little black fragment of the awful sleep-compeller, and Baby is drugged into a deep uneasy sleep of delirious, racking dreams.

Day by day Baby grows paler, day by day thinner, day by day a stranger light burns in his bonny eyes. Weird thoughts sweep through Baby's brain, weird questions startle Mamma out of the golden languors in which she is steeped, weird words frighten the gentle Ayah as she fondles her darling. The current of babble and laughter has almost ceased to flow. Baby lies silent in the Ayah's lap staring at the ceiling. He clasps a broken toy with wasted fingers. His Bearer comes with some old watchword of fun; Baby smiles faintly, but makes no response. The old man takes him tenderly in his arms and carries him to the verandah; Baby's head falls heavily on his shoulder.

The outer world lies dimly round Baby; within, strange shadows are flitting by. The wee body is pressing heavily upon the spirit; Baby is becoming conscious of the burthen. He will be quiet for hours on his little cot; he does not sleep, but he dreams. Earth's joys and lights are fast fading out of those resilient eyes; Baby's spirit is waiting on the shores of eternity, and already hears "the mighty waters rolling evermore."

The broken toys are swept away into a corner, a silence and fear has fallen upon the household, black servants weep, their mistress seeks refuge in headache and smelling salts, the hard father feels a strange, an irrepressible welling up of little memories. He loves the golden haired boy; he hardly knew it before. If he could only hear once more the merry laugh, the chatter and the shouting! But he cannot hear it any more; he will never hear his child's voice again. Baby has passed into the far-away Thought-World. Baby is now only a dream and a memory, only the recollection of a music that is heard no more. Baby has crossed that cloudy, storm-driven bourn of speculation and fear whither we are all tending.

      A few white bones upon a lonely sand,
      A rotting corpse beneath the meadow grass,
      That cannot hear the footsteps as they pass,
      Memorial urns pressed by some foolish hand
      Have been for all the goal of troublous fears,
      Ah! breaking hearts and faint eyes dim with tears,
      And momentary hope by breezes framed
      To flame that ever fading falls again,
      And leaves but blacker night and deeper pain,
      Have been the mould of life in every land.

Baby is planted out for evermore in the dank and weedy little cemetery that lies on the outskirts of the station where he lived and died. Those golden curls, those soft and rounded limbs, and that laughing mouth, are given up to darkness and the eternal hunger of corruption. Through sunshine and rain, through the long days of summer, through the long nights of winter, for ever, for ever, Baby lies silent and dreamless under that waving grass. The bee will hum overhead for evermore, and the swallow glance among the cypress. The butterfly will flutter for ages and ages among the rank flowers—Baby will still lie there. Come away, come away; your cheeks are pale; it cannot be, we cannot believe it, we must not remember it; other Baby voices will kindle our life and love, Baby's toys will pass to other Baby hands. All will change; we will change.

      Yet, darling, but come back to me;
      Whatever change the years have wrought,
      I find not yet one lonely thought
      That cries against my wish for thee.

ALI BABA, K.C.B.

No. XI

THE RED CHUPRASSIE

OR, THE CORRUPT LICTOR[R]

[October 18, 1879.]

The red chuprassie is our Colorado beetle, our potato disease, our Home ruler, our cupboard skeleton, the little rift in our lute. The red-coated chuprassie is a cancer in our Administration. To be rid of it there is hardly any surgical operation we would not cheerfully undergo. You might extract the Bishop of Bombay, amputate the Governor of Madras, put a seton in the pay and allowances of the Lieutenant-Governor of Bengal, and we should smile.

The red chuprassie is ubiquitous; he is in the verandah of every official's house in India, from the Governor-General downwards; he is in the portico of every Court of Justice, every Treasury, every Public Office, every Government School, every Government Dispensary in the country. He walks behind the Collector; he follows the conservancy carts; he prowls about the candidate for employment; he hovers over the accused and accuser; he haunts the Raja; he infests the tax-payer.

He wears the Imperial livery; he is to the entire population of India the exponent of British Rule; he is the mother-in-law of liars, the high-priest of extortioners, and the receiver-general of bribes.

Through this refracting medium the people of India see their rulers. The chuprassie paints his master in colours drawn from his own black heart. Every lie he tells, every insinuation he throws out, every demand he makes, is endorsed with his master's name. He is the arch-slanderer of our name in India.

[He is not an individual—he is a member of a widely rammified society.] There is no city in India, no mofussil-station, no little settlement of officials far up country, in which the chuprassie does not find sworn brothers and confederates. The cutcherry clerks and the police are with him everywhere; higher native officials are often on his side.

He sits at the receipt of custom in the Collector's verandah, and no native visitor dare approach who has not conciliated him with money. The candidate for employment, educated in our schools, and pregnant with words about purity, equality, justice, political economy, and all the rest of it, addresses him with joined hands as "Maharaj," and slips silver into his itching palm. The successful place-hunter pays him a feudal relief on receiving office or promotion, and benevolences flow in from all who have anything to hope or fear from those in power.

[Illustration: THE RED CHUPRASSIE—"The corrupt lictor."]

In the Native States the chuprassie flourishes rampantly. He receives a regular salary through their representatives or vakils at the agencies, from all the native chiefs round about, and on all occasions of visits or return visits, durbars, religious festivals, or public ceremonials, he claims and receives preposterous fees. The Rajas, whose dignity is always exceedingly delicate, stand in great fear of the chuprassies. They believe that on public occasions the chuprassies have sometimes the power of sicklying them o'er with the pale cast of neglect.

English officers who have become de-Europeanised from long residence among undomesticated natives, or by the habitual performance of petty ceremonial duties of an Oriental hue, employ chuprassies to aggrandise their importance. They always figure on a background of red chuprassies. Such officials are what Lord Lytton calls White Baboos.

[Mr. Whitley Stokes, in his own artless way, once proposed legislating against chuprassies, I am told. His plan was to include them among the criminal classes, and hand them over to Major Henderson, the Director-General of Thuggee and Dacoity; but this functionary, viewing the matter in a different light, made some demi-official representation to the Legal Member under the pseudonym of "Walker," and the subject dropped.]

A great Maharaja once told me that it was the tyranny of the Government chuprassies that made him take to drink. He spoke of them as "the Pindarries of modern India." He had a theory that the small pay we gave them accounted for their evil courses. A chuprassie gets about eight pounds sterling a year. He added that if we saw a chuprassie on seven rupees a month living overtly at the rate of a thousand, we ought immediately to appoint him an attaché or put him in gaol.

I make a simple rule in my own establishment of dismissing a chuprassie as soon as he begins to wax fat. A native cannot become rich without waxing fat, because wealth is primarily enjoyed by the mild Gentoo as a means of procuring greasy food in large quantities. His secondary enjoyment is to sit upon it. He digs a hole in the ground for his rupees, and broods over them, like a great obscene fowl. If you see a native sitting very hard on the same place day after day, you will find it worth your while to dig him up. Shares in this are better than the Madras gold mines.

In early Company days, when the Empire was a baby, the European writers[S] regarded with a kindly eye those profuse Orientals who went about bearing gifts; but Lord Clive closed this branch of the business, and it has been taken up by our scarlet runners or verandah parasites, in our name. Now, dear Vanity, you may call me a Russophile, or by any other marine term of endearment you like, if I don't think the old plan was the better of the two. We ourselves could conduct corruption decently; but to be responsible for corruption over which we exercise no control is to lose the credit of a good name and the profits of a bad one.

[Old qui-hyes tell you that there are three things you cannot separate from an "Indian"—venality, perjury, and rupees. Now I totally disagree with the old qui-hyes. In secret I am a great admirer of the Indian, and publicly I always treat him with respect. I have such a regard for him that I never expose him to temptation. I pay him well, I explain to him my eccentric opinions about receiving bribes, and I remind him of the moral and electrifying properties of the different species of cane which Nature has so thoughtfully provided nearly everywhere in India. The consequence is that my chuprassies do not soil their hands with spurious gratifications, and figuratively describe me as their father and mother.]

I hear that the Government of India proposes to form a mixed committee of Rajas and chuprassies to discuss the question as to whether native chiefs ever give bribes and native servants ever take them. It is expected that a report favourable to Indian morality will be the result. Of course Raja Joe Hookham will preside.—ALI BABA, K.C.B.

No. XII

THE PLANTER

A FARMER PRINCE

[Illustration: THE PLANTER—"A farmer prince."]

[October 25, 1879]

The Planter lives to-day as we all lived fifty years ago. He lives in state and bounty, like the Lord of Burleigh. He lives like that fine old English gentleman who had an old estate, and who kept up his old mansion at a bountiful old rate. He lives in a grand wholesale manner; he lives in round numbers; he lives like a hero. Everything is Homeric about him. He establishes himself firmly in the land with great joy and plenty; and he gathers round him all that makes life full-toned and harmonious, from the grand timbre of draught-ale and the organ-thunder of hunting, to the piccolo and tintinnabulum of Poker and maraschino. His life is a fresco-painting, on which some Cyclopæan Raphaelite has poured his rainbows from a fire-engine of a hundred elephant-power.

We paltry officials live meanly in pen-and-ink sketches. Our little life is bounded by a dream of promotion and pension. We toil, we slave; we put by money, we pinch ourselves. We are hardly fit to live in this beautiful world, with its laughing girls and grapes, its summer seas, its sunshine and flowers, its Garnet Wolseleys and bulbuls. We go moping through its glories in green spectacles, befouling it with our loathsome statistics and reports. The sweet air of heaven, the blue firmament, and the everlasting hills do not satisfy our poisoned hearts; so we make to ourselves a little tin-pot world of blotted-paper, debased rupees, graded lists, and tinsel honours; we try to feed our lungs on its typhoidal effluvia. Aroint[T] thee, Comptroller and Accountant-General with all thy grisly crew! Thou art worse than the blind Fury with the abhorred shears; for thou slittest my thin-spun pay-wearing spectacles, thrice branded varlet! [There is a lily on my brow with anguish moist and fever-dew, and on my cheeks a fading rose fast withereth too, and for these emblems of woe thou shalt have to give an answer.]

Dear Vanity, of course you understand that I do not allude to the amiable old gentleman who controls our Accounts Department, who is the mirror of tenderness. The person I would impale is a creation of my own wrath, a mere official type struck in frenzied fancy, [at a moment when Time seems a maniac scattering dust, and Life a Fury slinging flame].

Let us soothe ourselves by contemplating the Planter and his generous, simple life. It calms one to look at him. He is something placid, strong, and easeful. Without wishing to appear obsequious, I always feel disposed to borrow money when I meet a substantial Planter. He inspires confidence. I grasp his strong hand; I take him (figuratively) to my heart, while the desire to bank with him wells up mysteriously in my bosom.

He lives in a grand old bungalow, surrounded by ancient trees. Large rooms open into one another on every side in long vistas; a broad and hospitable-looking verandah girds all. Everywhere trophies of the chase meet the eye. We walk upon cool matting; we recline upon long-armed chairs; low and heavy punkahs swing overhead; a sweet breathing of wet khaskhas grass comes sobbing out of the thermantidote; and a gigantic but gentle khidmatgar is always at our elbow with long glasses on a silver tray. This man's name is Nubby Bux, but he means nothing by it, and a child might play with him. I often say to him in a caressing tone, "Peg lao";[U] and he is grateful for any little attention of this sort.

It is near noon. My friend Mr. Great-Heart, familiarly known as "Jamie Macdonald," has been taking me over the factory and stables. We have been out since early morning on the jumpiest and beaniest of Waler mares. I am not killed, but a good deal shaken. The glass trembles in my hand. I have an absorbing thirst, and I drink copiously, almost passionately. My out-stretched legs are reposing on the arms of my chair and I stiffen into an attitude of rest. I hear my host splashing and singing in his tub.

Breakfast is a meal conceived in a large and liberal spirit. We pass from dish to dish through all the compass of a banquet, the diapason closing full in beer. Several joyful assistants, whose appetites would take first-class honours at any university or cattle show, join the hunt and are well in at the beer. What tales are told! I feel glad that Miss Harriet Martineau, Mrs. Mary Somerville, and Dr. Watts are not present. I keep looking round to see that no bishop comes into the room. It is a comfort to me to think that Bishop Heber is dead. I gave up blushing five years ago when I entered the Secretariat; but if at this moment Sir William Jones were to enter, or Mr. Whitley Stokes with his child-like heart and his Cymric vocabulary, I believe I should be strangely affected.

The day welters on through drink and billiards. In the afternoon more joyful Planters drop in, and we play a rubber. From whist to the polo ground, where I see the merry men of Tirhoot play the best and fastest game that the world can show. At night carousals and potations pottle deep. Next morning sees the entire party in the khadar[V] of the river, mounted on Arabs, armed with spears, hunting Jamie Macdonald's Caledonian boar. These Scotchmen never forget their nationality.

And while these joyful Planters are thus rejoicing, the indigo is growing silently all round. While they play, Nature works for them. So does the patient black man; he smokes his huqqa and keeps an eye on the rising crop.

You will have learnt from Mr. Caird that indigo grows in cakes (the ale is imported); to his description of the process of manufacture I can only add that the juice is generally expressed in the vernacular. You give a cake of the raw material to a coloured servant, you stand over him to see that he doesn't eat it, and your assistant canes him slowly as he squeezes the juice into a blue bottle. Blue pills are made of the refuse; your female servants use aniline dyes; and there you are. If any one dies in any other way you can refuse him the rites of cremation; fine him four annas; and warn him not to do it again. This is a burning question in Tirhoot and occasions much litigation.

Jamie Macdonald has now a contract for dyeing the Blue ribbons of the Turf; Tommy Begg has taken the blue boars and the Oxford Blues; and Bobby Thomas does the blue-books and the True Blues. It may not be generally known that the aristocracy do not employ aniline dyes for their blue blood. The minor Planters do business chiefly in blue stockings, blue bonnets, blue bottles, blue beards, and blue coats. For more information of this kind I can only refer you to Mr. Caird and the Nineteenth Century.

Some Planters grow tea, coffee, lac, mother-of-pearl, pickles, poppadums and curry powder—but now I am becoming encyclopædic and scientific, and trespassing on ground already taken up by the Famine Commission.

Fewer Planters are killed now by wild camels who roam over the mango fields, but a good deal of damage is still done to the prickly pear-trees. Mr. Cunningham has written an interesting note on this. Rewards have still to be offered for dead tigers and persons who have died of starvation. "When the Government will not give a doit to relieve a lame beggar, they will lay out ten to see a dead Indian."— ALI BABA, K.C.B.

No. XIII

THE EURASIAN

A STUDY IN CHIARO-OSCURO

[Illustration: THE EURASIAN—"A study in chiaro oscuro."]

[November 1, 1879.]

The Anglo-Indian has a very fine eye for colour. He will mark down "one anna in the rupee" with unerring certainty; he will suspect smaller coin. He will tell you how he can detect an adulterated European by his knuckles, his nails, his eyebrows, his pronunciation of the vowels, and his conception of propriety in dress, manner, and conduct.

To the thorough-bred Anglo-Indian, whose blood has distilled through Haileybury for three generations, and whose cousins to the fourth degree are Collectors and Indian Army Colonels, the Eurasian, however fair he may be, is a bête noir. Mrs. Ellenborough Higgins is always setting or pointing at black blood.

And sometimes the whitey-brown man is objectionable. He is vain, apt to take offence, sly, indolent, sensuous, and, like Reuben, "unstable as water." He has a facile smile, a clammy hand, a manner either forward or obsequious, a mincing gait, and not always the snowiest linen. [In very dangerous cases he has a peculiar smell.]

Towards natives the Eurasian is cold, haughty, and formal; and this attitude is repaid, with interest, in scorn and hatred. There is no concealing the fact that to the mild Gentoo the Eurasian is a very distasteful object.

But having said this, the case for the prosecution closes, and we may turn to the many soft and gentle graces which the Eurasian develops.

In all the relations of family life the Eurasian is admirable. He is a dutiful son, a circumspect husband, and an affectionate father. He seldom runs through a fortune; he hardly ever elopes with a young lady of fashion; he is not in the habit of cutting off his son with a shilling; and he is an infrequent worshipper in that Temple of Separation where Decrees Nisi sever the Gordian knots of Hymen.

As a citizen he is zealously loyal. He will speak at municipal meetings, write letters about drainage and conservancy to the papers, observe local holidays in his best clothes, and attend funerals.

The Eurasian is a methodical and trustworthy clerk, and often occupies a position of great trust and responsibility in our public offices. He is not bold or original, like Sir Andrew Clarke; or amusing, like Mr. Stokes; but he does what work is given him to do without overstepping the modesty of nature.

[Most Eurasians are Catholics; but some belong to the small Protestant heresies and call themselves Presbyterians, Anabaptists, and what not. To whatever creed they attach themselves, they are faithful and devoted; but the pageantry, the music, the antiquity, and the mystery of the ancient Church, draw forth, with the most potent spells, the fervour of their warm, emotional natures. They are never sceptical: the harder a doctrine is to believe the more they like it; the more improbable a tradition is the more tenaciously they cling to it. They are attracted by the supernatural and the horrible; they would not bate a single saint or devil of the complete faith to rescue all the truths of modern science from the ban of the Church.]

The Eurasian girl is often pretty and graceful; and, if the solution of India in her veins be weak, there is an unconventionality and naïveté sometimes which undoubtedly has a charm; and which, my dear friend, J.H——, of the 110th Clodhoppers (Lord Cardwell's Own Clodhoppers) never could resist: "What though upon her lips there hung the accents of the tchi-tchi tongue."

A good many Eurasians who are not clerks in public offices, or telegraph signallers, or merchants, are loafers. They are passed on wherever they are found, to the next station, and thus they are kept in healthy circulation throughout India. They are all in search of employment on the railway; but as a provisional arrangement, to meet the more immediate and pressing exigencies of life, they will accept a small gratuity, [or engage themselves in snapping up unconsidered trifles]. They are mainly supported by municipalities, who keep them in brandy, rice, and railway-tickets out of funds raised for this purpose. Workhouses and Malacca canes have still to be tried.

Bishop Gell's plan for colonising the Laccadives and Cocos with these loafers has not met with much acceptance at Simla. The Home Secretary does not see from what Imperial fund they can be supplied with bathing-drawers and barrel-organs; but the Home Secretary ought to know that there is a philanthropic society at Lucknow of the disinterested, romantic, Turnerelli type, ready to furnish all the wants of a young colony, from underclothing to Eno's fruit salt.

A great many wise proposals emanate from Simla as regards some artificial future for the Eurasian. One Ten-thousand-pounder asks Creation in a petulant tone of surprise why Creation does not make the Eurasian a carpenter; another looks round the windy hills and wonders why somebody does not make the Eurasian a high farmer. The shovel hats are surprised that the Eurasian does not become a missionary, or a schoolmaster, or a policeman, or something of that sort. The native papers say, "Deport him"; the white prints say, "Make him a soldier"; and the Eurasian himself says, "Make me a Commissioner, or give me a pension." In the meantime, while nothing is being done, we can rail at the Eurasian for not being as we are.

      "Let us sit on the thrones
        In a purple sublimity,
      And grind down men's bones
        To a pale unanimity."

There is no proper classification of the mixed race in India as there is in America. The convenient term quadroon, for instance, instead of "four annas in the rupee," is quite unknown; the consequence is that every one—from Anna Maria de Souza, the "Portuguese" cook, a nobleman on whose cheek the best shoe-blacking would leave a white mark, to pretty Miss Fitzalan Courtney, of the Bombay Fencibles, who is as white as an Italian princess—is called an "Eurasian."

"Do you know, dear Vanity, that it is not impossible that King Asoka (of the Edict Pillars), the 'Constantine of Buddhism,' was an Eurasian? I have not got the works of Arrian, or Mr. Lethbridge's 'History of the World' at hand, but I have some recollection of Sandracottus, or one of Asoka's fathers or grandfathers, marrying a Miss Megasthenes, or Seleucus. With such memories no wonder they call us 'Mean Whites.'"—ALI BABA, K.C.B.

No. XIV

THE VILLAGER

      "Venio nunc ad voluptates agricolarum, quibus ego" (like the
      Famine Commissioners) "incredibiliter delector."

[November 8, 1879.]

I missed two people at the Delhi Assemblage of 1877. All the gram-fed secretaries and most of the alcoholic chiefs were there; but the famine-haunted villager and the delirium-shattered, opium-eating Chinaman, who had to pay the bill, were not present.

I cannot understand why Viceroys and English newspapers call the Indian cultivator a "riot." He never amounts to a riot if you treat him properly. He may be a disorderly crowd sometimes; but that is only when you embody him in a police force or convert him into cavalry. The atomic disembodied villager has no notion of rioting, ça-ira singing, or any of the tomfooleries of revolution. These pastimes are for men who are both idle and frivolous. When our villager wants to realise a political idea, he dies of famine. This has about it a certain air of seriousness. A man will not die of famine unless he be in earnest.

Lord Bacon's apothegm was that Eating maketh a full man; and it would be better to give the starving cultivator Bacon than the report of that Commission (which we cannot name without tears and laughter) which goes to work on the assumption that writing maketh a full man—that to write over a certain area of paper will fill the collapsed cuticles of the agricultural class throughout India.

When [Sir Richard Temple] first started the idea of holding famines, I proposed that he should illustrate his project by stopping the pay and allowances of the Government of India for a month. But he did not listen to my proposal. People seldom listen to my proposals; and sometimes I think that this accounts for my constitutional melancholy.

You will ask, "What has all this talk of food and famine to do with the villager?" I reply, "Everything." Famine is the horizon of the Indian villager; insufficient food is the foreground. And this is the more extraordinary since the villager is surrounded by a dreamland of plenty. Everywhere you see fields flooded deep with millet and wheat. The village and its old trees have to climb on to a knoll to keep their feet out of the glorious poppy and the luscious sugar-cane. Sumptuous cream-coloured bullocks move sleepily about with an air of luxurious sloth; and sleek Brahmans utter their lazy prayers while bathing languidly in the water and sunshine of the tank. Even the buffaloes have nothing to do but float the livelong day deeply immersed in the bulrushes. Everything is steeped in repose. The bees murmur their idylls among the flowers; the doves moan their amorous complaints from the shady leafage of pipal trees; out of the cool recesses of wells the idle cooing of the pigeons ascends into the summer-laden air; the rainbow-fed chameleon slumbers on the branch; the enamelled beetle on the leaf; the little fish in the sparkling depths below; the radiant kingfisher, tremulous as sunlight, in mid-air; and the peacock, with furled glories, on the temple tower of the silent gods. Amid this easeful and luscious splendour the villager labours and starves.

Reams of hiccoughing platitudes lodged in the pigeon-holes of the Home Office by all the gentlemen clerks and gentlemen farmers of the world cannot mend this. While the Indian villager has to maintain the glorious phantasmagoria of an imperial policy, while he has to support legions of scarlet soldiers, golden chuprassies, purple politicals, and green commissions, he must remain the hunger-stricken, overdriven phantom he is.

      While the eagle of Thought rides the tempest in scorn,
      Who cares if the lightning is burning the corn?

If Old England is going to maintain her throne and her swagger in our vast Orient she ought to pay up like a—man, I was going to say; for, according to the old Sanscrit proverb, "You can get nothing for nothing, and deuced little for a halfpenny." These unpaid-for glories bring nothing but shame.

But even the poor Indian cultivator has his joys beneath the clouds of Revenue Boards and Famine Commissions. If we look closely at his life we may see a soft glory resting upon it. I am not Mr. Caird, and I do not intend entering into the technical details of agriculture—"Quid de utilitate loquar stercorandi?"—but I would say something of that sweetness which a close communion with earth and heaven must shed upon the silence of lonely labour in the fields. God is ever with the cultivator in all the manifold sights and sounds of this marvellous world of His. In that mysterious temple of the Dawn, in which we of noisy mess-rooms, heated courts, and dusty offices are infrequent worshippers, the peasant is a priest. There he offers up his hopes and fears for rain and sunshine; there he listens to the anthems of birds we rarely hear, and interprets auguries that for us have little meaning.

The beast of prey skulking back to his lair, the stag quenching his thirst ere retiring to the depths of the forest, the wedge of wild fowl flying with trumpet notes to some distant lake, the vulture hastening in heavy flight to the carrion that night has provided, the crane flapping to the shallows, and the jackal shuffling along to his shelter in the nullah, have each and all their portent to the initiated eye. Day, with its fierce glories, brings the throbbing silence of intense life, and under flickering shade, amid the soft pulsations of Nature, the cultivator lives his daydream. What there is of squalor, and drudgery, and carking care in his life melts into a brief oblivion, and he is a man in the presence of his God with the holy stillness of Nature brooding over him. With lengthening shadows comes labour and a re-awaking. The air is once more full of all sweet sounds, from the fine whistle of the kite, sailing with supreme dominion through the azure depths of air, to the stir and buzzing chatter of little birds and crickets among the leaves and grass. The egret has resumed his fishing in the tank where the rain is stored for the poppy and sugarcane fields, the sand-pipers bustle along the margin, or wheel in little silvery clouds over the bright waters, the gloomy cormorant sits alert on the stump of a dead date-tree, the little black divers hurry in and out of the weeds, and ever and anon shoot under the water in hot quest of some tiny fish; the whole machinery of life and death is in full play, and our villager shouts to his patient oxen and lives his life. Then gradual darkness, and food with homely joys, a little talk, a little tobacco, a few sad songs, and kindly sleep.

The villages are of immemorial antiquity; their names, their traditions, their hereditary offices have come down out of the dim past through countless generations. History sweeps over them with her trampling armies and her conquerors, her changing dynasties and her shifting laws—sweeps over them and leaves them unchanged.

The village is self-contained. It is a complete organism, protoplastic it may be, with the chlorophyll of age colouring its institutions, but none the less a perfect, living entity. It has within itself everything that its existence demands, and it has no ambition. The torment of frustrated hope and of supersession is unknown in the village. We who are always striving to roll our prospects and our office boxes up the hill to Simla may learn a lesson here:

      Sisyphus in vita quoque nobis ante oculos est
      Qui petere a populo fasces sævasque secures
      Imbibit et semper victus tristisque recedit.
      Nam petere imperium quod inanest nec datur umquam,
      Atque in eo semper durum sufferre laborem,
      Hoc est adverse nixantem trudere monte
      Saxum quod tamen e summojam vertice rusum
      Volvitur et plani raptim petit sequora campi.

In this idyllic existence, in which, as I have said, there is no ambition, several other ills are also wanting. There is, for instance, no News in the village. The village is without the pale of intelligence. This must indeed be bliss. Just fancy, dear Vanity, a state of existence in which there are no politics, no discoveries, no travels, no speculations, no Garnet Wolseleys, no Gladstones, no Captain Careys, no Sarah Bernhardts! If there be a heaven upon earth, it is surely here. Here no Press Commissioner sits on the hillside croaking dreary translations from the St. Petersburg press; here no Pioneer sings catches with Sir John Strachey in Council. But here the lark sings in heaven for evermore, the sweet corn grows below, and the villager, amid these quiet joys with which the earth fills her lap, dreams his low life.—ALI BABA, K.C.B.

No. XV

THE OLD COLONEL

[Illustration: THE OLD COLONEL—"Ripening for pension."]

"Kwaihaipeglaoandjeldikaro"—Rigmarole Veda.

[November 15, 1879.]

The old Indian Colonel ripening for pension on the shelf of General Duty is an object at once pitiful and ludicrous. His profession has ebbed away from him, and he lies a melancholy derelict on the shore, with sails flapping idly against the mast and meaningless pennants streaming in the wind.

He has forgotten nearly everything he ever learnt of military duty, and what he has not forgotten has been changed. It is as much as he can do to keep up with the most advanced thoughts of the Horse Guards on buttons and gold lace. Yet he is still employed sometimes to turn out a guard, or to swear that "the Service is going," &c.; and though he has lost his nerve for riding, he has still a good seat on a boot-lace committee.

He is a very methodical old man. He rises at an early hour, strolls down to the club on the Mall—perhaps the Wheler Club, perhaps some other—has his tea, newspaper, and gossip there, and then back to his small bungalow, [where he turns out his servants for swearing parade. Each one gets it pretty hot; and then breakfast]. After breakfast he arrays himself for the day in some nondescript white uniform, and with a forage cap stuck gaily on one side of his head, a cheroot in his mouth, and a large white umbrella in his hand, he again sallies forth to the Club. An old horse is led behind him.

Now the serious business of life again begins—to get through the day. There are six newspapers to read, twelve pegs to drink, four-and-twenty Madras cheroots to smoke, there is kindly tiffin to linger over, forty winks afterwards, a game of billiards, the band on the Mall, dinner, and over all, incessant chatter, chatter, old scandal, old jokes, and old stories. Everyone likes the old Colonel, of course. Everyone says, "Here comes poor old Smith; what an infernal bore he is!" "Hulloa, Colonel, how are you? glad to see you! what's the news? how's exchange?"

The old Colonel is not avaricious, but he saves money. He cannot help it. He has no tastes and he draws very large pay. His mind, therefore, broods over questions relating to the investment of money, the depreciation of silver, and the saving effected by purchasing things at co-operative stores. He never really solves any problem suggested by these topics. His mind is not prehensile like the tail of the Apollo Bundar; everything eludes its grasp, so its pursuits are terminable. The old Colonel's cerebral caloric burns with a feeble flicker, like that of Madras secretariats, and never consumes a subject. The same theme is always fresh fuel. You might say the same thing to him every morning, at the same hour till the crack of doom, and he would never recollect that he had heard your remark before. This certainly must give a freshness to life and render eternity possible.

The old Colonel is not naturally an indolent man, but the prominent fact about him is that he has nothing to do. If you gave him a sun-dial to take care of, or a rain-gauge to watch, or a secret to keep, he would be quite delighted. I once asked Smith to keep a secret of mine, and the poor old fellow was so much afraid of losing it that in a few hours he had got everybody in the station helping him to keep it. It always surprises me that men with so much time on their hands do not become Political Agents.

Sometimes our old Colonel gets into the flagitious habit of writing for the newspapers. He talks himself into thinking that he possesses a grievance, so he puts together a fasciculus of lop-sided sentences, gets the ideas set straight by the Doctor, the spelling refurbished by the Padré, and fires off the product to the Delhi Gazette or the Himalayan Chronicle. Then days of feverish excitement supervene, hope alternating with fear. Will it appear? Will the Commander-in-Chief be offended? Will the Government of India be angry? What will the Service say?

The old Colonel is always rather suspicious of the great cocked-hats at head-quarters. He knows that to maintain an air of activity they must still be changing something or abolishing something, and he is always afraid that they will change or abolish him. But how could they change the old Colonel? In a regiment he would be like Alice in Wonderland; on the Staff he would be like old wine in a new bottle. They might make him a K.C.B., it is true; but he does not belong to the Simla Band of Hope, and stars must not be allowed to shoot madly from their sphere. As to abolishing the old Colonel, this too presents its difficulties, for Sir Norman Henry and all the celebrated cocked-hats at home and abroad look upon the Indian Staff Corps as Pygmalion looked on his Venus. They dote on its lifeless charms, and (figuratively) love to clasp it in their foolish arms. [Now the old Colonel is the trunk of this Frankenstein—to change the scene. So we must not abolish the old Colonel.]

It is better to dress him up in an old red coat, and strap him on to an old sword with a brass scabbard, that he may stand up on high ceremonials and drink the health of the good Queen for whom he has lived bravely through sunshine and stormy weather, in defiance of epidemics, retiring schemes and the Army Medical Department. It is good to ask him to place his old knees under your hospitable board, and to fill him with wholesome wine, while he decants the mellow stories of an Anglo-India that is speedily dissolving from view.

The old Colonel has no harm in him; his scandal blows upon the grandmothers of people that have passed away, and his little improprieties are such as might illustrate a sermon of the present day. [A rabbit might play with him if there were no chutni lying about.]

But you must never speak to him as if his sun were setting. He is as hopeful as a two-year-old. Every Gazette thrills him with vague expectations and alarms. If he found himself in orders for a Brigade he would be less surprised than anyone in the Army. He never ceases to hope that something may turn up—that something tangible may issue from the circumambient world of conjecture. But nothing will ever turn up for our poor old Colonel till his poor old toes turn up to the daisies. This change only, which we harshly call "Death," will steal over his prospects; this new slide only will be slipped into the magic lantern of his existence, accompanied by funeral drums and slow marching.

Soon we shall hardly be able to decipher his name and age on the crumbling gravestone among the weeds of our horrible station cemetery—but what matters it?

      "For his bones are dust,
      And his sword is rust,
      And his soul is with the saints, we trust."

ALI BABA, K.C.B.

No. XVI

THE CIVIL SURGEON

"Throw physic to the dogs, I'll none of it."

[November 22, 1879.]

Perhaps you would hardly guess from his appearance and ways that he was a surgeon and a medicine-man. He certainly does not smell of lavender or peppermint, or display fine and curious linen, or tread softly like a cat. Contrariwise.

He smells of tobacco, and wears flannel underclothing. His step is heavy. He is a gross, big cow-buffalo sort of man, with a tangled growth of beard. His ranting voice and loud familiar manner amount to an outrage. He laughs like a camel, with deep bubbling noises. Thick corduroy breeches and gaiters swaddle his shapeless legs, and he rides a coarse-bred Waler mare.

I pray the gods that he may never be required to operate upon my eyes, or intestines, or any other delicate organ—that he may never be required to trephine my skull, or remove the roof of my mouth.

Of course he is a very good fellow. He walks straight into your drawing-room with a pipe in his mouth, bellowing out your name. No servant announces his arrival. He tramples in and crushes himself into a chair, without removing his hat, or performing any other high ceremonial. He has been riding in the sun, and is in a state of profuse perspiration; you will have to bring him round with the national beverage of Anglo-India, a brandy-and-soda.

Now he will enter upon your case. "Well, you're looking very blooming; what the devil is the matter with you? Eh? Eh? Want a trip to the hills? Eh? Eh? How is the bay pony? Eh? Have you seen Smith's new filly? Eh?"

This is very cheerful and reassuring if you are a healthy man with some large conspicuous disease—a broken rib, cholera, or toothache; but if you are a fine, delicately-made man, pregnant with poetry as the egg of the nightingale is pregnant with music, and throbbing with an exquisite nervous sensibility, perhaps languishing under some vague and occult disease, of which you are only conscious in moments of intense introspection, this mode of approaching the diagnosis is apt to give your system a shock.

Otherwise it may be bracing, like the inclement north wind. But, speaking for myself, it has proved most ruinous and disastrous. Since I have known the Doctor my constitution has broken up. I am a wreck. There is hardly a single drug in the whole pharmacopoeia that I can take with any pleasure, and I have entirely lost sight of a most interesting and curious complaint.

You see, dear Vanity, that I don't mince matters. I take our Doctor as I find him, rough and allopathic; but I am sure he might be improved in the course of two or three generations. We may leave this, however, to Nature and the Army Medical Department. Reform is not my business. I have no proposals to offer that will accelerate the progress of the Doctor towards a higher type.

Happily his surgical and medicinal functions claim only a portion of his time. He is in charge of the district gaol, a large and comfortable retreat for criminals. Here he is admirable. To some eight or nine hundred murderers, robbers, and inferior delinquents he plays the part of maître d'hôtel with infinite success. In the whole country side you will not find a community so well bathed, dressed, exercised, fed and lodged as that over which the Doctor presides. You observe on every face a quiet, Quakerish air of contentment. Every inmate of the gaol seems to think that he has now found a haven of rest.

      If the sea-horse on the ocean
        Own no dear domestic cave,
      Yet he slumbers without motion
        On the still and halcyon wave;
      If on rainy days the loafer
        Gamble when he cannot roam,
      The police will help him so far
        As to find him here a home.

This is indeed a quiet refuge for world-wearied men; a sanctuary undisturbed by the fears of the weak or the passions of the strong. All reasonable wants are gratified here; nothing is hoped for any more. The poor burglar burdened with unsaleable "grab" and the reproaches of a venal world sorrowfully seeks an asylum here. He brings nothing in his hand; he seeks nothing but rest. He whispers through the key-hole—

              Nil cupientium
      Nudus castra peto.

Look at this prisoner slumbering peacefully beside his huqqa under the suggestive bottle tree (there is something touching in his selecting the shade of a bottle tree: Horace clearly had no bottle tree; or he would never have lain under a strawberry (and cream) tree). You can see that he has been softly nurtured. What a sleek, sturdy fellow he is! He is a covenanted servant here, having passed an examination in gang robbery accompanied by violence and prevarication. He cannot be discharged under a long term of years. Uncovenanted pilferers, in for a week, regard him with respect and envy. And certainly his lot is enviable; he has no cares, no anxieties. Famine and the depreciation of silver are nothing to him. Rain or sunshine, he lives in plenty. His days are spent in an innocent round of duties, relieved by sleep and contemplation of [Greek: to on]. In the long heats of summer he whiles away the time with carpet-making; between the showers of autumn he digs, like our first parents, in the Doctor's garden; and in winter, as there is no billiard-table, he takes a turn on the treadmill with his mates. Perhaps, as he does so, he recites Charles Lamb's Pindaric ode:—

                             Great mill!
      That by thy motion proper
      (No thanks to wind or sail, or toiling rill)
      Grinding that stubborn-corn, the human will,
      Turn'st out men's consciences,
      That were begrimed before, as clean and sweet
      As flour from purest wheat,
      Into thy hopper.

Yet sometimes a murmur rises like a summer zephyr even from the soft lap of luxury and ease. Even the hardened criminal, dandled on the knee of a patriarchal Government, will sometimes complain and try to give the Doctor trouble. But the Doctor has a specific—a brief incantation that allays every species of inflammatory discontent. "Look here, my man! If I hear any more of this infernal nonsense, I'll turn you out of the gaol neck and crop." This is a threat that never fails to produce the desired effect. To be expelled from gaol and driven, like Cain, into the rude and wicked world, a wanderer, an outcast—this would indeed be a cruel ban. Before such a presentiment the well-ordered mind of the criminal recoils with horror.

The Civil Surgeon is also a rain doctor, and takes charge of the Imperial gauge. If a pint more or a pint less than usual falls, he at once telegraphs this priceless gossip to the Press Commissioner, Oracle Grotto, Delphi, Elysium. This is one of our precautions to guard against famine. Mr. Caird is the other.

[I was once in a very small station where our Civil Surgeon was an Eurasian. He was a pompous little fellow, but a capital doctor, gaoler, and metereologist.

"Omnis Aristippum decint, color et status, et res."

We liked him so much that we all got ill; crime increased, the gaol filled, and no one ever passed the rain-gauge without either emptying it or pouring in a brandy-and-soda. With women and children he was a great favourite; for he had not become brutalised by familiarity with suffering in hospitals. His heart was still tender, his voice soft, and he had a gentle way with his hands. I never knew anyone who was so unwilling to inflict pain; yet he was not unnerved when it had to be done. But, poor little physician! he was not able to cure himself when fever laid her hot hand on him. He tried to go on with his work and live it down; but the recuperative forces of Nature were weak within him, and he died. "The good die first, and those whose hearts are dry as summer dust burn to the socket." Our cow-buffalo doctor is still alive, I fear.]—ALI BABA, K.C.B.

No. XVII

THE SHIKARRY

[November 29, 1879.]

I have come out to spend a day in the jungle with him, to see him play on his own stage. His little flock of white tents has flown many a march to meet me, and have now alighted at this accessible spot near a poor hamlet on the verge of cultivation. I feel that I have only to yield myself for a few days to its hospitable importunities and it will waft me away to profound forest depths, to the awful penetralia of the bison and the tiger. Even here everything is strange to me; the common native has become a Bheel, the sparrowhawk an eagle, the grass of the field a vast, reedy growth in which an elephant becomes a mere field mouse. Out of the leaves come strange bird-notes, a strange silence broods over us; it is broken by strange rustlings and cries; it closes over us again strangely. Nature swoons in its glory of sunshine and weird music; it has put forth its powers in colossal timber and howling beasts of prey; it faints amid little wild flowers, fanned by breezes and butterflies.

My heart beats in strange anapæsts. This dream world of leaf and bird stirs the blood with a strange enchantment. The Spirit of Nature touches us with her caduceus:—

      Fair are others, none behold thee;
      But thy voice sounds low and tender
      Like the fairest, for it folds thee
      From the sight, that liquid splendour;
      And all feel, yet see thee never,
      As I feel now ….

Our tents are played upon by the flickering shadows of the vast pipal-tree that rises in a laocoön tortuosity of roots out of an old well. The spot is cool and pleasant. Round us are picketed elephants, camels, bullocks, and horses, all enjoying the shade. Our servants are cooking their food on the precincts; each is busy in front of his own little mud fireplace. On a larger altar greater sacrifices are being offered up for our breakfast. A crowd of nearly naked Bheels watch the rites and snuff the fragrant incense of venison from a respectable distance. Their leader, a broken-looking old man, with hardly a rag on, stands apart exchanging deep confidences with my friend the Shikarry. This old Bheel is girt about the loins with knives, pouches, powder-horns, and ramrods; and he carries on his shoulder an aged flintlock. He looks old enough to be an English General Officer or a Cabinet Minister; and you might assume that he was in the last stage of physical and mental decay. But you would be quite wrong. This old Bheel will sit up all night on the branch of a tree among the horned owls; he will see the tiger kill the young buffalo tied up as a bait beneath; he will see it drink the life-blood and tear the haunch; he will watch it steal away and hide under the karaunda bush; he will sit there till day breaks, when he will creep under the thorn jungle, across the stream, up the scarp of the ravine, through the long grass to the sahib's camp, and give the word that makes the hunter's heart dance. From the camp he will stride from hamlet to hamlet till he has raised an army of beaters; and he will be back at the camp with his forces before the sahib has breakfasted. Through the long heats of the day he will be the life and soul of the hunt, urging on the beaters with voice and example, climbing trees, peeping under bushes, carrying orders, giving advice, changing the line, until that supreme moment when shots are fired, when the rasping growl tells that the shots have taken effect, and when at length the huge cat lies stretched out dead. And all this on a handful of parched grain!

                    [Is this nothing?
      Why then the world, and all that's in't, is nothing;
      The covering sky is nothing, Ali Baba's nothing.]

My friend the Shikarry delights to clothe himself in the coarse fabrics manufactured in gaol, which, when properly patched and decorated with pockets, have undoubtedly a certain wild-wood appearance.

As the hunter does not happen to be a Bheel with the privileges of nakedness conferred by a brown skin, this is perhaps the only practical alternative. If he went out to shoot in evening clothes, a crush hat, and a hansom cab, the chances are that he would make an example of himself and come to some untimely end. What would the Apollo Bundar say? What would the Bengali Baboo say? What would the sea-aye-ees say? Yes, our hunter affects coarse and snuffy clothes; they carry with them suggestions of hardship and roughing it; and his hat is umbrageous and old.

As to the man under the hat, he is an odd compound of vanity, sentiment, and generosity. He is as affected as a girl. Among other traits he affects reticence, and he will not tell me what the plans for the day are, or what khabbar[W] has been received. Knowing absolutely nothing, he moves about with a solemn and important air, [as if six months gone with a bandobast[X]]; and he says to me, "Don't fret yourself my dear fellow; you'll know all about it time enough. I have made arrangements." Then he dissembles and talks of irrelevant topics transcendentally. This makes me feel such a poor pen-and-ink fellow, such a worm, such a [Famine-commissioner, such a] Political Agent!

With this discordant note still vibrating we go in to breakfast; and then, dear Vanity, he bucks with a quiet, stubborn determination that would fill an American editor or an Under-Secretary of State with despair. [His lies are really that awful (as the Press Commissioner would say) which you couldn't tell as what he was joking, or inebriated, or drawing your leg.] He belongs to the twelve-foot-tiger school; so, perhaps, he can't help it.

If the whole truth were told, he is a warm-hearted, generous, plucky fellow, with boundless vanity and a romantic vein of maudlin sentiment that seduces him from time to time into the gin-and-water corner of an Indian newspaper. Under the heading of "The Forest Ranger's Lament," or "The Old Shikarry's Tale of Woe," he hiccoughs his column of sickly lines (with St. Vitus's dance in their feet), and then I believe he feels better. I have seen him do it; I have caught him in criminal conversation with a pen and a sheet of paper; bottle at hand—

        A quo, ceu fonte perenni,
      Vatum Pieriis ora rigantur aquis.

In appearance he is a very short man with a long black beard, a sunburnt face, and a clay pipe. He has shot battalions of tigers and speared squadrons of wild pig. He is universally loved, universally admired, and universally laughed at.

He is generous to a fault. All the young fellows for miles round owe him money. He would think there was something wrong if they did not borrow from him; and yet, somehow, I don't think that he is very well off. There is nothing in his bungalow but guns, spears, and hunting trophies; he never goes home, and I have an idea that there is some heavy drain on his purse in the old country. But you should hear him troll a hunting song with his grand organ voice, and you would fancy him the richest man in the world, his note is so high and triumphant!

      So when in after days we boast
        Of many wild boars slain,
      We'll not forget our runs to toast
        Or run them o'er again;

      And when our memory's mirror true
        Reflects the scenes of yore,
      We'll think of him it brings to view,
        Who loved to hunt the boar.

ALI BABA, K.C.B.

No. XVIII

THE GRASS-WIDOW IN NEPHELOCOCCYGIA

[Illustration: THE GRASS WIDOW—"Sweet little Mrs. Lollipop."]

Her bosom's lord sits lightly on his throne?

[December 6, 1879]

Little Mrs. Lollipop has certainly proved a source of disappointment to her lady friends. They have watched her for three seasons going lightly and merrily through all the gaieties of Cloudland; they have listened to the scandal of the cuckoos among the pine-trees and rhododendrons, but they have not caught her tripping. Oh, no, they will never catch her tripping. She does not trip for their amusement: perhaps she trips it when they go on the light fantastic toe, but there is no evidence; there is only a zephyr of conjecture, only the world's low whisper not yet broken into storm—not yet.

Yes, she is a source of disappointment to them. They have noted her points; her beauty has burned itself into their jealousy; her merry laugh has fanned their scorn; her bountiful presence is an affront to them, as is her ripe and lissom figure. They pronounce her morally unsound; they say her nature has a taint; they chill her popularity with silent smiles of slow disparagement. But they have no particulars; their slander is not concrete. It is an amorphous accusation, sweeping and vague, spleen-born and proofless.

She certainly knows how to dress. Her weeds sit easily and smoothly on their delightful mould. You might think of her as a sweet, warm statue painted in water-colours. (Who wouldn't be her Pygmalion?) If she adds a garment it is an improvement; if she removes a garment it is an improvement; if she dresses her hair it is better; if she lets it fall in a brown cascade over her white shoulders it is still better; when it is yet in curl-papers it is charming. If you smudge the tip of her nose with a burnt cork the effect is irresistible; if you stick a flower in her hair it is a fancy dress, a complete costume—she becomes Flora, Aurora, anything you like to name. Yet I have never clothed her in a flower, I have never smudged her nose with a burnt cork, I have never uncurled her hair. Ali Baba's character must not go drifting down the stream of gossip with the Hill Captains and the Under-Secretaries. But I hope that this does not destroy the argument. The argument is that she is quite too delightful, and therefore blown upon by poisonous whispers.

Her bungalow is an Elysium, of course; it is a cottage with a verandah, built on a steep slope, and buried deep in shrubbery and trees. Within all is plain, but exquisitely neat. A wood fire is burning gaily, and the kindly tea-tray is at hand. It is five o'clock. Clean servants move silently about with hot water, cake, &c. The little boy, a hostage from papa in the warm plains below, is sitting pensive, after the fashion of Anglo-Indian children, in a little chair. His bearer crouches behind him. The unspeakable widow, in a tea-gown dimly splendid with tropical vegetation in neutral tints, holds a piece of chocolate in her hand, while she leans back in her fauteuil convulsed with laughter. (It is not necessary to say that Ali Baba is relating one of his improving tales.) How pretty she looks, showing her excellent teeth and suffused with bright warm blushes, [which, I beg leave to explain, proceed from drinking hot tea and indulging in immoderate laughter, not from listening to A.B.'s improving tales!] As I gaze upon her with fond amazement, I murmur mechanically:—

      Mine be a cot beside the hill;
        A tea-pot's hum shall soothe my ear,
      A widowy girl, that likes me still,
        With many a smile shall linger near.

I have been asked to write a philosophical minute on the mental and moral condition of delightful Mrs. Lollipop's husband, who lives down in the plains. I have been requested by the Press Commissioner to inquire in Government fashion, with pen and ink, as to whether the complaisant proprietor of so many charms desires to have a recheat winded in his forehead, and to hang his bugle in an invisible baldrick; whether it is true in his case that Love's ear will hear the lowest cuckoo note, and that Love's perception of gossip is more soft and sensible than are the tender horns of cockled snails. Towards all these points I have directed my researches. I have resolved myself into a Special Commission, and I have sat upon grass-widowers in camera. If I sit a little longer a Report will be hatched, which, of course, I shall take to England, and when there I shall go to the places of amusement with the Famine Commission, and have rather a good time of it. Already I can see, with that bright internal eye which requires no limelight, grim Famine stalking about the Aquarium after dinner with a merry jest preening its wings on his lips.

But what has all this talk of country matters to do with little Mrs. Lollipop? Absolutely nothing. She thinks no ill of herself. She is the most charitable woman in the world. There is no veil of sin over her eye; no cloud of suspicion darkens her forehead; no concealment feeds upon her damask cheek. Like Eve she goes about hand in hand with her friends, in native innocence, relying on what she has of virtue. Sweet simplicity! sweet confidence! My eagle quill shall not flutter these doves.

Have you ever watched her at a big dance? She takes possession of some large warrior who has lately arrived from the battle-fields of Umballa or Meerut, and she chaperones him about the rooms, staying him with flagons and prattling low nothings. The weaker vessel jibs a little at first; but gradually the spell begins to work and the love-light kindles in his eye. He dances, he makes a joke, he tells a story, he turns round and looks her in the face. He is lost. That big centurion is a casualty; and no one pities him. "How can he go on like that, odious creature!" say the withered wall-flowers, and the Hill Captains fume round, working out formulae to express his baseness. But he is away on the glorious mountains of vanity; the intoxicating atmosphere makes life tingle in his blood; he is an [Greek: aerobataes], he no longer treads the earth. In a few days Mrs. Lollipop will receive a post-card from the Colonel of her centurion's regiment.

MY DEAR MRS.

      Lollipop, dic, per omnes
      Te deos oro, Robinson cur properes amando
      Perdere? cur apricum
      Oderit campum, patiens pulveris atque solis.

Yrs. Sincy.

HORACE FITZDOTTREL.

Ten to one an Archdeacon will be sent for to translate this. Ten to one there is a shindy, ending in tea and tearful smiles; for she is bound to get a blowing up.

After what I have written I suppose it would be superfluous to affirm with oaths my irrefragable belief in Mrs. Lollipop's innocence; it would be superfluous to deprecate the many-winged slanders that wound this milk-white hind. If, however, by swearing, any of your readers think I can be of service to her character, I hope they will let me know. I have learnt a few oaths lately that I reckon will unsphere some of the scandal-mongers of Nephelococcygia. I had my ear one morning at the keyhole when the Army Commission was revising the cursing and swearing code for field service.—(Ah! these dear old Generals, what depths of simplicity they disclose when they get by themselves! I sometimes think that if I had my life to live over again I would keep a newspaper and become a really great General. I know some five or six obscure aboriginal tribes that have never yet yielded a single war or a single K.C.B.)

But this is a digression. I was maintaining the goodness of Mrs. Lollipop—little Mrs. Lollipop! sweet little Mrs. Lollipop! I was going to say that she was far too good to be made the subject of whisperings and innuendoes. Her virtue is of such a robust type that even a Divorce Court would sink back abashed before it, like a guilty thing surprised. Indeed, she often reminds me of Cæsar's wife.

The harpies of scandal protest that she dresses too low; that she exposes too freely the well-rounded charms of her black silk stockings; that she appears at fancy-dress balls picturesquely unclothed—in a word, that the public sees a little too much of little Mrs. Lollipop; and that, in conversation with men, she nibbles at the forbidden apples of thought. But all this proves her innocence, surely. She fears no danger, for she knows no sin. She cannot understand why she should hide anything from an admiring world. Why keep her charms concealed from mortal eye, like roses that in deserts bloom and die? She often reminds me of Una in Hypocrisy's cell.

I heard an old Gorgon ask one of Mrs. Lollipop's clientèle the other day whether he would like to be Mrs. Lollipop's husband. "No," he said, "not her husband; I am not worthy to be her husband—

      "But I would be the necklace
      And all day long to fall and rise
      Upon her balmy bosom
      With her laughter or her sighs;
      And I would lie so light, so light,
      I scarce should be unclasped at night."

That old Gorgon is now going through a course of hysterics under medical and clerical advice. Her ears are in as bad a case as Lady Macbeth's hands. Hymns will not purge them.—ALI BABA, K.C.B.

No. XIX