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Types of News Writing

Chapter 6: CHAPTER III FIRES AND ACCIDENTS
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About This Book

This practical manual compiles exemplary news stories and brief commentary to teach reporting, selection, sourcing, and presentation. It groups real newspaper examples by topic—fires and accidents, police and courts, meetings and investigations, speeches, entertainment, illness and death, politics, labor, weather, sports, society, and miscellaneous—and includes guidance on analysis, lead writing, concise informative style, human-interest and feature techniques, ethical cautions about inventing details, and constructive journalism. Each chapter offers succinct points for study, suggestions on evaluating and obtaining material, and attention to structure and typographical presentation; examples are credited to their sources and arranged for classroom and newsroom use.


CHAPTER III
FIRES AND ACCIDENTS

Type of story. Many newspaper reports of fires and accidents may be considered as typical examples of narrative and descriptive news stories of the purely informative type. The essential facts of the news are presented in a simple, direct, concise manner without any attempt to give the story any greater interest for the reader than the facts themselves possess. Such a fire story is that of the “Large Tannery Fire” (p. 16) and such an accident story is that entitled “Automobile and Car Collide” (p. 24).

When human life is involved in these events, some newspaper writers take advantage of the opportunity to add to the interest by developing the personal, or human interest, elements of the news in the informative type of story, while at the same time presenting the facts fully and accurately. Accident stories of this type are those headed “Entombed Miners” (p. 38) and “Baby Drowns” (p. 42).

Less important fires and accidents that might otherwise go unnoticed, or be dismissed with a few lines, may have in them some element that lends itself to the feature, or human interest, treatment. A small fire story of this type is found on p. 19; a humorous feature story of an accident is that of the “Child in a Runaway” (p. 25); and a pathetic human interest story is that of the “Boy Killed by Car” (p. 25).

Purpose. Stories of fires and accidents, particularly when such occurrences result in fatalities, may be written so as to be either constructive or destructive in their influence upon readers. The constructive effect lies in emphasis upon those elements that tend (1) to turn the reader’s attention to preventive measures, (2) to create sympathy for the victims, or (3) to inspire admiration for heroism or other virtues. Stories that give prominence to immediate or underlying causes and responsibility in cases of fires and accidents, as well as to possible preventive measures, have a helpful effect. Stories that create sympathy for victims deserving of aid generally result in prompt offers of relief. Examples of constructive stories are those entitled “Fire in Stables” (p. 18), “Lodging House Fire” (p. 21), and “Runaway” (p. 22). The story that aims to satisfy readers’ interest in ghastly and sensational phases of fatal fires and accidents panders to a morbid curiosity and inevitably has an unwholesome influence, even though the facts that it presents are true.

Treatment of material. All types of fire and accident stories give opportunity for spirited narrative and vivid description. Possible means for lending life and interest to the narrative include accounts of the disaster, either in direct or indirect quotation form, as secured by interviews with survivors and eye-witnesses, and conversation between persons involved.

Contents of story. Among the important details to be considered in analyzing stories of unexpected occurrences, such as fires and accidents, are: (1) number of lives lost; (2) number of lives endangered; (3) names of dead and injured; (4) prominent persons and places involved; (5) character and extent of damage; (6) property threatened with damage or destruction; (7) cause and responsibility; (8) investigations; (9) preventive measures against recurrence of event; (10) probable or actual effects; (11) peculiar and unusual circumstances; (12) humorous and pathetic incidents. Almost any one of these details may be the feature of the story, and as such may be played up in the lead. The space and prominence given to each of these details are determined by its relative news value.