TRANSCRIBER' S NOTES:
[TN1] Correction of the original, which has 'Menchen' here.
The essay defines and distinguishes the poetic phenomenon of Weltschmerz from philosophical pessimism, proposes a classification (cosmic versus egoistic) and examines its psychological and social origins and links to mental pathology. Through close readings of three representative German poets—an idealist, a pathos-driven lyricist, and a satirist—the author traces how the sentiment develops, manifests in varied poetic modes, and at times adopts irony or self-mockery. The study surveys expressive types, contextualizes the feeling within broader cultural currents, and discusses its overlap with chronic melancholy and the potential for mental breakdown, concluding with a bibliography and critical apparatus to support the analyses.
[TN1] Correction of the original, which has 'Menchen' here.