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Under Sentence of Death; Or, a Criminal's Last Hours

Chapter 21: CHAPTER XIX.
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About This Book

A volume gathers three shorter narratives that examine crime, punishment, and human bonds across varied settings. One adopts a first-person voice to render the claustrophobic psychology of a condemned prisoner confronting imminent execution, memory, and imagination. A second relates an adventurous episode set in a tented encampment, blending suspense with shifting loyalties and moral ambiguity. A third serves as a stark social vignette portraying deprivation and harsh judicial consequences, using a single life to prompt reflection on mercy and reform.

CHAPTER XIX.

This gaoler does not believe that I can have any fault to find with him or with his subordinates. He is right; it would be ungracious of me to complain—they have but done their duty. They have guarded me well, and they have been courteous on my arrival, and on my departure. Ought I not to be satisfied? This good gaoler, with his calm smile and soothing words, with an eye that flatters whilst it watches, with his large and powerful hands, he is the incarnation of a prison—a Bicêtre transformed into a man. Everything around me reminds me of a prison; I recognize it in everything, in the human figure, as in the iron bars and bolts: this wall is a prison in stone, this door a prison in wood, these turnkeys are prisoners in flesh and bone. The prison is a kind of horrible being complete and indivisible, half building and half man. I am its victim; it grasps me, it wraps me in its folds, it shuts me up in its granite walls, it padlocks me with its iron bolts, and it watches me through the eyes of its gaolers.

Ah! unhappy wretch that I am, what is to become of me, what are they going to do with me?