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Up in Maine: Stories of Yankee Life Told in Verse

Chapter 13: “PLUG”
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About This Book

A lively collection of short poems and verse sketches that evoke the seasonal rhythms of coastal and inland rural life, blending comic anecdote, affectionate portraiture, and occasional melancholy. Many pieces use colloquial diction and local idiom to sketch memorable characters and episodes—fairs, field and woodlot labor, and seafaring scenes—shifting between rollicking tall tale and quiet lyric. The poems emphasize community ties, practical humor, and reverence for everyday work and landscape, alternating robust humor with gentle nostalgia to celebrate ordinary customs and speech.





“PLUG”

For sixty years he had borne the name

Of “Plug”—plain “Plug.”

Those many years had his village fame

Published the shame of his old-time game,

Till all the folks by custom came

To call him “Plug.”


And so many years at last went by

They hardly knew the reason why;

At least they never stopped to think,

And dropped the old suggestive wink.

And he took the name quite matter-of-fact,

Till most of the folks had forgot his act;

But sometimes a stranger’d wonder at

The why of a nickname such as that,

—Of “Plug”—just “Plug.”

Then some old chap would shift his quid

And tell the story of what he did.


“He owned ten acres of punkin pine,

’Twas straight and tall, and there warn’t a sign

But what ’twas sound as a hickory nut,

And at last he got the price he sut.

They hired him for to chop it down.

He did.—By gosh, it was all unsoun’.

Was a rotten heart in every tree.

But there warn’t none there but him to see.

And quick as ever a tree was cut,

He hewed a saplin’ and plugged the butt.

—Plugged the butt, sir, and hid away

For about two months, for he’d got his pay.

But there warn’t no legal actions took,

They never tackled his pocket-book.

’Twould a-broke his heart, for he’s dretful snug;

But he never squirmed when they called him

’Plug.’

And over the whole of the country-side,

Up to the day that the critter died,

’Twas ‘Plug.’

Till some of the young folks scurcely knew

Which was the nickname, which was the true.

He left five thousand,—putty rich,—

But better less cash than a title sich

As ‘Plug.’”








THE SONG OF THE HARROW AND PLOW

From the acres of Aroostook, broad and mellow

in the sun,

Down to rocky York, the chorus of the farmers

has begun.

They are riding in Aroostook on a patent sulky

plow,

—They are riding, taking comfort, for they’ve

learned the secret how.

They are planting their potatoes with a whirring

new machine,

—Driver sits beneath an awning; slickest thing

you’ve ever seen.

There is not a rock to vex ’em in the acres

spreading wide,

So they sit upon a cushion, cock their legs, and

smoke and ride.

Gee and Bright go lurching onward in the

furrow’s mellow steam;

Over there, with clank of whiffle, tugs a sturdy

Morgan team.

And the man who rides the planter or who plods

the broken earth

Joins and swells the mighty chorus of the

season’s budding mirth.

And they’ve pitched the tune to a jubilant

strain.

They are lilting it merrily now.

We wait for that melody up here in Maine,

—’Tis the song of the harrow and plow.


They are picking rocks in Oxford, and in Waldo

blasting ledge,

And they’re farming down in Lincoln on their

acres set on edge.

Down among the kitchen gardens of the slopes

of Cumberland

They’re sticking in the garden sass as thick as

it will stand.

And every nose is sniffing at the scent of fur-

rowed earth,

And every man is living all of life at what it’s

worth.

Though the farmer in Aroostook sails across a

velvet field,

And his mellow, crumbly acres vomit forth a

spendthrift yield,

All the rest are just as cheerful on their hillside

farms as he,

For there’s cosy wealth in gardens and a fortune

in a tree.

So they’re singing the song of the coming

of Spring,

And the song of the empty mow;

Of the quiver of birth that is stirring the earth,

—’Tis the song of the harrow and plow.












HOORAY FOR THE SEASON OF FAIRS

This is the season for fairs, by gosh, oh, this is

the season for fairs;

They’re thicker than spatter,

But what does it matter?

They scoop up the cash, but who cares?


From now till October they’ll swallow the

change,

These state fairs and town fairs and county and

grange,

But apples blush brighter arrayed on a plate,

And the cattle look scrumptious in dignified

state,

Enthroned in a stall and a-gazing with scorn

On the chaps going by without ribbon or horn.

And the trotters and nags of the blood-royal

strain

Are a-furnishing fun for the people of Maine;

While prouder than princes they prance to the

band,

And ogle the ladies arrayed on the stand.

Ah, every exhibit in stall or in hall,

From hooked rug to hossflesh and punkin and

all,

Takes on a new meaning, assumes a new light,

And is, for the moment, a wonderful sight.

And people hang over the stuff that’s displayed,

They swig up whole barrels of red lemonade,

And hark to the fakirs and tumble to snides,

And treat all the young ones to merry-go rides.

They sit on the grand stand, man crushed

against man,

All shouting acclaim to the track’s rataplan;

And all the delight is as fresh and as bright

As though the big crowd had not seen that same

sight.

And the people flock home with the dust in their

eyes,

But with hearts all a-fire with fun and surprise.

The girls are a-humming the tune of the band,

And dads are relating the sights from the stand;

The dames are discussing the fancy work part,

While bub hugs the Midway scenes close to his

heart.

The palms of the men folks still glow from a

grip,

And the women are thinking of lip pressed to

lip,

For all of the folks in the loud, happy throng

Have met with the friends “they’ve not seen

for so long.”

A hail and salute from the press of the mass,

Too brief, as the crowd jammed impatient to

pass,

A moment—that’s all—to renew the old tie,

A handgrasp, a lip-touch, “Hello,” and “Good-

by.”


Oh, this is the season of fairs, by gosh, the

season to lay off your cares,

Each fair is a wonder,

They’re thicker than thunder.

Hooray for the season of fairs!









HAD A SET OF DOUBLE TEETH

Oh, listen while I tell to you a truthful little

tale

Of a man whose teeth was double all the solid

way around;

He could jest as slick as preachin’ bite in two a

shingle nail,

Or squonch a moulded bullet, sah, and ev’ry

tooth was sound.


I’ve seen him lift a kag of pork, a-bitin’ on the

chine,

And he’d clench a rope and hang there like a

puppy to a root;

And a feller he could pull and twitch and yank

upon the line,

But he couldn’t do no bus’ness with tha’

double-toothed galoot.


He was luggin’ up some shingles,—bunch, sah,

underneath each arm,—

The time that he was shinglin’ of the Baptist

meetin’-house;

The ladder cracked and buckled, but he didn’t

think no harm,

When all at once she busted and he started

down kersouse.


His head, sah, when she busted, it was jest

abreast the eaves;

And he nipped, sah, quicker’n lightnin’, and

he gripped there with his teeth,

And he never dropped the shingles, but he hung

to both the sheaves,

Though the solid ground was suttinly more’n

thirty feet beneath.


He held there and he kicked there and he

squirmed, but no one come.

He was workin’ on the roof alone—there

warn’t no folks around.

He hung like death to niggers till his jaws was

set and numb,

And he reely thought he’d have to drop them

shingles on the ground.


But all at once old Skillins come a-toddlin’ down

the street.

Old Skil is sort of hump-backed and he allus

looks straight down;

So he never see’d the motions of them Number

’Leven feet,

And he went a-amblin’ by him—the goramded

blind old clown!


Now this ere part is truthful—ain’t a-stretehin’

it a mite,—

When the feller see’d that Skillins was a-

walkin’ past the place,

Let go his teeth and hollered, but he grabbed

back quick and tight,

’Fore he had a chance to tumble, and he hung

there by the face.


And he never dropped the shingles and he never

missed his grip,

And he stepped out on the ladder when they

raised it underneath.

And up he went a-flukin’ with them shingles on

his hip,

—And there’s the satisfaction of a havin’

double teeth.









GRAMPY’S LULLABY

Your marmy’s mixin’ cream o’ tartar biskit up

for tea;

Fie, deedle, deedle, leetle ba-a-arby!

And I reckon you had better come and roost

upon my knee;

Tumpy, dumpy, deedle, leetle barby!


I s’picion how ye never heard of Ebernezer

Cowles.

Tell ye what, he warn’t brung up to be afraid of

owls.

Reckon that a spryer critter never tailored

boots;

Allus up to monkey tricks and full o’ squirms

and scoots.

Once he done a curis thing, I vummy, on a

stump:

Set a larder up one end and gin’ a mighty jump;

Run right up the larder, jest as nimble as a

monkey,

Balarnced, I sh’d suttin say, a minit—all a-

hunky;

Then he straddled out on air and grabbed the

pesky larder

And run ’er up another length—another length,

suh, farder;

Skittered up that larder ’fore she had a chance

to teeter,

Quicker’n any pussy cat—lighter’n a mos-

keeter.

Soon’s he clambered to the top, grabbed the

upper rung,

Ketched hisself with t’other hand, and there the

critter hung.

Gaffled up his britches’ slack and took a resky

charnce

And thar’ he held hisself right out, arms-length,

suh, by his parnts.

Ye ought ter heerd, my barby dear, the cheerins

and the howls

The crowd let out when they’d obsarved that

trick of Mister Cowles.


Sing’lar thing of which I sing—might not

think ’twas true;

Fie, deedle, deedle, leetle ba-a-arby!

But ye know, my leetle snoozer, grampy wouldn’t

lie to you,

—To his dumpy, dumpy deedle, leetle

barby.


Hush, I guess that mammy isn’t done a-makin’

bread,

We ain’t at all pertic’lar how she overhears

what’s said.

Ye’re over-young, purraps, to hear of Sam’wel

Doubl’yer Strout,

—Weighed about two hundred pounds, and,

chowder, warn’t he stout!

Used to work for me one time as sort of extry

hand,

—Allus planned to ’gage him when I cleared up

any land;

Once I see him lug a rock with fairly mod’rit

ease

So hefty that at ev’ry step he sunk above his

knees.

Hain’t at all surprised to see the wonder in your

eye;

Fie, deedle, deedle, leetle ba-a-arby!

But ye know your poor old grampy wouldn’t

tell ye ary lie,

—To his tumpy, dumpy deedle, leetle

barby.


Course ye’ve never heerd ’em tell of Atha-ni-al

Prime,

For he was round a-raisin’ Cain so long afore

your time.

Used to run the muley saw down to Hopkins

mill,

—Allus euttin’ ding-does up—a master curis

pill!


Once the chaps that tended sluice stood upon a

log,

Got to argyin’ this and that, suthin’ ’bout a dog.

Clean forgot to start the log a-goin’ up the

sluice,

But shook their fists and hollered round and spit

torbarker juice.

Atha-ni-al heerd the towse and grabbed a pick-

pole up,

—Wasn’t goin’ to stop a mill to fight about a

pup,—

Tied a rope around the pole and then he let her

flam,

Speared the end of that air log and yanked her

quicker’n Sam.

Log, suh, come right out the bark, he twitched

the thing so quick;

Fellers never felt the yank, ’twas done so smooth

and slick.

Log come out and up the sluice and left behind

the bark,

—Fellers thought the log was there and stood

and chawed till dark.

Sing’lar things has come to pass when I was

young as you;

Fie, deedle, deedle, leetle ba-a-arby!

And best of all, what grampy sings you bet your

life is true,

Tumpy, deedle, dumpy, leetle barby.









HOSKINS’S COW

Hoskins’s cow got into the pound and the notice

was tacked on the meetin’-house door:

“Come into my yard, one brindle cow with three

white feet, and her shoulders sore,

—Galled by a poke,—and the owner is asked

to call at the pound and take her away.”

Well, Hoskins knew she was his all right, but,

you see, he hadn’t wherewith to pay.


The cow was breachy—she wasn’t to blame,

for Hoskins had turned her abroad to roam;

She had to battle for daily grass, for the bovine

cupboard was bare at home.

So Hoskins had hitched on her withered neck a

wooden “regalia”—sort of a yoke,

Supposed to keep her from breachy tricks, but

the poor old creature employed the “poke”

To rip up fences and let down bars; her hunger

sharpened her slender wits,

And somehow she sneaked through the guarded

gates, and gave the garden sass regular fits.


The neighbors pitied her starving state, but at

last she stubbornly wouldn’t shoo;

They pounded tattoos on her skinny ribs till it

really seemed they would whack ’em through.

But she got so toughened and callous and hard,

and the stiffened frame of her mortised bones

Formed such an excellent armor-plate against

the broadsides of sticks and stones,

That they “pounded” her then in a different

way—in the village pound—whose walls

would hold

The breachiest cow that ever strayed—and the

notice was posted as I have told.


She stood there a day and she stayed there a

night; she cropped the scanty bushes and

grass,

And moo-ed and loo-ed in a yearning way, when-

ever a person chanced to pass.

—She ate the leaves from some alder sprouts

for a scanty breakfast the second day,

And munched the twigs for her dinner, alas,

and longed, oh, so much, for some meadow

hay.

That night she gnawed at her dry old poke,—

a painful meal, for the slivers ran

In her tongue; so she crouched by the high-

barred gate and seemed deserted of God and

man.


And Hoskins knew that they had his cow, and

Hoskins knew of her solemn fast,

For he’d gone up the highway and looked

through the gate in her dumb, reproachful eyes

as he passed.

Yet what, may I ask, could the poor man do?

He was right in a place where he couldn’t

Pay,

—He had three dollars, ’tis true enough,

and ‘twould square the bill, but, you see, that day

The catchers had come and taken his dogs: a

hound, a setter, and brindle-pup,

And a man like Hoskins would ne ’er endure to

have the dog-pound gobble them up,

For he gunned on Sundays behind the hound,

and the bull was entered and backed to fight.

And Hoskins, you see, as a sporting man had a

reputation to keep upright.

I wonder, friends, if you’ve ever thought, while

you’ve stormed at rum as the poor man’s curse,

There are chaps so built on the mental plan that

keeping dogs will warp them worse?

The “dog” man may be reclaimed, but I’ve

been compelled, alas, to see

That there doesn’t appear to be much hope for

the wretched critter condemned to three.

And Hoskins’s duty was plain to him: his

youngsters wailed for the milk they missed,

But Hoskins thought of his poor, poor dogs and

gripped his dollars tight in his fist.

He shut his ears to his children’s cries, he steeled

his heart when he passed the pound,

To the mute appeal in the old cow’s eyes; but

he smiled at last when his dogs were found.

And he gladly proffered the three lone plunks

to sate the greed of the legal hogs,

And proudly he took the highway back, a-lead-

ing his licensed, bailed-out dogs.

And they barked and yipped and yapped and

yawped at a poor old tottering cow they found

Absorbed in a desperate, hungry reach for a

thistle outside the village pound.








AN OLD STUN’ WALL

If ye only knew the backaches in an old stun’

wall!

O, Lordy me,

I’m seventy-three!

—Begun amongst these boulders and I’ve lived

here through it all.

I wasn’t quite to bub’s age there, when dad

commenced to clear

The wust of ninety acres with a hoss team and

a steer.

And we’ve used the stun’s for fencin’ and we’ve

built around the lot,

O, I’ve tugged and worked there, sonny, ontil

gracious me, I’ve sot

And fairly groaned o’ evenings with the twinges

in my back;

Sakes, there warn’t no shirkin,’ them days; it

was tug and lift and sack,

For it needed lots of muscle, lots of gruntin’,

lots of sand

If a feller calculated for to clear a piece of

land.

Bub, it isn’t any wonder that our backs has got

a hump,

That our arms are stretched and awkward like

the handle on a pump,

That our palms are hard and calloused, that we

wobble in our gait

—There’s the reason right before you ’round

the medders in the State.

And I wonder sometimes, sonny, that we’ve

any backs at all

When I figer on the backaches in an

Old

Stun’

Wall.


If ye only knew the backaches in an old stun’

wall!

We read of men

Who with a pen

Have pried away the curses that have crushed

us in their fall.

I don’t begrudge them honor nor the splendor

of their name

For an av’rage Yankee farmer hasn’t any use

for fame,

But the man who lifted curses and the man

who lifted stones

Never’ll hear a mite of diff’runce in the

Heavenly Father’s tones.

For I have the humble notion, bub, that when

all kinds of men,

The chaps that pried with crowbar and the

chaps that pried with pen,

Are waitin’ to be measured for the things

they’ve done below

The angel with the girth-chain’s bound to give

us all fair show.

And the humble man who’s tussled with the

rocks of stubborn Maine

Won’t find that all his labor has been thankless

and in vain.

And while the wise and mighty get the glorious

credit due

The man who took the brunt of toil will be

remembered too.

The man who bent his aching back will earn

his crown, my child,

By the acres he made fertile and the miles of

rocks he piled.

That ain’t my whole religion, for I don’t propose

to shirk

What my duties are to Heaven,—but the gospel

of hard work

Is a mighty solid bed-rock that I’ve built on

more or less;

I believe that God Almighty has it in his heart

to bless

For the good they’ve left behind them rough old

chaps with humped-up backs

Who have gone ahead and smoothed things with

the crowbar and the axe.


For if all our hairs are numbered and He notes

the sparrow’s fall

He understands the backaches in an

Old

Stun’

Wall.