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Vergilius: A Tale of the Coming of Christ

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The narrative portrays late-Augustan Rome at the brink of spiritual upheaval, contrasting decadent urban life and lingering rural piety. Reports from Judea about a promised king provoke curiosity among philosophers and rulers, prompting debates about meaning, duty, and hope. A Roman officer tasked with inspecting roads journeys south with a young Jewish attendant; their travels and encounters probe competing beliefs, social customs, and moral tensions within an empire. Episodes move between elegant salons, philosophical discussion, and provincial scenes, tracing private loyalties and the emergence of a new religious expectation.

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Title: Vergilius: A Tale of the Coming of Christ

Author: Irving Bacheller

Release date: August 8, 2005 [eBook #16491]
Most recently updated: December 12, 2020

Language: English

Credits: Produced by Al Haines

*** START OF THE PROJECT GUTENBERG EBOOK VERGILIUS: A TALE OF THE COMING OF CHRIST ***

Produced by Al Haines

Vergilius

A Tale of the Coming of Christ

By

Irving Bacheller

Author of

"Eben Holden" "D'ri and I" "Darrel of the Blessed Isles"

New York and London

Harper & Brothers Publishers

1904

Copyright, 1904, by IRVING BACHELLER.

All rights reserved.

Published August, 1904.

Vergilius

A Tale of the Coming of Christ

CHAPTER 1

Rome had passed the summits and stood looking into the dark valley of fourteen hundred years. Behind her the graves of Caesar and Sallust and Cicero and Catullus and Vergil and Horace; before her centuries of madness and treading down; round about her a multitude sickening of luxury, their houses filled with spoil, their mouths with folly, their souls with discontent; above her only mystery and silence; in her train, philosophers questioning if it were not better for a man had he never been born—deeming life a misfortune and extinction the only happiness; poets singing no more of "pleasantries and trifles," but seeking favor with poor obscenities. Soon they were even to celebrate the virtue of harlots, the integrity of thieves, the tenderness of murderers, the justice of oppression. Leading the caravan were types abhorrent and self-opposed—effeminate men, masculine women, cheerful cynics, infidel priests, wealthy people with no credit, patricians, honoring and yet despising the gods, hating and yet living on the populace. Here was the spectacle of a republican empire, and an emperor gathering power while he affected to disdain it.

The splendor of the capital had attracted from all nations the idle rich, gamblers, speculators, voluptuaries, profligates, intriguers, criminals. To such an extreme had luxury been carried that nothing was too sacred, nothing too costly to be enjoyed. Digestion had become a science, courtship an art, sleep a nightmare, comfort an accomplishment, and the very act of living an industry. Almost one may say that the gods lived only in the imagination of the ignorant and the jests of the learned. In a growing patriciate home had become a weariness, marriage a form, children a trouble, and the decline of motherhood an alarming fact. Augustus tried the remedy of legislation. Henceforth marriage became a duty to the state. As between men and women, things were near a turning-point. Woman cannot long endure scorn nor the absence of veneration. A law older than the tablets of stone shall be her defence. Love is the price of motherhood. Soon or late, unless it be mingled in some degree with her passion, the wonderful gift is withdrawn and men cease to be born of her. Slowly, both the bitterness and the understanding of its loss turn the world to virtue. A new and lofty sentiment was appearing. Woman, weary of her part in the human comedy, had begun to inspire a love sublime as the miracle in which she is born to act.

Happily, there were good people in Rome, even noble families, with whom sacrifice had still a sacred power, and who practised the four virtues of honor, bravery, wisdom, and temperance. In rural Latium, rich and poor clung to the old faith, and everywhere a plebeian feared alike the assessor and the gods, and sacrificed to both.

It is no wonder the gods were falling when even Jupiter had been outdone by a modest man who dwelt on the Palatine. One might have seen him there any day—a rather delicate figure with shiny blue eyes and hair now turning gray. He flung his lightning with unerring aim across the great purple sea into Arabia, Africa, and Spain, and northward to the German Ocean and eastward to the land of the Goths. The genius of this remarkable man had outdone the imagination of priest and poet. A genius for organization, like that of his illustrious uncle, gave to Augustus a power greater than human hands had yet wielded.

A bit of gossip had travelled far and excited his curiosity. It spoke of a new king, with power above that of men, who was to conquer the world. Sayings of certain learned men came out of Judea into the land of lost hope. They told of the king of promise—that he would bring to men the gift of immortal life, that the heavens would declare his authority. Superstitious to the blood and bone, not a few were thrilled by the message.

The minds of thinking men were sad, fearful, and beset with curiosity.
"If there be no gods," they were wont to ask, "have we any hope and
responsibility?" They studied the philosophers Plato, Aristotle, Zeno,
Epicurus, and were unsatisfied.

The nations were at peace, but not the souls of men. A universal and mighty war of the spirit was near at hand. The skirmishers were busy—patrician and plebeian, master and slave, oppressor and oppressed. Soon all were to see the line of battle, the immortal captains, the children of darkness, the children of light, the beginning of a great revolution.

Rome was like a weary child whose toys are gods and men, and who, being weary of them, has yet a curiosity in their destruction.

CHAPTER 2

Those days it was near twelve o'clock by the great dial of history. One day, about mid-afternoon, the old capital lay glowing in the sunlight. Its hills were white with marble and green with gardens, and traced and spotted and flecked with gold; its thoroughfares were bright with color—white, purple, yellow, scarlet—like a field of roses and amarantus.

The fashionable day had begun; knight and lady were now making and receiving visits.

Five litters and some forty slaves, who bore and followed them, were waiting in the court of the palace of the Lady Lucia. Beyond the walls of white marble a noble company was gathered that summer day. There were the hostess and her daughter; three young noblemen, the purple stripes on each angusticlave telling of knightly rank; a Jewish prince in purple and gold; an old philosopher, and a poet who had been reading love lines. It was the age of pagan chivalry, and one might imperil his future with poor wit or a faulty epigram. Those older men had long held the floor, and their hostess, seeking to rally the young knights, challenged their skill in courtly compliment.

"O men, who have forgotten the love of women these days, look at her!"

So spoke the Lady Lucia—she that was widow of the Praefect Publius, who fell with half his cohort in the desert wars.

She had risen from a chair of ebony enriched by cunning Etruscan art—four mounted knights charging across its heavy back in armor of wrought gold. She stopped, facing the company, between two columns of white marble beautifully sculptured. Upon each a vine rose, limberly and with soft leaves in the stone, from base to capital. Her daughter stood in the midst of a group of maids who were dressing her hair.

"Arria, will you come to me?" said the Lady Lucia.

The girl came quickly—a dainty creature of sixteen, her dark hair waving, under jewelled fillets, to a knot behind. From below the knot a row of curls fell upon the folds of her outer tunic. It was a filmy, transparent thing—this garment—through which one could see the white of arm and breast and the purple fillets on her legs.

"She is indeed beautiful in the yellow tunic. I should think that scarlet rug had caught fire and wrapped her in its flame," said the poet Ovid.

"Nay, her heart is afire, and its light hath the color of roses," said an old philosopher who sat by. "Can you not see it shining through her cheeks?"

"Young sirs," said the Lady Lucia, with a happy smile, as she raised her daughter's hand, "now for your offers."

It was a merry challenge, and shows how lightly they treated a sacred theme those days.

First rose the grave senator, Aulus Valerius Maro by name.

"Madame," said he, stepping forward and bowing low, "I offer my heart and my fortune, and the strength of my arms and the fleetness of my feet and the fair renown of my fathers."

The Lady Lucia turned to her daughter with a look of inquiry.

"Brave words are not enough," said the fair Roman maiden, smiling, as her eyes fell.

Then came the effeminate Gracus, in head-dress and neckerchief, frilled robe and lady's sandals. He was of great sires who had borne the Roman eagles into Gaul.

"Good lady," said he, "I would give my life."

"And had I more provocation," said Arria, raising a jewelled bodkin, "I would take it."

Now the splendid Antipater, son of Herod the Great, was up and speaking. "I offer," said he, "my heart and wealth and half my hopes, and the jewels of my mother, and a palace in the beautiful city of Jerusalem."

"And a pretty funeral," the girl remarked, thoughtfully. "Jerusalem is half-way to Hades."

The Roman matron turned, and put her arm around the waist of the girl and drew her close. A young man rose from his chair and approached them. He was Vergilius, son of Varro, and of equestrian knighthood. His full name was Quintus Vergilius Varro, but all knew the youth by his nomen. Tall and erect, with curly blond locks and blue eyes and lips delicately curved, there was in that hall no ancestral mask or statue so nobly favored. He had been taught by an old philosopher to value truth as the better part of honor—a view not common then, but therein was a new light, spreading mysteriously.

"Dear Lady Lucia," said he, "I cannot amuse you with idle words. I fear to speak, and yet silence would serve me ill. I offer not the strength of my arms nor the fleetness of my feet, for they may fail me tomorrow; nor my courage, for that has never been tried; nor the renown of my fathers, for that is not mine to give; nor my life, for that belongs to my country; nor my fortune, for I should blush to offer what may be used to buy cattle. I would give a thing greater and more lasting than all of these. It is my love."

The girl turned half away, blushing pink. All had flung off the mask of comedy and now wore a look of surprise.

"By my faith!" said the poet, "this young knight meant his words."

"A man of sincerity, upon my soul!" said the old philosopher. "I have put my hope in him, and so shall Rome. A lucky girl is she, for has he not riches, talent, honor, temperance, courage, and the beauty of a god? And was I not his teacher?"

"My brave Vergilius," the matron answered, "you are like the knights of old I have heard my father tell of. They had such a way with them—never a smile and a melancholy look in their faces when they spoke of love. I give you the crown of gallantry, and, if she be willing, you shall walk with her in the garden. That is your reward."

Vergilius, advancing, took the girl's hand and kissed it.

"Will you go with me?" said he.

"On one condition," she answered, looking down at the folds of her tunic.

"And it is?"

"That you will entertain me with philosophy and the poets," she answered, with a smile.

"And with no talk of love," the matron added, as Arria took his arm.

They walked through the long hall of the palace, over soft rugs and great mosaics, and between walls aglow with tints of sky and garden. These two bore with them a tender feeling as they passed the figures of embattled horse and host in carven wood, and mural painting and colored mosaic and wrought metal—symbols of the martial spirit of the empire now oddly in contrast with their own. They came out upon a peristyle overlooking an ample garden wherein were vines, flowers, and fruit trees.

"You have a way of words," said she. "It is almost possible to believe you."

He stopped and for a long moment looked into her eyes. "I love you, sweet girl," he said, softly; "I love you. As I live, I speak the truth."

"And you a man!" she exclaimed, incredulously.

"Ay, strange as it may be, a Roman."

"My mother has told me," said she, looking down at her sandal, "that when a man speaks, it is well to listen but never to believe."

"They are not easy to understand—these men and women," said he, thoughtfully. "Sometimes I think they would be nobler if they were dumb as dogs. Albeit I suppose they would find a new way of lying. But, O sweet sister of Appius, try to believe me, though you believe no other, and I—I shall believe you always."

"You had better not," said she, with a merry glance.

"I must."

"But you will doubt me soon, for I shall say that I do not love you."

For a little he knew not how to answer. She turned away, looking off at the Capitoline, where the toil and art of earth had wrought to show the splendor of heaven. Its beautiful, barbaric temples were glowing in the sunlight.

"Life would be too serious if there were no dissimulation." She looked up at him as she spoke, and he saw a little quiver in her curved lips.

"That bow of your lips—I should think it fashioned by Praxiteles—and it is for the arrows of truth."

"But a girl—she must deceive a little."

They were now among the vines.

"I do not understand you."

"Stupid fellow!" said she, in a whisper, as she turned, looking up at him. "Son of Varo, lovers are not ever to be trusted. Shall I tell you a story? One day I was in the Via Sacra and a young man caught and held me for a moment and tried to touch my lips—that boy, Antipater, a good-looking wretch!"

She gave her shoulders a little shrug and drew her robe closer. "He had come out of the Basilica Julia, and I am sure he had been over-drinking. I cried 'Help!' and quickly a man came and stood between us; and oh! young sir, as I live, it was our great father Augustus, and Antipater knelt before him.

"'Young man,' said the father—and his eyes shone—'rise and look yonder. Do you see the citadel? Under its marble floor there is a grave. It is that of one who kissed a vestal and was buried alive. There are sacred people in Rome, and among them is this daughter of my beloved Publius. Go you to your palace, son of Herod, and, hereafter, forget not that you are in Rome.'

"He was angry, and I, so frightened! Then he took me home and said he would be my father, and that in good time he would choose a husband for me."

"The gods grant that he choose me."

"The gods forbid it, son of Varro."

"And why?"

Slowly and with assumed severity she spoke.
"Because—I—do—not—love—you."

"Cruel one!" said he, turning and biting his lips. "Your words are as the blow of the pilum."

"Have they indeed wounded you?" She touched his hand with a look of sympathy.

"They have made me sick at heart."

"Then would I not believe them," said she, tenderly, slipping her slender fingers into his.

He pressed her hand. "And do you, then, love me?"

"No—I—do—not—love—you."

"You are a strange people—you maidens of the capital," said he, taking her hand in both of his. "Rome has conquered everything save its women."

She parted her tunic and stood looking down at her white bosom, and with her delicate fingers brushed off a bit of dust which had fallen from the vine above them.

"I do think much of love," said she, thoughtfully, still looking down at her breast.

"And of me," he insisted.

"Nay, not of you," she answered, without delay.

"I shall know," said he, wistfully, "for I shall consult the fates. I have here a sacred coin. An old dame found it when she was digging in the side of Soracte. See, it has on its face the head of Apollo, and opposite is an arrow in a death-hand. And the hag had an odd dream of this coin, so she told me—that it fell out of the sky, and was, indeed, from the treasury of the gods, and had in it a wonderful power in all mysteries. And one might tell by tossing it in the air and noting its fall, if he were loved or hated by the first one he should see after learning its answer. I have never known it to fail. If the head is up you love me," said he, tossing the disk of metal.

It fell and lay at his feet.

"The head!" he exclaimed, with joy.

"Is it really blest of the gods?" she inquired, eagerly, her cheeks aflame. "Is it indeed blest?"

"So said the woman who gave it me."

"Now I shall toss it," said she, taking the coin.

"Ah! you would know if I love you," he answered.

The coin leaped high and fell and rolled along the marble walk. Both followed eagerly, he leading, and, as it stopped, he quickly covered the bit of metal with his hand.

"Let me see!" said she, her hand upon his wrist.

"Do not look."

"Let me see it!" she insisted.

"Sweet sister of Appius, I beg of you, here on my knees, do not look at the coin! I will give you the white steeds from Cappadocia, but do not look."

"Let me see it, I say, son of Varro!" She was tugging at his wrist, and now, indeed, there was a pretty pleading in her voice. The words were to him as pearls strung on a silken thread.

"Wait a little."

"I shall not wait."

"Sweet flower of Rome," said he, looking into her eyes, "I know that you are mine now! Your voice—it is like the love-call of the robin!"

"Stubborn boy! Do you think I care for you?" She stopped and looked into his eyes.

"Else why should you wish to see the coin?" said he. "But, look! Upon my soul it is false!" A little silence followed.

"'Tis false!" he repeated. "I swear the coin lies, for I do love you, dearly."

"It does not lie," she whispered.

He put his arm about her.

"And I know," he answered, "why you think it cannot lie. It said, before, that you love me, and it was right."

She thrust him away gently, and, rising, as if stricken with sudden fear of him, ran a few paces up the walk. She turned quickly, and looked back at him as he approached. Her face had grown pale.

"I—I shall never speak with you again," she whispered.

"Oh, have mercy upon me, beautiful sister of Appius!" said the young knight, and there was a note of despair in his voice. "Have mercy upon me!"

"Young sir," said she, retreating slowly, as he advanced, "I do not love you—I do not love you."

She turned quickly, and ran to the peristyle, and, stopping not to glance back at him, entered the great marble home of her fathers.

He stood a moment looking at the sun-glow behind roof and dome and tower. A bridge of light, spanning the hollow of the city, had laid its golden timbers from hill to hill; and for a little the young man felt as if he were drowning in the shadows under it. He turned presently and hurried into the palace.

CHAPTER 3

"He is more honored than Jupiter these days," the philosopher was saying as Vergilius re-entered.

"Who?" inquired the young man.

"Who else but Caesar, and it is well. The gods—who are they?"

"The adopted children of Vergil and Homer," said Appius, brother of
Arria, who had just returned from the baths.

"But our great father Augustus—who can doubt that he deserves our worship?" said the philosopher, a subtle irony in his voice. It was this learned man who had long been the instructor of Vergilius.

"Who, indeed?" was the remark of another.

"But these gods!"

"At least they are not likely to cut off one's head," said Aulus.

"Speak not lightly of the gods," said Vergilius. "They are still a power with the people, and the people have great need of them. What shall become of Rome when the gods fall?"

"It shall sicken," said the philosopher, with a lift of his hand. "You that are young may live to see the end. It shall be like the opening of the underworld. Our republic is false, our gods are false, and, indeed, I know but one truth."

"And what may it be?" said another.

"We are all liars," he quickly answered.

"O tempora!" said the Lady Lucia. "It is an evil day, especially among men. When Quinta Claudia went with her noble sisters to meet the Idaean mother at Terracina they were able to find in Rome one virtuous man to escort them. But that was more than two hundred years ago."

"If one were to find him now, and he were to go," said the philosopher, "by the gods above us! I fear he would return a sad rake indeed."

"'Tis not a pleasant theme," said the Lady Lucia, by way of introducing another.

"The dear old girl!" said young Gracus, in a low tone, as he turned to the senator. "Her hair is a lie, her complexion is a lie, her lips are a lie."

"And her life is a lie," said the other.

"You enjoyed your walk?" asked the mother of Arria, addressing
Vergilius.

"The walk was a delight to me and its end a sorrow," he answered.

"And you obeyed me?"

"To the letter." It is true, he thought, we are a generation of liars, but how may one help it? Then, quickly, a way seemed to suggest itself, and he added: "Madame, forgive me. I do now remember we had a word or two about love; but, you see, I was telling the legend of this coin. It has the power to show one if he be loved."

"By tossing?"

"By tossing. Head, yes; the reverse, no."

"Let me try." She flung it to the oaken beams and it fell on the great rug beside her.

"Madame, the hand is up," said Vergilius. "I fear it is not infallible."

"Let me see," she answered, stooping gravely to survey the coin. Something passed between her and her pleasure, and for one second a shadow wavered across her face.

"It is Death's hand, of course," she remarked, sadly. "Love is for the young and death is for the old."

"Old, madame! Why, your cheeks have roses in them."

"Good youth, you are too frank," said she, with a quick glance about her. "Did the coin say that she loved you?"

"It did."

"And what did she say?"

The young man hesitated.

"Come, you innocent! Of course, I knew that you would talk of nothing but love. What said she?"

"That she does not love me; but I am sure it is mere coquetry."

"Dear youth! You have a cunning eye. This very day speak, my brave Vergilius—speak to her brother Appius. To-night take him to dine with you."

"I had so planned."

A gong of silver rang in the palace halls. It was the signal to prepare for dinner, and the guests made their farewells. Soon Appius and the young lover walked side by side in the direction of the Palatine.

"And what have you been doing?" the former inquired, presently.

"Only dreaming."

"Of what?"

"Of love and happiness, and your sister."

"My sister?"

"Yes; I love her and wish to make her my wife."

"You have wealth and birth and wit and good prospects. I can see no objection to you. But love—love is a thing for women to talk about."

"You are wrong, Appius. I can feel it in my soul. And, believe me, I am no longer in Rome. I have found the gateway of a better world—like that heaven they speak of in the Trastevere—full of peace and beauty."

"You have, indeed, been dreaming," said the other. "But, Vergilius, there is one higher than I who shall choose her husband—the imperator. Does he know you?"

"I have met him, of course, but do much fear he would not remember me."

"We may know shortly. Every seventh day this year he has sat, like a beggar, at his gate asking for alms. To-day we shall see him there."

"It is an odd whim."

"Hush! you know the people as well as I, and he must please them," the other whispered. "He must conceal his power if he would live out his time. I will present you, and perhaps he may be gracious—ay, may even bid you to his banquet."

"A modest home," said young Vergilius.

Now they were nearing the palace of that mild and quiet gentleman whose name and title—Gaius Julius Caesar Octavianus Augustus—had terrified the world; whose delicate hands flung the levin of his power to the far boundaries of India and upper Gaul, to the distant shores of Spain and Africa, and into deserts beyond the Euphrates.

"Many a poor patrician has better furniture and more servants and a nobler palace," said Appius. "Rather plain wood, divans out of fashion, rugs o'erworn; but you have seen them. He alone can afford that kind of thing."

"He has a fondness for old things."

"But not for old women, my dear fellow."

"Indeed! And he is himself sixty-one."

"Hist—the imperator! There, by the gate yonder."

An erect figure of a man rather above medium height, in a coarse, gray toga, stood by one of the white columns. Three Moorish children were playing about his knees, and a senator was talking with him.

"My public services are familiar to you," said the senator, as the young knights waited some twenty paces off. "A gift of two hundred thousand denarii would be fitting, and, if you will permit me to say so, it would delight the populace. Indeed, 'tis generally believed you have already given me a large sum."

"But see that you do not believe it," blandly spake the strange emperor, for albeit Rome was then a republic in name it was an empire in fact, and Augustus, wielding the power of an emperor, refused the title. Turning, he began to play with the children.

"Great and beloved father! I hope, at least, you will consider my prayer."

"Good senator, I have considered. You ask for two hundred thousand denarii. I can give you only the opportunity of earning them. As to myself, I am poor. Look at me. Even my time belongs to the people. and it is passing, my dear senator—it is passing."

The importunate man saw the subtle meaning in these words and went his way.

The emperor sat down, a child upon each knee, as the young men approached him. His head was bare and his fair, curly locks, growing low upon his forehead, were now touched with gray. He looked up at the two, his eyes blue, brilliant, piercing.

"My beloved Appius," said he, in a gentle tone, as he rose. "And this—let me think—ah, it is Vergilius, the son of Varro."

"It is wonderful you should remember me," said Vergilius.

"Wonderful? No. I could tell your age, your misdeeds, your virtues, and how often you failed to answer the roll-calls in Cappadocia. Well, I dare say they were pretty girls. But I forget; I am to-day seeking alms, my good children, for the poor of Rome. I am as ten thousand of the hungry standing before you here and asking for bread. In their name I shall receive, thankfully, what you may bestow."

Appius gave a handful of coins; Vergilius emptied his purse.

"'Tis not enough," said the latter. "Your words have touched me.
To-night I shall send five thousand denarii to your palace."

"Well given, noble youth! It is generous. I like it in you. Say that I may have you to feast with me the first day before the ides—both of you. Say that I may have you."

"We humbly wait your commands," said Vergilius, kissing his hand.

"Now tell me, handsome son of Varro, have you found no pretty girl to your liking? Know you not, boy, 'tis time you married?" He held the hand of the young knight and spoke kindly, his cunning eyes aglow, and smiled upon him, showing his teeth, set well apart.

"Such an one I have found, good sire. Under the great purple dome there is none more beautiful, and with your favor and that of the gods I hope to make her my wife."

"Ah, then, I know her?"

"It is Arria, sister of Appius."

"And daughter of my beloved prefect. You are ambitious, my good youth."

The emperor stood a moment, looking downward thoughtfully. He felt his retreating chin. His smooth-shaven face, broad from bone to bone above the cheeks, quickly grew stern. His mind, which had the world for its toy and which planned the building or the treading down of empires, had turned its thought upon that little kingdom in the heart of the boy. And he was thinking whether it should stand or fall.

"It may be impossible," said he, turning to the young man. "Say no more to her until—until I have thought of it."

And Appius observed, as he went away with his friend: "You will be a statesman, my dear Vergilius; you gave him just the right dose of religion, flattery, and silver."

"I must succeed or I shall have no heart to live," said the other, soberly.

CHAPTER 4

That evening Vergilius went to feast with the young Herodian prince, Antipater of Judea. The son of Herod was then a tall, swarthy, robust young man, who had come to see life in Rome and to finish his education. He would inherit the crown—so said they who knew anything of Herodian politics; but he was a Jew, and deep in the red intrigue of his father's house. So, therefore, he was regarded in Rome with more curiosity than respect. Augustus himself had said that he would rather be the swine of Herod than Herod's son, and he might have added that he would rather be the swine of Antipater than his father. But that was before Augustus had learned that even his own household was unworthy of full confidence.

Antipater had brought many slaves to Rome, and some of the noblest horses in the empire. He had hired a palace and built a lion-house, where, before intimates, he was wont to display his courage and his skill. It had a small arena and was in the midst of a great garden. There he kept a lion from northern Africa, a tiger, and a black leopard from the Himalayas. He was training for the Herodian prize at the Jewish amphitheatre in Caesarea. These great, stealthy cats in his garden typified the passions of his heart. If he had only fought these latter as he fought the beasts he might have had a better place in history.

Antipater had conceived a great liking for the sister of Appius. Her beauty had roused in him the great cats of passion now stalking their prey. He had sworn to his intimates that no other man should marry her. His gallantry was unwelcome, he knew that, and Appius had assured him that a marriage was impossible; but the wild heart of the Idumean held to its purpose. And now its hidden eyes were gazing, catlike, on Vergilius, the cause of its difficulty. In Judea he would have known how to act, but in Rome he pondered.

It had been a stormy day in the palace of Antipater. He had crucified a slave for disobedience and run a lance through one of his best horses for no reason. He came out of his bath a little before the hour of his banquet, and two slaves, trembling with fear, followed him to his chamber. They put his tunic on him, and his sandals, and wound the fillets that held them in place. One of the slaves began brushing the dark hair of his master while the other was rubbing a precious ointment on his face and arms.

"Fool!" he shouted. "Have I not told you never to bear upon my head?"

He jumped to his feet, black eyes flashing under heavy brows, and, seizing a lance, broke the slave's arm with a blow and drove him out of the chamber. A few minutes later, in a robe of white silk and a yellow girdle, he came into his banquet-hall with politeness, dovelike, worshipful, and caressing.

"Noble son of Varro!" said he, smiling graciously, "it is a joy to see you. And you, brave Gracus; and you, Aulus, child of Destiny; and you, my learned Manius; and you, Carus, favored of the Muses: I do thank you all for this honor."

It was a brilliant company—gay youths all, who could tell the new stories and loved to sit late with their wine. As they waited for dinner many tempting dishes were passed among them. There were oysters, mussels, spondyli, fieldfares with asparagus, roe-ribs, sea-nettles, and purple shellfish. When they came to their couches, the dinner-table was covered with rare and costly things. On platters of silver and gold one might have seen tunny fishes from Chalcedon, murcenas from the Straits of Gades, peacocks from Samos, grouse from Phrygia, cranes from Melos. Slaves were kept busy bringing boar's head and sow's udder and roasted fowls, and fish pasties, and boiled teals. Other slaves kept the goblets full of old wine. Soon the banquet had become a revel of song and laughter. Suddenly Antipater raised a calix high above his head.

"My noble friends," he shouted, "I bid you drink with me to Arria, sister of Appius, and fairest daughter of Rome—"

Vergilius had quickly risen to his feet. "Son of Herod," said he, with dignity, "I am in your palace and have tasted of your meat, and am therefore sacred. You make your wine bitter when you mingle it with the name of one so pure. Good women were better forgotten at a midnight revel."

A moment of silence followed.

"My intention was pure as she," Antipater answered, craftily. "Be not so jealous, my noble friend. I esteem her as the best and loveliest of women."

"Nay, not the loveliest," said the young Manius, an assessor in Judea. "I sing the praise of Salome, sister of our noble prince. Of all the forms in flesh and marble none compare with this beautiful daughter of the great king."

"May fairest women be for the best men," said Antipater, drinking his wine.

In a dim light along the farther side of the dining-hall was a row of figures, some draped, some nude, and all having the look of old marble. Two lay in voluptuous attitudes, one sat on a bank of flowers, and others stood upon pedestals.

There were all the varying forms of Venus represented in living flesh. None, save Antipater and the slaves around him, knew that under each bosom was a fearful and palpitating heart. They were beautiful slave-girls captured on the frontiers of Judea. In spite of aching sinew and muscle, they had to stand like stone to escape the observation of evil eyes. There was a cruelty behind that stony stillness of the maidens, equal, it would seem, to the worst in Hades.

Slaves kept the wine foaming in every goblet, and fought and danced and wrestled for the pleasing of that merry company, and the hours wore away. Suddenly the sound of a lyre hushed the revels. All heard the voice of a maiden singing, and turned to see whence it came. A sweet voice it was, trembling in tones that told of ancient wrong, in words full of a new hope. Had life and song come to one of those white marbles yonder? Voice and word touched the heart of Vergilius—he knew not why; and this in part is the chant that stopped the revels of Antipater:

  "Lift up my soul; let me not be ashamed—-I trust
      in Thee, God of my fathers;
  Send, quickly send, the new king whose arrows
      shall fly as the lightning,
  Making the mighty afraid and the proud to bow
      low and the wicked to tremble.
  Soon let me hear the great song that shall sound
      in the deep of the heavens;
  Show me the lantern of light hanging low in
      the deep of the heavens."

The voice of the singer grew faint and the lyre dropped from her hands. They could see her reeling, and suddenly she fell headlong to the rug beneath her pedestal. Antipater rose quickly with angry eyes.

"The accursed girl!" said he. "A Galilean slave of my father. She is forever chanting of a new king."

Hot with anger and flushed with wine, he ran, cursing, and kicked the shapely form that lay fainting at the foot of its pedestal.

"Fool!" he shouted. "Know you not that I only am your king? You shall be punished; you shall enter the cage of the leopard."

He went no further. Vergilius had rushed upon him and flung him to the floor. Antipater rose quickly and approached the young Roman, a devil in his eyes. Vergilius had a look of wonder and self-reproach.

"What have I done?" said he, facing the Jew. "Son of Herod, forgive me. She is your slave, and I—I am no longer master of myself. I doubt not some strange god is working in me, for I seem to be weak-hearted and cannot bear to see you kick her."

The declaration was greeted with loud laughter. Antipater stood muttering as he shook the skirt of his toga.

"'Tis odd, my goodfellows," said Vergilius, "but the other day I saw a man scourging his lady's-maid. Mother of the gods! I felt as if the blows were falling on my own back, and out went my hand upon his arm and I begged him—I begged him to spare the girl."

All laughed again.

"You should have a doll and long hair," said Antipater, in a tone of contempt.

The proud son of Varro stood waiting as the others laughed, his brows and chin lifting a bit with anger. When silence came he spoke slowly, looking from face to face:

"If any here dare to question my courage, within a moment it shall be proved upon him."

None spoke or moved for a breath. Antipater answered, presently:

"I doubt not your courage, noble Vergilius, but if you will have it tried I can show you a better way, and one that will spare your friends. Come, all of you."

As they were rising, the young Gracus remarked: "By Apollo! I have not taken my emetic."

"To forget that is to know sorrow," said another.

Slaves brought their outer robes and they followed the young prince. He led them, between vines and fruit trees and beds of martagon and mirasolus, to the lion-house in his garden. Vergilius now understood the test of courage to be put upon him. The great beasts were asleep in their cages, and Antipater prodded them with a lance. A thunder in their throats seemed to fill the air and shake the flames in the lampadaria. With sword and lance Antipater entered the arena, a space barred high, about thirty feet square, upon which all the cages opened.

"The tiger!" he commanded.

Keepers lifted a metal gate, and the huge cat leaped away from their lances, backed snarling to the end of his cage, and with a slow, creeping movement put his head and fore-paws into the arena; then a swift step or two, a lowering of the great head, and side-long he stood, with eyes aglow and fangs uncovered, a low mutter in his mouth, like the roar of a mighty harp-string. Some fifteen feet away stood the son of Herod, his lance poised.

"Never strike while your beast has a foot to the ground," said he, keeping his gaze on the face of the tiger. "He will be quick to move and parry. Wait until he is in the air, and then thrust your lance."

He made a feint with his weapon; the tiger darted half his length aside, with a great, bursting roar, and, crouching low, stealthily felt the ground beneath him.

"Watch him now," said the tall Antipater. "He will leap soon."

Again he drove him forward, and then the beast turned, facing his tormentor, and crouched low. There, in a huge setting of bone and muscle strangely fitted to its fierceness, with eyes of fire and feet of deadly stealth, its back arched like a drawn bow, the wild heart of the son of Herod seemed to be facing him.

"Look!" a slave shouted. "He has bent his bow."

The haired lip of the beast quivered; great cords of muscle were drawn tense. Like a flash the bow sprang and the columns of bone beneath him lifted, flinging his long, striped body in the air. With cat-like swiftness Antipater stepped aside, and while the huge beast was in mid-air, thrust the lance into his heart. He bore with all his strength and rushed away, seizing an other weapon. The big cat fell and rose and struck at the clinging lance, and stood a second flooding the floor with blood. Then down he went shuddering to his death. The young men shouted loud their applause in honor of Herod's son. While the beast was dying slaves came and sanded the floor. Then, presently, they swept up the red sand, and tying a rope to the legs of the limp tiger, dragged him away. They had done this kind of work before, and each knew his part. Presently Antipater called two of them.

"Bring that girl Cyran—she that chants of her new king," said he, as they ran to do his bidding.

"Noble prince, the strange god is again at work in me," said Vergilius, with rising ire. "I could not bear to see you put her with the leopard; I should rather face him myself."

"You!" said the other, tauntingly, and with a shrewd purpose. The youths turned to see if Vergilius would really accept the challenge. No man had ever faced a black leopard at close quarters without suffering death or injury.

"I," said Vergilius, promptly. "If it is amusement you desire, I can supply it as well as she. Surely I have more blood in me. If you wish only to feed the leopard—will I not make a better feast?"

A sound hushed them. It was the slave-girl, singing as she came near:

  "Send, quickly send, the new king whose arrows
      shall fly as the lightning,
  Making the mighty afraid and the proud to bow
      low and the wicked to tremble.
  Soon let me hear the great song that shall sound
      in the deep of the heavens;
  Show me the lantern of light hanging low in
      the deep of the heavens."

She was fair to look upon as she came, led by the carnifex, her form, draped in soft, transparent linen, like that of a goddess in its outline, her face lighted even with that light of which she sang.

"The girl against a hundred denarii that you cannot live an hour in the arena with him," said Antipater, hotly.

"I accept the wager," Vergilius calmly answered, laying off his robe and seizing a lance. He entered the arena and closed its gate behind him. "Drive the beast in upon me, son of Herod; and you, Gracus, be ready to hand me another lance."

The black leopard spat fiercely and struck at the points that were put upon it, the deep rumble in its throat swelling into loud crescendos. Of a sudden it bounded through the gateway and stood a moment, baring great fangs. The animal threatened with long hisses. Vergilius held its eye, his lance raised. The hissing ceased, the growl diminished, the stealthy paws moved slowly. Soon it rolled upon its side, purring, and seemed to caress the floor with head and paws—a trick to divert the gaze of Vergilius. The Satanic eyes were ever on its foe. As the beast lay there, twisting and turning, the black fur seemed to wrap it in the gloom of Tartarus, and the fire of the burning lake to shine through its eyes. While Vergilius stood motionless and alert, a slave hurriedly entered the lion-house and spoke to Antipater.

"The imperator!" whispered the slave. "He cannot wait; he must see you quickly."

"Where?"

"In the palace hall."

Antipater hurried away.

The slave-girl went close to the barred arena.

"Young master," said she, in quick and eager words, "the lamps are burning dimmer. They will go out soon. It is a trick. You will not be able to see and the leopard will rend you."

Antipater ran to the banquet-hall of his palace, where sat the emperor, his chin resting thoughtfully on his hand. The great Augustus did not look up nor even change his attitude as the son of Herod came near and bowed low and called him father.

"I have a plan," said the emperor thoughtfully, "—a pretty plan, my young prince of—of—"

"Judea?" suggested the young prince.

"Oh, well, it matters not," the great father went on. "You know that fair Vergilius, son of Varro? A headstrong, foolish youth he is, and I fear much that he is like to die shortly. What think you?"

The piercing eyes of Augustus were looking into those of the young man.

"My great father," said the latter, "I do not know."

"'Tis gross ignorance and unworthy of you," said Augustus, quickly, as he rose. "Well, I have bethought me of a pretty plan. Your funeral and his shall occur on the same day—a fine, great, amusing funeral," he added, thoughtfully. "It shall be so. Do not worry, I shall see you well buried. Ah, you are most impolite. Why do you not ask me to drink your health? My pretty prince, you look most ill and have need of my good wishes."

"Dominus!" said the other, trembling with anxiety.

"Dominus!" the old emperor shouted, angrily. "Call me ass, if you dare, but never call me 'Dominus.'"

"You honor me, great father," said the young man, his eyes staring with terror, "but I beg you to excuse me for a little time."

"Ah, so you would leave me," said the sly emperor, in his mildest tones. "A most inhospitable wretch, indeed."

The tall Jew was now pale with fright. His feeling showed in great beads of perspiration. He dared not to stay; he dared not to go. He was in a worse plight than Vergilius, now standing in the leopard's cage.

"A most inhospitable prince," the bland emperor repeated, smiling with amusement. "You are in a hurry?"

"I am ill."

The emperor stood smiling as Antipater glided away.

"Run, you knave!" said the former to himself, with a chuckle of satisfaction. "Upon my soul! the Jew has already set his snare."

Then the gentle and cunning man, Gaius Julius Caesar Octavianus Augustus, made his way to the entrance where lecticarii were waiting with his litter.

"Can you hear the sound of running feet?" he inquired of the lady who sat beside him as they went away.

"Yes. What means it?"

He turned with a smile and a movement of his hand. Then he answered calmly:

"Death is chasing a man through the garden yonder."

While Antipater was running towards the lion-house, that small tragedy of the arena was near its end.

The lights are burning low. Two have flickered for a little and gone out. The young men are watching with eager eyes.

"I can bear it no longer," says one, rushing to the gate of the arena, only to find that he could not open it.

The slave-girl utters a cry and steps forward and is caught and held by the carnifex.

Vergilius urges the leopard. He steps quickly, feinting with his lance; the cat darts along the farther side of the arena, roaring. Its eyes glow fiery in the dusk. The beast is become furious with continued baiting. Half the lamps are out and the light rapidly failing as Antipater rushes through the door. He falls beside the arena, rises and opens the gate.

"A lance," he whispers, and it is quickly put in his hands. "Come, come quickly, son of Varro," he whispers again. "The light is failing. He will tear you into shreds. Come through the gate here."

Vergilius had stopped, facing the leopard with lance raised.

"Not unless I have the wager," says he, calmly.

"You have won it," Antipater answers. "Come, good friend, be quick, I beg of you!"

Both moved backward through the gate, and before it closed there came a fling of claws on the floor. A black ball, bound hard with tightened sinew, rose in the air and shot across the arena and shook the gate which had closed in time to stop it.

"You are living, son of Varro, and I thank the God of my fathers," Antipater shouted, as he flung himself on a big divan, his breath coming fast. "I forgot the lights. I thought of them suddenly, and ran to save you. If I had been running in the games I should have won the laurel of Caesar."

"I was wrong—he could not have meant to slay me," thought Vergilius.
"Not by the paws of the leopard."

Cyran stood near the door, weeping. Antipater rose and led her to
Vergilius.

"The girl is yours," said he. "I am glad to be done with her. Come, all."

They followed him to the palace, and Vergilius bade the girl dress and be ready to join his pedisequi in the outer hall. She knelt before him and kissed the border of his tunic.

"Oh, my young master!" said she, "I shall be of those who part the briers in your way." Then she hurried to obey him.

"I would speak with you, noble son of Varro," said Antipater, beckoning.

Vergilius followed to the deep atrium of the palace, where they stood alone.

"You have one thing I desire, and I will pay you five thousand aurei to relinquish it—five thousand aurei," the Jew whispered.

"And what is it you would buy of me, noble prince?"

"A mere plaything! A bouquet that will fade shortly and be flung aside. The thing happens to suit my fancy, and—and I can afford it."

In the moment of silence that followed this remark a stern look of inquiry came into the face of Vergilius.

"Man, do you not know? 'Tis the sister of Appius," Antipater added, lightly.

"Cur of Judea!" hissed the knight, his sword flashing out of its scabbard, "I shall cut you down and fling you out to the dogs. Fight here and now. I demand it!"

The young Roman spoke loudly and stood waiting. Those others had heard the challenge and were now coming near. Antipater stood silent, glaring, as had the leopard, with an evil leer at his foe, and thinking no doubt of the warning of Augustus. The stiff, straight hairs in his mustache quivered as he turned slowly, watchfully, towards the others, who were now standing near. Since his funeral should occur on the same day, how could he fight with Vergilius?

"You dare not," the latter added, fiercely; "and before these men I denounce you as a coward—a coward who fears to raise a hand."

His arm was extended, his finger at the face of the Jew, now white with passion. Half a moment passed in which there was no word.

"You living carrion!" said the young knight, turning and walking away.
"I am done with you."

He took the hand of the poor slave Cyran, and walked to the farther side of the atrium. He turned, still white with anger as if unsatisfied.

"Pet of harlots!" said he, fiercely. "It is time for some one to stand for the honor of good women. If you do but speak her name again before me I will run you through."

Receiving no answer, he departed with Cyran, while the others gathered about their host.

There was a heavy rumble in the throat of Antipater—a tiger-like, Herodian trait—and then a volley of oaths came out of it. He trembled with rage and flung his sword far across the dim atrium with a shout of anger. Like the great cats in his rage, he was like them also in his methods of attack—sly and terrible, but with a deep regard for the integrity of his own skin. Sure of his advantage, he could be as brave as when he faced the tiger.

He sat awhile muttering, his face between his hands. Soon, having calmed his passion, he rose and snarled: "Good sirs, never quarrel with the pet of an emperor, for if one spares you the other will not."

CHAPTER 5

Arria and her mother sat with the emperor. He was at home and in a playful humor. The hour of his banquet was approaching. Soon he would be summoned to receive his guests.

"Nay, but I am sure he loves me," the girl was saying.

The cunning emperor smiled and spoke very gently. "Think you so, dear child? I will put him to the test. Soon we shall know if he be worthy of so great a prize. I will try both his wit and his devotion, but you—you cannot be here."

"And why, great father?"

"Think you it could be a test with your eye upon him?"

"Oh, but I must see it," said the girl. "Unless I see it I shall not know. Let me be your slave and stand behind you in gray cloth. Beloved father, I implore you, let me see the test."

"Ah, well," said the emperor, rising, with a smile. "I shall know nothing but that you have gone above-stairs to find Clia, mistress of the robes. Tell her to give you a box of tablets, and when I raise my finger—so—they are to be delivered. Away with you."

Arria left with a cry of joy, and presently Augustus went with the Lady
Lucia to meet his guests.

The "commands" of the emperor had given the hour of the banquet and prescribed the dress to be worn. Vergilius had waited anxiously for the moment when he should again see the great god of Rome, who could give or take away as he would. Standing at the door of Caesar, he wondered whether he were nearing the end of all pleasure or the gate of paradise. A plate of polished brass hung on its lintel, bearing in large letters the word Salve. A slave opened the door and took his pallium. Julia, that wayward daughter of Augustus, now three times married but yet beautiful, met him in the inner hall, and together they walked to the banquet-room. There the emperor, limping slightly, came to meet Vergilius, and there, also, were the guests, seven in number: Appius and his mother, the Lady Lucia; Terentia, wife of the late Maecenas; Manius, an assessor in Judea; Hortensius, legate of Spain; Antipater, son of Herod the Great; and Aulus Valerius Maro, the senator.

"It enters my thought to say to you," said the emperor, aside, as he put his hand upon the shoulder of Vergilius, "keep the number one in your mind, so that by-and-by you can tell me what you make of it."

Slaves had covered the table with fish and fowl in dishes of unwrought silver. The guests reclined upon three great divans set around as many sides of the table. They ate resting on their elbows, and were so disposed that each could see the host without turning. The emperor asked only for coarse bread, a morsel of fish, two figs, and a bit of cheese.

"My good friends," said he, in a low voice, when the wine was served, "we have with us an able officer in this young Manius, one of our assessors in Jerusalem. I ask you to drink his health. Though I can drink no wine, I can feel good sentiments."

One could not help remarking his fixed serenity of face and voice and manner as he went on:

"Some time ago it came to my ear that he thought me a tyrant wallowing in vulgar and ill-gotten luxury."

There was a little stir in those heads around the table, and in every hand and face one might have seen evidence of quickened pulses. The young officer was now staring through deathly pallor.

"My friends, it is not strange," said the great Augustus, mildly. "To Jerusalem is quite two thousand miles; and, then he was very young when he left the home of his fathers. Am I not right, Manius?"

"Your words are both true and kindly," said the young man.

"And you are discerning," said the emperor, with a smile. "Now, good people, observe that I have invited our young officer to Rome for two purposes: to show him, first, that I live no better than the poorest nobleman; secondly, that I am only a servant of the people; for, since he is an able officer, I shall resist my own will and keep him in the public service."

"Bravo!" said they all, and clapped their hands.

A strange, inscrutable man was the emperor at that moment, the mildness of a lamb in his voice and manner, the gleam of a serpent's eye under his brows. And that right hand of his, clinched now and quivering a little, had it grasped a reaching, invisible serpent within him? Kindly? Yes, but with the kindness of a deep and subtle character who saw in forbearance the best politics and the most effective discipline. Lights were now aglow in a great candelabrum over the table and in many tall lampadaria.

A slave, who was a juggler, came near and began to fill the gloom above him with golden disks. From afar came the music of flutes and timbrels. Julia retired presently, and returned soon with her pet dwarf Cenopas. She stood him on a large, round table, and the guests greeted him with loud laughter as he looked down. He had a hard, unlovely face, that little dwarf. He suggested to Vergilius unwelcome thoughts of a new sort of Cupid—deformed, evil, and hideous—typifying the degenerate passions of Rome. There were in the quiver of this Cupid arrows which carried the venom of the asp. Some at the table mocked his grinning face and made a jest of his deformity. When he could be heard he mimicked the speech and manners of public men.

"A Cupid with a knot in his back," said one.

"And if I were to aim an arrow at you," said the dwarf, quickly, "I'm sure you'd have a pain in yours."

"My dear," said the gentle-mannered emperor, when the laughter had died away, "I think we shall now give him the crown of folly and let him go."

"Between the greatest and the least of Romans," said his daughter, rising and pointing at her father and then at the dwarf, "I am lost in mediocrity."

A slave took the little creature in his arms and bore him away as if he had been a pet dog.

"Tell me, young men," said the emperor, "have you no lines to read us—you that have youth and beauty and sweethearts? How is it with you, good Vergilius?"

The young man shook his head. "No," said he; "I have youth and a sweetheart, but not the gift of poesy."

"No lines! What are we coming to in this Rome of ours? Are there no more poets? My dear friends, tell me, in the baths or the forum or the theatre, or wherever the people congregate, do you hear of no youth that has the divine gift of song?"

He paused for a little, but there was no reply.

"Then Rome is in evil days," said the great father, sadly.

"Why?" It was the question of Gracus.

"Why, young man? Because in every land there should be those who can cherish the fear of the gods and make honor beautiful and love sacred and valor a thing of imperishable fame. I assure you, good people, one poet is better," he paused, thoughtfully—"than ten thousand soldiers," he added. "Who will bring me a poet?"

The gods are indeed helpless, thought Vergilius. They must have poets to do their work for them? But he said nothing.

"The streets are full of poets," said Gracus.

"Those old men with long beards and stilted rubbish!" said Augustus, "with tragedies that slay the hero and the hearer! Bring me a poet, and, remember, I shall honor him above all men. Once I invited Horace to dine with me, and got no answer. He was a proud man"—this with a merry smile. "Again I invited him, and then he deigned to write me a sentence, merely, and said: 'Thanks, I am happy out here on my farm.' I did not know what to do, but I wrote a letter and said to the great man: 'You may not desire my friendship, but that is no reason for my failing to value yours.' I am proud to say that he was my friend ever after. But I weary you."

A female slave, thickly veiled, stood behind him. He made a signal and she quickly put in his hand a little box of ivory, finely wrought.

"I have here," said the great father, "nine disks of wax. You see they are very small, but so they shall serve my purpose the better. Will each of you take one and retire from the table and write upon it the thing he most desires? Now, my dear friends, brevity is ever as the point of the lance. Wit is blunt and Truth half armed without it. I lay a test upon you."

All retired quickly, and, soon returning, dropped their wishes in the box. The playful emperor closed and shook it and withdrew a disk.

"I find here the word 'preference,'" said he, and all observed that his keen eyes were calmly measuring the prince Antipater. "It is a poor word, and does you little honor, my young friend. In mere preference there is no merit. Here is another, and it says 'more wine.' Keep his goblet full," he added, pointing to that of the senator, as all laughed. "Here is one says 'rest.' Have patience, my good daughter, I shall soon be done talking. Another has on it the words 'your health'—a charming compliment, dear Lady Lucia. 'Courage,' 'wisdom,' 'success,'" he added, reading from the tablets. "Naturally, and who, indeed, does not desire those things? Here is one that says 'help'—a great word, upon my soul! He that prays for help and not for favor, if he do his best, may have many good things—even 'courage,' 'wisdom,' 'success.' Keep at work and you shall have my help, Appius, and, I doubt not, that of the gods also. Here is one—I like it best of all—it is that of the modest young Vergilius. He would have a priceless thing. And do you," he inquired, turning to the young knight, "desire this above all things? Think; there is the distinction of place and power and honor—the ring of a legate would become you well!"

"But, above all," said Vergilius, "I desire that I have written."

"Beautiful boy!" said the cunning emperor. "'Tis so great a prize, give me another test of your quality. With one word you ask for one thing. To try your wit, I give you a theme so small it is next to naught—the number one. Tell us, and briefly as you may, what is in it."

The young man rose and bowed low. "One is in all numbers," said he, "and unless all numbers are as one they are nothing. I desire one mistress for my heart, one purpose for my conduct, and one great master for my country."