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Vignettes: A Miniature Journal of Whim and Sentiment

Chapter 24: IN THE CAMPO SANTO AT PERUGIA
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About This Book

A series of brief, impressionistic sketches that record travel and everyday moments across towns and countryside. The pieces combine vivid sensory description—light, colour, smells, and sounds—with small character studies and snapshots of local life, from markets and festivals to quiet hours in churches and fields. The writing alternates playful whim and reflective sentiment, moving between urban bustle and pastoral stillness while attending to seasonal change and transient moods. Together the vignettes form a mosaic of place and moment, valuing mood, detail, and human gesture over narrative development.

IN THE CAMPO SANTO AT PERUGIA


November 1

The young moon hangs amid a steely sky; the land, empty and darkening, rolls like a billowing sea towards the Western orange glow; and high behind us the tall hill lifts Perugia’s ragged silhouette.

Down the steep road they came—grave bourgeois; bands of brown-faced youths, chewing thin cigars; aged peasant-women, with faded, wrinkled eyes; chattering country-girls, gaudy handkerchiefs around their hair; toddling children; uncouth men from the mountains, sullenly wrapped in fur-trimmed cloaks, while, posted in rows on either side, the crippled beggars offer their dusty hats, and whine for charity in the Virgin’s name.

Before the red gate of the Campo Santo the crowd surges; within, every alley is black with the press of people. It is the day of the dead. To visit the dead all the town is come.

... The pale specks of a myriad, tiny lamps; the glow of garlands against the crowding slabs of snow-white marble, that mark the children’s graves; the glitter of every small, spruce mortuary chapel; and the glad scent of freshly-scattered flowers....

Death loses its squalor; and becomes something demure, sociable, almost gay....