Waverley; or, 'Tis sixty years since

CHAPTER XX

A HIGHLAND FEAST

Ere Waverley entered the banqueting hall, he was offered the patriarchal refreshment of a bath for the feet, which the sultry weather, and the morasses he had traversed, rendered highly acceptable. He was not, indeed, so luxuriously attended upon this occasion as the heroic travellers in the Odyssey; the task of ablution and abstersion being performed, not by a beautiful damsel, trained

but by a smoke-dried skinny old Highland woman, who did not seem to think herself much honoured by the duty imposed upon her, but muttered between her teeth, 'Our father's herds did not feed so near together, that I should do you this service.' A small donation, however, amply reconciled this ancient handmaiden to the supposed degradation; and, as Edward proceeded to the hall, she gave him her blessing, in the Gaelic proverb, 'May the open hand be filled the fullest.'

The hall, in which the feast was prepared, occupied all the first storey of Ian nan Chaistel's original erection, and a huge oaken table extended through its whole length. The apparatus for dinner was simple, even to rudeness, and the company numerous, even to crowding. At the head of the table was the Chief himself, with Edward, and two or three Highland visitors of neighbouring clans; the elders of his own tribe, wadsetters, and tacksmen, as they were called, who occupied portions of his estate as mortgagers or lessees, sat next in rank beneath them, their sons, and nephews, and foster-brethren; then the officers of the Chief's household, according to their order; and, lowest of all, the tenants who actually cultivated the ground. Even beyond this long perspective, Edward might see upon the green, to which a huge pair of folding doors opened, a multitude of Highlanders of a yet inferior description, who, nevertheless, were considered as guests, and had their share both of the countenance of the entertainer, and of the cheer of the day. In the distance, and fluctuating round this extreme verge of the banquet, was a changeful group of women, ragged boys and girls, beggars, young and old, large greyhounds, and terriers, and pointers, and curs of low degree; all of whom took some interest, more or less immediate, in the main action of the piece.

This hospitality, apparently unbounded, had yet its line of economy. Some pains had been bestowed in dressing the dishes of fish, game, &c., which were at the upper end of the table, and immediately under the eye of the English stranger. Lower down stood immense clumsy joints of mutton and beef, which, but for the absence of pork, 17 abhorred in the Highlands, resembled the rude festivity of the banquet of Penelope's suitors. But the central dish was a yearling lamb, called 'a hog in har'st,' roasted whole. It was set upon its legs, with a bunch of parsley in its mouth, and was probably exhibited in that form to gratify the pride of the cook, who piqued himself more on the plenty than the elegance of his master's table. The sides of this poor animal were fiercely attacked by the clansmen, some with dirks, others with the knives which were usually in the same sheath with the dagger, so that it was soon rendered a mangled and rueful spectacle. Lower down still, the victuals seemed of yet coarser quality, though sufficiently abundant. Broth, onions, cheese, and the fragments of the feast, regaled the sons of Ivor who feasted in the open air.

The liquor was supplied in the same proportion, and under similar regulations. Excellent claret and champagne were liberally distributed among the Chief's immediate neighbours; whisky, plain or diluted, and strong beer, refreshed those who sat near the lower end. Nor did this inequality of distribution appear to give the least offence. Every one present understood that his taste was to be formed according to the rank which he held at table; and, consequently, the tacksmen and their dependants always professed the wine was too cold for their stomachs, and called, apparently out of choice, for the liquor which was assigned to them from economy. 18 The bagpipers, three in number, screamed, during the whole time of dinner, a tremendous war-tune; and the echoing of the vaulted roof, and clang of the Celtic tongue, produced such a Babel of noises, that Waverley dreaded his ears would never recover it. Mac-Ivor, indeed, apologized for the confusion occasioned by so large a party, and pleaded the necessity of his situation, on which unlimited hospitality was imposed as a paramount duty. 'These stout idle kinsmen of mine,' he said, 'account my estate as held in trust for their support; and I must find them beef and ale, while the rogues will do nothing for themselves but practise the broadsword, or wander about the hills, shooting, fishing, hunting, drinking, and making love to the lasses of the strath. But what can I do, Captain Waverley? everything will keep after its kind, whether it be a hawk or a Highlander.' Edward made the expected answer, in a compliment upon his possessing so many bold and attached followers.

'Why, yes,' replied the Chief,' were I disposed, like my father, to put myself in the way of getting one blow on the head, or two on the neck, I believe the loons would stand by me. But who thinks of that in the present day, when the maxim is,—"Better an old woman with a purse in her hand, than three men with belted brands?"' Then, turning to the company, he proposed the 'Health of Captain Waverley, a worthy friend of his kind neighbour and ally, the Baron of Bradwardine.'

'He is welcome hither,' said one of the elders, 'if he come from Cosmo Comyne Bradwardine.'

'I say nay to that,' said an old man, who apparently did not mean to pledge the toast: 'I say nay to that;—while there is a green leaf in the forest, there will be fraud in a Comyne.'

'There is nothing but honour in the Baron of Bradwardine,' answered another ancient; 'and the guest that comes hither from him should be welcome, though he came with blood on his hand, unless it were blood of the race of Ivor.'

The old man, whose cup remained full, replied, 'There has been blood enough of the race of Ivor on the hand of Bradwardine.'

'Ah! Ballenkeiroch,' replied the first, 'you think rather of the flash of the carbine at the Mains of Tully-Veolan, than the glance of the sword that fought for the cause at Preston.'

'And well I may,' answered Ballenkeiroch; 'the flash of the gun cost me a fair-haired son, and the glance of the sword has done but little for King James.'

The Chieftain, in two words of French, explained to Waverley, that the Baron had shot this old man's son in a fray near Tully-Veolan about seven years before; and then hastened to remove Ballenkeiroch's prejudice, by informing him that Waverley was an Englishman, unconnected by birth or alliance with the family of Bradwardine; upon which the old gentleman raised the hitherto-untasted cup, and courteously drank to his health. This ceremony being requited in kind, the Chieftain made a signal for the pipes to cease, and said aloud, 'Where is the song hidden, my friends, that Mac-Murrough cannot find it?'

Mac-Murrough, the family BHAIRDH, an aged man, immediately took the hint, and began to chant, with low and rapid utterance, a profusion of Celtic verses, which were received by the audience with all the applause of enthusiasm. As he advanced in his declamation, his ardour seemed to increase. He had at first spoken with his eyes fixed on the ground; he now cast them around as if beseeching, and anon as if commanding, attention, and his tones rose into wild and impassioned notes, accompanied with appropriate gestures. He seemed to Edward, who attended to him with much interest, to recite many proper names, to lament the dead, to apostrophize the absent, to exhort, and entreat, and animate those who were present. Waverley thought he even discerned his own name, and was convinced his conjecture was right, from the eyes of the company being at that moment turned towards him simultaneously. The ardour of the poet appeared to communicate itself to the audience. Their wild and sunburnt countenances assumed a fiercer and more animated expression; all bent forward towards the reciter, many sprang up and waved their arms in ecstasy, and some laid their hands on their swords. When the song ceased, there was a deep pause, while the aroused feelings of the poet and of the hearers gradually subsided into their usual channel.

The Chieftain, who during this scene had appeared rather to watch the emotions which were excited, than to partake their high tone of enthusiasm, filled with claret a small silver cup which stood by him. 'Give this,' he said to an attendant, 'to Mac-Murrough nan Fonn (i.e. of the songs), and when he has drunk the juice, bid him keep, for the sake of Vich Ian Vohr, the shell of the gourd which contained it.' The gift was received by Mac-Murrough with profound gratitude; he drank the wine, and, kissing the cup, shrouded it with reverence in the plaid which was folded on his bosom. He then burst forth into what Edward justly supposed to be an extemporaneous effusion of thanks, and praises of his Chief. It was received with applause, but did not produce the effect of his first poem. It was obvious, however, that the clan regarded the generosity of their Chieftain with high approbation. Many approved Gaelic toasts were then proposed, of some of which the Chieftain gave his guest the following versions:—'To him that will not turn his back on friend or foe.' 'To him that never forsook a comrade.' 'To him that never bought or sold justice.' 'Hospitality to the exile, and broken bones to the tyrant.' 'The lads with the kilts.' 'Highlanders, shoulder to shoulder,'—with many other pithy sentiments of the like nature.

Edward was particularly solicitous to know the meaning of that song which appeared to produce such effect upon the passions of the company, and hinted his curiosity to his host. 'As I observe,' said the Chieftain, 'that you have passed the bottle during the last three rounds, I was about to propose to you to retire to my sister's tea-table, who can explain these things to you better than I can. Although I cannot stint my clan in the usual current of their festivity, yet I neither am addicted myself to exceed in its amount, nor do I,' added he, smiling, 'keep a Bear to devour the intellects of such as can make good use of them.'

Edward readily assented to this proposal, and the Chieftain, saying a few words to those around him, left the table, followed by Waverley. As the door closed behind them, Edward heard Vich Ian Vohr's health invoked with a wild and animated cheer, that expressed the satisfaction of the guests, and the depth of their devotion to his service.

CHAPTER XXI

THE CHIEFTAIN'S SISTER

The drawing-room of Flora Mac-Ivor was furnished in the plainest and most simple manner; for at Glennaquoich every other sort of expenditure was retrenched as much as possible, for the purpose of maintaining, in its full dignity, the hospitality of the Chieftain, and retaining and multiplying the number of his dependants and adherents. But there was no appearance of this parsimony in the dress of the lady herself, which was in texture elegant, and even rich, and arranged in a manner which partook partly of the Parisian fashion, and partly of the more simple dress of the Highlands, blended together with great taste. Her hair was not disfigured by the art of the friseur, but fell in jetty ringlets on her neck, confined only by a circlet, richly set with diamonds. This peculiarity she adopted in compliance with the Highland prejudices, which could not endure that a woman's head should be covered before wedlock.

Flora Mac-Ivor bore a most striking resemblance to her brother Fergus; so much so, that they might have played Viola and Sebastian with the same exquisite effect produced by the appearance of Mrs. Henry Siddons and her brother, Mr. William Murray, in these characters. They had, the same antique and regular correctness of profile; the same dark eyes, eyelashes, and eyebrows; the same clearness of complexion, excepting that Fergus's was embrowned by exercise, and Flora's possessed the utmost feminine delicacy. But the haughty, and somewhat stern regularity of Fergus's features was beautifully softened in those of Flora. Their voices were also similar in tone, though differing in the key. That of Fergus, especially while issuing orders to his followers during their military exercise, reminded Edward of a favourite passage in the description of Emetrius:

That of Flora, on the contrary, was soft and sweet,—'an excellent thing in woman;' yet, in urging any favourite topic, which she often pursued with natural eloquence, it possessed as well the tones which impress awe and conviction, as those of persuasive insinuation. The eager glance of the keen black eye, which in the Chieftain seemed impatient even of the material obstacles it encountered, had, in his sister, acquired a gentle pensiveness. His looks seemed to seek glory, power, all that could exalt him above others in the race of humanity; while those of his sister, as if she were already conscious of mental superiority, seemed to pity, rather than envy, those who were struggling for any further distinction. Her sentiments corresponded with the expression of her countenance. Early education had impressed upon her mind, as well as on that of the Chieftain, the most devoted attachment to the exiled family of Stuart. She believed if the duty of her brother, of his clan, of every man in Britain, at whatever personal hazard, to contribute to that restoration which the partisans of the Chevalier de St. George had not ceased to hope for. For this she was prepared to do all, to suffer all, to sacrifice all. But her loyalty, as it exceeded her brother's in fanaticism, excelled it also in purity. Accustomed to petty intrigue, and necessarily involved in a thousand paltry and selfish discussions, ambitious also by nature, his political faith was tinctured, at least, if not tainted, by the views of interest and advancement so easily combined with it; and at the moment he should unsheathe his claymore, it might be difficult to say whether it would be most with the view of making James Stuart a king, or Fergus Mac-Ivor an earl. This, indeed, was a mixture of feeling which he did not avow even to himself, but it existed, nevertheless, in a powerful degree.

In Flora's bosom, on the contrary, the zeal of loyalty burnt pure and unmixed with any selfish feeling; she would have as soon made religion the mask of ambitious and interested views, as have shrouded them under the opinions which she had been taught to think patriotism. Such instances of devotion were not uncommon among the followers of the unhappy race of Stuart, of which many memorable proofs will recur to the mind of most of my readers. But peculiar attention on the part of the Chevalier de St. George and his princess to the parents of Fergus and his sister, and to themselves when orphans, had riveted their faith. Fergus, upon the death of his parents, had been for some time a page of honour in the train of the Chevalier's lady, and, from his beauty and sprightly temper, was uniformly treated by her with the utmost distinction. This was also extended to Flora, who was maintained for some time at a convent of the first order, at the princess's expense, and removed from thence into her own family, where she spent nearly two years. Both brother and sister retained the deepest and most grateful sense of her kindness.

Having thus touched upon the leading principle of Flora's character, I may dismiss the rest more slightly. She was highly accomplished, and had acquired those elegant manners to be expected from one who, in early youth, had been the companion of a princess; yet she had not learned to substitute the gloss of politeness for the reality of feeling. When settled in the lonely regions of Glennaquoich, she found that her resources in French, English, and Italian literature, were likely to be few and interrupted; and, in order to fill up the vacant time, she bestowed a part of it upon the music and poetical traditions of the Highlanders, and began really to feel the pleasure in the pursuit, which her brother, whose perceptions of literary merit were more blunt, rather affected for the sake of popularity than actually experienced. Her resolution was strengthened in these researches by the extreme delight which her inquiries seemed to afford those to whom she resorted for information.

Her love of her clan, an attachment which was almost hereditary in her bosom, was, like her loyalty, a more pure passion than that of her brother. He was too thorough a politician, regarded his patriarchal influence too much as the means of accomplishing his own aggrandizement, that we should term him the model of a Highland Chieftain. Flora felt the same anxiety for cherishing and extending their patriarchal sway, but it was with the generous desire of vindicating from poverty, or at least from want and foreign oppression, those whom her brother was by birth, according to the notions of the time and country, entitled to govern. The savings of her income, for she had a small pension from the Princess Sobieski, were dedicated, not to add to the comforts of the peasantry, for that was a word which they neither knew nor apparently wished to know, but to relieve their absolute necessities, when in sickness or extreme old age. At every other period, they rather toiled to procure something which they might share with the Chief as a proof of their attachment, than expected other assistance from him save what was afforded by the rude hospitality of his castle, and the general division and subdivision of his estate among them. Flora was so much beloved by them, that when Mac-Murrough composed a song in which he enumerated all the principal beauties of the district, and intimated her superiority by concluding; that 'the fairest apple hung on the highest bough,' he received, in donatives from the individuals of the clan, more seed-barley than would have sowed his Highland Parnassus, the Bard's croft as it was called, ten times over.

From situation, as well as choice, Miss Mac-Ivor's society was extremely limited. Her most intimate friend had been Rose Bradwardine, to whom she was much attached; and when seen together, they would have afforded an artist two admirable subjects for the gay and the melancholy muse. Indeed Rose was so tenderly watched by her father, and her circle of wishes was so limited, that none arose but what he was willing to gratify, and scarce any which did not come within the compass of his power. With Flora it was otherwise. While almost a girl, she had undergone the most complete change of scene, from gaiety and splendour to absolute solitude and comparative poverty; and the ideas and wishes which she chiefly fostered, respected great national events, and changes not to be brought round without both hazard and bloodshed, and therefore not to be thought of with levity. Her manner, consequently, was grave, though she readily contributed her talents to the amusement of society, and stood very high in the opinion of the old Baron, who used to sing along with her such French duets of Lindor and Cloris, &c., as were in fashion about the end of the reign of old Louis le Grand.

It was generally believed, though no one durst have hinted it to the Baron of Bradwardine, that Flora's entreaties had no small share in allaying the wrath of Fergus upon occasion of their quarrel. She took her brother on the assailable side, by dwelling first upon the Baron's age, and then representing the injury which the cause might sustain, and the damage which must arise to his own character in point of prudence, so necessary to a political agent, if he persisted in carrying it to extremity. Otherwise it is probable it would have terminated in a duel, both because the Baron had, on a former occasion, shed blood of the clan, though the matter had been timely accommodated, and on account of his high reputation for address at his weapon, which Fergus almost condescended to envy. For the same reason she had urged their reconciliation, which the Chieftain the more readily agreed to, as it favoured some ulterior projects of his own.

To this young lady, now presiding at the female empire of the tea-table, Fergus introduced Captain Waverley, whom she received with the usual forms of politeness.

CHAPTER XXII

HIGHLAND MINSTRELSY

When the first salutations had passed, Fergus said to his sister, 'My dear Flora, before I return to the barbarous ritual of our forefathers, I must tell you that Captain Waverley is a worshipper of the Celtic muse, not the less so perhaps that he does not understand a word of her language. I have told him you are eminent as a translator of Highland poetry, and that Mac-Murrough admires your version of his songs upon the same principle that Captain Waverley admires the original,—because he does not comprehend them. Will you have the goodness to read or recite to our guest in English, the extraordinary string of names which Mac-Murrough has tacked together in Gaelic?—My life to a moorfowl's feather, you are provided with a version; for I know you are in all the bard's councils, and acquainted with his songs long before he rehearses them in the hall.'

'How can you say so, Fergus? You know how little these verses can possibly interest an English stranger, even if I could translate them as you pretend.'

'Not less than they interest me, lady fair. To-day your joint composition, for I insist you had a share in it, has cost me the last silver cup in the castle, and I suppose will cost me something else next time I hold COUR PLENIERE, if the muse descends on Mac-Murrough; for you know our proverb,—When the hand of the chief ceases to bestow, the breath of the bard is frozen in the utterance.—Well, I would it were even so: there are three things that are useless to a modern Highlander, a sword which he must not draw,—a bard to sing of deeds which he dare not imitate,—and a large goatskin purse without a louis d'or to put into it.'

'Well, brother, since you betray my secrets, you cannot expect me to keep yours.—I assure you, Captain Waverley, that Fergus is too proud to exchange his broadsword for a marechal's baton; that he esteems Mac-Murrough a far greater poet than Homer, and would not give up his goat skin purse for all the louis d'or which it could contain.'

'Well pronounced, Flora; blow for blow, as Conan 19 said to the devil. Now do you two talk of bards and poetry, if not of purses and claymores, while I return to do the final honours to the senators of the tribe of Ivor.' So saying, he left the room.

The conversation continued between Flora, and Waverley; for two well-dressed young women, whose character seemed to hover between that of companions and dependants, took no share in it. They were both pretty girls, but served only as foils to the grace and beauty of their patroness. The discourse followed the turn which the Chieftain had given it, and Waverley was equally amused and surprised with the account which the lady gave him of Celtic poetry.

'The recitation,' she said, 'of poems, recording the feats of heroes, the complaints of lovers, and the wars of contending tribes, forms the chief amusement of a winter fireside in the Highlands. Some of these are said to be very ancient, and if they are ever translated into any of the languages of civilized Europe, cannot fail to produce a deep and general sensation. Others are more modern, the composition of those family bards whom the chieftains of more distinguished name and power retain as the poets and historians of their tribes. These, of course, possess various degrees of merit; but much of it must evaporate in translation, or be lost on those who do not sympathize with the feelings of the poet.

'And your bard, whose effusions seemed to produce such effect upon the company to-day,—is he reckoned among the favourite poets of the mountain?'

'That is a trying question. His reputation is high among his countrymen, and you must not expect me to depreciate it.' [The Highland poet almost always was an improvisatore. Captain Burt met one of them at Lovat's table.]

'But the song, Miss Mac-Ivor, seemed to awaken all those warriors, both young and old.'

'The song is little more than a catalogue of names of the 'Highland clans under their distinctive peculiarities, and an exhortation to them to remember and to emulate the actions of their forefathers.'

'And am I wrong in conjecturing, however extraordinary the guess appears, that there was some allusion to me in the verses which he recited?'

'You have a quick observation, Captain Waverley, which in this instance has not deceived you. The Gaelic language, being uncommonly vocalic, is well adapted for sudden and extemporaneous poetry; and a bard seldom fails to augment the effects of a premeditated song, by throwing in any stanzas which may be suggested by the circumstances attending the recitation.'

'I would give my best horse to know what the Highland bard could find to say of such an unworthy Southron as myself.'

'It shall not even cost you a lock of his mane.—Una, MAVOURNEEN! (She spoke a few words to one of the young girls in attendance, who instantly curtsied, and tripped out of the room.)—I have sent Una to learn from the bard the expressions he used, and you shall command my skill as dragoman.'

Una returned in a few minutes, and repeated to her mistress a few lines in Gaelic. Flora seemed to think for a moment, and then, slightly colouring, she turned to Waverley—'It is impossible to gratify your curiosity, Captain Waverley, without exposing my own presumption. If you will give me a few moments for consideration, I will endeavour to engraft the meaning of these lines upon a rude English translation, which I have attempted, of a part of the original. The duties of the tea-table seem to be concluded, and, as the evening is delightful, Una will show you the way to one of my favourite haunts, and Cathleen and I will join you there.'

Una, having received instructions in her native language, conducted Waverley out by a passage different from that through which he had entered the apartment. At a distance he heard the hall of the chief still resounding with the clang of bagpipes and the high applause of his guests. Having gained the open air by a postern door, they walked a little way up the wild, bleak, and narrow valley in which the house was situated, following the course of the stream that winded through it. In a spot, about a quarter of a mile from the castle, two brooks, which formed the little river, had their junction. The larger of the two came down the long bare valley, which extended, apparently without any change or elevation of character, as far as the hills which formed its boundary permitted the eye to reach. But the other stream, which had its source among the mountains on the left hand of the strath, seemed to issue from a very narrow and dark opening betwixt two large rocks. These streams were different also in character. The larger was placid, and even sullen in its course, wheeling in deep eddies, or sleeping in dark blue pools; but the motions of the lesser brook were rapid and furious, issuing from between precipices, like a maniac from his confinement, all foam and uproar.

It was up the course of this last stream that Waverley, like a knight of romance, was conducted by the fair Highland damsel, his silent guide. A small path, which had been rendered easy in many places for Flora's accommodation, led him through scenery of a very different description from that which he had just quitted. Around the castle, all was cold, bare, and desolate, yet tame even in desolation; but this narrow glen, at so short a distance, seemed to open into the land of romance. The rocks assumed a thousand peculiar and varied forms. In one place, a crag of huge size presented its gigantic bulk, as if to forbid the passenger's farther progress; and it was not until he approached its very base, that Waverley discerned the sudden and acute turn by which the pathway wheeled its course around this formidable obstacle. In another spot, the projecting rocks from the opposite sides of the chasm had approached so near to each other, that two pine-trees laid across, and covered with turf, formed a rustic bridge at the height of at least one hundred and fifty feet. It had no ledges, and was barely three feet in breadth.

While gazing at this pass of peril, which crossed, like a single black line, the small portion of blue sky not intercepted by the projecting rocks on either side, it was with a sensation of horror that Waverley beheld Flora and her attendant appear, like inhabitants of another region, propped, as it were, in mid air, upon this trembling structure. She stopped upon observing him below, and, with an air of graceful ease, which made him shudder, waved her handkerchief to him by way of signal. He was unable, from the sense of dizziness which her situation conveyed, to return the salute; and was never more relieved than when the fair apparition passed on from the precarious eminence which she seemed to occupy with so much indifference, and disappeared on the other side.

Advancing a few yards, and passing under the bridge which he had viewed with so much terror, the path ascended rapidly from the edge of the brook, and the glen widened into a sylvan amphitheatre, waving with birch, young oaks, and hazels, with here and there a scattered yew-tree. The rocks now receded, but still showed their grey and shaggy crests rising among the copse-wood. Still higher, rose eminences and peaks, some bare, some clothed with wood, some round and purple with heath, and others splintered into rocks and crags. At a short turning, the path, which had for some furlongs lost sight of the brook, suddenly placed Waverley in front of a romantic waterfall. It was not so remarkable either for great height or quantity of water, as for the beautiful accompaniments which made the spot interesting. After a broken cataract of about twenty feet, the stream was received in a large natural basin filled to the brim with water, which, where the bubbles of the fall subsided, was so exquisitely clear, that, although it was of great depth, the eye could discern each pebble at the bottom. Eddying round this reservoir, the brook found its way over a broken part of the ledge, and formed a second fall, which seemed to seek the very abyss; then, wheeling out beneath from among the smooth dark rocks, which it had polished for ages, it wandered murmuring down the glen, forming the stream up which Waverley had just ascended. 20 The borders of this romantic reservoir corresponded in beauty; but it was beauty of a stern and commanding cast, as if in the act of expanding into grandeur. Mossy banks of turf were broken and interrupted by huge fragments of rock, and decorated with trees and shrubs, some of which had been planted under the direction of Flora, but so cautiously, that they added to the grace, without diminishing the romantic wildness of the scene.

Here, like one of those lovely forms which decorate the landscapes of Poussin, Waverley found Flora, gazing on the waterfall. Two paces further back stood Cathleen, holding a small Scottish harp, the use of which had been taught to Flora by Rory Dall, one of the last harpers of the Western Highlands. The sun, now stooping in the west, gave a rich and varied tinge to all the objects which surrounded Waverley, and seemed to add more than human brilliancy to the full expressive darkness of Flora's eye, exalted the richness and purity of her complexion, and enhanced the dignity and grace of her beautiful form. Edward thought he had never, even in his wildest dreams, imagined a figure of such exquisite and interesting loveliness. The wild beauty of the retreat, bursting upon him as if by magic, augmented the mingled feeling of delight and awe with which he approached her, like a fair enchantress of Boiardo or Ariosto, by whose nod the scenery around seemed to have been created, an Eden in the wilderness.

Flora, like every beautiful woman, was conscious of her own power, and pleased with its effects, which she could easily discern from the respectful, yet confused address of the young soldier. But, as she possessed excellent sense, she gave the romance of the scene, and other accidental circumstances, full weight in appreciating the feelings with which Waverley seemed obviously to be impressed; and, unacquainted with the fanciful and susceptible peculiarities of his character, considered his homage as the passing tribute which a woman of even inferior charms might have expected in such a situation. She therefore quietly led the way to a spot at such a distance from the cascade, that its sound should rather accompany than interrupt that of her voice and instrument, and, sitting down upon a mossy fragment of rock, she took the harp from Cathleen.

'I have given you the trouble of walking to this spot, Captain Waverley, both because I thought the scenery would interest you, and because a Highland song would suffer still more from my imperfect translation, were I to introduce it without its own wild and appropriate accompaniments. To speak in the poetical language of my country, the seat of the Celtic muse is in the mist of the secret and solitary hill, and her voice in the murmur of the mountain stream. He who wooes her must love the barren rock more than the fertile valley, and the solitude of the desert better than the festivity of the hall.'

Few could have heard this lovely woman make this declaration, with a voice where harmony was exalted by pathos, without exclaiming that the muse whom she invoked could never find a more appropriate representative. But Waverley, though the thought rushed on his mind, found no courage to utter it. Indeed, the wild feeling of romantic delight with which he heard the first few notes she drew from her instrument, amounted almost to a sense of pain. He would not for worlds have quitted his place by her side; yet he almost longed for solitude, that he might decipher and examine at leisure the complication of emotions which now agitated his bosom.

Flora had exchanged the measured and monotonous recitative of the bard for a lofty and uncommon Highland air, which had been a battle-song in former ages. A few irregular strains introduced a prelude of a wild and peculiar tone, which harmonized well with the distant waterfall, and the soft sigh of the evening breeze in the rustling leaves of an aspen which overhung the seat of the fair harpress. The following verses convey but little idea of the feelings with which, so sung and accompanied, they were heard by Waverley:—

Here a large greyhound, bounding up the glen, jumped upon Flora, and interrupted her music by his importunate caresses. At a distant whistle, he turned, and shot down the path again with the rapidity of an arrow. 'That is Fergus's faithful attendant, Captain Waverley, and that was his signal. He likes no poetry but what is humorous, and comes in good time to interrupt my long catalogue of the tribes, whom one of your saucy English poets calls

Waverley expressed his regret at the interruption.

'Oh, you cannot guess how much you have lost! The bard, as in duty bound, has addressed three long stanzas to Vich Ian Vohr of the Banners, enumerating all his great properties, and not forgetting his being a cheerer of the harper and bard,—"a giver of bounteous gifts." Besides, you should have heard a practical admonition to the fair-haired son of the stranger, who lives in the land where the grass is always green—the rider on the shining pampered steed, whose hue is like the raven, and whose neigh is like the scream of the eagle for battle. This valiant horseman is affectionately conjured to remember that his ancestors were distinguished by their loyalty, as well as by their courage.—All this you have lost; but, since your curiosity is not satisfied, I judge, from the distant sound of my brother's whistle, I may have time to sing the concluding stanzas before he comes to laugh at my translation.'

CHAPTER XXIII

WAVERLEY CONTINUES AT GLENNAQUOICH

As Flora concluded her song, Fergus stood before them. 'I knew I should find you here, even without the assistance of my friend Bran. A simple and unsublimed taste now, like my own, would prefer a jet d'eau at Versailles to this cascade with all its accompaniments of rock and roar; but this is Flora's Parnassus, Captain Waverley, and that fountain her Helicon. It would be greatly for the benefit of my cellar if she could teach her coadjutor, Mac-Murrough, the value of its influence: he has just drunk a pint of usquebaugh to correct, he said, the coldness of the claret.—Let me try its virtues.' He sipped a little water in the hollow of his hand, and immediately commenced, with a theatrical air,—

But English poetry will never succeed under the influence of a Highland Helicon.—ALLONS, COURAGE!—

'A truce, dear Fergus! spare us those most tedious and insipid persons of all Arcadia. Do not, for Heaven's sake, bring down Coridon and Lindor upon us.'

'Nay, if you cannot relish LA HOULETTE ET LE CHALUMEAU, have with you in heroic strains.'

'Dear Fergus, you have certainly partaken of the inspiration of Mac-Murrough's cup, rather than of mine.'

'I disclaim it, MA BELLE DEMOISELLE, although I protest it would be the more congenial of the two. Which of your crackbrained Italian romancers is it that says,

But if you prefer the Gaelic, Captain Waverley, here is little Cathleen shall sing you Drimmindhu.—Come, Cathleen, ASTORE (i.e. my dear), begin; no apologies to the CEANKINNE.'

Cathleen sang with much liveliness a little Gaelic song, the burlesque elegy of a countryman on the loss of his cow, the comic tones of which, though he did not understand the language, made Waverley laugh more than once. [This ancient Gaelic ditty is still well known, both in the Highlands and in Ireland. It was translated into English, and published, if I mistake not, under the auspices of the facetious Tom D'Urfey, by the title of 'Colley, my Cow.']

'Admirable, Cathleen!' cried the Chieftain; 'I must find you a handsome husband among the clansmen one of these days.'

Cathleen laughed, blushed, and sheltered herself behind her companion.

In the progress of their return to the castle, the Chieftain warmly pressed Waverley to remain for a week or two, in order to see a grand hunting party, in which he and some other Highland gentlemen proposed to join. The charms of melody and beauty were too strongly impressed in Edward's breast to permit his declining an invitation so pleasing. It was agreed, therefore, that he should write a note to the Baron of Bradwardine, expressing his intention to stay a fortnight at Glennaquoich, and requesting him to forward by the bearer (a GILLY of the Chieftain's) any letters which might have arrived for him.

This turned the discourse upon the Baron, whom Fergus highly extolled as a gentleman and soldier. His character was touched with yet more discrimination by Flora, who observed that he was the very model of the old Scottish cavalier, with all his excellences and peculiarities. 'It is a character, Captain Waverley, which is fast disappearing; for its best point was a self-respect, which was never lost sight of till now. But, in the present time, the gentlemen whose principles do not permit them to pay court to the existing government are neglected and degraded, and many conduct themselves accordingly; and, like some of the persons you have seen at Tully-Veolan, adopt habits and companions inconsistent with their birth and breeding. The ruthless proscription of party seems to degrade the victims whom it brands, however unjustly. But let us hope that a brighter day is approaching, when a Scottish country-gentleman may be a scholar without the pedantry of our friend the Baron; a sportsman, without the low habits of Mr. Falconer; and a judicious improver of his property, without becoming a boorish two-legged steer like Killancureit.'

Thus did Flora prophesy a revolution, which time indeed has produced, but in a manner very different from what she had in her mind.

The amiable Rose was next mentioned, with the warmest encomium on her person, manners, and mind, 'That man,' said Flora, 'will find an inestimable treasure in the affections of Rose Bradwardine, who shall be so fortunate as to become their object. Her very soul is in home, and in the discharge of all those quiet virtues of which home is the centre. Her husband will be to her what her father now is—the object of all her care, solicitude, and affection. She will see nothing, and connect herself with nothing, but by him and through him. If he is a man of sense and virtue, she will sympathize in his sorrows, divert his fatigue, and share his pleasures. If she becomes the property of a churlish or negligent husband, she will suit his taste also, for she will not long survive his unkindness. And, alas, how great is the chance that some such unworthy lot may be that of my poor friend!—Oh, that I were a queen this moment, and could command the most amiable and worthy youth of my kingdom to accept happiness with the hand of Rose Bradwardine!'

'I wish you would command her to accept mine EN ATTENDANT,' said Fergus, laughing.

I don't know by what caprice it was that this wish, however jocularly expressed, rather jarred on Edward's feelings, notwithstanding his growing inclination to Flora, and his indifference to Miss Bradwardine. This is one of the inexplicabilities of human nature, which we leave without comment.

'Yours, brother?' answered Flora, regarding him steadily. 'No; you have another bride—Honour; and the dangers you must run in pursuit of her rival would break poor Rose's heart.'

With this discourse they reached the castle, and Waverley soon prepared his dispatches for Tully-Veolan. As he knew the Baron was punctilious in such matters, he was about to impress his billet with a seal on which his armorial bearings were engraved, but he did not find it at his watch, and thought he must have left it at Tully-Veolan. He mentioned his loss, borrowing at the same time the family seal of the Chieftain.

'Surely,' said Miss Mac-Ivor, 'Donald Bean Lean would not—'

'My life for him, in such circumstances,' answered her brother;—'besides, he would never have left the watch behind.'

'After all, Fergus,' said Flora,' and with every allowance, I am surprised you can countenance that man.'

'I countenance him!—This kind sister of mine would persuade you, Captain Waverley, that I take what the people of old used to call "a steakraid," that is, a "collop of the foray," or, in plainer words, a portion of the robber's booty, paid by him to the Laird, or Chief, through whose grounds he drove his prey. Oh, it is certain, that unless I can find some way to charm Flora's tongue, General Blakeney will send a sergeant's party from Stirling (this he said with haughty and emphatic irony) to seize Vich Ian Vohr, as they nickname me, in his own castle.'

'Now, Fergus, must not our guest be sensible that all this is folly and affectation? You have men enough to serve you without enlisting a banditti, and your own honour is above taint.—Why don't you send this Donald Bean Lean, whom I hate for his smoothness and duplicity, even more than for his rapine, out of your country at once? No cause should induce me to tolerate such a character.'

'NO cause, Flora?' said the Chieftain, significantly.

'No cause, Fergus! not even that which is nearest to my heart. Spare it the omen of such evil supporters!'

'Oh, but, sister,' rejoined the Chief, gaily, 'you don't consider my respect for LA BELLE PASSION. Evan Dhu Maccombich is in love with Donald's daughter, Alice, and you cannot expect me to disturb him in his amours. Why, the whole clan would cry shame on me. You know it is one of their wise sayings, that a kinsman is part of a man's body, but a foster-brother is a piece of his heart.'

'Well, Fergus, there is no disputing with you; but I would all this may end well.'

'Devoutly prayed, my dear and prophetic sister, and the best way in the world to close a dubious argument.—But hear ye not the pipes, Captain Waverley? Perhaps you will like better to dance to them in the hall, than to be deafened with their harmony without taking part in the exercise they invite us to.'

Waverley took Flora's hand. The dance, song, and merry-making proceeded, and closed the day's entertainment at the castle of Vich Ian Vohr. Edward at length retired, his mind agitated by a variety of new and conflicting feelings, which detained him from rest for some time, in that not unpleasing state of mind in which fancy takes the helm, and the soul rather drifts passively along with the rapid and confused tide of reflections, than exerts itself to encounter, systematize, or examine them. At a late hour he fell asleep, and dreamed of Flora Mac-Ivor.