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Weeds by the Wall: Verses

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The collection gathers lyric poems that dwell on rural and sylvan life, tracing seasonal cycles through close observations of insects, birds, plants, and twilight scenes. Short, image-rich pieces alternate elegiac and playful tones, mixing pastoral description with meditations on love, loss, memory, and mortality. Many poems anthropomorphize small creatures and register folk and mythic echoes while exploring sensory detail, sound, and mood. The volume moves between intimate natural studies and broader reflections, inviting attentive reading of ordinary landscapes and the inner responses they provoke.

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Title: Weeds by the Wall: Verses

Author: Madison Julius Cawein

Release date: January 2, 2010 [eBook #30830]
Most recently updated: January 5, 2021

Language: English

Credits: Produced by David Garcia, Ritu Aggarwal and the Online
Distributed Proofreading Team at https://www.pgdp.net (This
file was produced from images generously made available
by The Kentuckiana Digital Library)

*** START OF THE PROJECT GUTENBERG EBOOK WEEDS BY THE WALL: VERSES ***

Weeds by the Wall

VERSES

BY
MADISON CAWEIN
Author of "Myth and Romance," "Undertones," "Garden of Dreams," "Shapes and Shadows," etc., etc.

"I am God in nature; I am a weed by the wall."
Emerson.

LOUISVILLE
JOHN P. MORTON & COMPANY
1901


Copyright, 1901,
By MADISON J. CAWEIN


TO
Dr. HENRY A. COTTELL
Whose Kind Words of Friendship and Approval have Encouraged me when I Most Needed Encouragement.


For permission to reprint most of the poems included in this volume thanks are due to the "Atlantic Monthly," "Harper's Magazine" and "Bazar," "Lippincott's," "Saturday Evening Post," "New England Magazine," "Leslie's Monthly," "Smart Set," "Truth," "Outlook," "Independent," "Youth's Companion," "Woman's Home Companion," "Munsey's," and a number of other periodicals and magazines.


CONTENTS.

  PAGE
A Wild Iris 1
The Path by the Creek 2
The Road Home 5
A Twilight Moth 6
Along the Stream 8
The Cricket 9
Voices 11
The Grasshopper 12
The Tree Toad 13
The Screech-Owl 14
The Chipmunk 15
Love and a Day 16
Drouth 18
Before the Rain 20
The Broken Drouth 20
Feud 21
Unanointed 22
The End of All 24
Sunset and Storm 25
Beech Blooms 25
Worship 27
Unheard 28
Reincarnation 28
On Chenoweth's Run 29
Home Again 30
A Street of Ghosts 31
In the Shadow of the Beeches 33
Requiescat 34
The Quest 35
Meeting and Parting 36
Love in a Garden 37
Floridian 39
The Golden Hour 40
Reed Call for April 41
"The Years Wherein I Never Knew" 42
Mignon 42
Qui Docet, Discit 43
Transubstantiation 44
Helen 44
A Cameo 45
La Jeunesse et la Mort 46
Love and Loss 47
Sunset Clouds 47
Masked 48
Out of the Depths 49
Riches 50
Beauty and Art 50
The Age of Gold 51
The Love of Loves 52
Three Things 52
Immortelles 53
A Lullaby 54
Dum Vivimus 56
Failure 57
The Cup of Joy 58
Pestilence 59
Musings 60
At the Sign of the Skull 62
A Cavalier's Toast 63
Sleep is a Spirit 64
Kennst du das Land 65
At Midnight 65
The Man in Gray 66
Hallowe'en 67
The Image in the Glass 68
Her Prayer 70
The Message of the Lilies 71
A Legend of the Lily 72
The End of the Century 74
The Isle of Voices 77
A. D. Nineteen Hundred 81
Caverns 81
Of the Slums 82
The Winds 82
Prototypes 83
Touches 83
The Woman Speaks 84
Love, the Interpreter 84
Unanswered 85
Earth and Moon 85
Pearls 86
In the Forest 86
Enchantment 87
Dusk 87
The Blue Bird 88
Can Such Things Be? 88
The Passing Glory 89
September 89
Hoodoo 90
The Other Woman 91
A Song for Labor 92

FOREWORD.

In the first rare spring of song,
In my heart's young hours,
In my youth 't was thus I sang,
Choosing 'mid the flowers:—
"Fair the Dandelion is,
But for me too lowly;
And the winsome Violet
Is, forsooth, too holy.
'But the Touchmenot?' Go to!
What! a face that's speckled
Like a common milking-maid's,
Whom the sun hath freckled.
Then the Wild-Rose is a flirt;
And the trillium Lily,
In her spotless gown, 's a prude,
Sanctified and silly.
By her cap the Columbine,
To my mind, 's too merry;
Gossips, I would sooner wed
Some plebeian Berry.
And the shy Anemone—
Well, her face shows sorrow;
Pale, goodsooth! alive to-day,
Dead and gone to-morrow.
Then that bold-eyed, buxom wench,
Big and blond and lazy,—
She's been chosen overmuch!—
Sirs, I mean the Daisy.
Pleasant persons are they all,
And their virtues many;
Faith I know but good of each,
And naught ill of any.
But I choose a May-apple;
She shall be my Lady;
Blooming, hidden and refined,
Sweet in places shady."
In my youth 'twas thus I sang,
In my heart's young hours,
In the first rare spring of song,
Choosing 'mid the flowers.
So I hesitated when
Time alone was reckoned
By the hours that Fancy smiled,
Love and Beauty beckoned.
Hard it was for me to choose
From the flowers that flattered;
And the blossom that I chose
Soon lay dead and scattered.
Hard I found it then, ah, me!
Hard I found the choosing;
Harder, harder since I've found,
Ah, too hard the losing.
Haply had I chosen then
From the weeds that tangle
Wayside, woodland and the wall
Of my garden's angle,
I had chosen better, yea,
For these later hours—
Longer last the weeds, and oft
Sweeter are than flowers.

Weeds by the Wall.

A WILD IRIS.

That day we wandered 'mid the hills,—so lone
Clouds are not lonelier,—the forest lay
In emerald darkness 'round us. Many a stone
And gnarly root, gray-mossed, made wild our way;
And many a bird the glimmering light along
Showered the golden bubbles of its song.
Then in the valley, where the brook went by,
Silvering the ledges that it rippled from,—
An isolated slip of fallen sky,
Epitomizing heaven in its sum,—
An iris bloomed—blue, as if, flower-disguised,
The gaze of Spring had there materialized.
I have forgotten many things since then—
Much beauty and much happiness and grief;
And toiled and dreamed among my fellow-men,
Rejoicing in the knowledge life is brief.
"'T is winter now," so says each barren bough;
And face and hair proclaim 't is winter now.
I would forget the gladness of that spring!
I would forget that day when she and I,
Between the bird-song and the blossoming,
Went hand in hand beneath the soft spring sky!—
Much is forgotten, yea—and yet, and yet,
The things we would we never can forget.—
Nor I how May then minted treasuries
Of crowfoot gold; and molded out of light
The sorrel's cups, whose elfin chalices
Of limpid spar were streaked with rosy white.
Nor all the stars of twinkling spiderwort,
And mandrake moons with which her brows were girt.
But most of all, yea, it were well for me,
Me and my heart, that I forget that flower,
The wild blue iris, azure fleur-de-lis,
That she and I together found that hour.
Its recollection can but emphasize
The pain of loss, remindful of her eyes.

THE PATH BY THE CREEK.

There is a path that leads
Through purple iron-weeds,
By button-bush and mallow
Along a creek;
A path that wildflowers hallow,
That wild birds seek;
Roofed thick with eglantine
And grape and trumpet-vine.
This side, blackberries sweet
Glow cobalt in the heat;
That side, a creamy yellow,
In summertime
The pawpaws slowly mellow;
And autumn's prime
Strews red the Chickasaw,
Persimmon brown and haw.
The glittering dragon-fly,
A wingéd flash, goes by;
And tawny wasp and hornet
Seem gleams that drone;
The beetle, like a garnet,
Slips from the stone;
And butterflies float there,
Spangling with gold the air.
Here the brown thrashers hide,
The chat and cat-bird chide;
The blue kingfisher houses
Above the stream,
And here the heron drowses
Lost in his dream;
The vireo's flitting note
Haunts all the wild remote.
And now a cow's slow bell
Tinkles along the dell;
Where breeze-dropped petals winnow
From blossomy limbs
On waters, where the minnow,
Faint-twinkling, swims;
Where, in the root-arched shade,
Slim prisms of light are laid.
When in the tangled thorn
The new-moon hangs a horn,
Or, 'mid the sunset's islands,
Guides a canoe,
The brown owl in the silence
Calls, and the dew
Beads here its orbs of damp,
Each one a firefly lamp.
Then when the night is still
Here sings the whippoorwill;
And stealthy sounds of crickets,
And winds that pass,
Whispering, through bramble thickets
Along the grass,
Faint with far scents of hay,
Seem feet of dreams astray.
And where the water shines
Dark through tree-twisted vines,
Some water-spirit, dreaming,
Braids in her hair
A star's reflection; seeming
A jewel there;
While all the sweet night long
Ripples her quiet song....
Would I could imitate,
O path, thy happy state!
Making my life all beauty,
All bloom and beam;
Knowing no other duty
Than just to dream,
And far from pain and woe
Lead feet that come and go.
Leading to calm content,
O'er ways the Master went,
Through lowly things and humble,
To peace and love;
Teaching the lives that stumble
To look above,
Forget the world of toil
And all its sad turmoil.

THE ROAD HOME.

Over the hills, as the pewee flies,
Under the blue of the Southern skies;
Over the hills, where the red-bird wings
Like a scarlet blossom, or sits and sings:
Under the shadow of rock and tree,
Where the warm wind drones with the honey-bee;
And the tall wild-carrots around you sway
Their lace-like flowers of cloudy gray:
By the black-cohosh with its pearly plume
A nod in the woodland's odorous gloom;
By the old rail-fence, in the elder's shade,
That the myriad hosts of the weeds invade:
Where the butterfly-weed, like a coal of fire,
Blurs orange-red through bush and brier;
Where the pennyroyal and mint smell sweet,
And blackberries tangle the summer heat,
The old road leads; then crosses the creek,
Where the minnow dartles, a silvery streak;
Where the cows wade deep through the blue-eyed grass,
And the flickering dragonflies gleaming pass.
That road is easy, however long,
Which wends with beauty as toil with song;
And the road we follow shall lead us straight
Past creek and wood to a farmhouse gate.
Past hill and hollow, whence scents are blown
Of dew-wet clover that scythes have mown;
To a house that stands with porches wide
And gray low roof on the green hill-side.
Colonial, stately; 'mid shade and shine
Of the locust-tree and the Southern pine;
With its orchard acres and meadowlands
Stretched out before it like welcoming hands.
And gardens, where, in the myrrh-sweet June,
Magnolias blossom with many a moon
Of fragrance; and, in the feldspar light
Of August, roses bloom red and white.
In a woodbine arbor, a perfumed place,
A slim girl sits with a happy face;
Her bonnet by her, a sunbeam lies
On her lovely hair, in her earnest eyes.
Her eyes, as blue as the distant deeps
Of the heavens above where the high hawk sleeps;
A book beside her, wherein she read
Till she saw him coming, she heard his tread.
Come home at last; come back from the war;
In his eyes a smile, on his brow a scar;
To the South come back—who wakes from her dream
To the love and peace of a new regime.

A TWILIGHT MOTH.

Dusk is thy dawn; when Eve puts on her state
Of gold and purple in the marbled west,
Thou comest forth like some embodied trait,
Or dim conceit, a lily-bud confessed;
Or, of a rose, the visible wish; that, white,
Goes softly messengering through the night,
Whom each expectant flower makes its guest.
All day the primroses have thought of thee,
Their golden heads close-haremed from the heat;
All day the mystic moonflowers silkenly
Veiled snowy faces,—that no bee might greet
Or butterfly that, weighed with pollen, passed;—
Keeping Sultana charms for thee, at last,
Their lord, who comest to salute each sweet.
Cool-throated flowers that avoid the day's
Too fervid kisses; every bud that drinks
The tipsy dew and to the starlight plays
Nocturnes of fragrance, thy winged shadow links
In bonds of secret brotherhood and faith;
O bearer of their order's shibboleth,
Like some pale symbol fluttering o'er these pinks.
What dost thou whisper in the balsam's ear
That sets it blushing, or the hollyhock's,—
A syllabled silence that no man may hear,—
As dreamily upon its stem it rocks?
What spell dost bear from listening plant to plant,
Like some white witch, some ghostly ministrant,
Some spectre of some perished flower of phlox?
O voyager of that universe which lies
Between the four walls of this garden fair,—
Whose constellations are the fireflies
That wheel their instant courses everywhere,—
'Mid fairy firmaments wherein one sees
Mimic Boötes and the Pleiades,
Thou steerest like some fairy ship-of-air.
Gnome-wrought of moonbeam fluff and gossamer,
Silent as scent, perhaps thou chariotest
Mab or king Oberon; or, haply, her
His queen, Titania, on some midnight quest.—
O for the herb, the magic euphrasy,
That should unmask thee to mine eyes, ah, me!
And all that world at which my soul hath guessed!

ALONG THE STREAM.

Where the violet shadows brood
Under cottonwoods and beeches,
Through whose leaves the restless reaches
Of the river glance, I've stood,
While the red-bird and the thrush
Set to song the morning hush.
There,—when woodland hills encroach
On the shadowy winding waters,
And the bluets, April's daughters,
At the darling Spring's approach,
Star their myriads through the trees,—
All the land is one with peace.
Under some imposing cliff,
That, with bush and tree and boulder,
Thrusts a gray, gigantic shoulder
O'er the stream, I've oared a skiff,
While great clouds of berg-white hue
Lounged along the noonday blue.
There,—when harvest heights impend
Over shores of rippling summer,
And to greet the fair new-comer,—
June,—the wildrose thickets bend
In a million blossoms dressed,—
All the land is one with rest.
On some rock, where gaunt the oak
Reddens and the sombre cedar
Darkens, like a sachem leader,
I have lain and watched the smoke
Of the steamboat, far away,
Trailed athwart the dying day.
There,—when margin waves reflect
Autumn colors, gay and sober,
And the Indian-girl, October,
Wampum-like in berries decked,
Sits beside the leaf-strewn streams,—
All the land is one with dreams.
Through the bottoms where,—out-tossed
By the wind's wild hands,—ashiver
Lean the willows o'er the river,
I have walked in sleet and frost,
While beneath the cold round moon,
Frozen, gleamed the long lagoon.
There,—when leafless woods uplift
Spectral arms the storm-blasts splinter,
And the hoary trapper, Winter,
Builds his camp of ice and drift,
With his snow-pelts furred and shod,—
All the land is one with God.

THE CRICKET.

I.