WeRead Powered by ReaderPub
What's Bred in the Bone cover

What's Bred in the Bone

Chapter 33: “CYRIL.”
Open in WeRead

Explore more books like this:

About This Book

A domestic drama follows romantic entanglements, contested inheritance, and concealed lineage as relatives and suitors confront deception, ambition, and moral choice. A life-threatening tunnel incident binds two characters and triggers inquiries that unearth mistaken identities, legal disputes, and manipulations for wealth and influence. Rivalries, misunderstandings, and moments of repentance reveal character traits and heredity's sway over behavior. Through resilience, loyal intervention, and unexpected evidence, private secrets come to light and relationships are renegotiated, culminating in legal and personal reckonings that settle the principal disputes.





CHAPTER XXVII. — SOMETHING TO THEIR ADVANTAGE.

At Tilgate and Chetwood next morning, two distinguished households were thrown into confusion by the news in the papers. To Colonel Kelmscott and to Elma Clifford alike that news came with crushing force and horror. A murder, said the Times, had been committed in Devonshire, in a romantic dell, on the skirts of Dartmoor. No element of dramatic interest was wanting to the case; persons, place, and time were all equally remarkable. The victim of the outrage was Mr. Montague Nevitt, confidential clerk to Messrs. Drummond, Coutts, and Barclay, the well-known bankers, and himself a familiar figure in musical society in London. The murderer was presumably a young journalist, Mr. Guy Waring, not unknown himself in musical circles, and brother of that rising landscape painter, Mr. Cyril Waring, whose pictures of wild life in forest scenery had lately attracted considerable attention at the Academy and the Grosvenor. Mr. Guy Waring had been arrested the day before on the pier at Dover, where he had just arrived by the Ostend packet. It was supposed by the police that he had hastily crossed the Channel from Plymouth to Cherbourg, soon after the murder, to escape detection, and, after journeying by cross-country routes through France and Belgium, had returned via Ostend to the shores of England. It was a triumphant vindication of our much maligned detective system that within a few hours after the discovery of the body on Dartmoor, the supposed criminal should have been recognised, arrested, and detained among a thousand others, in a busy port, at the very opposite extremity of southern England.

Colonel Kelmscott that day was strangely touched, even before he took up his morning paper. A letter from Granville, posted at Plymouth, had just reached him by the early mail, to tell him that the only son he had ever really loved or cared for on earth had sailed the day before, a disinherited outcast, to seek his fortune in the wild wastes of Africa. How he could break the news to Lady Emily he couldn’t imagine. The Colonel, twisting his white moustache, with a quivering hand on his tremulous lip, hardly dared to realize what their future would seem like. And then—he turned to the paper, and saw to his horror this awful tale of a cold-blooded and cowardly murder, committed on a friend by one who, however little he might choose to acknowledge it, was after all his own eldest son, a Kelmscott of Tilgate, as much as Granville himself, in lawful wedlock duly begotten.

The proud but broken man gazed at the deadly announcement in blank amaze and agony. His Nemesis had come. Guy Waring was his own son—and Guy Waring was a murderer.

He tried to argue with himself at first that this tragic result in some strange way justified him, after the event, for his own long neglect of his parental responsibilities. The young man was no true Kelmscott at heart, he was sure, or such an act as that would have revolted and appalled him. He was no true son in reality; his order disowned him. Base blood flowed in his veins, and made crimes like these conceivable.

“I was right after all,” the Colonel thought, “not to acknowledge these half low-born lads as the heirs of Tilgate. Bad blood will out in the end—and THIS is the result of it.”

And then, with sudden revulsion he thought once more—God help him! How could he say such things in his heart even now of HER, his pure, trustful Lucy? She was better than him in her soul, he knew—ten thousand times better. If bad blood came in anywhere, it came in from himself, not from that simple-hearted, innocent little country-bred angel.

And perhaps if he’d treated these lads as he ought, and brought them up to their own, and made them Kelmscotts indeed, instead of nameless adventurers, they might never have fallen into such abysses of turpitude. But he had let them grow up in ignorance of their own origin, with the vague stain of a possible illegitimacy hanging over their heads; and what wonder if they forgot in the end how noblesse oblige, and sank at last into foul depths of vice and criminality?

As he read on, his head swam with the cumulative evidence of that deliberately planned and cruelly executed yet brutal murder. The details of the crime gave him a sickening sense of loathing and incredulity. Impossible that his own son could have schemed and carried out so vile an attack upon a helpless person, who had once been his nearest and dearest companion. And yet, the account in the paper gave him no alternative but to believe it. Nevitt and Guy Waring had been inseparable friends. They had dined together, supped together, played duets in their own rooms, gone out to the same parties, belonged to the same club, in all things been closer than even the two twin brothers. Some quarrel seemed to have arisen about a matter of speculations in which both had suffered. They separated at once—separated in anger. Nevitt went down to Devonshire by himself for his holiday. Then Waring followed him, without any pretence at concealment; inquired for him at the village inn with expressions of deadly hate; tracked him to a lonely place in the adjacent wood; choked him, apparently with some form of garotte or twisted rope—for the injuries seemed greater than even the most powerful man could possibly inflict with the hands alone; and hid the body of his murdered friend at last in a mossy dell by the bank of the streamlet. Nor was that all; for with callous effrontery he had returned to the inn, still inquiring after his victim; and had gone off next morning early with a lie on his lips, pretending even then to nurse his undying wrath and to be bent on following up with coarse threats of revenge his stark and silent enemy.

So far the Times. But to Colonel Kelmscott, reading in between the lines as he went, there was more in it than even that. He saw, though dimly, some hint of a motive. For it was at Mambury that all these things had taken place; and it was at Mambury that the secret of Guy Waring’s descent lay buried, as he thought, in the parish registers. What it all meant, Colonel Kelmscott couldn’t indeed wholly understand; but many things he knew which the writer of the account in the Times knew not. He knew that Nevitt was a clerk in the bank where he himself kept his account, and to which he had given orders to pay in the six thousand to Cyril’s credit, at Cyril’s bankers. He knew, therefore, that Nevitt might thus have been led to suspect the real truth of the case as to the two so-called Warings. He knew that Cyril had just received the six thousand. Trying to put these facts together and understand their meaning he utterly failed; but this much at least was clear to him, he thought—the reason for the murder was something connected with a search for the entry of his own clandestine marriage.

He looked down at the paper again. Great heavens, what was this? “It is rumoured that a further inducement to the crime may perhaps be sought in the fact that the deceased gentleman had a large sum of money in his possession in Bank of England notes at the time of his death. These notes he carried in a pocket-book about his person, where they were seen by the landlord of the Talbot Arms at Mambury, the night before the supposed murder. When the body was discovered by the side of the brook, two days later, the notes were gone. The pockets were carefully searched by order of the police, but no trace of the missing money could be discovered. It is now conjectured that Mr. Guy Waring, who is known to have lost heavily in the Rio Negro Diamond Mines, may have committed the crime from purely pecuniary motives, in order to release himself from his considerable and very pressing financial embarrassments.”

The paper dropped from Colonel Kelmscott’s hands. His eyes ceased to see. His arm fell rigid. This last horrible suggestion proved too much for him to bear. He shrank from it like poison. That a son of his own, unacknowledged or not, should be a criminal—a murderer—was terrible enough; but that he should even be suspected of having committed murder for such base and vulgar motives as mere thirst of gain was more than the blood of the Kelmscotts could put up with. The unhappy father had said to himself in his agony at first that if Guy really killed that prying bank clerk at all, it was no doubt in defence of his mother’s honour. THAT was a reason a Kelmscott could understand. That, if not an excuse, was at least a palliation. But to be told he had killed him for a roll of bank-notes—oh, horrible, incredible; his reason drew back at it. That was a depth to which the Kelmscott idiosyncrasy could never descend. The Colonel in his horror refused to believe it.

He put his hands up feebly to his throbbing brow. This was a ghastly idea—a ghastly accusation. The man called Waring had dragged the honour of the Kelmscotts through the mud of the street. There was but one comfort left. He never bore that unsullied name. Nobody would know he was a Kelmscott of Tilgate.

The Colonel rose from his seat, and staggered across the floor. Half-way to the door, he reeled and stopped short. The veins of his forehead were black and swollen. He had the same strange feeling in his head as he experienced on the day when Granville left—only a hundred times worse. The two halves of his brain were opening and shutting. His temples seemed too full; he fancied there was something wrong with his forehead somewhere. He reeled once more, like a drunken man. Then he clutched at a chair and sat down. His brain was flooded.

He collapsed all at once, mumbling to himself some inarticulate gibberish. Half an hour later, the servants came in and found him. He was seated in his chair, still doddering feebly. The house was roused. A doctor was summoned, and the Colonel put to bed. Lady Emily watched him with devoted care. But it was all in vain. The doctor shook his head the moment he examined him. “A paralytic stroke,” he said gravely; “and a very serious one. He seems to have had a slighter attack some time since, and to have wholly neglected it. A great blood-vessel in the brain must have given way with a rush. I can hold out no hope. He won’t live till morning.”

And indeed, as it turned out, about ten that night the Colonel’s loud and stentorious breathing began to fail slowly. The intervals grew longer and longer between each recurrent gasp, and life died away at last in imperceptible struggles.

By two in the morning, Kelmscott of Tilgate lay dead on his bed; and his two unacknowledged and unrecognised sons were the masters of his property.

But one of them was at that moment being tossed about wildly on the waves of Biscay; and the other was locked up on a charge of murder in the county jail at Tavistock, in Devonshire.

Meanwhile, at the other house at Chetwood, where these tidings were being read with almost equal interest, Elma Clifford laid down the paper on the table with a very pale face, and looked at her mother. Mrs. Clifford, all solicitous watchfulness for the effect on Elma, looked in return with searching eyes at her daughter. Then Elma opened her lips like one who talks in her sleep, and spoke out twice in two short disconnected sentences. The first time she said simply, “He didn’t do it, I know,” and the second time, with all the intensity of her emotional nature, “Mother, mother, whatever turns up, I MUST go there.”

“HE will be there,” Mrs. Clifford interposed, after a painful pause.

And Elma answered dreamily, with her great eyes far away, “Yes, of course, I know he will. And I must be there too, to see how far, if at all, I can help them.”

“Yes, darling,” her mother replied, stroking her daughter’s hair with a caressing hand. She knew that when Elma spoke in a tone like that, no power on earth could possibly restrain her.








CHAPTER XXVIII. — MISTAKEN IDENTITY.

To Cyril Waring himself, the arrest at Dover came as an immense surprise; rather a surprise, indeed, than a shock just at first, for he could only treat it as a mistaken identity. The man the police wanted was Guy, not himself; and that Guy should have done it was clearly incredible.

As he landed from the Ostend packet, recalled to England unexpectedly by the announcement that the Rio Negro Diamond Mines had gone with a crash—and no doubt involved Guy in the common ruin—Cyril was astonished to find himself greeted on the Admiralty Pier by a policeman, who tapped him on the shoulder with the casual remark, “I think your name’s Waring.”

Cyril answered at once, “Yes, my name’s Waring.”

It didn’t occur to him at the moment that the man meant to arrest him.

“Then you’re wanted,” the minion of authority answered, seizing his arm rather gruffly. “We’ve got a warrant out to-day against you, my friend. You’d better come along with me quietly to the station.”

“A warrant!” Cyril repeated, amazed, shaking off the man’s hand. “There must be some mistake somewhere.”

The policeman smiled. “Oh yes,” he answered briskly, with some humour in his tone. “There’s always a mistake, of course, in all these arrests. You never get a hold of the right man just at first. It’s sure to be a case of his twin brother. But there ain’t no mistake this time, don’t you fear. I knowed you at once, when I see you, by your photograph. Though we were looking out for you, to be sure, going the other way. But it’s you all right. There ain’t a doubt about that. Warrant in the name of Guy Waring, gentleman; wanted for the wilful murder of a man unknown, said to be one McGregor, alias Montague Nevitt, on the 27th instant, at Mambury, in Devonshire.”

Cyril gave a sudden start at the conjunction of names, which naturally increased his captor’s suspicions. “But there IS a mistake, though,” he said angrily, “even on your own showing. You’ve got the wrong man. It’s not I that am wanted. My name’s Cyril Waring, and Guy is my brother’s. Though Guy can’t have murdered Mr. Nevitt, either, if it comes to that; they were most intimate friends. However, that’s neither here nor there. I’m Cyril, not Guy; I’m not your prisoner.”

“Oh yes, you are, though,” the officer answered, holding his arm very tight, and calling mutely for assistance by a glance at the other policemen. “I’ve got your photograph in my pocket right enough. Here’s the man we’ve orders to arrest at once. I suppose you won’t deny, now, that’s your living image.”

Cyril glanced at the photograph with another start of surprise. Sure enough, it WAS Guy; his last new cabinet portrait. The police must be acting under some gross misapprehension.

“That man’s my brother,” he said confidently, brushing the photograph aside. “I can’t understand it at all. This is extremely odd. It’s impossible my brother can even be suspected of committing murder.”

The policeman smiled cynically. “Well, it ain’t impossible your brother’s brother can be suspected, anyhow,” he said, with a quiet air of superior knowledge. “The good old double trick’s been tried on once too often. If I was you, I wouldn’t say too much. Whatever you say may be used as evidence at the trial against you. You just come along quietly to the station with me—take his other arm, Jim, that’s right: no violence please, prisoner—and we’ll pretty soon find out whether you’re the man we’ve got orders to arrest, or his twin brother.” And he winked at his ally. He was proud of having effected the catch of the season.

“But I AM his twin brother,” Cyril said, half struggling still to release himself. “You can’t take me up on that warrant, I tell you. It’s not my name. I’m not the man you’ve orders to look for.”

“Oh, that’s all right,” the constable answered as before, with an incredulous smile. “Don’t you go trying to obstruct the police in the exercise of their duty. If I can’t take you up on the warrant as it stands, well, anyhow, I can arrest you on suspicion all the same, for looking so precious like the photograph of the man as is wanted. Twin brothers ain’t got any call, don’t you know, to sit, turn about, for one another’s photographs. It hinders the administration of justice; that’s where it is. And remember, whatever you choose to say may be used as evidence at the trial against you.”

Thus adjured, Cyril yielded at last to force majeure and walked arm in arm between the two policemen, followed by a large and admiring crowd, to the nearest station.

But the matter was far less easily arranged than at first imagined. An innocent man who knows his own innocence, taken up in mistake for a brother whom he believes to be equally incapable of the crime with which he is charged, naturally expects to find no difficulty at all in proving his identity and escaping from custody on a false charge of murder. But the result of a hasty examination at the station soon effectually removed this little delusion. His own admission that the photograph was a portrait of Guy, and his resemblance to it in every leading particular, made the authorities decide on the first blush of the thing this was really the man Scotland Yard was in search of. He was trying to escape them on the ridiculous pretext that he was in point of fact his own twin brother. The inspector declined to let him go for the night. He wasn’t going to repeat the mistake that was made in the Lefroy case, he said very decidedly. He would send the suspected person under escort to Tavistock.

So to Tavistock Cyril went, uncertain as yet what all this could mean, and ignorant of the crime with which he was charged, if indeed any crime had been really committed. All the way down, an endless string of questions suggested themselves one by one to his excited mind. Was Nevitt really dead? And if so, who had killed him? Was it suicide to escape from the monetary embarrassments brought about by the failure of the Rio Negro Diamond Mines, or was it accident or mischance? Or was it in fact a murder? And in any case—strangest of all—where was Guy? Why didn’t Guy come forward and court inquiry? For as yet, of course, Cyril hadn’t received his brother’s letter, with the incriminating pocket-book and the three thousand pounds; nor indeed, for several days after, as things turned out, was there even a possibility of his ever receiving it.

Next morning, however, when Cyril was examined before the Tavistock magistrates, he began to realize the whole strength of the case against him. The proceedings were purely formal, as the lawyers said; yet they were quite enough to make Cyril’s cheek turn pale with horror. One witness after another came forward and swore to him. The station-master at Mambury gave evidence that he had made inquiries on the platform after Nevitt by name; the inn-keeper deposed as to his excited behaviour when he called at the Talbot Arms, and his recognition of McGregor as the person he was in search of; the boy of whom Guy had inquired at the gate unhesitatingly set down the conversation to Cyril. None of them had the faintest doubt in his own mind—each swore—that the prisoner before the magistrates was the self-same person who went over to Mambury on that fatal day, and who followed Montague Nevitt down the path by the river.

As Cyril listened, one terrible fact dawned clearer and clearer upon his brain. Every fragment of evidence they piled up against himself made the case against Guy look blacker and blacker.

The magistrates accepted the proofs thus tendered, and Cyril, as yet unassisted by professional advice, was remanded accordingly till next morning.

Just as he was about to leave the Sessions House in a tumult of horror, fear, and suspense, somebody close by tapped him on the shoulder gravely, after a few whispered words with the chairman and the magistrates. Cyril turned round, and saw a burly man with very large hands, whom he remembered to have had pointed out to him in London, and, strange to say, by Montague Nevitt himself—as the eminent Q.C., Mr. Gilbert Gildersleeve.

The great advocate was pale, but very sincere and earnest. Cyril noticed his manner was completely changed. It was clear some overmastering idea possessed his soul.

“Mr. Waring,” he said, looking him full in the face, “I see you’re unrepresented. This is a case in which I take a very deep interest. My conduct’s unprofessional, I know—point-blank against all our recognised etiquette—but perhaps you’ll excuse it. Will you allow me to undertake your defence in this matter?”

Cyril turned round to him with truly heartfelt thanks. It was a great relief to him, alone and in doubt, and much wondering about Guy, to hear a friendly word from whatever quarter.

And Cyril knew he was safe in Gilbert Gildersleeve’s hands: the greatest criminal lawyer of the day in England might surely be trusted to set right such a mere little error of mistaken identity. Though for Guy—whenever Guy gave himself up to the police—Cyril felt the position was far more dangerous. He couldn’t believe, indeed, that Guy was guilty; yet the circumstances, he could no longer conceal from himself, looked terribly black against him.

“You’re too good,” he cried, taking the lawyer’s hand in his with very fervent gratitude. “How can I thank you enough? I’m deeply obliged to you.”

“Not at all,” Gilbert Gildersleeve answered, with very blanched lips. He was ashamed of his duplicity. “You’ve nothing to thank me for. This case is a simple one, and I’d like to see you out of it. I’ve met your brother; and the moment I saw you I knew you weren’t he, though you’re very like him. I should know you two apart wherever I saw you.”

“That’s curious,” Cyril cried, “for very few people know us from one another, except the most intimate friends.”

The Q.C. looked at him with a very penetrating glance. “I had occasion to see your brother not long since,” he answered slowly, “and his features and expression fastened themselves indelibly on my mind’s eye. I should know you from him at a glance. This case, as you say, is one of mistaken identity. That’s just why I’m so anxious to help you well through it.”

And indeed, Gilbert Gildersleeve, profoundly agitated as he was, saw in the accident a marvellous chance for himself to secure a diversion of police attention from the real murderer. The fact was, he had passed twenty-four hours of supreme misery. As soon as he learned from common report that “the murderer was caught, and was being brought to Tavistock,” he took it for granted at first that Guy hadn’t gone to Africa at all, but had left by rail for the East, and been arrested elsewhere. That belief filled him full of excruciating terrors. For Gilbert Gildersleeve, accidental manslaughterer as he was, was not by any means a depraved or wholly heartless person. Big, blustering, and gruff, he was yet in essence an honest, kind-hearted, unemotional Englishman. His one desire now was to save his wife and daughter from further misery; and if he could only save them, he was ready to sacrifice for the moment, to a certain extent, Guy Waring’s reputation. But if Guy Waring himself had stood before him in the dock, he must have stepped forward to confess. The strain would have been too great for him. He couldn’t have allowed an innocent man to be hanged in his place. Come what might, in that case he must let his wife and daughter go, and save the innocent by acknowledging himself guilty. So, when he looked at the prisoner, it gave him a shock of joy to see that fortune had once more befriended him. Thank Heaven, thank Heaven, it wasn’t the man they wanted at all. This was the other brother of the two—Cyril, the painter, not Guy, the journalist.

In a moment the acute and experienced criminal hand recognised that this chance told unconsciously in his own favour. Like every other suspected person, he wanted time, and time would be taken up in proving an alibi for Cyril, as well as showing by concurrent proof that he was not his brother. Meanwhile, suspicion would fix itself still more firmly upon Guy, whose flight would give colour to the charges brought against him by the authorities.

So the great Q.C. determined to take up Cyril Waring’s case as a labour of love, and didn’t doubt he would succeed in finally proving it.








CHAPTER XXIX. — WOMAN’S INTUITION

Next morning, Cyril Waring appeared once more in the Sessions House for the preliminary investigation on the charge of murder. As he entered, a momentary hush pervaded the room; then, suddenly, from a seat beneath, a woman’s voice burst forth, quite low, yet loud enough to be heard by all the magistrates on the bench.

“Why, mother,” it said, in a very tremulous tone, “it isn’t Guy himself at all; don’t you see it’s Cyril?”

The words were so involuntarily spoken, and in such hushed awe and amaze, that even the magistrates themselves, hard Devonshire squires, didn’t turn their heads to rebuke the speaker. As for Cyril, he had no need to look towards a blushing face in the body of the court to know that the voice was Elma Clifford’s.

She sat there looking lovelier than he had ever before seen her. Cyril’s glance caught hers. They didn’t need to speak. He saw at once in her eye that Elma at least knew instinctively he was innocent.

Next moment Gilbert Gildersleeve stood up to state his defence, and gazed at her steadily. As he rose in his place, Elma’s eye met his. Gilbert Gildersleeve’s fell. He didn’t know why, but in that second of time the great blustering man felt certain in his heart that Elma Clifford suspected him.

Elma Clifford, for her part, knew still more than that. With the swift intuition she inherited from her long line of Oriental ancestry, she said to herself at once, in categorical terms, “It was that man that did it. I know it was he. And he sees I know it. And he knows I’m right. And he’s afraid of me accordingly.” But an intuition, however valuable to its possessor, is not yet admitted as evidence in English courts. Elma also knew it was no use in the world for her to get up in her place and say so openly.

The great Q.C. put his case in a nutshell. “Our client,” he contended, “was NOT the man against whom the warrant in this case had been duly issued; he was NOT the man named Guy Waring; he was NOT the man whom the witnesses deposed to having seen at Mambury; he was NOT the man who had loitered with evil intent around the skirts of Dartmoor; in short,” the great Q.C. observed, with demonstrative eye-glass, “it was a very clear case of mistaken identity. It would take them time, no doubt, to prove the conclusive alibi they intended to establish; for the gentleman now charged before them, he would hope to show hereafter, was Mr. Cyril Waring, the distinguished painter, twin brother to Mr. Guy Waring, the journalist, against whom warrant was issued; and he was away in Belgium during the whole precise time when Mr. Guy Waring—as to whose guilt or innocence he would make no definite assertion—was prowling round Dartmoor on the trail of McGregor, alias Montague Nevitt. Therefore, they would consent to an indefinite remand till evidence to that effect was duly forthcoming. Meanwhile—” and here Gilbert Gildersleeve’s eyes fell upon Elma once more with a quiet forensic smile—he would call one witness, on the spur of the moment, whom he hadn’t thought till that very morning of calling, but whom the magistrates would allow to be a very important one—a lady from Chetwood—Miss Elma Clifford.

Elma, taken aback, stood up in the box and gave her evidence timidly. It amounted to no more than the simple fact that the person before the magistrates was Cyril, not Guy; that the two brothers were extremely like; but that she had reason to know them easily apart, having been associated in a most painful accident in a tunnel with the brother, the present Mr. Cyril Waring. What she said gave only a presumption of mistaken identity, but didn’t at all invalidate the positive identification of all the people who had seen the supposed murderer. However, from Gilbert Gildersleeve’s point of view, this delay was doubly valuable. In the first place, it gave him time to prove his alibi for Cyril and bring witnesses from Belgium; and, in the second place, it succeeded in still further fastening public suspicion on Guy, and narrowing the question for the police to the simple issue whether or not they had really caught the brother who was seen at Mambury on the day of the murder.

The law’s delays were as marvellous as is their wont. It was a full fortnight before the barrister was able to prove his point by bringing over witnesses at considerable expense from Belgium and elsewhere, and by the aid of a few intimate friends in London, who could speak with certainty as to the difference between the two brothers. At the end of a fortnight, however, he did sufficiently prove it by tracing Cyril in detail from England to the Ardennes and back again to Dover, as well as by showing exactly how Guy had been employed in London and elsewhere on every day or night of the intervening period. The magistrates at last released Cyril, convinced by his arguments; and on the very same day, the coroner’s inquest on Montague Nevitt’s body, after adjourning time upon time to await the clearing up of this initial difficulty, returned a verdict of wilful murder against Guy Waring.

That evening, in town, the most completely mystified person of all was a certain cashier of the London and West County Bank, in Lombard Street, who read in his St. James’s this complete proof that Cyril had been in Belgium through all those days when he himself distinctly remembered cashing over the counter for him a cheque for no less a sum than six thousand pounds to “self or bearer.” Had the brothers, then, been deliberately and nefariously engaged in a deep-laid scheme—the cashier asked himself, much puzzled—to confuse one another’s identity with great care beforehand, with a distinct view to the projected murder? For as yet, of course, nobody on earth except Guy Waring himself on the waters of Biscay knew or suspected anything at all about the forgery.

Elma Clifford and her mother, meanwhile, had stopped on at Tavistock till Cyril was released from his close confinement. Elma never meant to marry him, of course—to that prime determination she still remained firm as a rock under all conditions—but in such straits as those, why, naturally she couldn’t bear to be far away from him. So she remained at Tavistock quietly till the inquiry was over.

On the evening of his release Elma met him at the hotel. Her mother had gone out on purpose to leave them alone. Elma took Cyril’s hand in hers with a profound trembling. She felt the moment for reserve had long gone past.

“Cyril,” she said, boldly calling him by his Christian name, because she could call him only as she always thought of him, “I knew from the first you didn’t do it. And just because I know you didn’t, I know Guy didn’t either, though everything looks now so very black against him. I can trust YOU, and I can trust HIM. All through, I’ve never had a doubt one moment of either of you.”

Cyril held her hand in his, and raised it tenderly to his lips. Elma looked at him, half surprised. Only her hand, how strange of him. Cyril read the unspoken thought, as she would have read it herself, and answered quickly, “Never, Elma, now, till Guy has cleared himself of this deadly accusation. I couldn’t bear to ask you to accept a man who every one else would call a murderer’s brother.”

Elma gazed at him steadfastly. Tears stood in her eyes. Her voice trembled; but she was very firm.

“We must clear you and him of this dreadful charge,” she said slowly. “I know we must do that, Cyril. Guy didn’t kill him. Guy’s wholly incapable of it. But where is Guy now? That’s what I don’t understand. We must clear that all up. Though, even when it’s cleared up, I can only LOVE you. As I told you that day at Chetwood—and I mean it still—whatever comes to us two, I can never, never marry you.”

“Not even if I clear this all up?” Cyril asked, with a wistful look.

“Not even if you clear this all up,” Elma answered seriously. “The difficulty’s on MY side, don’t you see, not on yours at all. So far as you’re concerned, Cyril, clear this up or leave it just where it is, I’d marry you to-morrow. I’d marry you at once, and proud to do it, if only to show the world openly I trust you both. I half faltered just once as you stood there in court, whether I wouldn’t say yes to you, for nothing else but that—to let everybody see how implicitly I trusted you.”

“But I couldn’t allow it,” Cyril answered, all aglow. “As things stand now, Elma, our positions are reversed. While this cloud still hangs so black over Guy, I couldn’t find it in my conscience to ask you to marry me.”

He gazed at her steadily. They were both too profoundly stirred for tears or emotions. A quiet despair gleamed in the eyes of each. Cyril could never marry her till he had cleared up this mystery. Elma could never marry him, even if it were all cleared up, with that terrible taint of madness, as she thought it, hanging threateningly for ever over her and her family.

She paused for a minute or two, with her hand locked in his. Then she said once more, very low, “No, Guy didn’t do it. But why did he run away? That baffles me quite. That’s the one point of it all that makes it so strange and so terribly mysterious.”

“Elma,” Cyril answered, with a cold thrill, “I believe in Guy; I think I know myself, and I think I know him, well enough to say that such a thing as murder is impossible for either of us. He’s weak at times, I admit, and his will was powerless before the magnetic force of Montague Nevitt’s. But when I try to face that inscrutable mystery of why, if he’s innocent, he has run away from this charge, I confess my faith begins to falter and tremble. He must have seen it in the papers. He must have seen I was accused. What can he mean by leaving me to bear it in his stead without ever coming forward to help me fairly out of it?”

Elma looked up at him with another of her sudden flashes of superb intuition. “He CAN’T have seen it in the papers,” she said. “That gives us some clue. If he’d seen it, he MUST have come forward to help you. But, Cyril, MY faith never falters at all. And I tell you why. Not only do I know Guy didn’t do it, but I know who did it. The man who murdered Montague Nevitt is—why shouldn’t I tell you?—Mr. Gilbert Gildersleeve!”

Cyril started back astonished. “Oh, Elma, why do you think so?” he cried in amazement. “What possible reason can you have for saying so?”

“None,” Elma answered, with a calmly resigned air. “I only know it; I know it from his eyes. I looked in them once and read it like a book. But of course that’s nothing. What we must do now is to try and find out the facts. I looked in his eyes and I saw it at a glance. And I saw he saw it. He knows I’ve discovered him.”

Cyril half drew away from her with a faint sense of alarm. “Elma,” he said slowly, “I believe in Guy; but really and truly I can’t quite believe THAT. You make your intuition tell you far too much. In your natural anxiety to screen my brother, you’ve fixed the guilt, without proof, upon another innocent man. I’m sure Mr. Gildersleeve’s as incapable as Guy of any such action.”

“And I’m sure of it, too,” Elma answered, with the instinctive certainty of feminine conviction. “But still I know, for all that, he did it. Perhaps it was all done in a moment of haste. But at least he did it. And nothing on earth that anybody could say will ever make me believe he didn’t.”

When Mrs. Clifford came back to the hotel an hour later, she scanned her daughter’s face with a keen glance of inquiry.

“Well, he says he won’t ask you again,” she murmured, laying Elma’s head on her shoulder, “till this case is cleared up, and Guy is proved innocent.”

“Yes,” Elma answered, nestling close and looking red as a rose. “He knows very well Guy didn’t do it, but he wants all the rest of the world to acknowledge it also.”

“And YOU know who did it?” Mrs. Clifford said, with a tentative air.

“Yes, mother. Do you?”

“Of course I do, darling. But it’ll never be proved against HIM, you may be sure. I saw it at a glance. It’s Mr. Gilbert Gildersleeve.”








CHAPTER XXX. — FRESH DISCOVERIES.

As Cyril drove home from Waterloo next day to his lonely rooms in Staple Inn, Holborn, he turned aside with his cab for a few minutes to make a passing call at the bank in Lombard Street. He was short of ready money, and wanted to cash a cheque for fifty pounds for expenses incurred in his defence at Tavistock.

The cashier stared at him hard; then, without consulting anybody, he said, in a somewhat embarrassed tone, “I don’t know whether you’re aware of it, Mr. Waring, but this overdraws your current account. We haven’t fifty pounds on our books to your credit.”

He was well posted on the subject, in fact, for only that morning he had hunted up Cyril’s balance in the ledger at his side for the gratification of his own pure personal curiosity.

Cyril stared at him in astonishment. In this age of surprises, one more surprise was thus suddenly sprung upon him. His first impulse was to exclaim in a very amazed voice, “Why, I’ve six thousand odd pounds to my credit, surely;” but he checked himself in time with a violent effort. How could he tell what strange things might have happened in his absence? If the money was gone, and Nevitt was murdered, and Guy in hiding, who could say what fresh complications might not still be in store for him? So he merely answered, with a strenuous endeavour to suppress his agitation, “Will you kindly let me have my balance-sheet, if you please? I—ur—I thought I’d more money than that still left with you.”

The cashier brought out a big book and a bundle of cheques, which he handed to Cyril with a face of profound interest. To him, too, this little drama was pregnant with mystery and personal implications. Cyril turned the vouchers over one by one, with close attention, recognising the signature and occasion of each, till he arrived at last at a big cheque which staggered him sadly for a moment. He took it up in his hands and examined it in the light. “Pay Self or Bearer, Six Thousand Pounds (L6,000), Cyril Waring.”

Oh, horrible, horrible! This, then, was the secret of Guy’s sudden disappearance.

He didn’t cry aloud. He didn’t say a word. He looked at the thing hard, and knew in a moment exactly what had happened. Guy had forged that cheque; it was Guy’s natural hand, written forward like Cyril’s own, instead of backward, as usual. And no one but himself could possibly have told it from his own true signature. But Cyril knew it at once for Guy’s by one infallible sign—a tiny sign that might escape the veriest expert—some faint hesitation about the tail of the capital C, which was shorter in Guy’s hand than Cyril ever made it, and which Guy had therefore deliberately lengthened, by an effort or an afterthought, to complete the imitation.

“You cashed that cheque yourself, sir, over the counter, you remember,” the cashier said quietly, “on the date it was drawn on.”

Cyril never altered a muscle of his rigid face.

“Ah, quite so,” he answered, in a very dry voice, not daring to contradict the man. He knew just what had happened. Guy must have come to get the money himself, and the cashier must have mistaken him for the proper owner of the purloined six thousand. They were so very much alike. Nobody ever distinguished them.

“And that was one of the days, I think, when you proved the alibi in Belgium before the Devonshire magistrates at Tavistock yesterday,” the clerk went on, with a searching glance. Cyril started this time. He saw in a second the new danger thus sprung upon him. If the cashier chose to press the matter home to the hilt, he must necessarily arrive at one or other of two results. Either the alibi would break down altogether, or it would be perfectly clear that Guy had committed a forgery.

“So it seems,” he answered, looking his keen interlocutor straight in the eyes. “So it seems, I should say, by the date on the face of it.”

But the cashier did NOT care to press the matter home any further; and for a very good reason. It was none of his business to suggest the idea of a forgery, after a cheque had been presented and duly cashed, if the customer to whose account it was debited in course chose voluntarily to accept the responsibility of honouring it. The objection should come first from the customer’s side. If HE didn’t care to press it, then neither did the cashier. Why should he, indeed? Why saddle his firm with six thousand pounds loss? He would only get himself into trouble for having failed to observe the discrepancy in the signatures, and the difference between the brothers. That, after all, is what a cashier is for. If he doesn’t fulfil those first duties of his post, why what on earth can be the good of him to anybody in any way?

The two men looked at one another across the counter with a strong inscrutable stare of mutual suspicion. Then Cyril slowly tore up the cheque he had tendered for fifty pounds, filled in another for his real balance of twenty-two, handed it across to the clerk without another word, received the cash in white trembling hands, and went out to his cab again in a turmoil of excitement.

All the way back to his rooms in Staple Inn one seething idea alone possessed his soul. His faith in Guy was beginning to break down. And with it, his faith in himself almost went. The man was his own brother—his very counterpart, he knew; could he really believe him capable of committing a murder? Cyril looked within, and said a thousand times NO; he looked at that forged cheque, and his heart misgave him.

At Staple Inn, the housekeeper who took care of their joint rooms came out to greet him with no small store of tears and lamentations. “Oh, Mr. Cyril,” she cried, seizing both his hands in hers with a tremulous welcome, “I’m glad to see you back, and to know you’re innocent. I always said you never could have done it; no, no, not you, nor yet Mr. Guy neither. The police has been here time and again to search the rooms, but, the Lord be praised, they never found anything. And I’ve got a letter for you, too, from Mr. Guy himself; but there—I locked it up till you come in my own cupboard at home, for fear of the detectives; and now you’re back and safe in London again, I’ll run home this minute round the corner and get it.”

Cyril sat down in the familiar easy-chair, holding his face in his hands, and gazed about him blankly. Such a home-coming as this was inexpressibly terrible to him.

In a few minutes more the housekeeper came back, bringing in her hand Guy’s letter from Plymouth.

Cyril sat for a minute and looked at the envelope in deadly silence. Then he motioned the housekeeper out of the room with one quivering hand. Before that good woman’s face, he couldn’t open it and read it.

As soon as she was gone, he tore it apart, trembling. As he read and read the suspicion within him deepened quickly into a doubt, the doubt into a conviction, the conviction into a certainty. He clapped his hands to his head. Oh, God, what was this? Guy acknowledged his own guilt! He confessed he had done it!

Cyril’s last hope was gone. Guy himself admitted it!

“How I came to do it,” the letter said, “I’ve no idea myself. A sudden suggestion—a strange, unaccountable impulse—a prompting, as it were, pressed upon me from without, and almost before I knew, the crime was committed.”

Cyril bent his head low upon his knees with shame. He never could hold up that head henceforth. No further doubt or hesitation remained. He knew the whole truth. Guy was indeed a murderer.

He steeled himself for the worst, and read the letter through with a superhuman effort. It almost choked him to read. The very consecutiveness and coherency of the sentences seemed all but incredible under such awful circumstances. A murderer, red-handed, to speak of his crime so calmly as that! And then, too, this undying anger expressed and felt, even after death, against his victim Nevitt! Cyril couldn’t understand how any man—least of all his own brother—could write such words about the murdered man whose body was then lying all silent and cold, under the open sky, among the bracken at Mambury.

And once more, this awful clue of the dead man’s pocket-book! Those accursed notes! That hateful sum of money! How could Guy venture to speak of it all in such terms as those—the one palpable fact that indubitably linked him with that cold-blooded murder. “The three thousand sent herewith I recovered, almost by a miracle, from that false creature’s grasp, under extraordinary circumstances, and I return them now, in proof of the fact, in Montague Nevitt’s own pocket-book, which I’m sure you’ll recognise as soon as you look at it.”

Cyril saw it all now beyond the shadow of a doubt. He reconstructed the whole sad tale. He was sure he understood it. But to understand it was hardly even yet to believe it. Guy had lost heavily in the Rio Negro Mines, as the prosecution declared; in an evil hour he’d been cajoled into forging Cyril’s name for six thousand. Montague Nevitt had in some way misappropriated the stolen sum. Guy had pursued him in a sudden white-heat of fury, had come up with him unawares, had killed him in his rage, and now calmly returned as much as he could recover of that fateful and twice-stolen money to Cyril. It was all too horrible, but all too true. In a wild ferment of remorse for his brother’s sin, the unhappy painter sat down at once and penned a letter of abject self-humiliation to Elma Clifford.

“ELMA,-I said to you last night that I could never marry you till I had clearly proved my brother Guy’s innocence. Well, I said what I can never conceivably do. Since returning to town I received a letter from Guy himself. What it contained I must never tell you, for Guy’s own sake. But what I MUST tell you is this—I can never again see you. Guy and I are so nearly one, in every nerve and fibre of our being, that whatever he may have done is to me almost as if I myself had done it. You will know how terrible a thing it is for me to write these words, but for YOUR sake I can’t refrain from writing them. Think no more of me. I am not worthy of you. I will think of you as long as I live.

“Your ever devoted and heart-broken

“CYRIL.”

He folded the letter, and sent it off to the temporary address at the West-End where Elma had told him that she and her mother would spend the night in London. Very late that evening a ring came at the bell. Cyril ran to the door. It was a boy with a telegram. He opened it, and read it with breathless excitement.

“Whatever Guy may have said, you are quite mistaken. There’s a mystery somewhere. Keep his letter and show it to me. I may, perhaps, be able to unravel the tangle. I’m more than ever convinced that what I said to you last night was perfectly true. We will save him yet. Unalterably,

“ELMA.”

But the telegram brought little peace to Cyril. Of what value were Elma’s vague intuitions now, by the side of Guy’s own positive confession? With his very own hand Guy admitted that he had done it. Cyril went to bed that night, the unhappiest, loneliest man in London. What Guy was, he was. He felt himself almost like the actual murderer.