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William Blake

Chapter 3: THE POPULAR LIBRARY OF ART
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About This Book

The author offers a concise biographical and critical portrait of his subject, recounting formative episodes and the character revealed by them. He explores the subject's visionary imagination and elaborate symbolic cosmology, showing how private myth and prophetic imagery shaped both poetry and visual work. The study places these creations against contemporary intellectual currents, contrasting mystical intensity with prevailing rationalist tendencies. Close readings of emblematic plates and texts highlight recurring themes of innocence and experience, rebellion and reconciliation, while an engaging narrative voice combines anecdote and interpretation for general readers.

THE
POPULAR LIBRARY OF ART

Planned expressly for the general public. The Publishers do not hesitate in putting forward volumes on subjects which, even if handled most convincingly before, are worth repeated handling from new points of view, and they trust each volume will prove a fresh and stimulating appreciation of the subject it treats.

Each Volume about 200 pp.
Average Number of Illustrations, 45.

ALBRECHT DÜRER. By Lina Eckenstein.
ROSSETTI. By Ford Madox Hueffer.
REMBRANDT. By Auguste Bréal.
FREDERICK WALKER. By Clementina Black.
MILLET. By Romain Rolland.
LEONARDO DA VINCI. By Dr Georg Gronau.
GAINSBOROUGH. By Arthur B. Chamberlain.
THE FRENCH IMPRESSIONISTS. By Camille Mauclair.
BOTTICELLI. By Julia Cartwright (Mrs Ady).
G. F. WATTS. By G. K. Chesterton.
VELAZQUEZ. By Auguste Bréal.
RAPHAEL. By Julia Cartwright (Mrs Ady).
HOLBEIN. By Ford Madox Hueffer.
THE ENGLISH WATER-COLOUR PAINTERS. By A. J. Finberg.
WATTEAU. By Camille Mauclair.
PERUGINO. By Edward Hutton.
THE PRE-RAPHAELITE BROTHERHOOD. By Ford Madox Hueffer.
CRUIKSHANK. By W. H. Chesson.
WHISTLER. By Bernhard Sickert.
BLAKE. By G. K. Chesterton.
HOGARTH. By Edward Garnett.

“A charming series. The pictures serve admirably the best purpose of book-illustration, and help the reader the better to understand the letterpress. Instructive and attractive. They deserve to be widely popular.”

“Of all the little Libraries of Art brought out at popular prices, this promises to be the best. The illustrations are extremely well chosen. The printing throughout is exceptional, and the binding is simple and appropriate.”

“Conducted on other lines than those of the many series of small books on art which the times bring forward so plentifully. In each case a critical essay which contains real criticism. Interesting and stimulating.”

Transcriber’s Note

The following corrections were made to the text by the transcriber:

Page 30, “Mary Woolstonecroft" corrected to “Mary Wollstonecraft”.

Page 46, “Erywhon" corrected to “Erewhon”.

Page 60, “Leonardo de Vinci" corrected to “Leonardo da Vinci”.

Page 70, “rheindeer" corrected to “reindeer”.

Page 88, “four of five different poems” corrected to “four or five different poems”.

Page 91, “Oh, Mr Cromek, how do you do?” corrected to “Oh, Mr. Cromek, how do you do?”

Page 161, “If pure lines existed only on the human mind” corrected to “If pure lines existed only in the human mind”.