About This Book
A sculptor faces the obsolescence of his craft when a new stereopantograph process produces inexpensive, lifelike devotional and decorative images that patrons and institutions favor for cost and convenience. He seeks commissions from sympathetic clerics, confronts the technology in an S.P.G. salon, and finds steady patronage drying up; desperation leads him to consider retraining and operating industrial machines amid a city increasingly mechanized. The story examines the tension between artistic integrity and commercialization, and the human consequences of automation on creative labor.
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