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With Trumpet and Drum

Chapter 7: INTRY-MINTRY
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The collection gathers short poems and lullabies aimed at children and nostalgic adults, blending playful fantasy, gentle humor, and wistful melancholy. Poems range from confectionery fantasies and marching-child refrains to soothing night songs and adapted folk tunes; some pieces portray domestic scenes, toys, and bedtime reveries, while others dwell on loss and dreamy seaside imagery. Arranged as a mix of quick nursery jingles and longer narrative lyrics, the work repeatedly returns to themes of sleep, parental tenderness, imagination, and the bittersweet passage from childhood.

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This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: With Trumpet and Drum

Author: Eugene Field

Release date: July 14, 2020 [eBook #62643]
Most recently updated: October 18, 2024

Language: English

Credits: Produced by Charlene Taylor, Chuck Greif and the Online
Distributed Proofreading Team at https://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)

*** START OF THE PROJECT GUTENBERG EBOOK WITH TRUMPET AND DRUM ***


 

 

WITH TRUMPET AND DRUM

BY EUGENE FIELD
———
Second Book of Tales.
Songs and Other Verse.
The Holy Cross and Other Tales.
The House.
The Love Affairs of a Bibliomaniac.
A Little Book of Profitable Tales.
A Little Book of Western Verse.
Second Book of Verse.
    Each, 1 vol., 16mo, $1.25.
A Little Book of Profitable Tales.
    Cameo Edition with etched portrait. 16mo, $1.25.
Echoes from the Sabine Farm.
    4to, $2.00.
With Trumpet and Drum.
    16mo, $1.00.
Love Songs of Childhood.
    16mo, $1.00.
Songs of Childhood.
    Verses by Eugene Field. Music by Reginald
    de Koven
, and others. Small 4to, $2.00 net.

 

With·Trumpet·and·Drum

by

Eugene·Field




New·York
Charles·Scribner’s·Sons
1897



Copyright, 1892, by Mary French Field.


TROW DIRECTORY
PRINTING AND BOOKBINDING COMPANY
NEW YORK

This volume is made up of verse compiled from my “Little Book of Western Verse,” my “Second Book of Verse,” and the files of the “Chicago Daily News,” the “Youth’s Companion,” and the “Ladies’ Home Journal.”

E.F.

Chicago, October 25, 1892.

 

 

WITH TRUMPET AND DRUM

 PAGE
The Sugar-Plum Tree1
Krinken4
The Naughty Doll7
Nightfall in Dordrecht10
Intry-Mintry12
Pittypat and Tippytoe15
Balow, my Bonnie18
The Hawthorne Children20
Little Blue Pigeon (Japanese Lullaby)24
The Lyttel Boy26
Teeny-Weeny28
Nellie31
Norse Lullaby33
Grandma’s Prayer35
Some Time36
The Fire-Hangbird’s Nest38
Buttercup, Poppy, Forget-me-not44
Wynken, Blynken, and Nod (Dutch Lullaby)46
Gold and Love for Dearie49
The Peace of Christmas-Time51
To a Little Brook54
Croodlin’ Doo[A]58
Little Mistress Sans-Merci60
Long Ago62
In the Firelight64
Cobbler and Stork (Armenian Folk-Lore)66
“Lollyby, lolly, Lollyby”70
Lizzie and the Baby72
At the Door74
Hugo’s “Child at Play”76
Hi-Spy77
Little Boy Blue78
Father’s Letter80
Jewish Lullaby86
Our Whippings88
The Armenian Mother (Folk-Song)93
Heigho, my Dearie95
To a Usurper97
The Bell-flower Tree99
Fairy and Child102
The Grandsire104
Hushaby, Sweet my Own106
Child and Mother108
Medieval Eventide Song110
Armenian Lullaby113
Christmas Treasures115
Oh, Little Child118
Ganderfeather’s Gift120
Bambino (Sicilian Folk-Song)123
Little Homer’s Slate125

 

 

WITH TRUMPET AND DRUM

THE SUGAR-PLUM TREE

HAVE you ever heard of the Sugar-Plum Tree?
’Tis a marvel of great renown!
It blooms on the shore of the Lollipop sea
In the garden of Shut-Eye Town;
The fruit that it bears is so wondrously sweet
(As those who have tasted it say)
That good little children have only to eat
Of that fruit to be happy next day.
When you’ve got to the tree, you would have a hard time
To capture the fruit which I sing;
The tree is so tall that no person could climb
To the boughs where the sugar-plums swing!

But up in that tree sits a chocolate cat,
And a gingerbread dog prowls below—
And this is the way you contrive to get at
Those sugar-plums tempting you so:
You say but the word to that gingerbread dog
And he barks with such terrible zest
That the chocolate cat is at once all agog,
As her swelling proportions attest.
And the chocolate cat goes cavorting around
From this leafy limb unto that,
And the sugar-plums tumble, of course, to the ground—
Hurrah for that chocolate cat!
There are marshmallows, gumdrops, and peppermint canes,
With stripings of scarlet or gold,
And you carry away of the treasure that rains
As much as your apron can hold!
So come, little child, cuddle closer to me
In your dainty white nightcap and gown,
And I’ll rock you away to that Sugar-Plum Tree
In the garden of Shut-Eye Town.

KRINKEN

KRINKEN was a little child,—
It was summer when he smiled.
Oft the hoary sea and grim
Stretched its white arms out to him,
Calling, “Sun-child, come to me;
Let me warm my heart with thee!”
But the child heard not the sea.
Krinken was a little child,
By the maiden Nis beguiled;
Down into the calling sea
With the maiden Nis went he.
But the sea calls out no more;
It is winter on the shore,—
Winter where that little child
Made sweet summer when he smiled:
Though ’tis summer on the sea
Where with maiden Nis went he,—
Summer, summer evermore,—
It is winter on the shore,
Winter, winter evermore.
Of the summer on the deep
Come sweet visions in my sleep;
His fair face lifts from the sea,
His dear voice calls out to me,—
These my dreams of summer be.
Krinken was a little child,
By the maiden Nis beguiled;
Oft the hoary sea and grim
Reached its longing arms to him,
Crying, “Sun-child, come to me;
Let me warm my heart with thee!”
But the sea calls out no more;
It is winter on the shore,—
Winter, cold and dark and wild;
Krinken was a little child,—
It was summer when he smiled;
Down he went into the sea,
And the winter bides with me.
Just a little child was he.

THE NAUGHTY DOLL

MY dolly is a dreadful care,—
Her name is Miss Amandy;
I dress her up and curl her hair,
And feed her taffy candy.
Yet heedless of the pleading voice
Of her devoted mother,
She will not wed her mother’s choice,
But says she’ll wed another.
She loves the drum—that’s very plain—
And scorns the vase so clever;
And weeping, vows she will remain
A spinster doll forever!
The protestations of the drum
I am convinced are hollow;
When once distressing times should come,
How soon would ruin follow!
Yet all in vain the Dresden boy
From yonder mantel woos her;
A mania for that vulgar toy,
The noisy drum, imbues her!
In vain I wheel her to and fro,
And reason with her mildly,—
Her waxen tears in torrents flow,
Her sawdust heart beats wildly.
I’m sure that when I’m big and tall,
And wear long trailing dresses,
I sha’n’t encourage beaux at all
Till mama acquiesces;
Our choice will be a suitor then
As pretty as this vase is,—
Oh, how we’ll hate the noisy men
With whiskers on their faces!

NIGHTFALL IN DORDRECHT

THE mill goes toiling slowly around
With steady and solemn creak,
And my little one hears in the kindly sound
The voice of the old mill speak.
While round and round those big white wings
Grimly and ghostlike creep,
My little one hears that the old mill sings:
“Sleep, little tulip, sleep!”
Old dog Fritz in slumber sound
Groans of the stony mart—
To-morrow how proudly he’ll trot you round,
Hitched to our new milk-cart!
And you shall help me blanket the kine
And fold the gentle sheep
And set the herring a-soak in brine—
But now, little tulip, sleep!
A Dream-One comes to button the eyes
That wearily droop and blink,
While the old mill buffets the frowning skies
And scolds at the stars that wink;
Over your face the misty wings
Of that beautiful Dream-One sweep,
And rocking your cradle she softly sings:
“Sleep, little tulip, sleep!”

INTRY-MINTRY

Willie and Bess, Georgie and May—
Ah, the mirth of that summer-day!
’Twas Father Time who had come to share
The innocent joy of those children there;
He learned betimes the game they played
And into their sport with them went he—
How could the children have been afraid,
Since little they recked whom he might be?
They laughed to hear old Father Time
Mumbling that curious nonsense rime
Of “Intry-mintry, cutrey-corn,
Apple-seed and apple-thorn;
Wire, brier, limber, lock,
Twelve geese in a flock;
Some flew east, some flew west,
Some flew over the cuckoo’s nest!”
Willie and Bess, Georgie and May,
And joy of summer—where are they?
The grim old man still standeth near
Crooning the song of a far-off year;
And into the winter I come alone,
Cheered by that mournful requiem,
Soothed by the dolorous monotone
That shall count me off as it counted them—
The solemn voice of old Father Time
Chanting the homely nursery rime
He learned of the children a summer morn
When, with “apple-seed and apple-thorn,”
Life was full of the dulcet cheer
That bringeth the grace of heaven anear—
The sound of the little ones hard at play—
Willie and Bess, Georgie and May.

PITTYPAT AND TIPPYTOE

ALL day long they come and go—
Pittypat and Tippytoe;
Footprints up and down the hall,
Playthings scattered on the floor,
Finger-marks along the wall,
Tell-tale smudges on the door—
By these presents you shall know
Pittypat and Tippytoe.
Sometimes there are griefs to soothe,
Sometimes ruffled brows to smooth;
For (I much regret to say)
Tippytoe and Pittypat
Sometimes interrupt their play
With an internecine spat;
Fie, for shame! to quarrel so—
Pittypat and Tippytoe!
Oh the thousand worrying things
Every day recurrent brings!
Hands to scrub and hair to brush,
Search for playthings gone amiss,
Many a wee complaint to hush,
Many a little bump to kiss;
Life seems one vain, fleeting show
To Pittypat and Tippytoe!
And when day is at an end,
There are little duds to mend:
Little frocks are strangely torn,
Little shoes great holes reveal,
Little hose, but one day worn,
Rudely yawn at toe and heel!
Who but you could work such woe,
Pittypat and Tippytoe?
But when comes this thought to me:
“Some there are that childless be,”
Stealing to their little beds,
With a love I cannot speak,
Tenderly I stroke their heads—
Fondly kiss each velvet cheek.
God help those who do not know
A Pittypat or Tippytoe!
On the floor and down the hall,
Rudely smutched upon the wall,
There are proofs in every kind
Of the havoc they have wrought,
And upon my heart you’d find
Just such trade-marks, if you sought;
Oh, how glad I am ’tis so,
Pittypat and Tippytoe!

BALOW, MY BONNIE

HUSH, bonnie, dinna greit;
Moder will rocke her sweete,—
Balow, my boy!
When that his toile ben done,
Daddie will come anone,—
Hush thee, my lyttel one;
Balow, my boy!
Then droned a bomblebee
Saftly this songe to thee:
“Balow, my boy!”
And a wee heather bell,
Pluckt from a fayry dell,
Chimed thee this rune hersell:
“Balow, my boy!”
Soe, bonnie, dinna greit;
Moder doth rock her sweete,—
Balow, my boy!
Give mee thy lyttel hand,
Moder will hold it and
Lead thee to balow land,—
Balow, my boy!

THE HAWTHORNE CHILDREN

THE Hawthorne children—seven in all—
Are famous friends of mine,
And with what pleasure I recall
How, years ago, one gloomy fall,
I took a tedious railway line
And journeyed by slow stages down
Unto that sleepy seaport town
(Albeit one worth seeing),
Where Hildegarde, John, Henry, Fred,
And Beatrix and Gwendolen
And she that was the baby then—
These famous seven, as aforesaid,
Lived, moved, and had their being.
The Hawthorne children gave me such
A welcome by the sea,
That the eight of us were soon in touch,
And though their mother marveled much,
Happy as larks were we!

Egad I was a boy again
With Henry, John, and Gwendolen!
And, oh! the funny capers
I cut with Hildegarde and Fred!
The pranks we heedless children played,
The deafening, awful noise we made—
’Twould shock my family, if they read
About it in the papers!
The Hawthorne children all were smart;
The girls, as I recall,
Had comprehended every art
Appealing to the head and heart,
The boys were gifted, all;
’Twas Hildegarde who showed me how
To hitch the horse and milk a cow
And cook the best of suppers;
With Beatrix upon the sands
I sprinted daily, and was beat,
While Henry stumped me to the feat
Of walking round upon my hands
Instead of on my “uppers.
The Hawthorne children liked me best
Of evenings, after tea;
For then, by general request,
I spun them yarns about the west—
And all involving Me!
I represented how I’d slain
The bison on the gore-smeared plain,
And divers tales of wonder
I told of how I’d fought and bled
In Injun scrimmages galore,
Till Mrs. Hawthorne quoth “No more!”
And packed her darlings off to bed
To dream of blood and thunder!
They must have changed a deal since then:
The misses tall and fair
And those three lusty, handsome men,
Would they be girls and boys again
Were I to happen there,
Down in that spot beside the sea
Where we made such tumultuous glee
In dull autumnal weather?
Ah me! the years go swiftly by,
And yet how fondly I recall
The week when we were children all—
Dear Hawthorne children, you and I—
Just eight of us, together!

LITTLE BLUE PIGEON