Variant 1:
 
1827
... a spot of holy ground,
By Pain and her sad family unfound,
Sure, Nature's God that spot to man had given,
Where murmuring rivers join the song of even;
Where falls ...




1820
return to variant mark



Variant 2:
 
1836
Where the resounding power of water shakes

Where with loud voice the power of waters shakes
1820

1827
return



Variant 3:
 
1836
And not unrecompensed the man shall roam,
Who, to converse with Nature, quits his home,
And plods o'er hills and vales his way forlorn,
Wooing her various charms from eve to morn.

Yet not unrecompensed the man shall roam,
Who at the call of summer quits his home,
And plods through some far realm o'er vale and height,
Though seeking only holiday delight;



1820




1827
return



Variant 4:
  Lines 13 and 14 were introduced in 1827.

return



Variant 5:
 
1827
No sad vacuitiesi his heart annoy;—
Blows not a Zephyr but it whispers joy;
For him lost flowers their idle sweets exhale;
He tastes the meanest note that swells the gale;
For him sod-seats ...

Breathes not a zephyr but it whispers joy;
For him the loneliest flowers their sweets exhale;
He marks "the meanest note that swells theii gale;"




1815



1820
return



Variant 6:
 
1820
And dear the green-sward to his velvet tread;
1815
return



Variant 7:
 
1815
Whilst ...
Only in 1820.
return



Variant 8:
 
1820
... with kindest ray
To light him shaken by his viewless way.

1815
return



Variant 9:
 
1836
With bashful fear no cottage children steal
From him, a brother at the cottage meal,

1815
return



Variant 10:
 
1845
Much wondering what sad stroke of crazing Care,
Or desperate Love could lead a wanderer there.

Much wondering in what fit of crazing care,
Or desperate love, a wanderer came there.

1815


1836
return



Variant 11:
 
1836
Me, lured by hope her sorrows to remove,
A heart that could not much itself approve,
O'er Gallia's wastes of corn dejected led,
Her road elms rustling high above my head,
Or through her truant pathways' native charms,
By secret villages and lonely farms,
To where the Alps ...

... could not much herself approve,

... lured by hope its sorrows to remove,






1820

1827

1832
The lines 46, 47, were expanded in the edition of 1836 from one line in the editions of 1820-1832.

return



Variant 12:
 
1836
I sigh at hoary Chartreuse' doom.
Where now is fled that Power whose frown severe
Tamed "sober Reason" till she crouched in fear?
That breathed a death-like peace these woods around;
The cloister startles ...

Even now, emerging from the forest's gloom,
I heave a sigh at hoary Chartreuse' doom.
Where now is fled that Power whose frown severe
Tamed "sober Reason" till she crouched in fear?




1815




1820
return



Variant 13:
 
1836
That breathed a death-like silence wide around,
Broke only by the unvaried torrent's sound,
Or prayer-bell by the dull cicada drown'd.


1820
The editions of 1827 and 1832 omit these lines.

return



Variant 14:
 
1836
The cloister startles at the gleam of arms,
And Blasphemy the shuddering fane alarms;

1815
return



Variant 15:
 
1793
That ...
1827
The edition of 1836 returns to the text of 1793.

return



Variant 16:
 
1836
And swells the groaning torrent with his tears.
1815
In the editions 1815-1832 lines 61, 62 followed line 66.

return



Variant 17:
 
1836
Nod the cloud-piercing pines their troubled heads,
1815
return



Variant 18:
 
1836
The cross with hideous laughter Demons mock,
By angels planted on the aereal rock.

The cross, by angels on the aërial rock
Planted, a flight of laughing demons mock.

1815


1832
return



Variant 19:
 
1836
... sound ...
1815
return



Variant 20:
 
1836
To ringing team unknown ...
1815
return



Variant 21:
 
1827
Wild round the steeps the little pathway twines,
1815
return



Variant 22:
 
1836
The viewless lingerer ...
1815
return



Variant 23:
 
1845
Tracking the yellow sun from steep to steep,
As up the opposing hills, with tortoise foot, they creep.

And track the yellow light ...

... on naked steeps
As up the opposing hill it slowly creeps.

1815

1836


C.
return



Variant 24:
 
1845
Here half a village shines, in gold arrayed,
Bright as the moon; ...

1815
return



Variant 25:
 
1827
From the dark sylvan roofs the restless spire
Inconstant glancing, mounts like springing fire.

1815
return



Variant 26:
 
1836
... the waves ...
1815
return



Variant 27:
 
1836
Th' unwearied sweep of wood thy cliffs that scales;
The never-ending waters of thy vales;

1815
return



Variant 28:
 
1836   Line 111 was previously three lines, thus:
The cots, those dim religious groves embower,
Or, under rocks that from the water tower
Insinuated, sprinkling all the shore,


1815
return



Variant 29:
 
1836
... his ...
1815
return



Variant 30:
 
1836
Whose flaccid sails in forms fantastic droop,
Bright'ning the gloom where thick the forests stoop;

Only in the editions 1815 to 1832.
return



Variant 31:
 
1827
... like swallows' nests that cleave on high;
1815
return



Variant 32:
 
1827
While Evening's solemn bird melodious weeps,
Heard, by star-spotted bays, beneath the steeps;

Only in the editions of 1815 and 1820.
return



Variant 33:
 
1836
—Thy lake, mid smoking woods, that blue and grey
Gleams, streaked or dappled, hid from morning's ray

As beautiful the flood where blue or grey
Dappled, or streaked, as hid from morning's ray.

1815


C.
return



Variant 34:
 
1836
... to fold
1815
return



Variant 35:
 
1836
From thickly-glittering spires the matin bell
Calling the woodman from his desert cell,
A summons to the sound of oars, that pass,
Spotting the steaming deeps, to early mass;
Slow swells the service o'er the water born,
While fill each pause the ringing woods of morn.

Calls forth the woodman with its cheerful knell.





1815

C.
return



Variant 36:
 This couplet was first added in 1845.

return



Variant 37:
 
1845
Farewell those forms that in thy noon-tide shade,
Rest, near their little plots of wheaten glade;

Ye lovely forms that in the noontide shade
Rest near their little plots of wheaten glade.

1820


C.
return



Variant 38:
 
1845
Those charms that bind ...
1820
return



Variant 39:
 
1836
And winds, ...
1820
return



Variant 40:
 
1836
Yet arts are thine that soothe the unquiet heart,
And smiles to Solitude and Want impart.
I lov'd, 'mid thy most desart woods astray,
With pensive step to measure my slow way,
By lonely, silent cottage-doors to roam,
The far-off peasant's day-deserted home.

I loved by silent cottage-doors to roam,
The far-off peasant's day-deserted home;





1820


1827
These two lines take the place of the second and third couplets of the 1820 text quoted above.

return



Variant 41:
 
1836
Once did I pierce to where a cabin stood;
The red-breast peace had buried it in wood,

And once I pierced the mazes of a wood,
Where, far from public haunt, a cabin stood;

1820


1827
return



Variant 42:
 
1836
There, by the door a hoary-headed Sire
Touched with his withered hand an ancient lyre;
1820
return



Variant 43:
 
1836   This and the following line were expanded from:
Beneath an old-grey oak, as violets lie,
1820
return



Variant 44:
 
1836
... joined the holy sound;
1820
return



Variant 45:
 
1836
While ...
1820
return



Variant 46:
 
1845
Bend o'er th' abyss, the else impervious gloom

Hang o'er th' abyss:— ...

... the abyss:— ...
1820

1827

1832
return



Variant 47:
 
1836
Freshening the waste of sand with shades and springs.
She, solitary, through the desart drear
Spontaneous wanders, hand in hand with Fear.

By choice or doom a gipsy wanders here,
Companionless, or hand in hand with fear;
Lo! where she sits beneath yon shaggy rock,
A cowering shape half-seen through curling smoke.


1820




MS.