"We've sailed through banks of green,
      Where the wild waves fret and quiver;
    And we've down the Danube been—
      The dark, deep, thundering river!
    We've thridded the Elbe and Rhone,
      The Tiber and blood dyed Seine,
    And we've been where the blue Garonne
      Goes laughing to meet the main!"

All that night did we endure squeezing and suffocation, and no morn was ever more welcome than that which revealed to us Paris. With matted hair, wild, glaring eyes, and dusty and dishevelled habiliments, we entered the gay capital, and blessed every stone upon which we placed our feet, in the fulness of our joy.

In paying our fare at Auxerre, I was obliged to use a draft on the banker, Rougemont de Lowenberg. The ignorant conductor hesitated to change this, but permitted us to go, on condition of keeping it until we should arrive. Therefore, on getting out of the diligence, after forty-eight hours of sleepless and fasting misery, the facteur of the office went with me to get it paid, leaving B—— to wait for us. I knew nothing of Paris, and this merciless man kept me for three hours at his heels, following him on all his errands, before he did mine, in that time traversing the whole length of the city, in order to leave a chèvre-feuille at an aristocratic residence in the Faubourg St. Germain. Yet even combined weariness and hunger could not prevent me from looking with vivid interest down a long avenue, at the Column of the place Vendôme, in passing, and gazing up in wonder at the splendid portico of the Madeleine. But of anything else I have a very faint remembrance. "You can eat breakfast, now, I think," said he, when we returned, "we have walked more than four leagues!"

I know we will be excused, that, instead of hurrying away to Notre Dame or the Louvre, we sat down quietly to a most complete breakfast. Even the most romantic must be forced to confess that admiration does not sit well on an empty stomach. Our first walk was to a bath, and then, with complexions several shades lighter, and limbs that felt us if lifted by invisible wings, we hurried away to the Post Office. I seized the welcome missives from my far home, with a beating heart, and hastening back, read till the words became indistinct in the twilight.








CHAPTER XLV. — POETICAL SCENES IN PARIS.

What a gay little world in miniature this is! I wonder not that the French, with their exuberant gaiety of spirit, should revel in its ceaseless tides of pleasure, as if it were an earthly Elysium. I feel already the influence of its cheerful atmosphere, and have rarely threaded the crowds of a stranger city, with so light a heart as I do now daily, on the thronged banks of the Seine. And yet it would be difficult to describe wherein consists this agreeable peculiarity. You can find streets as dark and crooked and dirty anywhere in Germany, and squares and gardens as gay and sunny beyond the Alps, and yet they would affect you far differently. You could not, as here, divest yourself of every particle of sad or serious thought and be content to gaze for hours on the showy scene, without an idea beyond the present moment. It must be that the spirit of the croud is magnetically contagious.

The evening of our arrival we walked out past the massive and stately Hotel de Ville, and took a promenade along the Quais. The shops facing the river presented a scene of great splendor. Several of the Quais on the north bank of the Seine are occupied almost entirely by jewellers, the windows of whose shops, arranged in a style of the greatest taste, make a dazzling display. Rows of gold watches and chains are arranged across the crystal panes, and heaped in pyramids on long glass slabs; cylindrical wheels of wire, hung with jewelled breastpins and earrings, turn slowly around by some invisible agency, displaying row after row of their glittering treasures.

From the centre of the Pont Neuf, we could see for a long distance up and down the river. The different bridges traced on either side a dozen starry lines through the dark air, and a continued blaze lighted the two shores in their whole length, revealing the outline of the Isle da la Cité. I recognized the Palaces of the Louvre and the Tuileries in the dusky mass beyond. Eastward, looming against the dark sky, I could faintly trace the black towers of Notre Dame, The rushing of the swift waters below mingled with the rattling of a thousand carts and carriages, and the confusion of a thousand voices, till it seemed like some grand nightly festival.

I first saw Notre Dame by moonlight. The shadow of its stupendous front was thrown directly towards me, hiding the innumerable lines of the ornamental sculpture which cover its tall, square towers. I walked forward until the interlacing, Moorish arches between them stood full against the moon, and the light, struggling through the quaint openings of the tracery, streamed in silver lines down into the shadow. The square before it was quite deserted, for it stands on a lonely part of the Isle de la Cité, and it looked thus far more majestic and solemn than in the glaring daylight.

The great quadrangle of the Tuileries encloses the Place du Carrousel, in the centre of which stands a triumphal arch, erected by Napoleon after his Italian victories. Standing in the middle of this arch, you look through the open passage in the central building of the palace, into the Gardens beyond. Further on, in a direct line, the middle avenue of the Gardens extends away to the Place de la Concorde, where the Obelisk of Luxor makes a perpendicular line through your vista; still further goes the broad avenue through the Elysian Fields, until afar off, the Arc de l'Etoile, two miles distant, closes this view through the palace doorway.

Let us go through it, and on, to the Place de la Concorde, reserving the Gardens for another time. What is there in Europe—nay, in the world,—equal to this? In the centre, the mighty obelisk of red granite pierces the sky,—on either hand showers of silver spray are thrown up from splendid bronze fountains—statues and pillars of gilded bronze sweep in a grand circle around the square, and on each side magnificent vistas lead the eye off, and combine the distant with the near, to complete this unparalleled view! Eastward, beyond the tall trees in the garden of the Tuileries, rises the long front of the Palace, with the tri-color floating above; westward, in front of us, is the Forest of the Elysian Fields, with the arch of triumph nearly a mile and a half distant, looking down from the end of the avenue, at the Barriere de Neuilly. To the right and left are the marble fronts of the Church of the Madeleine and the Chamber of Deputies, the latter on the other side of the Seine. Thus the groves and gardens of Paris—the palace of her kings—the proud monument of her sons' glory—and the masterpieces of modern French architecture are all embraced in this one splendid coup d'oeil.

Following the motley multitude to the bridge, I crossed and made my way to the Hotel des Invalides. Along the esplanade, playful companies of children were running and tumbling in their sports over the green turf, which was as fresh as a meadow; while, not the least interesting feature of the scene, numbers of scarred and disabled veterans, in the livery of the Hospital, basked in the sunshine, watching with quiet satisfaction the gambols of the second generation they have seen arise. What tales could they not tell, those wrinkled and feeble old men! What visions of Marengo and Austerlitz and Borodino shift still with a fiery vividness through their fading memories! Some may have left a limb on the Lybian desert; and the sabre of the Cossack may have scarred the brows of others. They witnessed the rising and setting of that great meteor, which intoxicated France with such a blaze of power and glory, and now, when the recollection of that wonderful period seems almost like a stormy dream, they are left to guard the ashes of their ancient General, brought back from his exile to rest in the bosom of his own French people. It was to me a touching and exciting thing, to look on those whose eyes had witnessed the filling up of such a fated leaf in the world's history.

Entrance is denied to the tomb of Napoleon until it is finished, which will not be for three or four yours yet. I went, however, into the "Church of the Banners"—a large chapel, hung with two or three hundred flags taken by the armies of the Empire. The greater part of them were Austrian and Russian. It appeared to be empty when I entered, but on looking around, I saw an old gray-headed soldier kneeling at one side. His head was bowed over his hands, and he seemed perfectly absorbed in his thoughts. Perhaps the very tattered banners which hung down motionless above his head, he might have assisted in conquering. I looked a moment on those eloquent trophies, and then noiselessly withdrew.

There is at least one solemn spot near Paris; the laughing winds that come up from the merry city sink into sighs under the cypress boughs of Pere Lachaise. And yet it is not a gloomy place, but full of a serious beauty, fitting for a city of the dead. I shall never forget the sunny afternoon when I first entered its gate and walked slowly up the hill, between rows of tombs, gleaming white amid the heavy foliage, while the green turf around them was just beginning to be starred by the opening daisies, From the little chapel on its summit I looked back at the blue spires of the city, whose roar of life dwindled to a low murmur. Countless pyramids, obelisks and urns, rising far and wide above the cedars and cypresses, showed the extent of the splendid necropolis, which is inhabited by pale, shrouded emigrants from its living sister below. The only sad part of the view, was the slope of the hill alloted to the poor, where legions of plain black crosses are drawn up into solid squares on its side and stand alone gloomy—the advanced guard of the army of Death! I mused over the tombs of Molière and La Fontaine; Massena, Mortier and Lefebre; General Foy and Casimir Perier; and finally descended to the shrine where Abelard reposes by the side of his Heloise. The old sculptured tomb, brought away from the Paraclete, still covers their remains, and pious hands (of lovers, perhaps,) keep fresh the wreaths of immortelles above their marble effigies.

In the Theatre Français, I saw Rachel, the actress. She appeared in the character of "Virginia," in a tragedy of that name, by the poet Latour. Her appearance as she came upon the stage alone, convinced me she would not belie her renown. She is rather small in stature, with dark, piercing eyes and rich black hair; her lips are full, but delicately formed, and her features have a marked yet flexible outline, which conveys the minutest shades of expression. Her voice is clear, deep and thrilling, and like sonic grand strain of music, there is power and meaning in its slightest modulations. Her gestures embody the very spirit of the character; she has so perfectly attained that rare harmony of thought, sound and action, or rather, that unity of feeling which renders them harmonious, that her acting seems the unstudied, irrepressible impulse of her soul. With the first sentence she uttered, I forgot Rachel. I only saw the innocent Roman girl; I awaited in suspense and with a powerful sympathy, the developement of the oft-told tragedy. My blood grew warm with indignation when the words of Appius roused her to anger, and I could scarcely keep back my tears, when, with a voice broken by sobs, she bade farewell to the protecting gods of her father's hearth.

Among the bewildering variety of ancient ornaments and implements in the Egyptian Gallery of the Louvre, I saw an object of startling interest. A fragment of the Iliad, written nearly three thousand years ago! One may even dare to conjecture that the torn and half-mouldered slip of papyrus, upon which he gazes, may have been taken down from the lips of the immortal Chiun. The eyes look on those faded characters, and across the great gulf of Time, the soul leaps into the Past, brought into shadowy nearness by a mirage of the mind. There, as in the desert, images start up, vivid, yet of a vague and dreamy beauty. We see the olive groves of Greece—white-robed youths and maidens sit in the shade of swaying boughs—and one of them reads aloud, in words that sound like the clashing of shields, the deeds of Achilles.

As we step out the western portal of the Tuileries, a beautiful scene greets us. We look on the palace garden, fragrant with flowers and classic with bronze copies of ancient sculpture. Beyond this, broad gravel walks divide the flower-bordered lawns and ranks of marble demigods and heroes look down on the joyous crowd. Children troll their hoops along the avenues or skip the rope under the clipped lindens, whose boughs are now tinged a pale yellow by the bursting buds. The swans glide about on a pond in the centre, begging bread of the bystanders, who watch a miniature ship which the soft breeze carries steadily across. Paris is unseen, but heard, on every side; only the Column of Luxor and the Arc de Triomphe rise blue and grand above the top of the forest. What with the sound of voices, the merry laughter of the children and a host of smiling faces, the scene touches a happy chord in one's heart, and he mingles with it, lost in pleasant reverie, till the sounds fade away with the fading light.

Just below the Baths of the Louvre, there are several floating barges belonging to the washer-women, anchored at the foot of the great stone staircase leading down to the water. They stand there day after day, beating their clothes upon flat boards and rinsing them in the Seine. One day there seemed to have been a wedding or some other cause of rejoicing among them, for a large number of the youngest were talking in great glee on one of the platforms of the staircase, while a handsome, German-looking youth stood near, with a guitar slung around his neck. He struck up a lively air, and the girls fell into a droll sort of a dance. They went at it heavily and roughly enough, but made up in good humor what they lacked in grace; the older members of the craft looked up from their work with satisfaction and many shouts of applause wore sent down to them from the spectators on the Quai and the Pont Neuf. Not content with this, they seized on some luckless men who were descending the steps, and clasping them with their powerful right arms, spun them around like so many tops and sent them whizzing off at a tangent. Loud bursts of laughter greeted this performance, and the stout river maidens returned to their dance with redoubled spirit.

Yesterday, the famous procession of the "boeuf gras" took place for the second time, with great splendor. The order of march had been duly announced beforehand, and by noon all the streets and squares through which it was to pass, were crowded with waiting spectators. Mounted gens d'armes rode constantly to and fro, to direct the passage of vehicles and keep an open thoroughfare. Thousands of country peasants poured into the city, the boys of whom were seen in all directions, blowing distressingly through hollow ox-horns. Altogether, the spirit of nonsense which animated the crowd, displayed itself very amusingly.

A few mounted guards led the procession, followed by a band of music. Then appeared Roman lictors and officers of sacrifice, leading Dagobert, the famous bull of Normandy, destined to the honor of being slaughtered as the Carnival beef. He trod rather tenderly, finding, no doubt, a difference between the meadows of Caen and the pavements of Paris, and I thought he would have been willing to forego his gilded horns and flowery crown, to get back there again. His weight was said to be four thousand pounds, and the bills pompously declared that he had no rival in France, except the elephant in the Jardin des Plantes.

After him came the farmer by whom he was raised, and M. Roland, the butcher of the carnival, followed by a hundred of the same craft, dressed as cavaliers of the different ages of France. They made a very showy appearance, although the faded velvet and soiled tinsel of their mantles were rather too apparent by daylight.

After all these had gone by, came an enormous triumphal car, very profusely covered with gilding and ornamental flowers. A fellow with long woollen hair and beard, intended to represent Time, acted as driver. In the car, under a gilded canopy, reposed a number of persons, in blue silk smocks and yellow "fleshtights," said to be Venus, Apollo, the Graces, &c. but I endeavored in vain to distinguish one divinity from another. However, three children on the back seat, dressed in the same style, with the addition of long flaxy ringlets, made very passable Cupids. This closed the march; which passed onward towards the Place de la Concorde, accompanied by the sounds of music and the shouts of the mob. The broad, splendid line of Boulevards, which describe a semi-circle around the heart of the city, were crowded, and for the whole distance of three miles, it required no slight labor to make one's way. People in masks and fancy costumes were continually passing and re-passing, and I detected in more than one of the carriages, checks rather too fair to suit the slouched hunter's hats which shaded them. It seemed as if all Paris was taking a holiday, and resolved to make the most of it.








CHAPTER XLVI. — A GLIMPSE OF NORMANDY.

After a residence of five weeks, which, in spite of some few troubles, passed away quickly and delightfully, I turned my back on Paris. It was not regret I experienced on taking my seat in the cars for Versailles, but that feeling of reluctance with which we leave places whose brightness and gaiety force the mind away from serious toil. Steam, however, cuts short all sentiment, and in much less time than it takes to bid farewell to a German, we had whizzed past the Place d'Europe, through the barrier, and were watching the spires start up from the receding city, on the way to St. Cloud.

At Versailles I spent three hours in a hasty walk through the palace, which allowed but a bare glance at the gorgeous paintings of Horace Vernet. His "Taking of Constantine" has the vivid look of reality. The white houses shine in the sun, and from the bleached earth to the blue and dazzling sky, there seems to hang a heavy, scorching atmosphere. The white smoke of the artillery curls almost visibly off the canvass, and the cracked and half-sprung walls look as if about to topple down on the besiegers. One series of halls is devoted to the illustration of the knightly chronicles of France, from the days of Charlemagne to those of Bayard and Gaston de Foix. Among these pictured legends, I looked with the deepest interest on that of the noble girl of Orleans. Her countenance—the same in all these pictures and in a beautiful statue of her, which stands in one of the corridors—is said to be copied from an old and well-authenticated portrait. United to the sweetness and purity of peasant beauty, she has the lofty brow and inspired expression of a prophetess. There is a soft light in her full blue eye that does not belong to earth. I wonder not the soldiery deemed her chosen by God to lead them to successful battle; had I lived in those times I could have followed her consecrated banner to the ends of the earth. In the statue, she stands musing, with her head drooping forward, as if the weight of the breastplate oppressed her woman's heart; the melancholy soul which shines through the marble seems to forebode the fearful winding-up of her eventful destiny.

The afternoon was somewhat advanced, by the time I had seen the palace and gardens. After a hurried dinner at a restaurant, I shouldered my knapsack and took the road to St. Germain. The day was gloomy and cheerless, and I should have felt very lonely but for the thought of soon reaching England. There is no time of the year more melancholy than a cold, cloudy day in March; whatever may be the beauties of pedestrian traveling in fairer seasons, my experience dictates that during winter storms and March glooms, it had better be dispensed with. However, I pushed on to St. Germain, threaded its long streets, looked down from the height over its magnificent tract of forest and turned westward down the Seine. Owing to the scantiness of villages, I was obliged to walk an hour and a half in the wind and darkness, before I reached a solitary inn. As I opened the door and asked for lodging, the landlady inquired if I had the necessary papers. I answered in the affirmative and was admitted. While I was eating supper, they prepared their meal on the other end of the small table and sat down together. They fell into the error, so common to ignorant persons, of thinking a foreigner could not understand them, and began talking quite unconcernedly about me. "Why don't he take the railroad?" said the old man: "he must have very little money—it would be bad for us if he had none." "Oh!" remarked his son, "if he had none, he would not be sitting there so quiet and unconcerned." I thought there was some knowledge of human nature in this remark. "And besides," added the landlady, "there is no danger for us, for we have his passport." Of course I enjoyed this in secret, and mentally pardoned their suspicions, when I reflected that the high roads between Paris and London are frequented by many imposters, which makes the people naturally mistrustful. I walked all the next day through a beautiful and richly cultivated country. The early fruit trees were bursting into bloom, and the farmers led out their cattle to pasturage in the fresh meadows. The scenery must be delightful in summer—worthy of all that has been said or sung about lovely Normandy. On the morning of the third day, before reaching Rouen, I saw at a distance the remains of Chateau Galliard, the favorite castle of Richard Coeur de Lion. Rouen breathes everywhere of the ancient times of Normandy. Nothing can be more picturesque than its quaint, irregular wooden houses, and the low, mossy mills, spanning the clear streams which rush through its streets. The Cathedral, with its four towers, rises from among the clustered cottages like a giant rook, split by the lightning and worn by the rains of centuries is into a thousand fantastic shapes.

Resuming my walk in the afternoon, I climbed the heights west of the city, and after passing through a suburb four or five miles in length, entered the vale of the Cailly. This is one of the sweetest scenes in France. It lies among the woody hills like a Paradise, with its velvet meadows and villas and breathing gardens. The grass was starred with daisies and if I took a step into the oak and chesnut woods, I trampled on thousands of anemones and fragrant daffodils. The upland plain, stretching inward from the coast, wears a different character. As I ascended, towards evening, and walked over its monotonous swells, I felt almost homesick beneath its saddening influence. The sun, hazed over with dull clouds, gave out that cold and lifeless light which is more lonely than complete darkness. The wind, sweeping dismally over the fields, sent clouds of blinding dust down the road, and as it passed through the forests, the myriads of fine twigs sent up a sound as deep and grand as the roar of a roused ocean. Every chink of the Norman cottage where I slept, whistled most drearily, and as I looked out the little window of my room, the trees were swaying in the gloom, and long, black clouds scudded across the sky. Though my bed was poor and hard, it was a sublime sound that cradled me into slumber. Homer might have used it as the lullaby of Jove.

My last day on the continent came. I rose early and walked over the hills towards Dieppe. The scenery grew more bleak as I approached the sea, but the low and sheltered valleys preserved the pastoral look of the interior. In the afternoon, as I climbed a long, elevated ridge, over which a strong northwester was blowing, I was struck with a beautiful rustic church, in one of the dells below me. While admiring its neat tower I had gained unconsciously the summit of the hill, and on turning suddenly around, lo! there was the glorious old Atlantic stretching far before and around me! A shower was sweeping mistily along the horizon and I could trace the white line of the breakers that foamed at the foot of the cliffs. The scene came over me like a vivid electric shock, and I gave an involuntary shout, which might have been heard in all the valleys around. After a year and a half of wandering over the continent, that gray ocean was something to be revered and loved, for it clasped the shores of my native America.

I entered Dieppe in a heavy shower, and after finding an inn suited to my means and obtaining a permis d'embarquement from the police office, I went out to the battlements and looked again on the sea. The landlord promised to call me in time for the boat, but my anxiety waked me sooner, and mistaking the strokes of the cathedral bell, I shouldered my knapsack and went down to the wharf at one o'clock. No one was stirring on board the boat, and I was obliged to pace the silent, gloomy streets of the town for two hours. I watched the steamer glide out on the rainy channel, and turning into the topmost berth, drew the sliding curtain and strove to keep out cold and sea-sickness. But it was unavailing; a heavy storm of snow and rain rendered our passage so dreary that I did not stir until we were approaching the chain pier of Brighton.

I looked out on the foggy shores of England with a feeling of relief; my tongue would now be freed from the difficult bondage of foreign languages, and my ears be rejoiced with the music of my own. After two hours' delay at the Custom House, I took my seat in an open car for London. The day was dull and cold; the sun resembled a milky blotch in the midst of a leaden sky. I sat and shivered, as we flew onward, amid the rich, cultivated English scenery. At last the fog grew thicker; the road was carried over the tops of houses; the familiar dome of St. Paul's stood out above the spires; and I was again in London!








CHAPTER XLVII. — LOCKHART, BERNARD BARTON AND CROLY—LONDON CHIMES AND GREENWICH FAIR.

My circumstances, on arriving at London, were again very reduced. A franc and a half constituted the whole of my funds. This, joined to the knowledge of London expenses, rendered instant exertion necessary, to prevent still greater embarrassment. I called on a printer the next morning, hoping to procure work, but found, as I had no documents with me to show I had served a regular apprenticeship, this would be extremely difficult, although workmen were in great demand. Mr. Putnam, however, on whom I had previously called, gave me employment for a time in his publishing establishment, and thus I was fortunately enabled to await the arrival of a remittance from home.

Mrs. Trollope, whom I met in Florence, kindly gave me a letter to Murray, the publisher, and I visited him soon after my arrival. In his library I saw the original portraits of Byron, Moore, Campbell and the other authors who were intimate with him and his father. A day or two afterwards I had the good fortune to breakfast with Lockhart and Bernard Barton, at the house of the former. Mr. Murray, through whom the invitation was given, accompanied me there. As it was late when we arrived at Regent's Park, we found them waiting, and sat down immediately to breakfast.

I was much pleased with Lockhart's appearance and manners. He has a noble, manly countenance—in fact, the handsomest English face I ever saw—a quick, dark eye and an ample forehead, shaded by locks which show, as yet, but few threads of gray. There is a peculiar charm in his rich, soft voice; especially when reciting poetry, it has a clear, organ-like vibration, which thrills deliciously on the ear. His daughter, who sat at the head of the table, is a most lovely and amiable girl.

Bernard Burton, who is now quite an old man, is a very lively and sociable Friend. His head is gray and almost bald, but there is still plenty of fire in his eyes and life in his limbs. His many kind and amiable qualities endear him to a large circle of literary friends. He still continues writing, and within the last year has brought out a volume of simple, touching "Household Verses." A picture of cheerful and contented old age has never been more briefly and beautifully drawn, than in the following lines, which he sent me, in answer to my desire to possess one of his poems in his own hand:

    STANZAS.

    I feel that I am growing old,
       Nor wish to hide that truth;
    Conscious my heart is not more cold
       Than in my by-gone youth.

    I cannot roam the country round,
       As I was wont to do;
    My feet a scantier circle bound,
       My eyes a narrower view.

    But on my mental vision rise
       Bright scenes of beauty still:
    Morn's splendor, evening's glowing skies,
       Valley, and grove, and hill.

    Nor can infirmities o'erwhelm
       The purer pleasures brought
    From the immortal spirit's realm
       Of feeling and of Thought!

    My heart! let not dismay or doubt
       In thee an entrance win!
    Thou hast enjoyed thyself without
       Now seek thy joy within!

During breakfast he related to us a pleasant anecdote of Scott. He once wrote to the poet in behalf of a young lady, who wished to have the description of Melrose, in the "Lay of the last Minstrel," in the poet's own writing. Scott sent it, but added these lines to the conclusion:

    "Then go, and muse with deepest awe
    On what the writer never saw;
    Who would not wander 'neath the moon
    To see what he could see at noon!"

We went afterwards into Lockhart's library, which was full of interesting objects. I saw the private diary of Scott, kept until within a short time of his death. It was melancholy to trace the gradual failing of all his energies in the very wavering of the autograph. In a large volume of his correspondence, containing letters from Campbell, Wordsworth, Byron, and all the distinguished characters of the age, I saw Campbell's "Battle of the Baltic" in his own hand. I was highly interested and gratified with the whole visit; the more so, as Mr. Lockhart had invited me voluntarily, without previous acquaintance. I have since heard him spoken of in the highest terms of esteem.

I went one Sunday to the Church of St. Stephen, to hear Croly, the poet. The service, read by a drowsy clerk, was long and monotonous; I sat in a side-aisle, looking up at the dome, and listening to the rain which dashed in torrents against the windowpanes. At last, a tall, gray-haired man came down the passage. He bowed with a sad smile, so full of benevolence and resignation, that it went into my heart at once, and I gave him an involuntary tribute of sympathy. He has a heavy affliction to bear—the death of his gallant son, one of the officers who were slain in the late battle of Ferozeshaw. His whole manner betrays the tokens of subdued but constant grief.

His sermon was peculiarly finished and appropriate; the language was clear and forcible, without that splendor of thought and dazzling vividness of imagery which mark "Salathiel." Yet I could not help noticing that he delighted to dwell on the spiritualities of religion, rather than its outward observances, which he seemed inclined to hurry over as lightly as possible. His mild, gray eye and lofty forehead are more like the benevolent divine than the poet. I thought of Salathiel, and looked at the dignified, sorrowful man before me. The picture of the accursed Judean vanished, and his own solemn lines rang on my ear:

             "The mighty grave
              Wraps lord and slave,
    Nor pride, nor poverty dares come
    Within that prison-house, that tomb!"

Whenever I hear them, or think of them again, I shall see, in memory, Croly's calm, pale countenance.

    "The chimes, the chimes of Mother-land,
       Of England, green and old;
    That out from thane and ivied tower
       A thousand years have tolled!"

I often thought of Coxe's beautiful ballad, when, after a day spent in Waterloo Place, I have listened, on my way homeward, to the chimes of Mary-le-bone Chapel, sounding sweetly and clearly above all the din of the Strand. There is something in their silvery vibration, which is far more expressive than the ordinary tones of a bell. The ear becomes weary of a continued toll—the sound of some bells seems to have nothing more in it than the ordinary clang of metal—but these simple notes, following one another so melodiously, fall on the ear, stunned by the ceaseless roar of carriages or the mingled cries of the mob, as gently and gratefully as drops of dew. Whether it be morning, and they ring out louder and deeper through the mist, or midnight, when the vast ocean of being beneath them surges less noisily than its wont, they are alike full of melody and poetry. I have often paused, deep in the night, to hear those clear tones, dropping down from the darkness, thrilling, with their full, tremulous sweetness, the still air of the lighted Strand, and winding away through dark, silent lanes and solitary courts, till the ear of the care-worn watcher is scarcely stirred with their dying vibrations. They seemed like those spirit-voices, which, at such times, speak almost audibly to the heart. How delicious it must be, to those who dwell within the limits of their sound, to wake from some happy dream and hear those chimes blending in with their midnight fancies, like the musical echo of the promised bliss. I love these eloquent bells, and I think there must be many, living out a life of misery and suffering, to whom their tones come with an almost human consolation. The natures of the very cockneys, who never go without the horizon of their vibrations, is, to my mind, invested with one hue of poetry!

A few days ago, an American friend invited me to accompany him to Greenwich Fair. We took a penny steamer from Hungerford Market to London Bridge, and jumped into the cars, which go every live minutes. Twelve minutes' ride above the chimneys of London and the vegetable-fields of Rotherhithe and Deptford brought us to Greenwich, we followed the stream of people which was flowing from all parts of the city into the Park.

Here began the merriment. We heard on every side the noise of the "scratchers," or, as the venders of these articles denominated them—"the fun of the fair." By this is meant a little notched wheel, with a piece of wood fastened on it, like a miniature watchman's rattle. The "fun" consists in drawing them down the back of any one you pass, when they make a sound precisely like that of ripping cloth. The women take great delight in this, and as it is only deemed politeness to return the compliment, we soon had enough to do. Nobody seemed to take the diversion amiss, but it was so irresistibly droll to see a large crowd engaged in this singular amusement, that we both burst into hearty laughter.

As we began ascending Greenwich Hill, we were assailed with another kind of game. The ground was covered with smashed oranges, with which the people above and below were stoutly pelting each other. Half a dozen heavy ones whizzed uncomfortably near my head as I went up, and I saw several persons get the full benefit of a shot on their backs and breasts. The young country lads and lasses amused themselves by running at full spend down the steep side of a hill. This was, however, a feat attended with some risk; for I saw one luckless girl describe an arc of a circle, of which her feet was the centre and her body the radius. All was noise and nonsense. They ran to and fro under the long, hoary bough of the venerable oaks that crest the summit, and clattered down the magnificent forest-avenues, whose budding foliage gave them little shelter from the passing April showers.

The view from the top is splendid. The stately Thames curves through the plain below, which loses itself afar off in the mist; Greenwich, with its massive hospital, lies just at one's feet, and in a clear day the domes of London skirt the horizon. The wood of the Park is entirely oak—the majestic, dignified, English oak—which covers, in picturesque clumps, the sides and summits of the two billowy hills. It must be a sweet place in summer, when the dark, massive foliage is heavy on every mossy arm, and the smooth and curving sward shines with thousands of field-flowers.

Owing to the showers, the streets were coated with mud, of a consistence as soft and yielding as the most fleecy Persian carpet. Near the gate, boys were holding scores of donkeys, which they offered us at threepence for a ride of two miles. We walked down towards the river, and came at last to a group of tumblers, who with muddy hands and feet were throwing somersets in the open street. I recognized them as old acquaintances of the Rue St. Antoine and the Champs Elysées; but the little boy who cried before, because he did not want to bend his head and foot into a ring, like a hoop-snake, had learned his part better by this time, so that he went through it all without whimpering and came off with only a fiery red face. The exercises of the young gentlemen were of course very graceful and classic, and the effect of their poses of strength was very much heightened by the muddy foot-marks which they left on each other's orange-colored skins.

The avenue of booths was still more diverting. Here under sheets of leaky awning, were exposed for sale rows of gilded gingerbread kings and queens, and I cannot remember how many men and women held me fast by the arms, determined to force me into buying a pound of them. We paused at the sign: "SIGNOR URBANI'S GRAND MAGICAL DISPLAY." The title was attractive, so we paid the penny admission, and walked behind the dark, mysterious curtain. Two bare brick walls, three benches and a little boy appeared to us. A sheet hung before us upon which quivered the shadow of some terrible head. At my friend's command, the boy (also a spectator) put out the light, when the awful and grinning face of a black woman became visible. While we were admiring this striking production, thus mysteriously revealed, Signor Urbani came in, and seeing no hope of any more spectators, went behind the curtain and startled our sensitive nerves with six or seven skeleton and devil apparitions, winding up the wonderful entertainment with the same black head. We signified our entire approbation by due applause and then went out to seek further novelties.

The centre of the square was occupied by swings, where some eight or ten boat-loads of persons were flying topsy-turvy into the air, making one giddy to look at them, and constant fearful shrieks arose from the lady swingers, at finding themselves in a horizontal or inverted position, high above the ground. One of the machines was like a great wheel, with four cars attached, which mounted and descended with their motley freight. We got into the boat by way of experiment. The starting motion was pleasant, but very soon it flew with a swiftness and to a height rather alarming. I began to repent having chosen such a mode of amusement, but held on as well as I could, in my uneasy place. Presently we mounted till the long beam of our boat was horizontal; at one instant, I saw three young ladies below me, with their heads downward, like a shadow in the water—the next I was turned heels up, looking at thorn as a shadow does at its original. I was fast becoming sea-sick, when, after a few minutes of such giddy soaring, the ropes were slackened and we all got out, looking somewhat pale, and feeling nervous, if nothing else.

There were also many great tents, hung with boughs and lighted with innumerable colored lamps, where the people danced their country dances in a choking cloud of dry saw-dust. Conjurors and gymnastic performers were showing off on conspicuous platforms, and a continual sound of drums, cymbals and shrill trumpets called the attention of the crowd to some "Wonderful Exhibition"—some infant phenomenon, giant, or three-headed pig. A great part of the crowd belonged evidently to the very worst part of society, but the watchfulness of the police prevented any open disorder. We came away early and in a quarter of an hour were in busy London, leaving far behind us the revel and debauch, which was prolonged through the whole night.

London has the advantage of one of the most gloomy atmospheres in the world. During this opening spring weather, no light and scarcely any warmth can penetrate the dull, yellowish-gray mist, which incessantly hangs over the city. Sometimes at noon we have for an hour or two a sickly gleam of sunshine, but it is soon swallowed up by the smoke and drizzling fog. The people carry umbrellas at all times, for the rain seems to drop spontaneously out of the very air, without wailing for the usual preparation of a gathering cloud. Professor Espy's rules would be of little avail here.

A few days ago we had a real fog—a specimen of November weather, as the people said. If November wears such a mantle, London, during that sober month, must furnish a good idea of the gloom of Hades. The streets wore wrapped in a veil of dense mist, of a dirty yellow color, as if the air had suddenly grown thick and mouldy. The houses on the opposite sides of the street were invisible, and the gas lamps, lighted in the shops, burned with a white and ghastly flame. Carriages ran together in the streets, and I was kept constantly on the look-out, lest some one should come suddenly out of the cloud around me, and we should meet with a shock like that of two knights at a tournament. As I stood in the centre of Trafalgar Square, with every object invisible around me, it reminded me, (hoping the comparison will not be accepted in every particular) of Satan resting in the middle of Chaos. The weather sometimes continues thus for whole days together.

April 26.—An hour and a half of land are still allowed us, and then we shall set foot on the back of the oak-ribbed leviathan, which will be our home until a thousand leagues of blue ocean are crossed. I shall hear the old Aldgate clock strike for the last time—I shall take a last walk through the Minories and past the Tower yard, and as we glide down the Thames, St. Pauls, half-hidden in mist and coal-smoke, will probably be my last glimpse of London.








CHAPTER XLVIII. — HOMEWARD BOUND——CONCLUSION.

We slid out of St. Katharine's Dock at noon on the appointed day, and with a pair of sooty steamboats hitched to our vessel, moved slowly down the Thames in mist and drizzling rain. I stayed on the wet deck all afternoon, that I might more forcibly and joyously feel we were again in motion on the waters and homeward bound! My attention was divided between the dreary views of Blackwall, Greenwich and Woolwich, and the motley throng of passengers who were to form our ocean society. An English family, going out to settle in Canada, were gathered together in great distress and anxiety, for the father had gone ashore in London at a late hour, and was left behind. When we anchored for the night at Gravesend, their fears were quieted by his arrival in a skiff from the shore, as he had immediately followed us by railroad.

My cousin and B—— had hastened on from Paris to join me, and a day before the sailing of the "Victoria," we took berths in the second cabin, for twelve pounds ten shillings each, which in the London line of packets, includes coarse but substantial fare for the whole voyage. Our funds were insufficient to pay even this; but Captain Morgan, less mistrustful than my Norman landlord, generously agreed that the remainder of the fare should be paid in America. B—— and I, with two young Englishmen, took possession of a State-room of rough boards, lighted by a bull's-eye, which in stormy weather leaked so much that our trunks swam in water. A narrow mattrass and blanket, with a knapsack for a pillow, formed a passable bed. A long entry between the rooms, lighted by a feeble swinging lamp, was filled with a board table, around which the thirty-two second cabin passengers met to discuss politics and salt pork, favorable winds and hard sea-biscuit.

We lay becalmed opposite Sheerness the whole of the second day. At dusk a sudden squall came up, which drove us foaming towards the North Foreland. When I went on deck in the morning, we had passed Dover and Brighton, and the Isle of Wight was rising dim ahead of us. The low English coast on our right was bordered by long reaches of dazzling chalky sand, which glittered along the calm blue water.

Gliding into the Bay of Portsmouth, we dropped anchor opposite the romantic town of Ryde, built on the sloping shore of the green Isle of Wight. Eight or nine vessels of the Experimental Squadron were anchored near us, and over the houses of Portsmouth, I saw the masts of the Victory—the flag-ship in the battle of Trafalgar, on board of which Nelson was killed. The wind was not strong enough to permit the passage of the Needles, so at midnight we succeeded in wearing back again into the channel, around the Isle of Wight. A head wind forced us to tack away towards the shore of France. We were twice in sight of the rocky coast of Brittany, near Cherbourg, but the misty promontory of Land's End was our last glimpse of the old world.

On one of our first days at sea, I caught a curlew, which came flying on weary wings towards us, and alighted on one of the boats. Two of his brethren, too much exhausted or too timid to do likewise, dropped flat on the waves and resigned themselves to their fate without a struggle. I slipped up and caught his long, lank legs, while he was resting with flagging wings and half-shut eyes. We fed him, though it was difficult to get anything down his reed-shaped bill; but he took kindly to our force-work, and when we let him loose on the deck, walked about with an air quite tame and familiar. He died, however, two days afterwards. A French pigeon, which was caught in the rigging, lived and throve during the whole of the passage.

A few days afterwards, a heavy storm came on, and we were all sleepless and sea-sick, as long as it lasted. Thanks, however, to a beautiful law of memory, the recollection of that dismal period soon lost its unpleasantness, while the grand forms of beauty the vexed ocean presented, will remain forever, as distinct and abiding images. I kept on deck as long as I could stand, watching the giant waves over which our vessel took her course. They rolled up towards us, thirty or forty feet in height—dark gray masses, changing to a beautiful vitriol tint, wherever the light struck through their countless and changing crests. It was a glorious thing to see our good ship mount slowly up the side of one of these watery lulls, till her prow was lifted high in air, then, rocking over its brow, plunge with a slight quiver downward, and plough up a briny cataract, as she struck the vale. I never before realized the terrible sublimity of the sea. And yet it was a pride to see how man—strong in his godlike will—could bid defiance to those whelming surges, and bravo their wrath unharmed.

We swung up and down on the billows, till we scarcely knew which way to stand. The most grave and sober personages suddenly found themselves reeling in a very undignified manner, and not a few measured their lengths on the slippery decks. Boxes and barrels were affected in like manner; everything danced around us. Trunks ran out from under the berths; packages leaped down from the shelves; chairs skipped across the rooms, and at table, knives, forks and mugs engaged in a general waltz and break down. One incident of this kind was rather laughable. One night, about midnight, the gale, which had been blowing violently, suddenly lulled, "as if," to use a sailor's phrase, "it had been chopped off!" Instantly the ship gave a tremendous lurch, which was the signal for a general breaking loose. Two or three others followed, so violent, that for a moment I imagined the vessel had been thrown on her beam ends. Trunks, crockery and barrels went banging down from one end of the ship to the other. The women in the steerage set up an awful scream, and the German emigrants, thinking we were in terrible danger, commenced praying with might and main. In the passage near our room stood several barrels, filled with broken dishes, which at every lurch went banging from side to side, jarring the board partition and making a horrible din. I shall not soon forget the Babel which kept our eyes open that night.

The 19th of May a calm came on. Our white wings flapped idly on the mast, and only the top-gallant sails were bent enough occasionally to lug us along at a mile an hour. A barque from Ceylon, making the most of the wind, with every rag of canvass set, passed us slowly on the way eastward. The sun went down unclouded, and a glorious starry night brooded over us. Its clearness and brightness were to me indications of America. I longed to be on shore. The forests about home were then clothed in the delicate green of their first leaves, and that bland weather embraced the sweet earth like a blessing of heaven. The gentle breath from out the west seemed made for the odor of violets, and as it came to me over the slightly-ruflled deep, I thought how much sweeter it were to feel it, while "wasting in wood-paths the voluptuous hours."

Soon afterwards a fresh wind sprung up, which increased rapidly, till every sail was bent to the full. Our vessel parted the brine with an arrowy glide, the ease and grace of which it is impossible to describe. The breeze held on steadily for two or three days, which brought us to the southern extremity of the Banks. Here the air felt so sharp and chilling, that I was afraid we might be under the lee of an iceberg, but in the evening the dull gray mass of clouds lifted themselves from the horizon, and the sun set in clear, American beauty away beyond Labrador. The next morning we were enveloped in a dense fog, and the wind which bore us onward was of a piercing coldness. A sharp look-out was kept on the bow, but as we could see but a short distance, it might have been dangerous had we met one of the Arctic squadron. At noon it cleared away again, and the bank of fog was visible a long time astern, piled along the horizon, reminding me of the Alps, as seen from the plains of Piedmont.

On the 31st, the fortunate wind which carried us from the Banks, failed us about thirty-five miles from Sandy Hook. We lay in the midst of the mackerel fishery, with small schooners anchored all around us. Fog, dense and impenetrable, weighed on the moveless ocean, like an atmosphere of wool. The only incident to break the horrid monotony of the day, was the arrival of a pilot, with one or two newspapers, detailing the account of the Mexican War. We heard in the afternoon the booming of the surf along the low beach of Long Island—hollow and faint, like the murmur of a shell. When the mist lifted a little, we saw the faint line of breakers along the shore. The Germans gathered on deck to sing their old, familiar songs, and their voices blended beautifully together in the stillness.

Next morning at sunrise we saw Sandy Hook; at nine o'clock we were telegraphed in New York by the station at Coney Island; at eleven the steamer "Hercules" met us outside the Hook; and at noon we were gliding up the Narrows, with the whole ship's company of four hundred persons on deck, gazing on the beautiful shores of Staten Island and agreeing almost universally, that it was the most delightful scene they had ever looked upon.

And now I close the story of my long wandering, as I began it—with a lay written on the deep.