And here was our first reminder of a distressing chapter in the story of Brandon. We knew that but few of these buildings were old-time outbuildings of the estate. The Civil War bore hard upon this as upon other homes along the James. It left little upon the plantation except the old manor-house itself, and that injured and defaced.

On ahead, we could see the great grove in which the manor-house stands, looming up in the midst of the cleared land like a small forest reservation. Our route this time brought us to the homestead from the landward side through an open park, and we got a better view of the building than the dense foliage on the other side had permitted. The house is of the long colonial type, consisting of a square central building, two large flanking wings, and two connecting corridors. It is built of brick laid in Flemish bond, showing a broken pattern of glazed headers. Each front has its wide central porch and double-door entranceway.

The emblem of hospitality that tops the central roof is truly characteristic of the spirit within. Old colonial worthies, foreign dignitaries, presidents and their cabinets, house-parties of "Virginia cousins," and "strangers within the gates"—all have known the open hospitality of Brandon. And the two latest strangers now moved on assured of kindly welcome at the doorway.

Entering Brandon from the landward front, we found ourselves again in the large central hall. It is divided midway by arches resting on fluted Ionic columns and has a fine example of the colonial staircase. This hall and the drawing-room and the dining-room on either side of it cover the entire ground floor of the central building. Offices and bedrooms occupy the wings. The rooms are lofty, and most of them have fireplaces and panelled walls.

Through the east doorway one looks down a long vista to the river. In the sunlight it is striking: the shadows from the dense foliage before the portal lie black upon the grass; beyond is the stretch of sunny sward; and then the turf walk under meeting boughs, a green tunnel through whose far opening one sees a bit of brown river and perhaps a white glint of sail.

In drawing-room and dining-room are gathered numerous paintings forming a collection well known as the Brandon Gallery. It represents the work of celebrated old court painters and of notable early American artists.

In the drawing-room, a canvas by Charles Wilson Peale may be regarded as the portrait-host among the shadowy figures gathered there, its subject being Colonel Benjamin Harrison. He was friend and college roommate of Thomas Jefferson, and a member of the first State Executive Council in 1776. Against the dense background is shown a slender gentleman of the old school, with an intellectual, kindly face and expressive eyes.

About him is a distinguished gathering—dames and damsels in rich attire and languid elegance; gallants and nobles in court costume and dashing pose, jewelled hand on jewelled sword.

In the dining-room, the portrait hostess is found, the wife of the Colonel Harrison who presides in the drawing-room. She was the granddaughter of the noted colonial exquisite and man of letters, Colonel William Byrd, whose old home, Westover, we should soon visit on our way up the river. It was through her marriage to Colonel Harrison that there were added to the Brandon collection many of the paintings and other art treasures of the Byrd family, including a certain, well-known canvas that carries a story with it.

It is an old, old story—indeed the painting itself is dimmed by the passing of nearly two centuries; but just as the sweet face looks out from its frame ever girlish, so does perennial youth seem to dwell in the romance of the "Fair Maid of the James." The portrait is by Sir Godfrey Kneller. It shows a beautiful young woman. Her gray-blue gown is cut in a stiff, long-waisted style of the eighteenth century, yet still showing the slim grace of the maiden. The head is daintily poised. A red rose is in her hair and one dark curl falls across a white shoulder. Her face is oval and delicately tinted. She follows you with her soft, brown eyes, and her lips have the thought of a smile.

Such was the colonial beauty, Evelyn Byrd, daughter of Colonel William Byrd. Though her home was not here but at Westover, and there she sleeps under her altar-tomb, yet the girlish presence seems at Brandon too, where the winsome face looks down from the wall, and where we must pause to tell her story.

This Virginia girl was educated in London where she had most of her social triumphs. There she was presented at court and there began the pitiful romance of her life in her meeting with Charles Mordaunt. In all youth's happy heedlessness these two fell in love—the daughter of "the baron of the James" and the grandson and heir of London's social leader, Lord Peterborough.

It seemed a pretty knot of Cupid's tying; but just here William Byrd cast himself in the role of Fate. Some say because of religious differences, some say because of an old family feud, he refused to permit the marriage. He brought his daughter back to Virginia where, as the old records say, "refusing all offers from other gentlemen, she died of a broken heart."

That day when we left the manor-house, we started homeward, or boatward, with our faces set the wrong way; for we wandered first into the old garden.

It is a typical colonial garden that lies down by the river—a great roomy garden where trees and fruit bushes stand among the blossoming shrubs and vines and plants. It is a garden to wander in, to sit in, to dream in. All is very quiet here and the world seems a great way off. Only the birds come to share the beauty with you, and their singing seems a part of the very peace and quiet of it all. The old-fashioned flowers are set out in the old-fashioned way. There are (or once were) the prim squares, each with its cowslip border, and the stiffly regular little hedgerows. One may hunt them all out now; but for so many generations have shrub and vine and plant lived together here, that a good deal of formality has been dispensed with, and across old lines bloom mingles with bloom.

The old garden calendars the seasons as they come and go. As an early blossom fades, a later one takes its place through all the flowery way from crocus to aster.

Trifling, cold, and unfriendly seem most gardens of to-day in comparison with these old-fashioned ones. Perhaps the entire display in the modern garden comes fresh from the florist in the spring, and is allowed to die out in the fall, to be replaced the next spring by plants not only new but even of different varieties from those of the year before. Not so at Brandon. Here, the garden is one of exclusive old families. Its flower people can trace their pedigrees back to the floral emigrants from England. The young plants that may replace some dead ones are scions of the old stock. Strange blossoms, changing every spring like dwellers in a city flat, would not be in good standing with the blue flags that great- (many times great-) grandmother planted, nor with the venerable peonies and day lilies, the lilacs and syringas that remember the day when the elms and magnolias above them were puny saplings. Even a huge pecan tree, twenty-one feet around, whose planting was recorded in the "plantation book" over a century ago, is considered rather a new-comer by the ancient family of English cowslips.

Here is restful permanence in this world of restless change. Loved ones may pass away, friends may fail, neighbours may come and go; but here in the quiet old garden, the dear flower faces that look up to cheer are the same that have given heart and comfort to generations so remote that they lie half-forgotten beneath gray, crumbling stones with quaint time-dimmed inscriptions.

CHAPTER XII

HARBOUR DAYS AND A FOGGY NIGHT

Day after day, we lay in our beautiful harbour of Chippoak Creek as the last of the summer-time went by and as autumn began to fly her bright signal flags in the trees along the shore.

Sometimes we moored in the little depression that Nature had scooped out for us close by the Brandon woods; sometimes we scrambled out from it at high tide and went across and cast anchor by the Claremont shore. Now and then we would go for a run up the creek, or out for a while on the broad James.

It is well to stay in a pretty harbour long enough to get acquainted with it. By the time we could tell the stage of the tide by a glance at the lily pads, and could get in and out over the flats in the dark, and could go right to the deep place in Brandon cove without sounding, we had learned where the late wild flowers grew, that the washing would get scorched on one side of the creek and lost on the other, that the best place for fishing was around behind the island, and that the Claremont "butcher" had fresh meat on Tuesdays and Fridays.

Gradually, our neighbours of marsh and woodland lost their shyness, and some of them paid us the compliment of simply ignoring us. Most of the blue herons flew high or curved widely past Gadabout—long necks stretched straight before, long legs stretched straight behind. But the Tragedian (he was the longest and the lankest) minded us not at all. At the last of the ebb, a snag over near the shore would suddenly add on another angle and jab down in the water, coming up again with a shiver and a fish. Then, it would approach the houseboat and stalk the waters beside our windows. The stage stride of the creature won for it the name of the Tragedian. Knowing the shyness of his kind we felt especially pleased by a still further proof of his confidence. One morning, in response to a cautious whisper from the sailor, we stole stealthily upon the after deck and saw that the Tragedian was, truly enough, "settin' on an awnin'-pole pickin' hisself."

There was a dead tree on our Brandon shore-line. It stood among tall pines and sweet gums and beeches as far up as they went, after that it stood alone in the blue. We called it Old Lookout. A bald eagle used it for a watch-tower. Lesser birds dared plume themselves up there when the king was away: crows cawed and sidled along the smooth branches; hawks and buzzards came on tippy wing and lighted there; and even little birds perched pompously where the big eagle's claws had been.

But when the snowy head above the dark, square shoulders tipped Old Lookout, the national emblem had it all to himself. Occasionally he preened his feathers; but he did it in a bored, awkward way, as if forced on account of his valet's absence into unfamiliar details of toilet quite beneath his dignity. Now and then he would scream. It is hard to believe that such a bird can have such a voice. He always lost caste in our eyes when he had his little, choked-up penny whistle going.

The attractions of harbour life did not keep us away from the old manor-house. Once when Gadabout ran around to the river front, she found a yacht from Philadelphia at the pier; and so passed on a little way and cast anchor in a cove opposite the garden.

Few other notable houses in America, still used as homes, are the objects of so many pilgrimages as the historic places on the James. Indeed, few people but the hospitable Virginians would so frequently and so courteously fling wide their doors to strangers.

When the yachting visitors were gone that day and we were at the old home engrossed in the architecture of the Harrison colonial cradle, there came the long blasts of the steamer Pocahontas blowing for the Brandon landing. Not that she had any passengers or freight for Brandon perhaps, or Brandon for her, but because all these river estates are postoffices and the Pocahontas carries the river mail. After a considerable time (for even the United States mail moves slowly through the sleepy old garden), a coloured boy brought in a bag with most promising knobs and bulges all over it.

The postoffice at Brandon is over in the south wing where there are pigeon-holes and desks and such things. But the family mail is brought into the great dining-room and there, in the good plantation way, it is opened on the old mahogany.

The mail that morning made a very good directory of the present-day family at Brandon. There were letters and packages for the mistress of the plantation and for the daughter and the son living in the manor-house with her, and also for the other daughter and her husband, Mr. Randolph Cuyler, who live across the lawn in Brandon Cottage with its dormer windows and wistaria-draped veranda. Mrs. Harrison is the widow of Mr. George Evelyn Harrison, and the daughter of the late William Washington Gordon, who was the first president of the Central Railroad of Georgia and one of the most prominent men in that state.

Brandon to-day keeps up correspondence with relatives and friends in England and on the Continent, reads English papers and magazines, sends cuttings from rosebushes and shrubs across seas, makes visits there and is visited in turn. So, it was pleasant to have the reading of our own welcome letters diversified by bits of foreign news that came out of the bag for Brandon. We could imagine an expression of personal interest on the handsome face of Colonel Byrd, as he stood in court costume on the wall above us, when the wrappings were taken from a volume containing the correspondence of his old friend, the Earl of Orrery, and sent by the present Earl to Mrs. Harrison. In it were some of the Colonel's letters written from his James River home, and in which he spoke of how his daughters missed the gaieties of the English Court. The torn wrappings and bits of string were gathered up and a little blaze was made of them behind the old fire-dogs. Then we were shown more of Brandon.

Up quaint staircases in the wings we went to the roomy bedrooms with their ivy-cased windows, mellow-toned panelling, and old open fireplaces. As daily living at Brandon is truly in the paths of ancestral worthies, so, at night, there are venerable four-posters, richly carved and dark, to induce eighteenth century dreams in the twentieth century Harrisons. Massive mahogany wardrobes, bureaus, and washstands are as generations of forebears have used them.

Some of the bedrooms once had small rooms opening off from them, one on either side of the fireplace, each having a window. An English kinswoman of the family says that such rooms were called "powdering rooms." Through holes in the doors, the colonial belles and beaux used to thrust their elaborately dressed heads into these rooms, that they might be powdered in there without the sweet-scented clouds enveloping silks and velvets too.

From bedrooms to basement is a long way; but we would see the old stone bench down there where used to sit the row of black boys to answer bells from these rooms above. Just over the bench hangs still a tangle of the broken bell wires. When colonial Brandon was filled with guests, there must often have been a merry jangle above the old stone bench and a swift patter of feet on the flags. Standing there to-day, one can almost fancy an impatient tinkle. Is it from some high-coiffured beauty in the south wing with a message that must go post-haste—a missive sanded, scented, and sealed by a trembling hand and to be opened by one no steadier? or is it perhaps from some bewigged councillor with knee-buckles glinting in the firelight as he waits for the subtle heart-warming of an apple toddy?

Now, we were ready to go home; but we did not start at once. A stranger going anywhere from Brandon should imitate the cautious railways and have his schedule subject to change without notice. At the last moment, some new old thing is bound to get between him and the door. In our case, two or three of them did.

Somebody spoke of a secret panel. That sounded well; and even though we were assured that nothing had been found behind it, we went to the south wing to look at the hole in the wall. At one side of a fireplace, a bit of metal had been found under the molding of a panel in the wainscoting. It was evidently a secret spring, but one that had long since lost its cunning; stiff with age and rust, it failed to respond to the discovering touch. In the end, the panel had to be just prosaically pried out. And, worst of all, the dim recess behind it was empty.

When we had peered within the roomy secret space and had wondered what had been concealed there and what hands had pressed the hidden spring, we might really have started for the houseboat if it had not been for the skull story. But there, just underneath a window of the secret-panel room, was another place of secrets. It was a brick projection from the wall of such peculiar form as to have invited investigation. When some bricks had been removed and some earth taken out, a human skull showed white and ghastly. Then, at the touch of moving air, it crumbled away. That was no story to start anywhere on, even in broad daylight; so we had another.

We were taken into the drawing-room and there, sharing honours with the portraits, was a little gold ring hanging high from the chandelier rosette. While not a work of art like one of the canvases on the wall, it has its own sufficient charm—it is a mystery. The dainty gold band has hung above the heads of generations of Harrisons, and somewhere in the long line its story has been lost. Who placed the ring where it hangs, and whether in joy or in grief, nobody longer knows. But it will swing safely there while Brandon stands, for in this ancient house, down the ages undisturbed, come the mysteries and the ghosts.

That evening a wind came up and rain set in from a depressing dark-blue-calico sky. Gadabout did not take the trouble to run back into her creek harbour; but put down a heavier anchor and made herself comfortable for the night in the cove above the Brandon pier. The cradling boat and the patter upon the roof soon put us to sleep. Then something put us very wide awake again. We listened, but there was nothing to hear. The wind had died out and the boat had stopped rolling. In a moment, the long blast of a steamer whistle told what was the matter. In blanket-robe and slippers, the Commodore got quickly to a window, and found the river world all gone—swallowed up in fog.

Another weird, warning call out of the mysterious, impenetrable mist; the steamer for Richmond was groping her way up the river. To be sure, anchored as we were so far inshore of the channel, we were well clear of the steamer's course; but in such heavy fogs the river boats often go astray. As succeeding blasts sounded nearer, the Commodore became anxious and, without waiting to turn out the crew, he started for the fog-bell.

But where was the fog-bell? Not where it ought to be, we well knew. Some changes in the cockpit had crowded it from its place, and for some time it had been stowed away—but where? The Commodore scurried from locker to locker.

"Couldn't we just as well whistle?" asked Nautica.

"No, no. A boat under way whistles in a fog, but one at anchor must ring a bell."

One more locker, and, "I've found it!" triumphantly cried the Commodore; but then, in dismay, "There goes the tongue out of the thing."

Suddenly came another blast from the steamer. She sounded almost atop of us, and the whistling was followed by a swashing of water as though her propeller had been reversed.

"Why don't you call Henry?" asked Nautica.

"No time now," said the Commodore. "I must find something to pound this bell with."

Of course there seemed nothing available. The Commodore seized a whisk broom, but dropped that in favour of a hair-brush; and then in the excitement some harder object was thrust into his hand and he started for the door.

Nautica hurried to a window, and now saw a blur of light through the fog, showing that the steamer had safely passed us; but, though she called joyously, she was not in time to stay the Commodore, who had already dashed into the cockpit beating the tongueless bell with her curling-irons.

When he was at last caught and silenced, we could hear voices on the steamer, orders being given, and then the rattle of running chain. She had given up trying to make headway in the fog, and was coming to anchor just above us.

We heartened up the hickory fire and dressed after a fashion; and sat down to talk things over. The steamer did not ring her bell, so we did not summon the sailor to apply dressing-table accessories to ours.

Going to a window now and then, we noticed that the fog was thinning; and at one place there seemed a luminous blur, indicating perhaps where the steamer lay. We wondered whether running so close upon Gadabout was what had determined the captain to cast anchor. And then we wondered other things about fogs and mists and bewildered ships.

Nautica sat studying the firelight (not exactly in a dreamy old fireplace, but through a damper-hole in the stove), and at length voiced the inspiration that she got.

"If only one could see things in a fog, it wouldn't be so bad," she said conclusively.

"No," came the answer dryly, "a fog that one could see in would be quite an improvement."

"Wait a moment," laughed Nautica. "I mean it isn't merely the dangers lurking in a fog, but the way you go into them that is so terrible. The dangers of a storm you can meet, looking them straight in the face; but those of a fog you have to meet blindfold."

"I thought of that when I got up to-night and stood by the window," said the Commodore. "As the steamer's whistle kept sounding nearer, I could imagine the great, blinded creature slowly groping its way up the river. I think I quite agree that it would be nicer to have fogs that people could see in."

And we felt that Gadabout would be of the same way of thinking. Indeed, could we not hear her joining in as we talked, and good naturedly grumbling that if we couldn't have that kind of fogs, why then we ought to get close in shore among the crabs and the sand-fiddlers, where the big boats could not come; or else go into a quiet little creek with a sleepy little houseboat.

But by this time no one was listening to Gadabout. Any further fussy complaining of this little craft was drowned by the Commodore reading aloud. He had bethought him of a book containing some chapters on Brandon that we had got from the manor-house. And reading made us hungry; and there were two apple tarts on the upper shelf of the refrigerator (for had not the cook provided them "in case an' you should wish 'em befo' you retiah"?); and by the time the tarts were gone, so was the fog; and the steamer headed again for Richmond and we for Dreamland.

CHAPTER XIII

OLD SILVER, OLD PAPERS, AND AN OLD COURT GOWN

Toward the last of our stay in Chippoak Creek, the weather was bad; but it was surprising how agreeable disagreeable days could be at Brandon. It was dark and gloomy that afternoon when we got to looking at the old family silver, and even raining dismally by the time we were carefully unfolding the faded court gown; but on we went from treasure to treasure oblivious of the weather.

Fine and quaint pieces of old silver are among the family plate. Many of them bear the Harrison crest—a demi-lion rampant supporting a laurel wreath. And who would know what the weather was doing, when those ancient pieces were passing from hand to hand, and the fascinating study of hall marks was revealing dates more than two centuries past? There is even some ecclesiastical silver in the old home—the communion service once used in the Martin's Brandon Church, a building no longer standing. The inscription tells that the service was the gift of Major John Westhrope, and the marks give date of about 1659.

But no one form of the antique can hold you long at Brandon. From out some drawer or chest or closet, another treasure will appear and lure you away with another story of the long ago. With the inimitable sheen of old silver still in our eyes, our ears caught the crackle of ancient parchment; and we turned to the fascinations of venerable records and dingy red seals and queer blue tax stamps. The papers were delightfully quaint and yellow and worn, but from their very age a little awesome too.

The most valued one of them all is the original grant of Martin's Brandon bearing date 1616—four years before the Pilgrims landed at Plymouth. The grant covers a page and a half of the large sheets of heavy parchment, and the ink is a stronger black than that on records a century younger.

On a worn paper dated 1702 is a plat of Brandon plantation. It shows that at that time the central portion of the manor-house had not been built as only two disconnected buildings (the present wings) are given. A part of the sketch is marked "a corner of the garden." So, for two hundred years (and who knows how much longer?) there has been that garden by the river. Off at one side of the old map, we found our landing-place in the woods beside some wavy lines that, a neat clerkly hand informed us in pale brown ink, were the "meanderings of Chippoak Creek."

Poring so intently over those ancient papers with their great Old English capitals, their stiff flourishes, their quaint abbreviations, we should scarcely have been startled to see a peruked head bend above them and a hand with noisy quill go tracing along the lines of those long-ago "Whereases" and "Be it knowns."

But, instead, something quite different came out of the past: something very soft and feminine fell over the blotched old papers—the treasured silk brocade in which Evelyn Byrd was presented at the Court of George I. Like a shadowy passing of that famous colonial belle, was the sweep of the faint-flowered gown. A fabric of the patch-and-powder days is this, with embroidered flowers in old blues and pinks clustered on its deep cream ground. Its fashioning is quaint: the Watteau pleat in the back with tiny tucks each side at the slim waist line, the square low neck, the close elbow sleeves, the open front to display the quilted petticoat.

Mingled feelings rise at sight of the soft brocade whose bodice once throbbed with the happy heartbeats of this Virginia maiden, making pretty curtsy in rosy pleasure, the admiration of the English Court. Perhaps in this very gown she danced the stately minuet with young Charles Mordaunt; perhaps hid beneath its fluttering laces his first love sonnet. So, in those far colonial days it knew the life of her. The grace of the young body seems still to linger in the pale, shimmering folds; and the clinging touch of the old court gown is like a timid appeal for remembrance.

After that rainy afternoon at the manorhouse, we were storm-bound aboard Gadabout for a few days. At last the weather cleared and we again thought of a trip ashore. There was yet a brisk wind; and for some time our rowboat rocked alongside, industriously bumping the paint off the houseboat, while we sat on the windlass box enjoying the fresh breeze in our faces and watching the driftage catch on our anchor chain. Of course one can sit right down on the bobby bow itself with feet hanging over, and poke with a stick at the flotsam. But that is only for moments of lazy leisure, not for a time when one is about to visit Brandon.

At last, we were ashore and again in the "woods-way." That was the day we got into trouble, all owing to Nautica's passion for ancient tombstones. We were half way to Brandon when she concluded that it was not the manor-house that she wished to visit first, but the old graveyard. We stopped at the manager's house to inquire the way. The road led inland. It soon dipped to a bridge over a little stream, where the banks were masses of honeysuckle whose fragrance followed us up the slope beyond. On a little farther was a field with a grove in the centre of it that we knew, from the directions given us, contained the cemetery.

We entered the field, and had got almost to the grove when Nautica suddenly stopped, stared, and turned pale. The Commodore's glance followed hers; whereupon, he uttered brave words calculated to reassure the timid feminine heart, and in a voice that would have been steady enough if his knees had kept still. The bull said nothing.

Very soon, and without his moving at all, that bull was far away from us. We recognized at once that the field was properly his preserve and that we really had no right there; but we trusted that our intrusion in coming in would be atoned for by our promptness in getting out.

In the absorbing process of putting space between the bull and the houseboaters, the restlessness of the Commodore's knees was really an advantage. They moved so fast that he was able to keep in advance of Nautica, and so be ready to protect her if another bull should appear on ahead. When he felt satisfied that he need no longer expose himself in the van (and, incidentally, that the bull in the rear had been left out of sight), he slackened his pace. We managed to get down to a walk in the course of half a mile or so; and at last approached Brandon at a quite decorous gait.

There, we learned that we had gone to the wrong cemetery anyway—to the one that had belonged to the old Brandon Church whose communion service we had seen. The Harrison burying-ground was not far from the home.

So, with members of the household, we went out across the lawn and around a corner of the garden to the family graveyard. The first Benjamin Harrison, the emigrant, who died about 1649, is not buried here. His tomb stands near the great sycamore tree in the churchyard at James Towne. However, the tombs of his descendants, owners of Brandon, are (with one exception) in this old plantation burying-ground.

In the walk back to the house, we stopped to see what is probably the oldest, and in many respects the most interesting, building on the plantation. It is just an odd stubby brick house with a crumbling cellar-hut at one end. But family tradition says that it is one of the old garrison houses, or "defensible houses," built in early times for protection against the Indians. It certainly looks the part, with its heavy walls, its iron doors and shutters, and the indications of former loopholes. Upon those first scattered plantations, a characteristic feature was such a strong-house or "block-house" surrounded by a stockade or "palisado" of logs.

While this strong-house at Brandon must have been built after the terrible Indian massacre of 1622, yet it doubtless served as a place of refuge in later attacks. Many a time that dread alarm may have spread over this plantation. We thought of the hurrying to and fro; of the gathering of weapons, ammunition, bullet-molds, food, and whatever necessities there may have been time to catch up; and of the panic-stricken men, women and children fleeing from field and cabin to the shelter of the stockade and of the strong-house.

Back again in the manor-house, we spent our last hour at Brandon; for Gadabout was to sail away next day. It was a colonial hour; for Brandon clocks tick off no other, nor would any other seem natural within those walls.

Sitting there in the old home, we slipped easily back into the centuries; back perhaps to the day of the great mahogany sofa that we sat upon. It all seemed very real. The afternoon sun—some eighteenth century afternoon sun—came in through deep-casemented windows. It lighted up the high, panelled room, falling warmly upon antique furniture about us, upon by-gone worthies on the wall, and (quite as naturally, it seemed) upon a colonial girl, who now smilingly appeared in the doorway. Bringing the finishing touch of life to the old-time setting, she came, a curl of her dark hair across a white shoulder and her gown a quaintly fashioned silk brocade.

This eighteenth century presentment was in kindly compliance with a wish that we had expressed on that rainy day when we were looking over Brandon treasures. It was Brandon's daughter in the court gown of her colonial aunt, Evelyn Byrd. And we thought in how few American homes could this charming visitor from the colonies so find the colonial waiting to receive her.

Nowhere in the world, it is said, are there so many new, comfortable homes built for the passing day as in America; but also in no civilized country are there so few old homes. More and more, as this fact comes to be realized, will Americans who care for the permanent and the storied appreciate such colonial homesteads as Brandon, the ancestral home of the Harrisons.

CHAPTER XIV

A ONE-ENGINE RUN AND A FOREST TOMB

By the time we had finished our visit at Brandon, we were in the midst of the beautiful Virginia autumn. Though much of the warmth of summer was yet in the midday hours, the mornings were often crisp and the evenings seemed to lose heart and grow chill as they saw the sun go down.

Part of the houseboat was heated by oil stoves, but the forward cabin had a wood stove, and above it on the upper deck was our little sheet-iron chimney. It had a hood that turned with the wind and creaked just enough for company. So, during mornings and evenings and wet days, Gadabout smoked away, cozy and comfortable.

She was smoking vigorously on the day that we bade good-bye to Chippoak Creek. That was a glorious morning—one of those mornings when the sun tries to warm the northwest wind and the northwest wind tries to chill the sun, and between the two a tonic gets into the air and people want to do things. We wanted to "see the wheels go round" (not knowing then that only one would go round); and we prepared to start for Kittewan Creek, a few miles farther up the James.

Kittewan Creek is no place in particular, but near it are two old plantations that historians and story-writers have talked a good deal about. These two estates, Weyanoke and Fleur de Hundred, having no longer pretentious colonial mansions, are often overlooked by the traveller on the James, who thereby loses a worthy chapter of the river story.

When our anchors came up out of the friendly mud of Chippoak Creek, we let the northwest wind push us across the flats and into the channel. Then we summoned the engines to do their duty. The port one responded promptly, but the other would do nothing; and as we ran out of the creek and headed up the river, the Commodore was appealing to the obdurate machine with a screwdriver and a monkey-wrench.

The tide was hurrying up-stream and the wind was hurrying down-stream, and old Powhatan was much troubled. Gadabout rolled awkwardly among the white-caps but continued to make headway. Pocahontas, the big river steamer, was coming down-stream. We could see her making a landing at a wharf above us where a little mill puffed away and a barge was loading. Evidently, the steamer was to stop next at a landing that we were just passing, for there men and mules were hurrying to get ready for her. Now the starboard bank of the river grew high and sightly, but on the port side there was only a great waste of marsh.

The Commodore spent much time with the ailing motor. Once he lost a portion of the creature's anatomy in the bottom of the boat. Nautica found him, inverted and full of emotion, fishing about in the bilge-water for the lost piece. She offered him everything from the toasting-rack to the pancake-turner to scrape about with; but he would trust nothing of the sort, and kept searching until he found the piece with his own black, oily fingers.

"I believe the man that built this boat was a prophet!" he exclaimed as his face, flushed with triumph and congestion, appeared above the floor. "He said that if we put gasoline motors in, we should have more fun and more trouble than we ever had in our lives before; and we surely are getting all he promised."

As we rounded the next bend in the river, we got the full force of the wind and, with but one engine running, it was a question for a while whether we were going to go on up the river or to drift back down stream. Fortunately, the James narrowed at this point, thus increasing the sweep of the tide that was helping us along, and slowly Gadabout pushed on, slapping down hard on the big waves and holding steady.

A short distance beyond Sturgeon Point was the indentation in the shore marking the mouth of Kittewan Creek. Old cypress trees stepped out into the river on either side, while a row of stakes seemed to indicate the channel of the little waterway. Sounding along we went in with four feet of water under us.

Our plan was to find an anchorage a little way up the creek, and then next day to start with the rising tide for a run on up to Weyanoke. Of course Weyanoke fronted upon the James, but our idea was to make a sort of back-door landing by running up this stream and in behind the plantation. There was no sheltering cove to lie in on the river front; and besides, to make the visit at the regular pier was so hopelessly commonplace. Any of the ordinary palace yachts could do the thing that way. But it took a gypsy craft like Gadabout to wriggle up the little back-country creek and to land among the chickens and the geese and—bulls perhaps; but then all explorers must take chances.

Kittewan Creek is a marsh stream; yet for some distance in from the mouth tall cypresses stand along the reedy banks. These trees protected us from the high wind and made it easy for us to take Gadabout up the narrow watercourse.

As she moved slowly along, we were looking for an ancient tomb that we had been told stood on the left bank of the stream not far from the mouth—"the mysterious tomb of the James" some one had called it. While we could see nothing of it then, we resolved to search for it upon returning from our run up the creek to visit Weyanoke. But we were destined to see the tomb before seeing Weyanoke.

Upon reaching the first bend in the stream, our tree-protection failed us and Gadabout became so absorbed in the antics of wind and tide that she paid no further heed to any suggestions on our part as to the proper way to navigate Kittewan Creek. Her notion seemed to be to run down a few fish-nets whose corks were bobbing about on the water, and then to go over and hang herself up on some cypress stumps at the edge of the marsh. We insisted upon her going a little way farther up the creek. But a compromise was all that could be effected; anchors were dropped and operations temporarily suspended on both sides.

We had a much belated dinner, and then all went ashore to make inquiries and to get supplies at a house that stood on a bluff above the bend in the stream. It proved to be a very old building and quite a landmark. It was called the Kittewan house. There, we learned that the tomb we were looking for was on the bank almost opposite where our houseboat lay.

We found it close to the creek. It was an altar-tomb, broken and timeworn and almost covered with an accumulation of earth and moss and leaves. One corner support and one side of the caving base were gone, letting ferns and lichens find a home within, tender green fronds touching the shadowing slab above them.

The strange, unremembered grave was that of a woman. For, when we had scraped clear a little of the slab, we came upon the name Elizabeth. Our floating home was near enough to lend shovel and broom; and we undertook to free the tomb (that was itself being slowly buried) and to bring to light again the chiseled story of the long-ago Elizabeth who lay in this lonely place.

When the granite slab was uncovered and swept clean, we were able to read most of the words upon it, although the stone was cut almost as deep by the little fingers of rain and of frost as by the graver's heavy hand that had itself gone to dust long ago. Slowly we found the words telling that there rested the body of Elizabeth Hollingshorst, whose husband, Thomas Hollingshorst, was a shipmaster; that her father was Mr. Piner Gordon of the family of Tilliangus in Aberdeenshire, Scotland; and that she died November 30, 1728.

The father's name, Gordon (so proud a one in Aberdeenshire), and the use before it of the prefix Mr. (a term then synonymous with "gentleman" and never lightly given in those days of well-defined rank) show that this Elizabeth was of gentle birth. The words "Ship Master" tell of how the breath of the old North Sea had called Thomas Hollingshorst from the banks and braes and led him to point the bow of his merchant ship across seas, bound for England's far-away colony. Little would he dream—crowding canvas to speed his cargo to the Virginia plantations—that his gentle-born Elizabeth was to find a grave in that feared American wilderness.

The longer we worked over the ancient stone the more we came to feel the pitiful meaning of it.

We felt that this Elizabeth was a true heart and a brave one, who ventured the perilous sea-voyage of the early days with her shipmaster husband. She did not come as other women came—to make a home in the new land and to have friends and neighbours there. She came, a passing stranger, upon her husband's trading ship; a ship that would anchor but to exchange its English wares for the planter's tobacco, and then turn prow again to the perils of the sea. When illness came in the new, wild land, how distant must have seemed Aberdeenshire in those days of the little ship and the slow sail! And here, longing for one more sight of Scottish heather, this Elizabeth died.

Seeking for her a last resting-place, the stranger ship moved up the river and came to anchor at the mouth of this creek. They lowered her gently over the ship's side into a long-boat and then rowed up the stream into the forest. Here by the creek's side they buried her, and (doubtless by the ship's own compass) they orientated the forest grave. Then again the ship sailed across seas and bore sad tidings to some family of Gordons in Aberdeenshire.

In those days it must have been long before the returning vessel could sail up the James, this time bearing the graven tomb from Scotland. For a little while, the stillness of the forest was once more broken, startling the timid woodland folk; and then these strangers from overseas were gone. Again the great silence fell and the wilderness took the grave to itself. Slowly it set upon the tomb its seal of moss and lichen and vine. Unmindful of the mark of human loss and grief, the wild folk came and went. Joyously the cardinal flashed his crimson wing above the darkening stone; the deer came to drink from the stream and lifted their heads to scent the breeze that came with the dawn through the cypress trees, across a forgotten grave; hard and incurious, the Weyanoke Indians slipped by like darker shadows in the forest gloom; and only the little night birds seemed to know or to care as they called plaintively in the marshes at twilight.

As we were about to leave the tomb, we bethought us that the anniversary of the death of this Elizabeth was drawing near. We heaped the holly with its glowing berries above the crumbling stone. And still we lingered; for the Gordons of Tilliangus seemed very far away from this daughter of their house. As the sunset lights were fading, we saw a new moon pale on the tinted sky; and we thought of how for almost two centuries crescent moons had trembled from silver to gold above this forlorn grave on the bank of the Kittewan.

A short row in the dusk out upon the stream, and we stepped aboard Gadabout. She never seemed more cozy and homelike. A great bowl of pink and yellow chrysanthemums from Brandon's old garden and trailing cedar and ferns and red-berried holly added to the cheer. Soon our home-lights streamed from the broad windows out across the water, and some faint glow must have touched that lonely tomb on shore.

CHAPTER XV

NAVIGATING AN UNNAVIGABLE STREAM

In the morning the sun and the mist filled our little harbour with a golden shimmer, and all the marsh reeds were quivering in the radiance. The blue herons were winging out to the river, and the doves were weaving spells round and round the dormer-windowed cottage on the hill.

Gadabout's household was early astir ready for the run up Kittewan Creek. We had only to get a chicken or two at the house on the bluff, and then we should be ready to start at the turn of the tide. Imagine, then, our chagrin when the sailor returned with not only the chickens but the information also that we could not get the houseboat any farther up the stream, on account of numerous shallows and submerged cypress stumps.

Once more the charts were got out and spread upon a table. We still felt that if the sounding-marks were right Gadabout could navigate the stream. However, at two places islands were shown where there seemed scarcely room in the creek for islands and Gadabout too; and if we had also to throw in a few cypress stumps for good measure, our prospects for visiting Weyanoke by the chickens-and-geese route were indeed not promising.

But we knew Gadabout and how we had taken the craft almost everywhere that people had told us she could not go. For, to our minds, one of the chief charms of houseboating lay in poking about in such out-of-the-way places.

Let the yacht reign supreme as the deep-water pleasure craft, that trails its elegance perforce ever up and down the same prescribed channels. The ideal houseboat is the light-draft water gypsy, that turns often from the buoyed course and wanders off into the picturesque world of little waters; along streamlets that lead in winding ways to quaint bits of nowhere, and into quiet shallows of forgotten lagoons that have fallen asleep to the lullaby of their own rushes.

So it was settled that our houseboat was to try to go up the creek to Weyanoke's back door, and again we were waiting only for the turn of the tide. When sticks and straws and frost-tinted leaves, floating down past us toward the James, changed their minds and started back up the Kittewan, Gadabout went with them.

After a while the creek began to shallow rapidly and we kept the sailor on ahead in a shore-boat sounding, while we tried to keep the houseboat from running over him. The southerly breeze was gradually freshening and Gadabout began to show a corresponding partiality for the northern bank of the stream. But, on the whole, she was behaving very well and apparently the mutinous spirit of the day before had entirely disappeared. We had to stop just before coming to an island standing in a sharp turn of the little waterway.

"Looks like we can't make this bend, sir," called the sailor from the shore-boat. "There's a sure enough bar 'cross here."

By keeping at it, he managed to find a channel for going round on the port side of the island. Then he came aboard, started an engine, and we moved on again. But Gadabout had been deceiving us; she still had no notion of going up the creek. We were just starting to go around the island when she suddenly transferred her allegiance from the steering-wheel to the wind, and sidled off in the marshes till she brought up hard aground. There was nothing to do but to wait for the rising tide.

Nautica got out the chart again to see where we were. At Weyanoke there are two plantations, an upper one and a lower one; and for a while she was busy measuring between the stream and the little black dots that indicated the plantation buildings. At last, after a final counting up on her fingers, she announced, "If we can get around six more bends of this curly stream, we shall be within less than half a mile of the house at Lower Weyanoke."

As the water rose around the houseboat, we threw out a kedge anchor, hauled off, and got under way again. Now, Gadabout started at once to go around the island—but (mutiny again!) she was going around on the wrong side. The Commodore and the sailor, with long poles, pushed frantically in the mud striving to set the unruly craft in the way she should go; but she was determined to take the wrong channel and was slowly getting the better of us.

"She's gittin' away from us, sir," called the sailor.

"I see she is," said the Commodore, "and I don't believe she can get around the island on this side."

But away she went, wind and tide carrying her up the wrong channel. Laughing at the amusing persistence of the craft, all we could do was to keep her away from the marshes and let her go.

The creek rapidly narrowed; the marsh gave way to woodland; and just ahead was but a small passage between island and mainland for us to go through. We pushed in between waving walls of autumn foliage. Branches tapped on our windows, and crimson sweet gum leaves pressed against the panes as if to make the most of their little moment for looking in.

Gadabout passed through the narrow opening without a stop, though carrying twigs and bright leaves away with her. We ran the next straight stretch of the creek, and at the bend came upon another island. Here shoals and cypress stumps quite blocked the channel. In a good, old landlubberly manner we hitched Gadabout to a tree and waited to see if the rising tide would make a way for us.

Houseboating was taking us into strange places. And yet what a comfortable way to journey into the world in the rough! Many are the advantages of houseboating over camping or any other form of outing. In a floating home one goes into the wild without sacrificing the comforts or even the essential refinements of life. For women it is an ideal way to visit Dame Nature.

But now the houseboaters upon Gadabout were becoming fearful lest Dame Nature had closed her doors on ahead of them and would not receive them up the Kittewan. It was good news when the sailor called from his rowboat that he had found a channel for going on around the island.

This tune Gadabout showed a willingness to go just where we wished her to go, but insisted upon doing it stern-foremost or broadside. We ran her forward and backward and poled most vigorously; but after all had the humiliation of drifting around the island wrong end first.

After that there was little trouble in going up the stream. Before long an old homestead came in sight on a hill to our left, and we knew that it must be Lower Weyanoke. But an impassable marsh stretched along the stream, and there was no sign of a landing or of a roadway that might lead to the house. We kept on, curious now to see how far our houseboat could go. Suddenly we found out. She turned a bend and, there ahead, hummocks and stumps occupied about all there was left of Kittewan Creek.

The head of navigation had been reached for even our presumptuous craft. An anchor was cast; whereupon Gadabout swung to one side, bumped against a tree, and then settled herself comfortably in the marshes to await our pleasure. It would not do to let the falling tide catch us in that place. Fortunately, there was a marshy cove on one side of us, and by backing into that we got turned around and headed down stream again. We found a deep place that would do for an anchorage nearly opposite Lower Weyanoke, and close beside a little company of trees that showered Gadabout with red and yellow leaves.

When the tide fell, it disclosed many roots and stumps in the channel; and the sight of each one added to our sense of importance in having successfully navigated the stream. Later, some of the men from the Kittewan farm came along in a rowboat.

"Well, you did make it after all," they said. "We've been looking for you all along the creek, expecting to find you hung up on a cypress stump."

CHAPTER XVI

IN WHICH WE GET TO WEYANOKE

As Gadabout lay moored in Kittewan Creek, the houses of Weyanoke were not very far from us, and one of them was in plain sight; but the question was how to get to them. Wide stretches of marsh bordered the stream and a wire fence ran along the reedy edge. We began to be impressed with the advantage of approaching such a plantation in the customary way, by the river front.

But we had not lost zeal for the unconventional, and fortune favoured us. A man passing in a skiff told us that a road leading to the Weyanoke houses could be reached by rowing up a tiny bayou that joined the creek a short distance above us.

This bayou, he explained, was not one of those ordinary waterways that you can travel on just any time. In fact, for a good deal of the time it was not a waterway at all. But usually, when a half tide or more was in, a rowboat could be taken up to the landing near the road.

So, one afternoon an untenanted houseboat was left lying in the sunshine and the marshes, all aboard having taken to the shore-boats and gone in search of the more solid portions of Weyanoke. Weyanoke is an Indian name and means "land of sassafras." In 1617 the Indian chief, Opechancanough, gave this land of sassafras to Sir George Yeardley, afterward governor-general of the colony; and his ownership gave early prominence to the place, though he did not live upon the plantation that he had here.

After several transfers of title, Weyanoke came into the possession of Joseph Harwood in 1665. Through many generations both the upper plantation and the lower one remained in the Harwood family; and Upper Weyanoke is still owned by descendants of Joseph Harwood, the family of the late Mr. Fielding Lewis Douthat.