Sam, the cosmopolite, who called bartenders in San Antone by their first name, stood in the door. He was a better zoologist.
"Well, ain't that a Willie for your whiskers?" he commented. "Where'd you dig up the hobo, Ranse? Goin' to make an auditorium for inbreviates out of the ranch?"
"Say," said Curly, from whose panoplied breast all shafts of wit fell blunted. "Any of you kiddin' guys got a drink on you? Have your fun. Say, I've been hittin' the stuff till I don't know straight up."
He turned to Ranse. "Say, you shanghaied me on your d––––d old prairie schooner—did I tell you to drive me to a farm? I want a drink. I'm goin' all to little pieces. What's doin'?"
Ranse saw that the tramp's nerves were racking him. He despatched one of the Mexican boys to the ranch-house for a glass of whisky. Curly gulped it down; and into his eyes came a brief, grateful glow—as human as the expression in the eye of a faithful setter dog.
"Thanky, boss," he said, quietly.
"You're thirty miles from a railroad, and forty miles from a saloon," said Ranse.
Curly fell back weakly against the steps.
"Since you are here," continued the ranchman, "come along with me. We can't turn you out on the prairie. A rabbit might tear you to pieces."
He conducted Curly to a large shed where the ranch vehicles were kept. There he spread out a canvas cot and brought blankets.
"I don't suppose you can sleep," said Ranse, "since you've been pounding your ear for twenty-four hours. But you can camp here till morning. I'll have Pedro fetch you up some grub."
"Sleep!" said Curly. "I can sleep a week. Say, sport, have you got a
coffin nail on you?"
Fifty miles had Ransom Truesdell driven that day. And yet this is what he did.
Old "Kiowa" Truesdell sat in his great wicker chair reading by the light of an immense oil lamp. Ranse laid a bundle of newspapers fresh from town at his elbow.
"Back, Ranse?" said the old man, looking up.
"Son," old "Kiowa" continued, "I've been thinking all day about a certain matter that we have talked about. I want you to tell me again. I've lived for you. I've fought wolves and Indians and worse white men to protect you. You never had any mother that you can remember. I've taught you to shoot straight, ride hard, and live clean. Later on I've worked to pile up dollars that'll be yours. You'll be a rich man, Ranse, when my chunk goes out. I've made you. I've licked you into shape like a leopard cat licks its cubs. You don't belong to yourself—you've got to be a Truesdell first. Now, is there to be any more nonsense about this Curtis girl?"
"I'll tell you once more," said Ranse, slowly. "As I am a Truesdell and as you are my father, I'll never marry a Curtis."
"Good boy," said old "Kiowa." "You'd better go get some supper."
Ranse went to the kitchen at the rear of the house. Pedro, the Mexican cook, sprang up to bring the food he was keeping warm in the stove.
"Just a cup of coffee, Pedro," he said, and drank it standing. And then:
"There's a tramp on a cot in the wagon-shed. Take him something to eat. Better make it enough for two."
Ranse walked out toward the jacals. A boy came running.
"Manuel, can you catch Vaminos, in the little pasture, for me?"
"Why not, señor? I saw him near the puerta [64] but two hours past. He bears a drag-rope."
"Get him and saddle him as quick as you can."
"Prontito, señor."
Soon, mounted on Vaminos, Ranse leaned in the saddle, pressed with his knees, and galloped eastward past the store, where sat Sam trying his guitar in the moonlight.
Vaminos shall have a word—Vaminos the good dun horse. The Mexicans, who have a hundred names for the colours of a horse, called him gruyo. He was a mouse-coloured, slate-coloured, flea-bitten roan-dun, if you can conceive it. Down his back from his mane to his tail went a line of black. He would live forever; and surveyors have not laid off as many miles in the world as he could travel in a day.
Eight miles east of the Cibolo ranch-house Ranse loosened the pressure of his knees, and Vaminos stopped under a big ratama tree. The yellow ratama blossoms showered fragrance that would have undone the roses of France. The moon made the earth a great concave bowl with a crystal sky for a lid. In a glade five jack-rabbits leaped and played together like kittens. Eight miles farther east shone a faint star that appeared to have dropped below the horizon. Night riders, who often steered their course by it, knew it to be the light in the Rancho de los Olmos.
In ten minutes Yenna Curtis galloped to the tree on her sorrel pony Dancer. The two leaned and clasped hands heartily.
"I ought to have ridden nearer your home," said Ranse. "But you never will let me."
Yenna laughed. And in the soft light you could see her strong white teeth and fearless eyes. No sentimentality there, in spite of the moonlight, the odour of the ratamas, and the admirable figure of Ranse Truesdell, the lover. But she was there, eight miles from her home, to meet him.
"How often have I told you, Ranse," she said, "that I am your half-way girl? Always half-way."
"Well?" said Ranse, with a question in his tones.
"I did," said Yenna, with almost a sigh. "I told him after dinner when I thought he would be in a good humour. Did you ever wake up a lion, Ranse, with the mistaken idea that he would be a kitten? He almost tore the ranch to pieces. It's all up. I love my daddy, Ranse, and I'm afraid—I'm afraid of him too. He ordered me to promise that I'd never marry a Truesdell. I promised. That's all. What luck did you have?"
"The same," said Ranse, slowly. "I promised him that his son would never marry a Curtis. Somehow I couldn't go against him. He's mighty old. I'm sorry, Yenna."
The girl leaned in her saddle and laid one hand on Ranse's, on the horn of his saddle.
"I never thought I'd like you better for giving me up," she said ardently, "but I do. I must ride back now, Ranse. I slipped out of the house and saddled Dancer myself. Good-night, neighbour."
"Good-night," said Ranse. "Ride carefully over them badger holes."
They wheeled and rode away in opposite directions. Yenna turned in her saddle and called clearly:
"Don't forget I'm your half-way girl, Ranse."
"Damn all family feuds and inherited scraps," muttered Ranse vindictively to the breeze as he rode back to the Cibolo.
Ranse turned his horse into the small pasture and went to his own room. He opened the lowest drawer of an old bureau to get out the packet of letters that Yenna had written him one summer when she had gone to Mississippi for a visit. The drawer stuck, and he yanked at it savagely—as a man will. It came out of the bureau, and bruised both his shins—as a drawer will. An old, folded yellow letter without an envelope fell from somewhere—probably from where it had lodged in one of the upper drawers. Ranse took it to the lamp and read it curiously.
Then he took his hat and walked to one of the Mexican jacals.
"Tia Juana," he said, "I would like to talk with you a while."
An old, old Mexican woman, white-haired and wonderfully wrinkled, rose from a stool.
"Sit down," said Ranse, removing his hat and taking the one chair in the jacal. "Who am I, Tia Juana?" he asked, speaking Spanish.
"Don Ransom, our good friend and employer. Why do you ask?" answered the old woman wonderingly.
"Tia Juana, who am I?" he repeated, with his stern eyes looking into hers.
A frightened look came in the old woman's face. She fumbled with her black shawl.
"Who am I, Tia Juana?" said Ranse once more.
"Thirty-two years I have lived on the Rancho Cibolo," said Tia Juana. "I thought to be buried under the coma mott beyond the garden before these things should be known. Close the door, Don Ransom, and I will speak. I see in your face that you know."
An hour Ranse spent behind Tia Juana's closed door. As he was on his way back to the house Curly called to him from the wagon-shed.
The tramp sat on his cot, swinging his feet and smoking.
"Say, sport," he grumbled. "This is no way to treat a man after kidnappin' him. I went up to the store and borrowed a razor from that fresh guy and had a shave. But that ain't all a man needs. Say—can't you loosen up for about three fingers more of that booze? I never asked you to bring me to your d––––d farm."
"Stand up out here in the light," said Ranse, looking at him closely.
Curly got up sullenly and took a step or two.
His face, now shaven smooth, seemed transformed. His hair had been combed, and it fell back from the right side of his forehead with a peculiar wave. The moonlight charitably softened the ravages of drink; and his aquiline, well-shaped nose and small, square cleft chin almost gave distinction to his looks.
Ranse sat on the foot of the cot and looked at him curiously.
"Where did you come from—have you got any home or folks anywhere?"
"Me? Why, I'm a dook," said Curly. "I'm Sir Reginald—oh, cheese it. No; I don't know anything about my ancestors. I've been a tramp ever since I can remember. Say, old pal, are you going to set 'em up again to-night or not?"
"You answer my questions and maybe I will. How did you come to be a tramp?"
"Me?" answered Curly. "Why, I adopted that profession when I was an infant. Case of had to. First thing I can remember, I belonged to a big, lazy hobo called Beefsteak Charley. He sent me around to houses to beg. I wasn't hardly big enough to reach the latch of a gate."
"Did he ever tell you how he got you?" asked Ranse.
"Once when he was sober he said he bought me for an old six-shooter and six bits from a band of drunken Mexican sheep-shearers. But what's the diff? That's all I know."
"All right," said Ranse. "I reckon you're a maverick for certain. I'm going to put the Rancho Cibolo brand on you. I'll start you to work in one of the camps to-morrow."
"Work!" sniffed Curly, disdainfully. "What do you take me for? Do you think I'd chase cows, and hop-skip-and-jump around after crazy sheep like that pink and yellow guy at the store says these Reubs do? Forget it."
"Oh, you'll like it when you get used to it," said Ranse. "Yes, I'll send you up one more drink by Pedro. I think you'll make a first-class cowpuncher before I get through with you."
"Me?" said Curly. "I pity the cows you set me to chaperon. They can go chase themselves. Don't forget my nightcap, please, boss."
Ranse paid a visit to the store before going to the house. Sam Revell was taking off his tan shoes regretfully and preparing for bed.
"Any of the boys from the San Gabriel camp riding in early in the morning?" asked Ranse.
"Long Collins," said Sam briefly. "For the mail."
"Tell him," said Ranse, "to take that tramp out to camp with him and keep him till I get there."
Curly was sitting on his blankets in the San Gabriel camp cursing talentedly when Ranse Truesdell rode up and dismounted on the next afternoon. The cowpunchers were ignoring the stray. He was grimy with dust and black dirt. His clothes were making their last stand in favour of the conventions.
Ranse went up to Buck Rabb, the camp boss, and spoke briefly.
"He's a plumb buzzard," said Buck. "He won't work, and he's the low-downest passel of inhumanity I ever see. I didn't know what you wanted done with him, Ranse, so I just let him set. That seems to suit him. He's been condemned to death by the boys a dozen times, but I told 'em maybe you was savin' him for torture."
Ranse took off his coat.
"I've got a hard job before me, Buck, I reckon, but it has to be done. I've got to make a man out of that thing. That's what I've come to camp for."
He went up to Curly.
"Brother," he said, "don't you think if you had a bath it would allow you to take a seat in the company of your fellow-man with less injustice to the atmosphere."
"Run away, farmer," said Curly, sardonically. "Willie will send for nursey when he feels like having his tub."
The charco, or water hole, was twelve yards away. Ranse took one of Curly's ankles and dragged him like a sack of potatoes to the brink. Then with the strength and sleight of a hammer-thrower he hurled the offending member of society far into the lake.
Curly crawled out and up the bank spluttering like a porpoise.
Ranse met him with a piece of soap and a coarse towel in his hands.
"Go to the other end of the lake and use this," he said. "Buck will give you some dry clothes at the wagon."
The tramp obeyed without protest. By the time supper was ready he had returned to camp. He was hardly to be recognised in his new shirt and brown duck clothes. Ranse observed him out of the corner of his eye.
"Lordy, I hope he ain't a coward," he was saying to himself. "I hope he won't turn out to be a coward."
His doubts were soon allayed. Curly walked straight to where he stood. His light-blue eyes were blazing.
"Now I'm clean," he said meaningly, "maybe you'll talk to me. Think you've got a picnic here, do you? You clodhoppers think you can run over a man because you know he can't get away. All right. Now, what do you think of that?"
Curly planted a stinging slap against Ranse's left cheek. The print of his hand stood out a dull red against the tan.
Ranse smiled happily.
The cowpunchers talk to this day of the battle that followed.
Somewhere in his restless tour of the cities Curly had acquired the art of self-defence. The ranchman was equipped only with the splendid strength and equilibrium of perfect health and the endurance conferred by decent living. The two attributes nearly matched. There were no formal rounds. At last the fibre of the clean liver prevailed. The last time Curly went down from one of the ranchman's awkward but powerful blows he remained on the grass, but looking up with an unquenched eye.
Ranse went to the water barrel and washed the red from a cut on his chin in the stream from the faucet.
On his face was a grin of satisfaction.
Much benefit might accrue to educators and moralists if they could know the details of the curriculum of reclamation through which Ranse put his waif during the month that he spent in the San Gabriel camp. The ranchman had no fine theories to work out—perhaps his whole stock of pedagogy embraced only a knowledge of horse-breaking and a belief in heredity.
The cowpunchers saw that their boss was trying to make a man out of the strange animal that he had sent among them; and they tacitly organised themselves into a faculty of assistants. But their system was their own.
Curly's first lesson stuck. He became on friendly and then on intimate terms with soap and water. And the thing that pleased Ranse most was that his "subject" held his ground at each successive higher step. But the steps were sometimes far apart.
Once he got at the quart bottle of whisky kept sacredly in the grub tent for rattlesnake bites, and spent sixteen hours on the grass, magnificently drunk. But when he staggered to his feet his first move was to find his soap and towel and start for the charco. And once, when a treat came from the ranch in the form of a basket of fresh tomatoes and young onions, Curly devoured the entire consignment before the punchers reached the camp at supper time.
And then the punchers punished him in their own way. For three days they did not speak to him, except to reply to his own questions or remarks. And they spoke with absolute and unfailing politeness. They played tricks on one another; they pounded one another hurtfully and affectionately; they heaped upon one another's heads friendly curses and obloquy; but they were polite to Curly. He saw it, and it stung him as much as Ranse hoped it would.
Then came a night that brought a cold, wet norther. Wilson, the youngest of the outfit, had lain in camp two days, ill with fever. When Joe got up at daylight to begin breakfast he found Curly sitting asleep against a wheel of the grub wagon with only a saddle blanket around him, while Curly's blankets were stretched over Wilson to protect him from the rain and wind.
Three nights after that Curly rolled himself in his blanket and went to sleep. Then the other punchers rose up softly and began to make preparations. Ranse saw Long Collins tie a rope to the horn of a saddle. Others were getting out their six-shooters.
"Boys," said Ranse, "I'm much obliged. I was hoping you would. But I didn't like to ask."
Half a dozen six-shooters began to pop—awful yells rent the air—Long Collins galloped wildly across Curly's bed, dragging the saddle after him. That was merely their way of gently awaking their victim. Then they hazed him for an hour, carefully and ridiculously, after the code of cow camps. Whenever he uttered protest they held him stretched over a roll of blankets and thrashed him woefully with a pair of leather leggings.
And all this meant that Curly had won his spurs, that he was receiving the puncher's accolade. Nevermore would they be polite to him. But he would be their "pardner" and stirrup-brother, foot to foot.
When the fooling was ended all hands made a raid on Joe's big coffee-pot by the fire for a Java nightcap. Ranse watched the new knight carefully to see if he understood and was worthy. Curly limped with his cup of coffee to a log and sat upon it. Long Collins followed and sat by his side. Buck Rabb went and sat at the other. Curly—grinned.
And then Ranse furnished Curly with mounts and saddle and equipment, and turned him over to Buck Rabb, instructing him to finish the job.
Three weeks later Ranse rode from the ranch into Rabb's camp, which was then in Snake Valley. The boys were saddling for the day's ride. He sought out Long Collins among them.
"How about that bronco?" he asked.
Long Collins grinned.
"Reach out your hand, Ranse Truesdell," he said, "and you'll touch him. And you can shake his'n, too, if you like, for he's plumb white and there's none better in no camp."
Ranse looked again at the clear-faced, bronzed, smiling cowpuncher who stood at Collins's side. Could that be Curly? He held out his hand, and Curly grasped it with the muscles of a bronco-buster.
"I want you at the ranch," said Ranse.
"All right, sport," said Curly, heartily. "But I want to come back again. Say, pal, this is a dandy farm. And I don't want any better fun than hustlin' cows with this bunch of guys. They're all to the merry-merry."
At the Cibolo ranch-house they dismounted. Ranse bade Curly wait at the door of the living room. He walked inside. Old "Kiowa" Truesdell was reading at a table.
"Good-morning, Mr. Truesdell," said Ranse.
The old man turned his white head quickly.
"How is this?" he began. "Why do you call me 'Mr.—'?"
When he looked at Ranse's face he stopped, and the hand that held his newspaper shook slightly.
"Boy," he said slowly, "how did you find it out?"
"It's all right," said Ranse, with a smile. "I made Tia Juana tell me. It was kind of by accident, but it's all right."
"You've been like a son to me," said old "Kiowa," trembling.
"Tia Juana told me all about it," said Ranse. "She told me how you adopted me when I was knee-high to a puddle duck out of a wagon train of prospectors that was bound West. And she told me how the kid—your own kid, you know—got lost or was run away with. And she said it was the same day that the sheep-shearers got on a bender and left the ranch."
"Our boy strayed from the house when he was two years old," said the old man. "And then along came those emigrant wagons with a youngster they didn't want; and we took you. I never intended you to know, Ranse. We never heard of our boy again."
"He's right outside, unless I'm mighty mistaken," said Ranse, opening the door and beckoning.
Curly walked in.
No one could have doubted. The old man and the young had the same sweep of hair, the same nose, chin, line of face, and prominent light-blue eyes.
Old "Kiowa" rose eagerly.
Curly looked about the room curiously. A puzzled expression came over his face. He pointed to the wall opposite.
"Where's the tick-tock?" he asked, absent-mindedly.
"The clock," cried old "Kiowa" loudly. "The eight-day clock used to stand there. Why—"
He turned to Ranse, but Ranse was not there.
Already a hundred yards away, Vaminos, the good flea-bitten dun, was bearing him eastward like a racer through dust and chaparral towards the Rancho de los Olmos.
"The dispositions of woman," said Jeff Peters, after various opinions on the subject had been advanced, "run, regular, to diversions. What a woman wants is what you're out of. She wants more of a thing when it's scarce. She likes to have souvenirs of things that never happened. She likes to be reminded of things she never heard of. A one-sided view of objects is disjointing to the female composition.
"'Tis a misfortune of mine, begotten by nature and travel," continued Jeff, looking thoughtfully between his elevated feet at the grocery stove, "to look deeper into some subjects than most people do. I've breathed gasoline smoke talking to street crowds in nearly every town in the United States. I've held 'em spellbound with music, oratory, sleight of hand, and prevarications, while I've sold 'em jewelry, medicine, soap, hair tonic, and junk of other nominations. And during my travels, as a matter of recreation and expiation, I've taken cognisance some of women. It takes a man a lifetime to find out about one particular woman; but if he puts in, say, ten years, industrious and curious, he can acquire the general rudiments of the sex. One lesson I picked up was when I was working the West with a line of Brazilian diamonds and a patent fire kindler just after my trip from Savannah down through the cotton belt with Dalby's Anti-explosive Lamp Oil Powder. 'Twas when the Oklahoma country was in first bloom. Guthrie was rising in the middle of it like a lump of self-raising dough. It was a boom town of the regular kind—you stood in line to get a chance to wash your face; if you ate over ten minutes you had a lodging bill added on; if you slept on a plank at night they charged it to you as board the next morning.
"By nature and doctrines I am addicted to the habit of discovering choice places wherein to feed. So I looked around and found a proposition that exactly cut the mustard. I found a restaurant tent just opened up by an outfit that had drifted in on the tail of the boom. They had knocked together a box house, where they lived and did the cooking, and served the meals in a tent pitched against the side. That tent was joyful with placards on it calculated to redeem the world-worn pilgrim from the sinfulness of boarding houses and pick-me-up hotels. 'Try Mother's Home-Made Biscuits,' 'What's the Matter with Our Apple Dumplings and Hard Sauce?' 'Hot Cakes and Maple Syrup Like You Ate When a Boy,' 'Our Fried Chicken Never Was Heard to Crow'—there was literature doomed to please the digestions of man! I said to myself that mother's wandering boy should munch there that night. And so it came to pass. And there is where I contracted my case of Mame Dugan.
"Old Man Dugan was six feet by one of Indiana loafer, and he spent his time sitting on his shoulder blades in a rocking-chair in the shanty memorialising the great corn-crop failure of '96. Ma Dugan did the cooking, and Mame waited on the table.
"As soon as I saw Mame I knew there was a mistake in the census reports. There wasn't but one girl in the United States. When you come to specifications it isn't easy. She was about the size of an angel, and she had eyes, and ways about her. When you come to the kind of a girl she was, you'll find a belt of 'em reaching from the Brooklyn Bridge west as far as the courthouse in Council Bluffs, Ia. They earn their own living in stores, restaurants, factories, and offices. They're chummy and honest and free and tender and sassy, and they look life straight in the eye. They've met man face to face, and discovered that he's a poor creature. They've dropped to it that the reports in the Seaside Library about his being a fairy prince lack confirmation.
"Mame was that sort. She was full of life and fun, and breezy; she passed the repartee with the boarders quick as a wink; you'd have smothered laughing. I am disinclined to make excavations into the insides of a personal affection. I am glued to the theory that the diversions and discrepancies of the indisposition known as love should be as private a sentiment as a toothbrush. 'Tis my opinion that the biographies of the heart should be confined with the historical romances of the liver to the advertising pages of the magazines. So, you'll excuse the lack of an itemised bill of my feelings toward Mame.
"Pretty soon I got a regular habit of dropping into the tent to eat at irregular times when there wasn't so many around. Mame would sail in with a smile, in a black dress and white apron, and say: 'Hello, Jeff—why don't you come at mealtime? Want to see how much trouble you can be, of course. Friedchickenbeefsteakporkchopshamandeggspotpie'—and so on. She called me Jeff, but there was no significations attached. Designations was all she meant. The front names of any of us she used as they came to hand. I'd eat about two meals before I left, and string 'em out like a society spread where they changed plates and wives, and josh one another festively between bites. Mame stood for it, pleasant, for it wasn't up to her to take any canvas off the tent by declining dollars just because they were whipped in after meal times.
"It wasn't long until there was another fellow named Ed Collier got the between-meals affliction, and him and me put in bridges between breakfast and dinner, and dinner and supper, that made a three-ringed circus of that tent, and Mame's turn as waiter a continuous performance. That Collier man was saturated with designs and contrivings. He was in well-boring or insurance or claim-jumping, or something—I've forgotten which. He was a man well lubricated with gentility, and his words were such as recommended you to his point of view. So, Collier and me infested the grub tent with care and activity. Mame was level full of impartiality. 'Twas like a casino hand the way she dealt out her favours—one to Collier and one to me and one to the board, and not a card up her sleeve.
"Me and Collier naturally got acquainted, and gravitated together some on the outside. Divested of his stratagems, he seemed to be a pleasant chap, full of an amiable sort of hostility.
"'I notice you have an affinity for grubbing in the banquet hall after the guests have fled,' says I to him one day, to draw his conclusions.
"'Well, yes,' says Collier, reflecting; 'the tumult of a crowded board seems to harass my sensitive nerves.'
"'It exasperates mine some, too,' says I. 'Nice little girl, don't you think?'
"'I see,' says Collier, laughing. 'Well, now that you mention it, I have noticed that she doesn't seem to displease the optic nerve.'
"'She's a joy to mine,' says I, 'and I'm going after her. Notice is hereby served.'
"'I'll be as candid as you,' admits Collier, 'and if the drug stores don't run out of pepsin I'll give you a run for your money that'll leave you a dyspeptic at the wind-up.'
"So Collier and me begins the race; the grub department lays in new supplies; Mame waits on us, jolly and kind and agreeable, and it looks like an even break, with Cupid and the cook working overtime in Dugan's restaurant.
"'Twas one night in September when I got Mame to take a walk after supper when the things were all cleared away. We strolled out a distance and sat on a pile of lumber at the edge of town. Such opportunities was seldom, so I spoke my piece, explaining how the Brazilian diamonds and the fire kindler were laying up sufficient treasure to guarantee the happiness of two, and that both of 'em together couldn't equal the light from somebody's eyes, and that the name of Dugan should be changed to Peters, or reasons why not would be in order.
"Mame didn't say anything right away. Directly she gave a kind of shudder, and I began to learn something.
"'Jeff,' she says, 'I'm sorry you spoke. I like you as well as any of them, but there isn't a man in the world I'd ever marry, and there never will be. Do you know what a man is in my eye? He's a tomb. He's a sarcophagus for the interment of Beafsteakporkchopsliver'nbaconhamandeggs. He's that and nothing more. For two years I've watched men eat, eat, eat, until they represent nothing on earth to me but ruminant bipeds. They're absolutely nothing but something that goes in front of a knife and fork and plate at the table. They're fixed that way in my mind and memory. I've tried to overcome it, but I can't. I've heard girls rave about their sweethearts, but I never could understand it. A man and a sausage grinder and a pantry awake in me exactly the same sentiments. I went to a matinée once to see an actor the girls were crazy about. I got interested enough to wonder whether he liked his steak rare, medium, or well done, and his eggs over or straight up. That was all. No, Jeff; I'll marry no man and see him sit at the breakfast table and eat, and come back to dinner and eat, and happen in again at supper to eat, eat, eat.'
"'But, Mame,' says I, 'it'll wear off. You've had too much of it. You'll marry some time, of course. Men don't eat always.'
"'As far as my observation goes, they do. No, I'll tell you what I'm going to do.' Mame turns, sudden, to animation and bright eyes. 'There's a girl named Susie Foster in Terre Haute, a chum of mine. She waits in the railroad eating house there. I worked two years in a restaurant in that town. Susie has it worse than I do, because the men who eat at railroad stations gobble. They try to flirt and gobble at the same time. Whew! Susie and I have it all planned out. We're saving our money, and when we get enough we're going to buy a little cottage and five acres we know of, and live together, and grow violets for the Eastern market. A man better not bring his appetite within a mile of that ranch.'
"'Don't girls ever—' I commenced, but Mame heads me off, sharp.
"'No, they don't. They nibble a little bit sometimes; that's all.'
"'I thought the confect—'
"'For goodness' sake, change the subject,' says Mame.
"As I said before, that experience puts me wise that the feminine arrangement ever struggles after deceptions and illusions. Take England—beef made her; wieners elevated Germany; Uncle Sam owes his greatness to fried chicken and pie, but the young ladies of the Shetalkyou schools, they'll never believe it. Shakespeare, they allow, and Rubinstein, and the Rough Riders is what did the trick.
"'Twas a situation calculated to disturb. I couldn't bear to give up Mame; and yet it pained me to think of abandoning the practice of eating. I had acquired the habit too early. For twenty-seven years I had been blindly rushing upon my fate, yielding to the insidious lures of that deadly monster, food. It was too late. I was a ruminant biped for keeps. It was lobster salad to a doughnut that my life was going to be blighted by it.
"I continued to board at the Dugan tent, hoping that Mame would relent. I had sufficient faith in true love to believe that since it has often outlived the absence of a square meal it might, in time, overcome the presence of one. I went on ministering to my fatal vice, although I felt that each time I shoved a potato into my mouth in Mame's presence I might be burying my fondest hopes.
"I think Collier must have spoken to Mame and got the same answer, for one day he orders a cup of coffee and a cracker, and sits nibbling the corner of it like a girl in the parlour, that's filled up in the kitchen, previous, on cold roast and fried cabbage. I caught on and did the same, and maybe we thought we'd made a hit! The next day we tried it again, and out comes old man Dugan fetching in his hands the fairy viands.
"'Kinder off yer feed, ain't ye, gents?' he asks, fatherly and some sardonic. 'Thought I'd spell Mame a bit, seein' the work was light, and my rheumatiz can stand the strain.'
"So back me and Collier had to drop to the heavy grub again. I noticed about that time that I was seized by a most uncommon and devastating appetite. I ate until Mame must have hated to see me darken the door. Afterward I found out that I had been made the victim of the first dark and irreligious trick played on me by Ed Collier. Him and me had been taking drinks together uptown regular, trying to drown our thirst for food. That man had bribed about ten bartenders to always put a big slug of Appletree's Anaconda Appetite Bitters in every one of my drinks. But the last trick he played me was hardest to forget.
"One day Collier failed to show up at the tent. A man told me he left town that morning. My only rival now was the bill of fare. A few days before he left Collier had presented me with a two-gallon jug of fine whisky which he said a cousin had sent him from Kentucky. I now have reason to believe that it contained Appletree's Anaconda Appetite Bitters almost exclusively. I continued to devour tons of provisions. In Mame's eyes I remained a mere biped, more ruminant than ever.
"About a week after Collier pulled his freight there came a kind of side-show to town, and hoisted a tent near the railroad. I judged it was a sort of fake museum and curiosity business. I called to see Mame one night, and Ma Dugan said that she and Thomas, her younger brother, had gone to the show. That same thing happened for three nights that week. Saturday night I caught her on the way coming back, and got to sit on the steps a while and talk to her. I noticed she looked different. Her eyes were softer, and shiny like. Instead of a Mame Dugan to fly from the voracity of man and raise violets, she seemed to be a Mame more in line as God intended her, approachable, and suited to bask in the light of the Brazilians and the Kindler.
"'You seem to be right smart inveigled,' says I, 'with the Unparalleled Exhibition of the World's Living Curiosities and Wonders.'
"'It's a change,' says Mame.
"'You'll need another,' says I, 'if you keep on going every night.'
"'Don't be cross, Jeff,' says she; 'it takes my mind off business.'
"'Don't the curiosities eat?' I ask.
"'Not all of them. Some of them are wax.'
"'Look out, then, that you don't get stuck,' says I, kind of flip and foolish.
"Mame blushed. I didn't know what to think about her. My hopes raised some that perhaps my attentions had palliated man's awful crime of visibly introducing nourishment into his system. She talked some about the stars, referring to them with respect and politeness, and I drivelled a quantity about united hearts, homes made bright by true affection, and the Kindler. Mame listened without scorn, and I says to myself, 'Jeff, old man, you're removing the hoodoo that has clung to the consumer of victuals; you're setting your heel upon the serpent that lurks in the gravy bowl.'
"Monday night I drop around. Mame is at the Unparalleled Exhibition with Thomas.
"'Now, may the curse of the forty-one seven-sided sea cooks,' says I, 'and the bad luck of the nine impenitent grasshoppers rest upon this self-same sideshow at once and forever more. Amen. I'll go to see it myself to-morrow night and investigate its baleful charm. Shall man that was made to inherit the earth be bereft of his sweetheart first by a knife and fork and then by a ten-cent circus?'
"The next night before starting out for the exhibition tent I inquire and find out that Mame is not at home. She is not at the circus with Thomas this time, for Thomas waylays me in the grass outside of the grub tent with a scheme of his own before I had time to eat supper.
"'What'll you give me, Jeff,' says he, 'if I tell you something?'
"'The value of it, son,' I says.
"'Sis is stuck on a freak,' says Thomas, 'one of the side-show freaks. I don't like him. She does. I overheard 'em talking. Thought maybe you'd like to know. Say, Jeff, does it put you wise two dollars' worth? There's a target rifle up town that—'
"I frisked my pockets and commenced to dribble a stream of halves and quarters into Thomas's hat. The information was of the pile-driver system of news, and it telescoped my intellects for a while. While I was leaking small change and smiling foolish on the outside, and suffering disturbances internally, I was saying, idiotically and pleasantly:
"'Thank you, Thomas—thank you—er—a freak, you said, Thomas. Now, could you make out the monstrosity's entitlements a little clearer, if you please, Thomas?'
"'This is the fellow,' says Thomas, pulling out a yellow handbill from his pocket and shoving it under my nose. 'He's the Champion Faster of the Universe. I guess that's why Sis got soft on him. He don't eat nothing. He's going to fast forty-nine days. This is the sixth. That's him.'
"I looked at the name Thomas pointed out—'Professor Eduardo Collieri.' 'Ah!' says I, in admiration, 'that's not so bad, Ed Collier. I give you credit for the trick. But I don't give you the girl until she's Mrs. Freak.'
"I hit the sod in the direction of the show. I came up to the rear of the tent, and, as I did so, a man wiggled out like a snake from under the bottom of the canvas, scrambled to his feet, and ran into me like a locoed bronco. I gathered him by the neck and investigated him by the light of the stars. It is Professor Eduardo Collieri, in human habiliments, with a desperate look in one eye and impatience in the other.
"'Hello, Curiosity,' says I. 'Get still a minute and let's have a look at your freakship. How do you like being the willopus-wallopus or the bim-bam from Borneo, or whatever name you are denounced by in the side-show business?'
"'Jeff Peters,' says Collier, in a weak voice. 'Turn me loose, or I'll slug you one. I'm in the extremest kind of a large hurry. Hands off!'
"'Tut, tut, Eddie,' I answers, holding him hard; 'let an old friend gaze on the exhibition of your curiousness. It's an eminent graft you fell onto, my son. But don't speak of assaults and battery, because you're not fit. The best you've got is a lot of nerve and a mighty empty stomach.' And so it was. The man was as weak as a vegetarian cat.
"'I'd argue this case with you, Jeff,' says he, regretful in his style, 'for an unlimited number of rounds if I had half an hour to train in and a slab of beefsteak two feet square to train with. Curse the man, I say, that invented the art of going foodless. May his soul in eternity be chained up within two feet of a bottomless pit of red-hot hash. I'm abandoning the conflict, Jeff; I'm deserting to the enemy. You'll find Miss Dugan inside contemplating the only living mummy and the informed hog. She's a fine girl, Jeff. I'd have beat you out if I could have kept up the grubless habit a little while longer. You'll have to admit that the fasting dodge was aces-up for a while. I figured it out that way. But say, Jeff, it's said that love makes the world go around. Let me tell you, the announcement lacks verification. It's the wind from the dinner horn that does it. I love that Mame Dugan. I've gone six days without food in order to coincide with her sentiments. Only one bite did I have. That was when I knocked the tattooed man down with a war club and got a sandwich he was gobbling. The manager fined me all my salary; but salary wasn't what I was after. 'Twas that girl. I'd give my life for her, but I'd endanger my immortal soul for a beef stew. Hunger is a horrible thing, Jeff. Love and business and family and religion and art and patriotism are nothing but shadows of words when a man's starving!'
"In such language Ed Collier discoursed to me, pathetic. I gathered the diagnosis that his affections and his digestions had been implicated in a scramble and the commissary had won out. I never disliked Ed Collier. I searched my internal admonitions of suitable etiquette to see if I could find a remark of a consoling nature, but there was none convenient.
"'I'd be glad, now,' says Ed, 'if you'll let me go. I've been hard hit, but I'll hit the ration supply harder. I'm going to clean out every restaurant in town. I'm going to wade waist deep in sirloins and swim in ham and eggs. It's an awful thing, Jeff Peters, for a man to come to this pass—to give up his girl for something to eat—it's worse than that man Esau, that swapped his copyright for a partridge—but then, hunger's a fierce thing. You'll excuse me, now, Jeff, for I smell a pervasion of ham frying in the distance, and my legs are crying out to stampede in that direction.'
"'A hearty meal to you, Ed Collier,' I says to him, 'and no hard feelings. For myself, I am projected to be an unseldom eater, and I have condolence for your predicaments.'
"There was a sudden big whiff of frying ham smell on the breeze; and the Champion Faster gives a snort and gallops off in the dark toward fodder.
"I wish some of the cultured outfit that are always advertising the extenuating circumstances of love and romance had been there to see. There was Ed Collier, a fine man full of contrivances and flirtations, abandoning the girl of his heart and ripping out into the contiguous territory in the pursuit of sordid grub. 'Twas a rebuke to the poets and a slap at the best-paying element of fiction. An empty stomach is a sure antidote to an overfull heart.
"I was naturally anxious to know how far Mame was infatuated with Collier and his stratagems. I went inside the Unparalleled Exhibition, and there she was. She looked surprised to see me, but unguilty.
"'It's an elegant evening outside,' says I. 'The coolness is quite nice and gratifying, and the stars are lined out, first class, up where they belong. Wouldn't you shake these by-products of the animal kingdom long enough to take a walk with a common human who never was on a programme in his life?'
"Mame gave a sort of sly glance around, and I knew what that meant.
"'Oh,' says I, 'I hate to tell you; but the curiosity that lives on wind has flew the coop. He just crawled out under the tent. By this time he has amalgamated himself with half the delicatessen truck in town.'
"'You mean Ed Collier?' says Mame.
"'I do,' I answers; 'and a pity it is that he has gone back to crime again. I met him outside the tent, and he exposed his intentions of devastating the food crop of the world. 'Tis enormously sad when one's ideal descends from his pedestal to make a seventeen-year locust of himself.'
"Mame looked me straight in the eye until she had corkscrewed my reflections.
"'Jeff,' says she, 'it isn't quite like you to talk that way. I don't care to hear Ed Collier ridiculed. A man may do ridiculous things, but they don't look ridiculous to the girl he does 'em for. That was the man in a hundred. He stopped eating just to please me. I'd be hard-hearted and ungrateful if I didn't feel kindly toward him. Could you do what he did?'
"'I know,' says I, seeing the point, 'I'm condemned. I can't help it. The brand of the consumer is upon my brow. Mrs. Eve settled that business for me when she made the dicker with the snake. I fell from the fire into the frying-pan. I guess I'm the Champion Feaster of the Universe.' I spoke humble, and Mame mollified herself a little.
"'Ed Collier and I are good friends,' she said, 'the same as me and you. I gave him the same answer I did you—no marrying for me. I liked to be with Ed and talk with him. There was something mighty pleasant to me in the thought that here was a man who never used a knife and fork, and all for my sake.'
"'Wasn't you in love with him?' I asks, all injudicious. 'Wasn't there a deal on for you to become Mrs. Curiosity?'
"All of us do it sometimes. All of us get jostled out of the line of profitable talk now and then. Mame put on that little lemon glacé smile that runs between ice and sugar, and says, much too pleasant: 'You're short on credentials for asking that question, Mr. Peters. Suppose you do a forty-nine day fast, just to give you ground to stand on, and then maybe I'll answer it.'
"So, even after Collier was kidnapped out of the way by the revolt of his appetite, my own prospects with Mame didn't seem to be improved. And then business played out in Guthrie.
"I had stayed too long there. The Brazilians I had sold commenced to show signs of wear, and the Kindler refused to light up right frequent on wet mornings. There is always a time, in my business, when the star of success says, 'Move on to the next town.' I was travelling by wagon at that time so as not to miss any of the small towns; so I hitched up a few days later and went down to tell Mame good-bye. I wasn't abandoning the game; I intended running over to Oklahoma City and work it for a week or two. Then I was coming back to institute fresh proceedings against Mame.
"What do I find at the Dugans' but Mame all conspicuous in a blue travelling dress, with her little trunk at the door. It seems that sister Lottie Bell, who is a typewriter in Terre Haute, is going to be married next Thursday, and Mame is off for a week's visit to be an accomplice at the ceremony. Mame is waiting for a freight wagon that is going to take her to Oklahoma, but I condemns the freight wagon with promptness and scorn, and offers to deliver the goods myself. Ma Dugan sees no reason why not, as Mr. Freighter wants pay for the job; so, thirty minutes later Mame and I pull out in my light spring wagon with white canvas cover, and head due south.
"That morning was of a praiseworthy sort. The breeze was lively, and smelled excellent of flowers and grass, and the little cottontail rabbits entertained themselves with skylarking across the road. My two Kentucky bays went for the horizon until it come sailing in so fast you wanted to dodge it like a clothesline. Mame was full of talk and rattled on like a kid about her old home and her school pranks and the things she liked and the hateful ways of those Johnson girls just across the street, 'way up in Indiana. Not a word was said about Ed Collier or victuals or such solemn subjects. About noon Mame looks and finds that the lunch she had put up in a basket had been left behind. I could have managed quite a collation, but Mame didn't seem to be grieving over nothing to eat, so I made no lamentations. It was a sore subject with me, and I ruled provender in all its branches out of my conversation.
"I am minded to touch light on explanations how I came to lose the way. The road was dim and well grown with grass; and there was Mame by my side confiscating my intellects and attention. The excuses are good or they are not, as they may appear to you. But I lost it, and at dusk that afternoon, when we should have been in Oklahoma City, we were seesawing along the edge of nowhere in some undiscovered river bottom, and the rain was falling in large, wet bunches. Down there in the swamps we saw a little log house on a small knoll of high ground. The bottom grass and the chaparral and the lonesome timber crowded all around it. It seemed to be a melancholy little house, and you felt sorry for it. 'Twas that house for the night, the way I reasoned it. I explained to Mame, and she leaves it to me to decide. She doesn't become galvanic and prosecuting, as most women would, but she says it's all right; she knows I didn't mean to do it.
"We found the house was deserted. It had two empty rooms. There was a little shed in the yard where beasts had once been kept. In a loft of it was a lot of old hay. I put my horses in there and gave them some of it, for which they looked at me sorrowful, expecting apologies. The rest of the hay I carried into the house by armfuls, with a view to accommodations. I also brought in the patent kindler and the Brazilians, neither of which are guaranteed against the action of water.
"Mame and I sat on the wagon seats on the floor, and I lit a lot of the kindler on the hearth, for the night was chilly. If I was any judge, that girl enjoyed it. It was a change for her. It gave her a different point of view. She laughed and talked, and the kindler made a dim light compared to her eyes. I had a pocketful of cigars, and as far as I was concerned there had never been any fall of man. We were at the same old stand in the Garden of Eden. Out there somewhere in the rain and the dark was the river of Zion, and the angel with the flaming sword had not yet put up the keep-off-the-grass sign. I opened up a gross or two of the Brazilians and made Mame put them on—rings, brooches, necklaces, eardrops, bracelets, girdles, and lockets. She flashed and sparkled like a million-dollar princess until she had pink spots in her cheeks and almost cried for a looking-glass.
"When it got late I made a fine bunk on the floor for Mame with the hay and my lap robes and blankets out of the wagon, and persuaded her to lie down. I sat in the other room burning tobacco and listening to the pouring rain and meditating on the many vicissitudes that came to a man during the seventy years or so immediately preceding his funeral.
"I must have dozed a little while before morning, for my eyes were shut, and when I opened them it was daylight, and there stood Mame with her hair all done up neat and correct, and her eyes bright with admiration of existence.
"'Gee whiz, Jeff!' she exclaims, 'but I'm hungry. I could eat a—'
"I looked up and caught her eye. Her smile went back in and she gave me a cold look of suspicion. Then I laughed, and laid down on the floor to laugh easier. It seemed funny to me. By nature and geniality I am a hearty laugher, and I went the limit. When I came to, Mame was sitting with her back to me, all contaminated with dignity.
"'Don't be angry, Mame,' I says, 'for I couldn't help it. It's the funny way you've done up your hair. If you could only see it!'
"'You needn't tell stories, sir,' said Mame, cool and advised. 'My hair is all right. I know what you were laughing about. Why, Jeff, look outside,' she winds up, peeping through a chink between the logs. I opened the little wooden window and looked out. The entire river bottom was flooded, and the knob of land on which the house stood was an island in the middle of a rushing stream of yellow water a hundred yards wide. And it was still raining hard. All we could do was to stay there till the doves brought in the olive branch.
"I am bound to admit that conversations and amusements languished during that day. I was aware that Mame was getting a too prolonged one-sided view of things again, but I had no way to change it. Personally, I was wrapped up in the desire to eat. I had hallucinations of hash and visions of ham, and I kept saying to myself all the time, 'What'll you have to eat, Jeff?—what'll you order now, old man, when the waiter comes?' I picks out to myself all sorts of favourites from the bill of fare, and imagines them coming. I guess it's that way with all hungry men. They can't get their cogitations trained on anything but something to eat. It shows that the little table with the broken-legged caster and the imitation Worcester sauce and the napkin covering up the coffee stains is the paramount issue, after all, instead of the question of immortality or peace between nations.
"I sat there, musing along, arguing with myself quite heated as to how I'd have my steak—with mushrooms, or à la créole. Mame was on the other seat, pensive, her head leaning on her hand. 'Let the potatoes come home-fried,' I states in my mind, 'and brown the hash in the pan, with nine poached eggs on the side.' I felt, careful, in my own pockets to see if I could find a peanut or a grain or two of popcorn.
"Night came on again with the river still rising and the rain still falling. I looked at Mame and I noticed that desperate look on her face that a girl always wears when she passes an ice-cream lair. I knew that poor girl was hungry—maybe for the first time in her life. There was that anxious look in her eye that a woman has only when she has missed a meal or feels her skirt coming unfastened in the back.
"It was about eleven o'clock or so on the second night when we sat, gloomy, in our shipwrecked cabin. I kept jerking my mind away from the subject of food, but it kept flopping back again before I could fasten it. I thought of everything good to eat I had ever heard of. I went away back to my kidhood and remembered the hot biscuit sopped in sorghum and bacon gravy with partiality and respect. Then I trailed along up the years, pausing at green apples and salt, flapjacks and maple, lye hominy, fried chicken Old Virginia style, corn on the cob, spareribs and sweet potato pie, and wound up with Georgia Brunswick stew, which is the top notch of good things to eat, because it comprises 'em all.
"They say a drowning man sees a panorama of his whole life pass before him. Well, when a man's starving he sees the ghost of every meal he ever ate set out before him, and he invents new dishes that would make the fortune of a chef. If somebody would collect the last words of men who starved to death, they'd have to sift 'em mighty fine to discover the sentiment, but they'd compile into a cook book that would sell into the millions.
"I guess I must have had my conscience pretty well inflicted with culinary meditations, for, without intending to do so, I says, out loud, to the imaginary waiter, 'Cut it thick and have it rare, with the French fried, and six, soft-scrambled, on toast.'
"Mame turned her head quick as a wing. Her eyes were sparkling and she smiled sudden.
"'Medium for me,' she rattles out, 'with the Juliennes, and three, straight up. Draw one, and brown the wheats, double order to come. Oh, Jeff, wouldn't it be glorious! And then I'd like to have a half fry, and a little chicken curried with rice, and a cup custard with ice cream, and—'
"'Go easy,' I interrupts; 'where's the chicken liver pie, and the kidney sauté on toast, and the roast lamb, and—'
"'Oh,' cuts in Mame, all excited, 'with mint sauce, and the turkey salad, and stuffed olives, and raspberry tarts, and—'
"'Keep it going,' says I. 'Hurry up with the fried squash, and the hot corn pone with sweet milk, and don't forget the apple dumpling with hard sauce, and the cross-barred dew-berry pie—'
"Yes, for ten minutes we kept up that kind of restaurant repartee. We ranges up and down and backward and forward over the main trunk lines and the branches of the victual subject, and Mame leads the game, for she is apprised in the ramifications of grub, and the dishes she nominates aggravates my yearnings. It seems that there is a feeling that Mame will line up friendly again with food. It seems that she looks upon the obnoxious science of eating with less contempt than before.
"The next morning we find that the flood has subsided. I geared up the bays, and we splashed out through the mud, some precarious, until we found the road again. We were only a few miles wrong, and in two hours we were in Oklahoma City. The first thing we saw was a big restaurant sign, and we piled into there in a hurry. Here I finds myself sitting with Mame at table, with knives and forks and plates between us, and she not scornful, but smiling with starvation and sweetness.
"'Twas a new restaurant and well stocked. I designated a list of quotations from the bill of fare that made the waiter look out toward the wagon to see how many more might be coming.
"There we were, and there was the order being served. 'Twas a banquet for a dozen, but we felt like a dozen. I looked across the table at Mame and smiled, for I had recollections. Mame was looking at the table like a boy looks at his first stem-winder. Then she looked at me, straight in the face, and two big tears came in her eyes. The waiter was gone after more grub.
"'Jeff,' she says, soft like, 'I've been a foolish girl. I've looked at things from the wrong side. I never felt this way before. Men get hungry every day like this, don't they? They're big and strong, and they do the hard work of the world, and they don't eat just to spite silly waiter girls in restaurants, do they, Jeff? You said once—that is, you asked me—you wanted me to—well, Jeff, if you still care—I'd be glad and willing to have you always sitting across the table from me. Now give me something to eat, quick, please.'
"So, as I've said, a woman needs to change her point of view now and then. They get tired of the same old sights—the same old dinner table, washtub, and sewing machine. Give 'em a touch of the various—a little travel and a little rest, a little tomfoolery along with the tragedies of keeping house, a little petting after the blowing-up, a little upsetting and jostling around—and everybody in the game will have chips added to their stack by the play."
The Cisco Kid had killed six men in more or less fair scrimmages, had murdered twice as many (mostly Mexicans), and had winged a larger number whom he modestly forbore to count. Therefore a woman loved him.
The Kid was twenty-five, looked twenty; and a careful insurance company would have estimated the probable time of his demise at, say, twenty-six. His habitat was anywhere between the Frio and the Rio Grande. He killed for the love of it—because he was quick-tempered—to avoid arrest—for his own amusement—any reason that came to his mind would suffice. He had escaped capture because he could shoot five-sixths of a second sooner than any sheriff or ranger in the service, and because he rode a speckled roan horse that knew every cow-path in the mesquite and pear thickets from San Antonio to Matamoras.
Tonia Perez, the girl who loved the Cisco Kid, was half Carmen, half Madonna, and the rest—oh, yes, a woman who is half Carmen and half Madonna can always be something more—the rest, let us say, was humming-bird. She lived in a grass-roofed jacal near a little Mexican settlement at the Lone Wolf Crossing of the Frio [65]. With her lived a father or grandfather, a lineal Aztec, somewhat less than a thousand years old, who herded a hundred goats and lived in a continuous drunken dream from drinking mescal [66]. Back of the jacal a tremendous forest of bristling pear, twenty feet high at its worst, crowded almost to its door. It was along the bewildering maze of this spinous thicket that the speckled roan would bring the Kid to see his girl. And once, clinging like a lizard to the ridge-pole, high up under the peaked grass roof, he had heard Tonia, with her Madonna face and Carmen beauty and humming-bird soul, parley with the sheriff's posse, denying knowledge of her man in her soft mélange of Spanish and English.
One day the adjutant-general of the State, who is, ex offico, commander of the ranger forces, wrote some sarcastic lines to Captain Duval of Company X, stationed at Laredo, relative to the serene and undisturbed existence led by murderers and desperadoes in the said captain's territory.
The captain turned the colour of brick dust under his tan, and forwarded the letter, after adding a few comments, per ranger Private Bill Adamson, to ranger Lieutenant Sandridge, camped at a water hole on the Nueces with a squad of five men in preservation of law and order.
Lieutenant Sandridge turned a beautiful couleur de rose through his ordinary strawberry complexion, tucked the letter in his hip pocket, and chewed off the ends of his gamboge moustache.
The next morning he saddled his horse and rode alone to the Mexican settlement at the Lone Wolf Crossing of the Frio, twenty miles away.
Six feet two, blond as a Viking, quiet as a deacon, dangerous as a machine gun, Sandridge moved among the Jacales, patiently seeking news of the Cisco Kid.
Far more than the law, the Mexicans dreaded the cold and certain vengeance of the lone rider that the ranger sought. It had been one of the Kid's pastimes to shoot Mexicans "to see them kick": if he demanded from them moribund Terpsichorean feats, simply that he might be entertained, what terrible and extreme penalties would be certain to follow should they anger him! One and all they lounged with upturned palms and shrugging shoulders, filling the air with "quien sabes" [67] and denials of the Kid's acquaintance.
But there was a man named Fink who kept a store at the Crossing—a man of many nationalities, tongues, interests, and ways of thinking.
"No use to ask them Mexicans," he said to Sandridge. "They're afraid to tell. This hombre they call the Kid—Goodall is his name, ain't it?—he's been in my store once or twice. I have an idea you might run across him at—but I guess I don't keer to say, myself. I'm two seconds later in pulling a gun than I used to be, and the difference is worth thinking about. But this Kid's got a half-Mexican girl at the Crossing that he comes to see. She lives in that jacal a hundred yards down the arroyo at the edge of the pear. Maybe she—no, I don't suppose she would, but that jacal would be a good place to watch, anyway."
Sandridge rode down to the jacal of Perez. The sun was low, and the broad shade of the great pear thicket already covered the grass-thatched hut. The goats were enclosed for the night in a brush corral near by. A few kids walked the top of it, nibbling the chaparral leaves. The old Mexican lay upon a blanket on the grass, already in a stupor from his mescal, and dreaming, perhaps, of the nights when he and Pizarro touched glasses to their New World fortunes—so old his wrinkled face seemed to proclaim him to be. And in the door of the jacal stood Tonia. And Lieutenant Sandridge sat in his saddle staring at her like a gannet [68] agape at a sailorman.
The Cisco Kid was a vain person, as all eminent and successful assassins are, and his bosom would have been ruffled had he known that at a simple exchange of glances two persons, in whose minds he had been looming large, suddenly abandoned (at least for the time) all thought of him.
Never before had Tonia seen such a man as this. He seemed to be made of sunshine and blood-red tissue and clear weather. He seemed to illuminate the shadow of the pear when he smiled, as though the sun were rising again. The men she had known had been small and dark. Even the Kid, in spite of his achievements, was a stripling no larger than herself, with black, straight hair and a cold, marble face that chilled the noonday.
As for Tonia, though she sends description to the poorhouse, let her make a millionaire of your fancy. Her blue-black hair, smoothly divided in the middle and bound close to her head, and her large eyes full of the Latin melancholy, gave her the Madonna touch. Her motions and air spoke of the concealed fire and the desire to charm that she had inherited from the gitanas [69] of the Basque province. As for the humming-bird part of her, that dwelt in her heart; you could not perceive it unless her bright red skirt and dark blue blouse gave you a symbolic hint of the vagarious bird.
The newly lighted sun-god asked for a drink of water. Tonia brought it from the red jar hanging under the brush shelter. Sandridge considered it necessary to dismount so as to lessen the trouble of her ministrations.
I play no spy; nor do I assume to master the thoughts of any human heart; but I assert, by the chronicler's right, that before a quarter of an hour had sped, Sandridge was teaching her how to plaint a six-strand rawhide stake-rope [70], and Tonia had explained to him that were it not for her little English book that the peripatetic padre had given her and the little crippled chivo [71], that she fed from a bottle, she would be very, very lonely indeed.
Which leads to a suspicion that the Kid's fences needed repairing, and that the adjutant-general's sarcasm had fallen upon unproductive soil.
In his camp by the water hole Lieutenant Sandridge announced and reiterated his intention of either causing the Cisco Kid to nibble the black loam of the Frio country prairies or of haling him before a judge and jury. That sounded business-like. Twice a week he rode over to the Lone Wolf Crossing of the Frio, and directed Tonia's slim, slightly lemon-tinted fingers among the intricacies of the slowly growing lariata. A six-strand plait is hard to learn and easy to teach.
The ranger knew that he might find the Kid there at any visit. He kept his armament ready, and had a frequent eye for the pear thicket at the rear of the jacal. Thus he might bring down the kite and the humming-bird with one stone.
While the sunny-haired ornithologist was pursuing his studies the Cisco Kid was also attending to his professional duties. He moodily shot up a saloon in a small cow village on Quintana Creek [72], killed the town marshal (plugging him neatly in the centre of his tin badge), and then rode away, morose and unsatisfied. No true artist is uplifted by shooting an aged man carrying an old-style .38 bulldog.
On his way the Kid suddenly experienced the yearning that all men feel when wrong-doing loses its keen edge of delight. He yearned for the woman he loved to reassure him that she was his in spite of it. He wanted her to call his bloodthirstiness bravery and his cruelty devotion. He wanted Tonia to bring him water from the red jar under the brush shelter, and tell him how the chivo was thriving on the bottle.
The Kid turned the speckled roan's head up the ten-mile pear flat that stretches along the Arroyo Hondo until it ends at the Lone Wolf Crossing of the Frio. The roan whickered; for he had a sense of locality and direction equal to that of a belt-line street-car horse; and he knew he would soon be nibbling the rich mesquite grass at the end of a forty-foot stake-rope while Ulysses rested his head in Circe's straw-roofed hut.
More weird and lonesome than the journey of an Amazonian explorer is the ride of one through a Texas pear flat. With dismal monotony and startling variety the uncanny and multiform shapes of the cacti lift their twisted trunks, and fat, bristly hands to encumber the way. The demon plant, appearing to live without soil or rain, seems to taunt the parched traveller with its lush grey greenness. It warps itself a thousand times about what look to be open and inviting paths, only to lure the rider into blind and impassable spine-defended "bottoms of the bag," leaving him to retreat, if he can, with the points of the compass whirling in his head.
To be lost in the pear is to die almost the death of the thief on the cross, pierced by nails and with grotesque shapes of all the fiends hovering about.
But it was not so with the Kid and his mount. Winding, twisting, circling, tracing the most fantastic and bewildering trail ever picked out, the good roan lessened the distance to the Lone Wolf Crossing with every coil and turn that he made.
While they fared the Kid sang. He knew but one tune and sang it, as he knew but one code and lived it, and but one girl and loved her. He was a single-minded man of conventional ideas. He had a voice like a coyote with bronchitis, but whenever he chose to sing his song he sang it. It was a conventional song of the camps and trail, running at its beginning as near as may be to these words:
Don't you monkey with my Lulu girl
Or I'll tell you what I'll do—
and so on. The roan was inured to it, and did not mind.
But even the poorest singer will, after a certain time, gain his own consent to refrain from contributing to the world's noises. So the Kid, by the time he was within a mile or two of Tonia's jacal, had reluctantly allowed his song to die away—not because his vocal performance had become less charming to his own ears, but because his laryngeal muscles were aweary.
As though he were in a circus ring the speckled roan wheeled and danced through the labyrinth of pear until at length his rider knew by certain landmarks that the Lone Wolf Crossing was close at hand. Then, where the pear was thinner, he caught sight of the grass roof of the jacal and the hackberry tree on the edge of the arroyo. A few yards farther the Kid stopped the roan and gazed intently through the prickly openings. Then he dismounted, dropped the roan's reins, and proceeded on foot, stooping and silent, like an Indian. The roan, knowing his part, stood still, making no sound.
The Kid crept noiselessly to the very edge of the pear thicket and reconnoitred between the leaves of a clump of cactus.
Ten yards from his hiding-place, in the shade of the jacal, sat his Tonia calmly plaiting a rawhide lariat. So far she might surely escape condemnation; women have been known, from time to time, to engage in more mischievous occupations. But if all must be told, there is to be added that her head reposed against the broad and comfortable chest of a tall red-and-yellow man, and that his arm was about her, guiding her nimble fingers that required so many lessons at the intricate six-strand plait.