THE BULB STORY

1. Ample Drainage
2. Depth of Planting
3. Perfect Root Development
4. Ready to Come to the Light

Photographs by H.E. Angell and Henry Schultz.

When the plant is about an inch above the ground, as one of the pictures shows, it is the time to bring it to the light. Be sure the outer leaves have spread apart in the ease of hyacinths and tulips; also invert the pot and see if the roots are poking through; this is another way to be sure that the bulb is ready to come to the light.

A way to help a hyacinth or tulip develop its stems properly and so prevent blossoming low down in the box is to put a cone over the bulb as soon as you bring it to the light. Make the cone of paper and have one opening at the top two inches in diameter. The flower stem and leaves of the bulb will quickly start to grow up to the light. Take this cone off when the leaves are several inches high.

The girls did some water-planting, too. For this purpose hyacinths, Chinese lilies, paper narcissus and jonquils are good. Some people put these dishes and glasses immediately in the light. But it is better if they are set away in the dark until the shoots start and the roots, too, begin development. The girls bought glass dishes at the five-and-ten-cent store. Into these dishes were put small stones which they had gathered in the fall for this purpose. Stones should be small for this work, from one-half inch to an inch in diameter. Josephine had a lot of fine white sand which she packed in all about the stones. The sand was kept thoroughly wet all the time. This is a good method of treatment. Paper white narcissus, if planted early, will blossom by Thanksgiving. They may be held back until Christmas. These blossoms are sweet smelling and very graceful in appearance. Eloise tried the same method with jonquils with excellent results.

In February they had a bulb exhibit and their display was really fine. In the spring they all felt that the outdoor work, too, had paid. The beds were uncovered as early as possible. The outdoor bulb will stand considerable cold, even after it is well up. Cut worms may trouble the hyacinths; if so try the paper collar treatment.

Finally remember then three things about bulbs: good bulbs, good drainage, plenty of time in the dark.

After bulbs are through blooming let the blossom dry thoroughly and the leaves get yellow and dry. One need not keep these homely looking plants in the living room in plain sight. Put them away down cellar to finish drying out. Then cut the leaves and blossoms off to one inch of the bulb itself. Take bulb out of pot, shake all dirt off, and dry thoroughly. These may be put into paper bags and hung up in a dry place or just packed in a pasteboard box. These indoor bulbs may be planted outdoors in the fall. They will do better for the change. Indoor bulb culture means forcing, a hard strain and demand on a bulb. Outdoor planting gives a long winter's rest, not entire rest, to be sure, but the growth during the winter is slow.

LIST OF BULBS BY COLOURS

THE GIRLS' WINTER WORK.

"We want some plants at school this winter, and we each should like some plants of our own at home." This remark greeted The Chief one day in late September as he entered his home after a long tramp in the woods.

The slant rays of the late afternoon sun and the low fire in the fireplace were not able to give The Chief any clue as to the speakers. "Who are 'we'?" he demanded.

"I am Dee," was the reply, "and 'we' are all the girls."

"Dear me" said the man, "I thought I had settled your case by recommending bulb culture to you."

"Not much!" shouted the girls all together. "We have finished our bulb work," Katharine went on to say, "and now we are very anxious to do something with house plants. We have a good six weeks or more to wait for our bulbs, and so we thought possibly you would be willing to help us."

"I did think," grumbled the man, "that after I had invited you to a series of talks this winter you would leave me in peace."

And then they all laughed gaily together.

"Well, what is your stock you have to work with, girls? I shall have to know that before I can help you."

"We have—that is, most of us have—a lot of old straggly geraniums in our gardens. Then Katharine's mother has some fuchsias and begonias which she has promised us," replied Miriam.

"Up at the hotel where Jack sold his lettuce there are a few things I have been promised," added Elizabeth.

"Do you know what these are?" asked Ethel.

"Yes. There are some heliotrope plants, marguerites, some lovely rose geraniums, and a few flowering maples or—I have forgotten the long name for them."

"Abutilon is the other name," added The Chief. "Well, that is a start, surely. I'll do some potting with you next Saturday afternoon. That will give Elizabeth time to get her hotel plants. I guess Dee will drive you up. You are to take a big basket with you, and your trowels. Carefully lift each plant from its resting-place. Water the soil a bit before you take up the plants. They come up easier for this, and soil is more likely to remain clinging to the roots. If it should rain Friday you will be saved the trouble of taking a watering pot with you. Be sure to take up with the plant some of its own soil. Then pack all these soil-encased plants in your basket. Do not let the sun get at them before we get at potting. Come all of you at two in the afternoon. Bring your plants with their own earth, your straggly geraniums, pots, and each a trowel. Now perhaps you will be willing to trot home so I may eat my supper."

Next Saturday at two a grand collection of girls, plants, big pots, little pots, and trowels arrived. The Chief took girls and all out into his potting shed. This was once an old woodhouse; now a shed with benches running along two sides of it. Under the benches were great heaps of soil. Pots and pans were piled in one corner and garden implements were neatly put up on the walls.

"I call this a pretty nice place for work," said Eloise in tones full of real interest. The Chief nodded smilingly at her, for there was a bond of sympathy between the man and this real outdoor girl. Eloise had a greater appreciation of the work than any one of the others.

"Where did that splendid window box come from?" asked Josephine.

"That is one the boys made last winter especially for the school. I shall have to give you girls some group work first. Then I'll demonstrate potting and slipping to you all together. Eloise and Josephine will start to put the drainage material into the pots. Ethel and Dee may do the same for the window box. Put in your curved pieces of pot over the drainage hole, then about an inch of drainage material. There is a wooden mallet. Crack up some bits of old flower pot as you need them. Outside is a half barrel of old pots. Instead of using all pot for this half inch of drainage material, use some charcoal. In that barrel marked charcoal you will find plenty of pieces. The charcoal is not only good for drainage but helps keep the soil sweet. Helena, Miriam and Katharine will mix the soil. Here are some firkins and peck measures. To every three measures of soil from that pile there, which is nothing but garden soil, add one measure of sand and one of leaf mould. Now, my leaf mould over there in that tub isn't real mould from the woods. You see the part desired in leaf mould is vegetable matter. I can get that from old rotted leaves and rotted sods. Notice, girls, that you see no green grass in that soddy matter I have shaved off with my spade—only the under surface of the sods. This surface is full of vegetable matter in the form of young roots. Stir up all these portions thoroughly.

"Now, Elizabeth, look at these pots. Some are brand new, some are clogged with soil and green matter. Soak the new ones in a pailful of water and clean and wash the dirty ones."

"I'd like to ask why I am to soak the new pots, and why, since soil is going right back into these old pots, I have to clean them. I should think the soil clinging to the sides would help out."

"Yes, I should like to know that, too," said Miriam, stopping her work.

"If new pots are not soaked the soil in them dries out very rapidly. You can see that would be bad. Old soil clinging to plants interferes with the new root growth while the green affects the porosity of the pot."

The girls stirred, scraped, and placed bits of pot in boxes and pots for a time without speaking.

"Are we putting the right amount of drainage into these pots?" finally questioned Eloise.

"Not quite enough into those large pots. In the small ones the inch of drainage you have in the pots is quite sufficient, but in those pots over six inches in size put an inch and a half of drainage material. There should be two inches of drainage in that window box. Katherine, you are taking those new pots out of the water too soon. Leave them in until the bubbling is all over. Wait a minute, you mixing girls over there. You mustn't put such coarse soil into your mixture. That could well go into the pots and window box above the drainage material. But it is far too coarse for a good potting soil. What soil you need for potting one of you should sift. If the lumps were not so large it would have been all right. What is that you are saying, Dee?"

"I wanted to know what you were going to use in place of sphagnum moss. We have the drainage fixed in the box. Shall we put on the coarse material next? Helena said you always used sphagnum moss."

"So I do when I can get it. But I can't always, so I just take some old thin sods and put them on, green side down, next to the drainage. To be sure, the coarse material could go on next, but it is very apt to settle badly in the pot or box. You will find that sod just outside. Pick out the very thinnest pieces; any others will be too thick."

"Now," said Elizabeth, "if you will bring your pots over, we'll fill them up with soil for you."

"Wait a little, Elizabeth. What is going to happen with that pot already full of soil when you put the plant in? Just how are you going to work that?"

"Why, I had intended to make a hole in the soil and put the plant in."

"That is no way to pot plants. Come here, girls, and let us talk this point out. I will pot a plant for you. I guess this begonia would be a good one. See, it has quite a ball of earth of its own. Now look at Elizabeth's full pot. Trying to plant in a pot already full of soil is beginning entirely wrong. Hand over another pot, Josephine. Thank you. See, here is a pot with its drainage, and a very little bit of old sod over this. The soddy matter takes up only about a quarter inch. Give me a trowel full of the potting soil, or a little coarse soil first. Now I lower into the pot my plant with its own earth still about it. See, it is going to be about right. Now, while I hold the plant in position in the pot with my left hand, I shake the potting soil in all about the plant. Here is a stick. I made it and call it my potting stick. It is about the length of a foot ruler. See, it is about an inch thick and has a rounded end. With this end I gently poke the soil into place. Occasionally, I give the pot a little shake, which settles the soil into crevices and crannies. But never do this jerkily or violently. When the soil is within a half inch of the top of the pot, press it down all about the plant stem; that is, firm the plant. You should be able to take up a potted plant by the plant stalk without uprooting it. The florist can do this with any of his potted plants. If the plant is loose in its new home it will not do well."

"You said to have a half-inch space between top of soil and top of pot. I should like to know why, because all the plants at my aunt's house are done the other way," eagerly inquired Helena.

"The purpose of the half-inch space is for watering the plant. I should be willing to wager that when your aunt waters her plants she has a bad time with water spilling over and soil washing out. The space allows for this and prevents its happening."

"I shall tell her about that when I go to see her. I am to go next week. Don't you think I might carry her a plant nicely potted?"

"Indeed I do. I think we can spare a begonia for her. Just let me water this plant a little. Notice that I do not flood it. Now, set it outside, Elizabeth, right by my back door where it will be sheltered."

"Why put it outside?" asked the child, as she took the pot; "I'd have left it here under shelter."

"It goes out because good fresh air is as important for newly potted plants as good soil, careful handling, and watering. Now for a slipping geranium lesson!

"Old, stocky geraniums in the fall garden are exactly right to slip. These properly slipped and started, if well cared for, will blossom by January or February. If closely crowded into the window box, you may be certain of bloom provided you have good, strong sunlight on them.

Florists slip geraniums and put them into sand; many people put the slips into water to form roots; but it is far easier for you children and for schools to place the slips immediately into the earth of the window box.

"The slipping process itself is easy. Suppose we have a big, old geranium from which to take our slips. It is full of branches. These branches or stems have around them at intervals rings called nodes. The space between two nodes is called an internode. On the nodes are what seem to be small leaves. Press one aside, notice between it and the stem what appears to be a very small bud. Here a new shoot can start.

"So choose a branch, pick off all the large leaves except two at the extreme end. If there are more than two, choose the two smallest leaves. Now it is ready to cut. About four inches down the stem cut it off between two nodes. Do not cut straight across the stem but cut slantwise.

"You have now as I have in my hand, a geranium slip which is four inches long. At one end of the stalk are two leaves; the other end is cut obliquely across. Before you plant this slip look between the two leaves and see if there is a small bud. If so, and it is all green, leave it. For this green means that as the bud develops only leaves will unfold. If you see any other colour in the bud, pinch it out with your fingers. The colour tells us that the bud is a flower bud. If this be left on the slip, all the strength of the little plant will be taken up in forming the blossom. A new plant is not strong enough to stand this. It needs all its power for plant growth.

"Plant the slip in your window box, burying it in earth above the first node; that is, the node just above the cut. Thus you have buried in the earth the place where roots will form.

"Crowd the slips in, three or four inches only apart. They should not be exposed to the full glare of the sun at first. Some gardeners say to let the slips wilt before watering. But it is quite safe to water a little from the first. Do not soak the soil, however, or the young plants will decay.

"Now the slips may be put right into a window box, or into these flats. I would not place them immediately in a sunny window. But place them where the sun does not shine directly. It is excellent to leave window boxes and newly potted plants outdoors for a time, until in the fresh air they get accustomed to their new living conditions."

"Shall we fix up the school window boxes now?" asked Josephine.

"Yes, we will get right at that. But first I will give you a window-box talk.

"The most satisfactory way to grow plants in the schoolroom and in many cases, at home, is in the window box. The window box means the possibility of easily caring for a number of plants in a small space. Plants in pots take much more space than the same number of plants in a window box.

"It is the cleanest way, too. You are all familiar with the sight of a pot covered with crêpe paper stained and discoloured from water spilt upon it and moisture given off from the porous pot.

"The window box, if properly watered, need never leak. Its freshly painted sides need never be covered with any material. It stands for just what it is—a well-made, well-painted wooden box.

"It is quite impossible to give dimensions for the construction of the window box, since it must fit the space one wishes to use. It is wise to keep in mind this—that these boxes when filled with soil are very, very heavy and awkward to handle. So if your window is large, why not have two small boxes for the space rather than one large one? When these are placed end to end the effect is of one long box. The ordinary house window may well have the single box.

"Other things to keep in mind for the constructing of the box are depth, drainage, holes, joints and paint.

"Just as bulb boxes need no great depth, so with window boxes. If the depth be great the plants spend too much energy in root growth. A shallow box means, if properly filled, a compact root mass. So if your box is to be, say three and a half feet long make it not more than ten inches deep.

"As we make drainage holes in the bottom of the bulb box, so we do in the window box. Many people make window boxes without drainage holes. It seems rather better to have them since they offer exit for surplus water, and places for the roots to get at the air. These holes may be bored six inches apart down through the centre of the box; or they may be bored in two lines, thus doubling the number of holes and the amount of air space. Take this rule, for every square foot of space have four drainage holes.

"A box filled with soil all winter constantly in a state of moisture is quite likely to spring or spread apart at the joints. The better fitted the joints the better the box, and the better it stands the inside pressure and moisture continually brought to bear upon it.

"As to paint, of course the box must have one coat (perhaps two) on the outside. A dark green is all around the best. Green is always the best setting for plants. Nature made this colour scheme. We only follow her lead.

"After the box is made, and the paint dry, it must be filled.

"Do any of you girls happen to know just where in the school room the boxes are to be placed?"

"One goes into a south window, and I believe the other is to be in a north one," replied Dee.

"That certainly tells us enough to help us in selecting plants for these boxes. The kind of plants to place in the box depends upon whether the box is to go into a bright sunny window or into one which gets little or no sun. Everyone knows the most satisfactory plant of all for sunny windows is the geranium. It is easy enough to get them for schools without money, because this is the time when everyone's mother is taking up plants for the winter, some of which are always thrown away. Many large, old plants slipped make six or more good little chaps. Begonias are most satisfactory; you can plant these either in sun or shade. A good one for a shady window is the one called the 'beefsteak' begonia.

"Fuchsias make a fine show. If you wish to have a plant of some height do not choose a fern or palm, for these plants need so much water they should always be planted by themselves in single pots or in fern dishes. The amount of water required for a palm would cause ordinary plants, like geraniums, to decay. So choose plants which take up about the same quantity of water. For height, then, one might plant a flowering maple. These are fine in leaf and blossom. So they add much to the box. Dracenas are good for both sun and shade; so, too, is pandanus. The foliage of this is pleasing. Much is added to the general effect if some plants which form long hangers are put in, and planted close to the front side of the box. In sun or shade the Wandering Jew grows. A bit breaks off; it is stuck back into the earth and again it grows. Pieces cut and put into water grow equally well. Trailing over the sides of the vessel they are in, they make a pleasing effect in a corner, or by the side of a window.

"An important thing to be remembered in connection with window boxes is that the closer you plant the better the growth of the plants. It sounds wrong. We think that plants ought to have space to grow in. They should, usually; but space defeats the object of the window box, because the idea is to have top growth and blossom. If you give plants a chance to grow under the ground they will do it at a sacrifice to their growth above ground. So crowd the plants in. The root growth, thus limited and checked, gives added strength above. This is true too, in a measure, of planting in pots. Most people put plants in too large pots, and so fail often to get good top growth and blossom. Notice next time you drop into a florist's shop the large palms in comparatively small pots. Why is this? Just to get good growth of foliage.

"Finally, as to sunny and sunless windows: put into the boxes for the shady windows plants which run to foliage, and into those for the sunny windows plants from which you expect blossom. For blossoms, sun is necessary.

"The last thing of all is the placing of the box. Shall it go on the sill? Not if you wish to keep the sill in good condition. Shall it be screwed to the casement? It may be, but it is hard to place each year, and often the strain is too great on the screws. The best arrangement is that of iron brackets screwed to the casement beneath the window sill. These brackets when not in use may be folded in against the wall and so are quite out of the way and do not have to be removed from schoolrooms each spring when the box goes outdoors. The weight of the box is sufficient to hold the brackets out, and so steadies them that it is not necessary to even screw the box on. Two boys holding the brackets straight, two others placing the box on, is all the labour needed to make that box permanently secure. It remains here now until its journey outdoors next spring.

"I would like to add the English ivy to the list of trailing plants for the window box.

"Some people have candytuft and others marguerites in the indoor box. They do not look as well through an entire indoor season as geraniums, fuchsias and begonias. I think I'll ask Miriam, Elizabeth, and Helena to work on the shady window box. We will use dracena, vincas, pandanus, begonia and Wandering Jew. Ethel, Katharine, and Josephine fix up the sunny window box—the fuchsia, heliotrope, marguerite, geraniums, Wandering Jew, and English ivy. This will be a charming box. Dee, you and I will plant the rest of these geranium slips for the girls."

They all worked away busily for some time. Then The Chief asked the girls to come into the house for a time. As they entered the living room they noticed an array of plants on the big table.

"Sit down, girls, I have a little gift for each of you. I wish you to study and nurse these plants throughout the winter.

"This first tall, rather stiff-looking plant is called an aspidistra. It is the best all-around plant for the house or schoolroom. It does not need much or special care. Be sure to keep the leaves clean. See that you do it, Miriam.

"This little Norfolk Island pine is the only one of the cone-bearing trees that you can bank on. Notice that the method of branching is by whorls. You are to have this plant, Elizabeth.

"I imagined that Eloise would love this little lemon tree called Ponderosa. You can raise lemon trees from seed, but like the apple tree, they need special attention before they grow good fruit.

"The Jersualem cherry tree is for Josephine. It does not absolutely need sun. It, too, stands a great deal of neglect. Remember I am not recommending neglect to you. I am giving you the house plants that are of easiest culture. You will be glad to make note of this entire list. Of course, the berries are the charm of this Jerusalem cherry tree.

"To Ethel I will give this lovely genista. It is the finest of all yellow-flowered winter plants. As the blossoms fade they should be taken off. Since this is a good winter flower, it should be allowed to rest in the summer.

"The azalea is for Dee. It needs the same care as Ethel's plant. These need not be thrown away next spring. But put them in a shady spot laid on their sides.

"Helena's plant is a palm called the Cocos Weddelliana, and Katharine's is a fern, the holly fern.

"I wish to tell you a bit about ferns and palms.

"In most school buildings and homes these two kinds of plants hold chief place. This doubtless is because they, too, stand lack of attention. Most people keep them water-logged because supposedly they are accustomed to and need lots of water. We must keep in mind that while ferns for instance are found outdoors in very damp spots, they are not in places undrained and choked off from air. So the jardinière half full of water does not quite represent the real environment of the fern.

"Going on with the fern there are a few points to hold in mind. Do not permit the room temperature to fall below 55 degrees. Neither should it rise above 70 degrees. Direct sunlight injures the delicate fronds of ferns. A north window where there is light without direct sunshine is the right fern place. Keep the leaves clean by spraying with clear water on bright days. If bugs appear, spray weekly with tobacco water. This solution should be very weak.

"The best varieties to grow are the sword, Boston, holly, and maidenhair. Use spider ferns for a fern dish.

"Palms require great quantities of water, even temperatures, little direct sunlight, and daily sponging of the leaves. A sponge dampened in clean water is the best thing to use for this purpose. The most popular and easiest-to-grow palms are the following: Cocos Weddelliana, date palm, kentia, and the arcea."

"Will you tell us about the watering of plants?" asked Ethel.

"Surely, although I can say but little since it depends largely upon good judgment. Water a plant when it needs it. Keep the soil moist but not soaked. If plants are beginning to decay or a mould is coming on the surface of the soil, the trouble usually is over watering. At such a time let the soil of the pot or box dry out. Then water carefully after that. If the pot is always damp or has become green you may know that the trouble is either too much water or poor drainage."

"What pests are likely to attack our plants?" questioned Elizabeth.

"Lice and scale troubles are the chief pests of the house plants. You all know plant lice. Use kerosene emulsion for these. The scale appears as a scaly mass, usually on the stems of plants. These scales are living animal forms. The best way to get rid of them is to wipe them off with a rag soaked in kerosene emulsion."

"Why didn't you give some one a rubber plant?" was the next question from Miriam.

"I guess because of its bad habit of growing so tall and losing its lower leaves. They look like giraffes at the circus. But one may top these plants."

"What is topping?" and "How do you do it?" burst from Dee and Helena at the same time.

"I suppose you see that if one could get that nice-looking top off and start again the old rubber plant would be all right. So about a foot below the last leaf on the stalk—I mean the last leaf numbering from the top—- you should start the operation. Cut a slit in the bark at this place. Pack soil about the stem. Then encase this with sacking. So you have a nice ball of earth packed about the stem. Let the ball be about six inches in diameter. Keep it moist. You can sprinkle the water on. After a time roots will appear coming through the sacking. The roots have started to develop at this incision of the stem. Now the stalk may be cut below these new roots and the new rubber plant potted."

"That is very interesting," began Katharine.

"I should so like to try it," broke in Dee.

"Now, girls, I believe you'd better pick up your new plants and scamper. We certainly have done a good afternoon's work. The chief things to try for in indoor plant culture are cleanliness of the plant, proper drainage, and freedom from abrupt changes in temperature and draughts. Good-by, girls. We meet again soon at our exhibits."

"Good-by, and thank you so much," cried the girls in chorus.

THE GRAND WIND-UP—GIRLS VS. BOYS

One day in late September the Boys' Garden Club received an invitation to Katharine's house for four o'clock the following Saturday.

Never were boys more astonished than these as they were ushered into the girls' garden.

"Well," Albert said quite frankly, "you have beaten us as far as beauty goes. You try vegetables next summer, and we fellows will race you."

"Thank you!" answered Dee, "You are very kind to us, very! You may possibly have noticed those beautiful window boxes at the Inn. Eloise made those herself, stocked the boxes, and has cared for them, too. Elizabeth's borders have grown as well, I should say, as Jack's flowers. Peter will tell you of our sundial. Helena has a beautiful garden. To be sure Leston has helped her but only because he wanted to so badly. Girls are not such bad gardeners, are they?"

"Not bad?" shouted the boys, "you are wonders!"

"Every fellow here give three cheers for the girls," commanded Jay. This was done with a hearty good will.

A week later the girls received an invitation to attend the boys' fall exhibit, held at The Chief's house. Early that morning the boys had gone to the woods to gather autumn boughs. The walls were a blaze of bright-coloured leaves. About the room were placed tables upon which the boys' products were exhibited. Fathers and mothers had come to the exhibit; in fact, the whole village had turned out.

The prize went to Peter, for he had made the most money out of his garden.

Just a word from a talk given by The Chief about the arrangement of exhibits and matters in general. He said, "There are as many ways to prepare vegetables and flowers for an exhibit as there are boys and girls to exhibit. It is not enough to bring the articles to be exhibited. The real art of showing one's things comes in artistic and attractive arrangement.

"Vegetables should be thoroughly scrubbed and cleaned. Dirt clinging to the roots needs sometimes a brush to get it entirely off. Carrots, beets, radishes, turnips, celery and other vegetables where the edible part is beneath ground, need this sort of attention, not only to make them clean, but to bring out the colours in each case.

"The foliage of a vegetable plant often adds much to its appearance in exhibition. For instance, the carrot has quite lovely lacey leaves. Beet leaves have such good red colours in them that they, too, add something to the general effect. The colours of the leaf and the colour of the fruit itself are a harmony. When radish leaves are taken off there is no good way of bunching the radishes. They are cut quite off from kith and kin.

"The only objection to the foliage is its wilting, drooping, tired looking leaves certainly add nothing lovely to the exhibit. If the exhibition is of short duration there is no trouble along this line; if it is one of several days the problem is different.

"Children's exhibits, however, usually last but a short time. But if the products can be put away in cold storage over night, or in water in a cool place, then it is possible to keep them in good shape.

"An outdoor exhibit is not wholly satisfactory because of the effect of the air on the products. They wilt badly. A tent is far better than the open-air table for exhibiting. With care the exhibition may always be made attractive.

"The arrangement of products is one of the main features. Generally children's exhibits are pretty messy and mussy looking. This is because of two things: first, the children have so many little separate exhibits; second, we do not stop to discuss carefully the matter of arrangement and preparation. If the children understood fully that no products would be admitted for exhibition unless these were cleaned, were of uniform size, and of the requisite number, there would be little trouble. With them, arrangement would have to be worked out largely on the scene of action, although colour effects, bunching, and general matters could be taken up beforehand.

"Let us think out a few general directions for exhibiting. First, all products must be thoroughly cleaned. Heading vegetables, as cabbage and lettuce, should be cleaned well, and perhaps two heads of each kind shown by the exhibitor. Radishes, carrots, young onions and small vegetables which are to be bunched should have anywhere from twelve to twenty specimens in the bunch. Leave the foliage on such bunches. The large vegetables like beets and parsnips may have from four mammoth specimens to eight smaller ones. Potatoes are exhibited by the plate and so are tomatoes. There are supposed to be seven large specimens to the plate.

"Flowers are usually shown cut and arranged in vases. The vases should be of clear, white glass for the best effects. Rose bowls may be used, too. Do not put grand collections of all varieties and colours of flowers together. Suppose the exhibit of a certain person is to be one of asters. Then put the purple ones together in a vase, the pink ones together in another vase.

"Another mistake of exhibitors is the huddling of products into close quarters. Give your individual specimens plenty of room. Let the things stand out as individual. The entire exhibit is spoiled when it looks messy and huddled up.

"The labelling is often done poorly. Any little piece of paper is stuck on the vases or under a bunch of vegetables. The child's name is written in abominable handwriting. Write or neatly print a little card. Put on this the date, name of the exhibitor (or number) and his place of residence, if required.

"These, in brief, show the real educative lines along which one ought to conduct a children's exhibit. The aesthetic side enters in largely, and a proper bit of the commercial is here, too."

Well, this exhibit of the boys' was pretty good. Each boy had a set of photographs showing the round of his work. These had been made into books. Some of the boys had kept diaries. The diaries had in them not only an account of experiences, but also the tables worked out with The Chief. Jack had what he called an improvement section, which gave ways by which he might improve over his present methods of work. The garden plans drawn to a scale were on the walls. Myron had brought his set of real garden tools. The pieces of hand work made by the boys were there, too.

George had made a collection of garden pests, while Philip and Peter had made collections of weed pests. All the pamphlets from Washington which they had used in their work and those from their own state experiment station were on a little table.

Each boy told briefly the difficulties he had encountered and how he had met them. After a talk by Jay, Albert spoke of the experiment in inoculation of soil. Then he and Jay disappeared, and returned with plates, one for each guest, and on each plate were two spoonfuls of beans, one of the inoculated and the other of the uninoculated beans. The visitors were not told which were which. Then a vote was taken as to which were the better. Of course, the inoculated beans won out.

After this, the real refreshments were served. "I should like to ask," Dee made bold to say, "where you boys got strawberries to make ice cream of? Strawberries in October! You certainly do not expect us to believe you raised them."

"I did," said Myron, striking an attitude before her. "I did in my own little patch."

"Did you make a few cakes of ice and thus have a cold storage plant?" Dee continued sarcastically.

"Dear me, no! I'm much more clever than that. One day, with a few baskets of berries tucked under this noble right arm of mine, I walked to this house. I knocked at the door. A man let me in. He tied an apron about this waist. We actually canned these same berries which you are now eating as a frozen delicacy."

"You boys are altogether too smart," and Dee turned her back on Myron to accept a second dish of cream from Philip.

That didn't disturb Myron any, for he cakewalked back to the kitchen for more cream.

"Well, it was a fine exhibit for mere lads," Jack's father was heard to say on his way home; "If we could bring into this little village a few more men like our boys' Chief there would be no question about a boy's coming up all right. It makes me ashamed to think that we parents have left this work to an outsider."

"I feel," answered George's father, "that this man is a real 'insider'."

After all the guests had left The Chief's once again the boys formed their line and saluted the man.

"Is there nothing for us this winter, O Chief?" asked Albert.

"Plenty. We are going to have a beautiful winter, and next spring better work."

Laden with their trophies the boys reluctantly started for home. They stood in the road in front of The Chief's gate, and the moon shone down on seven happy, manly boys. The three cheers to The Chief arose clear and shrill on the still evening air. As it died away the boys seemed to melt into the shadows of the road.

The man stood motionless in his doorway until the last sound of the boys died away. Then he went back into the room to dream over the fire dreams for his boys.