Sir Richard Lyster unfolded his Times with a jerk.

"A beastly rheumatic hole I call this," he said, looking angrily at the window of his hotel sitting-room, which showed drops from a light shower then passing across the lagoon. "And the dilatoriness of these Italian posts is, upon my soul, beyond bearing! This Times is three days old."

Mary Lyster looked up from the letter she was writing.

"Why don't you read the French papers, papa? I saw a Figaro of yesterday in the Piazza this morning."

"Because I can't!" was the indignant reply. "There wasn't the same amount of money squandered on my education, my dear, that there has been on yours."

Mary smiled a little, unseen. Her father had been, of course, at Eton. She had been educated by a succession of small and hunted governesses, mostly Swiss, whose remuneration had certainly counted among the frugalities rather than the extravagances of the family budget.

Sir Richard read his Times for a while. Mary continued to write checks for the board wages of the servants left at home, and to give directions for the beating of carpets and cleaning of curtains. It was dull work, and she detested it.

Presently Sir Richard rose, with a stretch. He was a tall old man, with a shock of white hair and very black eyes. A victim to certain obscure forms of gout, he was in character neither stupid nor inhuman, but he suffered from the usual drawbacks of his class—too much money and too few ideas. He came abroad every year, reluctantly. He did not choose to be left behind by county neighbors whose wives talked nonsense about Botticelli. And Mary would have it. But Sir Richard's tours were generally one prolonged course of battle between himself and all foreign institutions; and if it was Mary who drove him forth, it was Mary also who generally hurried him home.

"Who was it you saw last night in that ridiculous singing affair?" he asked, as he put the fire together.

"Kitty Ashe—and her mother," said Mary—after a moment—still writing.

"Her mother!—what, that disreputable woman?"

"They weren't in the same gondola."

"Ashe will be a great fool if he lets his wife see much of that woman! By all accounts Lady Kitty is quite enough of a handful already. By-the-way, have you found out where they are?"

"On the Grand Canal. Shall we call this afternoon?"

"I don't mind. Of course, I think Ashe is doing an immense amount of harm."

"Well, you can tell him so," said Mary.

Sir Richard frowned. His daughter's manners seemed to him at times abrupt.

"Why do you see so little now of Elizabeth Tranmore?" he asked her, with a sharp look. "You used to be always there. And I don't believe you even write to her much now."

"Does she see much of anybody?"

"Because, you mean, of Tranmore's condition? What good can she be to him now? He knows nobody."

"She doesn't seem to ask the question," said Mary, dryly.

A queer, soft look came over Sir Richard's old face.

"No, the women don't," he said, half to himself, and fell into a little reverie. He emerged from it with the remark—accompanied by a smile, a little sly but not unkind:

"I always used to hope, Polly, that you and Ashe would have made it up!"

"I'm sure I don't know why," said Mary, fastening up her envelopes. As she did so it crossed her father's mind that she was still very good-looking. Her dress of dark-blue cloth, the plain fashion of her brown hair, her oval face and well-marked features, her plump and pretty hands, were all pleasant to look upon. She had rather a hard way with her, though, at times. The servants were always giving warning. And, personally, he was much fonder of his younger daughter, whom Mary considered foolish and improvident. But he was well aware that Mary made his life easy.

"Well, you were always on excellent terms," he said, in answer to her last remark. "I remember his saying to me once that you were very good company. The Bishop, too, used to notice how he liked to talk to you."

When Mary and her father were together, "the Bishop" was Sir Richard's property. He only fell to Mary's share in the old man's absence.

Mary colored slightly.

"Oh yes, we got on," she said, counting her letters the while with a quick hand.

"Well, I hope that young woman whom he did marry is now behaving herself. It was that fellow Cliffe with whom the scandal was last year, wasn't it?"

"There was a good deal of talk," said Mary.

"A rum fellow, that Cliffe! A man at the club told me last week it is believed he has been fighting for these Bosnian rebels for months. Shocking bad form I call it. If the Turks catch him, they'll string him up. And quite right, too. What's he got to do with other people's quarrels?"

"If the Turks will be such brutes—"

"Nonsense, my dear! Don't you believe any of this radical stuff. The Turks are awfully fine fellows—fight like bull-dogs. And as for the 'atrocities,' they make them up in London. Oh, of course, what Cliffe wants is notoriety—we all know that. Well, I'm going out to see if I can find another English paper. Beastly climate!"

But as Sir Richard turned again to the window, he was met by a burst of sunshine, which hit him gayly in the face like a child's impertinence. He grumbled something unintelligible as Mary put him into his Inverness cape, took hat and stick, and departed.

Mary sat still beside the writing-table, her hands crossed on her lap, her eyes absently bent upon them.

She was thinking of the serenata. She had followed it with an acquaintance from the hotel, and she had seen not only Kitty and Madame d'Estrées, but also—the solitary man in the heavy cloak. She knew quite well that Cliffe was in Venice; though, true to her secretive temper, she had not mentioned the fact to her father.

Of course he was in Venice on Kitty's account. It would be too absurd to suppose that he was here by mere coincidence. Mary believed that nothing but the intervention of Cliffe's mighty kinsman from the north had saved the situation the year before. Kitty would certainly have betrayed her husband but for the force majeure arrayed against her. And now the magnate who had played Providence slumbered in the family vault. He had passed away in the spring, full of years and honors, leaving Cliffe some money. The path was clear. As for the escapade in the Balkans, Geoffrey was, of course, tired of it. A sensational book, hurried out to meet the public appetite for horrors—and the pursuance of his intrigue with Lady Kitty Ashe—Mary was calmly certain that these were now his objects. He was, no doubt, writing his book and meeting Kitty where he could. Ashe would soon have to go home. And then! As if that girl Margaret French could stop it!

Well, William had only got his deserts! But as her thoughts passed from Kitty or Cliffe to William Ashe, their quality changed. Hatred and bitterness, scorn or wounded vanity, passed into something gentler. She fell into recollections of Ashe as he had appeared on that bygone afternoon in May when he came back triumphant from his election, with the world before him. If he had never seen Kitty Bristol!—

"I should have made him a good wife," she said to herself. "I should have known how to be proud of him."

And there emerged also the tragic consciousness that if the fates had given him to her she might have been another woman—taught by happiness, by love, by motherhood.

It was that little, heartless creature who had snatched them both from her—William and Geoffrey Cliffe—the higher and the lower—the man who might have ennobled her—and the man, half charlatan, half genius, whom she might have served and raised, by her fortune and her abilities. Her life might have been so full, so interesting! And it was Kitty that had made it flat, and cold, and futureless.

Poor William! Had he really liked her, in those boy-and-girl days? She dreamed over their old cousinly relations—over the presents he had sometimes given her.

Then a thought, like a burning arrow, pierced her. Her hands locked, straining one against the other. If this intrigue were indeed renewed—if Geoffrey succeeded in tempting Kitty from her husband—why then—then—

She shivered before the images that were passing through her mind, and, rising, she put away her letters and rang for the waiter, to order dinner.

"Where shall we go?" said Kitty, languidly, putting down the French novel she was reading.

"Mr. Ashe suggested San Lazzaro." Margaret looked up from her writing as Kitty moved towards her. "The rain seems to have all cleared off."

"Well, I'm sure it doesn't matter where," said Kitty, and was turning away; but Margaret caught her hand and caressed it.

"Naughty Kitty! why this sea air can't put some more color into your cheeks I don't understand."

"I'm not pale!" cried Kitty, pouting. "Margaret, you do croak about me so! If you say any more I'll go and rouge till you'll be ashamed to go out with me—there! Where's William?"

William opened the door as she spoke, the Gazetta di Venezia in one hand and a telegram in the other.

"Something for you, darling," he said, holding it out to Kitty. "Shall I open it?"

"Oh no!" said Kitty, hastily. "Give it me. It's from my Paris woman."

"Ah—ha!" laughed Ashe. "Some extravagance you want to keep to yourself, I'll be bound. I've a good mind to see!"

And he teasingly held it up above her head. But she gave a little jump, caught it, and ran off with it to her room.

She dropped speechless on the edge of her bed, the crumpled telegram in her hand. The minutes passed.

"When will you be ready?" said Ashe, tapping at the door.

"Is the gondola there?"

"Waiting at the steps."

"Five minutes!" Ashe departed. She rose, tore the telegram into little bits, and began with deliberation to put on her mantle and hat.

"You've got to go through with it," she said to the white face in the glass, and she straightened her small shoulders defiantly.

They were bound for the Armenian convent. It was a misty day, with shafts of light on the lagoon. The storm had passed, but the water was still rough, and the clouds seemed to be withdrawing their forces only to marshal them again with the darkness. A day of sudden bursts of watery light, of bands of purple distance struck into enchanting beauty by the red or orange of a sail, of a wild salt breath in air that seemed to be still suffused with spray. The Alps were hidden; but what sun there was played faintly on the Euganean hills.

"I say, Margaret, at last she does us some credit!" said Ashe, pointing to his wife.

Margaret started. Was it rouge?—or was it the strong air? Kitty's languor had entirely disappeared; she was more cheerful and more talkative than she had been at any time since their arrival. She chattered about the current scandals of Venice—the mysterious contessa who lived in the palace opposite their own, and only went out, in deep mourning, at night, because she had been the love of a Russian grand-duke, and the grand-duke was dead; of the Carlist pretender and his wife, who had been very popular in Venice until they took it into their heads to require royal honors, and Venice, taking time to think, had lazily decided the game was not worth the candle—so now the sulky pair went about alone in a fine gondola, turning glassy eyes on their former acquaintance; of the needy marchese who had sold a Titian to the Louvre, and had then found himself boycotted by all his kinsfolk in Venice who were not needy and had no Titians to sell—all these tales Kitty reeled out at length till the handsome gondoliers marvelled at the little lady's vivacity and the queer brightness of her eyes.

"Gracious, Kitty, where do you get all these stories from?" cried Ashe, when the chatter paused for a moment.

He looked at her with delight, rejoicing in her gayety, the slight touches of white which to-day for the first time relieved the sombreness of her dress, the return of her color. And Margaret wondered again how much of it was rouge.

At the Armenian convent a handsome young monk took charge of them. As George Sand and Lamennais had done before them, they looked at the printing-press, the garden, the cloister, the church; they marvelled lazily at the cleanliness and brightness of the place; and finally they climbed to the library and museum, and the room close by where Byron played at grammar-making. In this room Ashe fell suddenly into a political talk with the young monk, who was an ardent and patriotic son of the most unfortunate of nations, and they passed out and down the stairs, followed by Margaret French, not noticing that Kitty had lingered behind.

Kitty stood idly by the window of Byron's room, thinking restlessly of verses that were not Byron's, though there was in them, clothed in forms of the new age, the spirit of Byronic passion, and more than a touch of Byronic affectation—thinking also of the morning's telegram. Supposing Darrell's prophecy, which had seemed to her so absurd, came true, that the book did William harm, not good—that he ceased to love her—that he cast her off?...

... A plash of water outside, and a voice giving directions. From the lagoon towards Malamocco a gondola approached. A gentleman and lady were seated in it. The lady—a very handsome Italian, with a loud laugh and brilliant eyes—carried a scarlet parasol. Kitty gave a stifled cry as she drew back. She fled out of the room and overtook the other two.

"May we go back into the garden a little?" she said, hurriedly, to the monk who was talking to William. "I should like to see the view towards Venice."

William held up a watch, to show that there was but just time to get back to the Piazza, for lunch. Kitty persisted, and the monk, understanding what the impetuous young lady wished, good-naturedly turned to obey her.

"We must be very quick!" said Kitty. "Take us please, to the edge, beyond the trees."

And she herself hurried through the garden to its farther side, where it was bounded by the lagoon.

The others followed her, rather puzzled by her caprice.

"Not much to be seen, darling!" said Ashe, as they reached the water—"and I think this good man wants to get rid of us!"

And, indeed, the monk was looking backward across the intervening trees at a party which had just entered the garden.

"Ah, they have found another brother!" he said, politely, and he began to point out to Kitty the various landmarks visible, the arsenal, the two asylums, San Pietro di Castello.

The new-comers just glanced at the garden apparently, as the Ashes had done on arrival, and promptly followed their guide back into the convent.

Kitty asked a few more questions, then led the way in a hasty return to the garden door, the entrance-hall, and the steps where their gondola was waiting. Nothing was to be seen of the second party. They had passed on into the cloisters.

Animation, oddity, inconsequence, all these things Margaret observed in Kitty during luncheon in a restaurant of the Merceria, and various incidents connected with it; animation above all. The Ashes fell in with acquaintance—a fashionable and harassed mother, on the fringe of the Archangels, accompanied by two daughters, one pretty and one plain, and sore pressed by their demands, real or supposed. The parents were not rich, but the girls had to be dressed, taken abroad, produced at country-houses, at Ascot, and the opera, like all other girls. The eldest girl, a considerable beauty, was an accomplished egotist at nineteen, and regarded her mother as a rather inefficient dame de compagnie. Kitty understood this young lady perfectly, and after luncheon, over her cigarette, her little, sharp, probing questions gave the beauty twenty minutes' annoyance. Then appeared a young man, ill-dressed, red-haired, and shy. Carelessly as he greeted the mother and daughters, his entrance, however, transformed them. The mother forgot fatigue; the beauty ceased to yawn; the younger girl, who had been making surreptitious notes of Kitty's costume in the last leaf of her guide-book, developed a charming gush. He was the owner of the Magellan estates and the historic Magellan Castle; a professed hater of "absurd womankind," and, in general, a hunted and self-conscious person. Kitty gave him one finger, looked him up and down, asked him whether he was yet engaged, and when he laughed an embarrassed "No," told him that he would certainly die in the arms of the Magellan housekeeper.

This got a smile out of him. He sat down beside her, and the two laughed and talked with a freedom which presently drew the attention of the neighboring tables, and made Ashe uncomfortable. He rose, paid the bill, and succeeded in carrying the whole party off to the Piazza, in search of coffee. But here again Kitty's extravagances, the provocation of her light loveliness, as she sat toying with a fresh cigarette and "chaffing" Lord Magellan, drew a disagreeable amount of notice from the Italians passing by.

"Mother, let's go!" said the angry beauty, imperiously, in her mother's ear. "I don't like to be seen with Lady Kitty! She's impossible!"

And with cold farewells the three ladies departed. Then Kitty sprang up and threw away her cigarette.

"How those girls bully their mother!" she said, with scorn. "However, it serves her right. I'm sure she bullied hers. Well, now we must go and do something. Ta-ta!"

Lord Magellan, to whom she offered another casual finger, wanted to know why he was dismissed. If they were going sight-seeing, might he not come with them?"

"Oh no!" said Kitty, calmly. "Sight—seeing with people you don't really know is too trying to the temper. Even with one's best friend it's risky."

"Where are you? May I call?" said the young man.

"We're always out," was Kitty's careless reply. "But—"

She considered—

"Would you like to see the Palazzo Vercelli?"

"That magnificent place on the Grand Canal? Very much."

"Meet me there to-morrow afternoon," said Kitty. "Four o'clock."

"Delighted!" said Lord Magellan, making a note on his shirt-cuff. "And who lives there?"

"My mother," said Kitty, abruptly, and walked away.

Ashe followed her in discomfort. This young man was the son of a certain Lady Magellan, an intimate friend of Lady Tranmore's—one of the noblest women of her generation, pure, high-minded, spiritual, to whom neither an ugly word nor thought was possible. It annoyed him that either he or Kitty should be introducing her son to Madame d'Estrées.

It was really tiresome of Kitty! Rich young men with characters yet indeterminate were not to be lightly brought in contact with Madame d'Estrées. Kitty could not be ignorant of it—poor child! It had been one of her reckless strokes, and Ashe was conscious of a sharp annoyance.

However, he said nothing. He followed his companions from church to church, till pictures became an abomination to him. Then he pleaded letters, and went to the club.

"Will you call on maman to-morrow?" said Kitty, as he turned away, looking at him a little askance.

She knew that he had disapproved of her invitation to Lord Magellan. Why had she given it? She didn't know. There seemed to be a kind of revived mischief and fever in the blood, driving her to these foolish and ill-considered things.

Ashe met her question with a shake of the head and the remark, in a decided tone, that he should be too busy.

Privately he thought it a piece of impertinence that Madame d'Estrées should expect either Kitty or himself to appear in her drawing-room at all. That this implied a complete transformation of his earlier attitude he was well aware; he accepted it with a curious philosophy. When he and Kitty first met he had never troubled his head about such things. If a woman amused or interested him in society, so long as his taste was satisfied she might have as much or as little character as she pleased. It stirred his mocking sense of English hypocrisy that the point should be even raised. But now—how can any individual, he asked himself, with political work to do, affect to despise the opinions and prejudices of society? A politician with great reforms to put through will make no friction round him that he can avoid—unless he is a fool. It weighed sorely, therefore, on his present mind that Madame d'Estrées was in Venice—that she was a person of blemished repute—that he must be and was ashamed of her. It would have been altogether out of consonance with his character to put any obstacle in the way of Kitty's seeing her mother. But he chafed as he had never yet chafed under the humiliation of his relationship to the notorious Margaret Fitzgerald of the forties, who had been old Blackwater's chère amie before she married him, and, as Lady Blackwater, had sacrificed her innocent and defenceless step-daughter to one of her own lovers, in order to secure for him the step-daughter's fortune—black and dastardly deed!

Was it all part of the general growth and concentration that any shrewd observer might have read in William Ashe?—the pressure—enormous, unseen—of the traditional English ideals, English standards, asserting itself at last in a brilliant and paradoxical nature? It had been so—conspicuously—in the case of one of his political predecessors. Lord Melbourne had begun his career as a person of idle habits and imprudent adventures, much given to coarse conversation, and unable to say the simplest thing without an oath. He ended it as the man of scrupulous dignity, tact, and delicacy, who moulded the innocent youth of a girl-queen, to his own lasting honor and England's gratitude. In ways less striking, the same influence of vast responsibilities was perhaps acting upon William Ashe. It had already made him a sterner, tougher, and—no doubt—a greater man.

The defection of William only left Kitty, it seemed, still more greedy of things to see and do. Innumerable sacristans opened all possible doors and unveiled all possible pictures. Bellini succeeded Tintoret, and Carpaccio Bellini. The two sable gondoliers wore themselves out in Kitty's service, and Margaret's kind, round face grew more and more puzzled and distressed. And whence this strange impression that the whole experience was a flight on Kitty's part?—or, rather, that throughout it she was always eagerly expecting, or eagerly escaping from some unknown, unseen pursuer? A glance behind her—a start—a sudden shivering gesture in the shadows of dark churches—these things suggested it, till Margaret herself was caught by the same suppressed excitement that seemed to be alive in Kitty. Did it all point merely to some mental state—to the nervous effects of her illness and her loss?

When they reached home about five o'clock, Kitty was naturally tired out. Margaret put her on the sofa, gave her tea, and tended her, hoping that she might drop asleep before dinner. But just as tea was over, and Kitty was lying curled up, silent and white, with that brooding look which kept Margaret's anxiety about her constantly alive, there was a sudden sound of voices in the anteroom outside.

"Margaret!" cried Kitty, starting up in dismay—"say I'm not at home."

Too late! Their smiling Italian housemaid threw the door open, with the air of one bringing good-fortune. And behind her appeared a tall lady, and an old gentleman hat in hand.

"May we come in, Kitty?" said Mary Lyster, advancing. "Cousin Elizabeth told us you were here."

Kitty had sprung up. The disorder of her fair hair, her white cheeks, and the ghostly thinness of her small, black-robed form drew the curious eyes of Sir Richard. And the oddness of her manner as she greeted them only confirmed the old man's prejudice against her.

However, greeted they were, in some sort of fashion; and Miss French gave them tea. She kept Sir Richard entertained, while Kitty and Mary conversed. They talked perfunctorily of ordinary topics—Venice, its sights, its hotels, and the people staying in them—of Lady Tranmore and various Ashe relations. Meanwhile the inmost thought of each was busy with the other.

Kitty studied the lines of Mary's face and the fashion of her dress.

"She looks much older. And she's not enjoying her life a bit. That's my fault. I spoiled all her chances with Geoffrey—and she knows it. She hates me. Quite right, too."

"Oh, you mean that nonsensical thing last night?" Sir Richard was saying to Margaret French. "Oh no, I didn't go. But Mary, of course, thought she must go. Somebody invited her."

Kitty started.

"You were at the serenata?" she said to Mary.

"Yes, I went with a party from the hotel."

Kitty looked at her. A sudden flush had touched her pale cheeks, and she could not conceal the trembling of her hands.

"That was marvellous, that light on the Salute, wasn't it?"

"Wonderful!—and on the water, too. I saw two or three people I knew—just caught their faces for a second."

"Did you?" said Kitty. And thoughts ran fast through her head. "Did she see Geoffrey?—and does she mean me to understand that she did? How she detests me! If she did see him, of course she supposes that I know all about it, and that he's here for me. Why don't I ask her, straight out, whether she saw him, and make her understand that I don't care twopence?—that she's welcome to him—as far as I'm concerned?"

But some hidden feeling tied her tongue. Mary continued to talk about the serenata, and Kitty was presently conscious that her every word and gesture in reply was closely watched. "Yes, yes, she saw him. Perhaps she'll tell William—or write home to mother?"

And in her excitement she began to chatter fast and loudly, mostly to Sir Richard—repeating some of the Venice tales she had told in the gondola—with much inconsequence and extravagance. The old man listened, his hands on his stick, his eyes on the ground, the expression on his strong mouth hostile or sarcastic. It was a relief to everybody when Ashe's step was heard stumbling up the dark stairs, and the door opened on his friendly and courteous presence.

"Why, Polly!—and Cousin Richard! I wondered where you had hidden yourselves."

Mary's bright, involuntary smile transformed her. Ashe sat down beside her, and they were soon deep in all sorts of gossip—relations, acquaintance, politics, and what not. All Mary's stiffness disappeared. She became the elegant, agreeable woman, of whom dinner-parties were glad. Ashe plunged into the pleasant malice of her talk, which ranged through the good and evil fortunes—mostly the latter—of half his acquaintance; discussed the debts, the love-affairs, and the follies of his political colleagues or Parliamentary foes; how the Foreign Secretary had been getting on at Balmoral—how so-and-so had been ruined at the Derby and restored to sanity and solvency by the Oaks—how Lady Parham, at Hatfield, had been made to know her place by the French Ambassador—and the like; passing thereby a charming half-hour.

Meanwhile Kitty, Margaret French, and Sir Richard kept up intermittent remarks, pausing at every other phrase to gather the crumbs that fell from the table of the other two.

Kitty was very weary, and a dead weight had fallen on her spirits. If Sir Richard had thought her bad form ten minutes before, his unspoken mind now declared her stupid. Meanwhile Kitty was saying to herself, as she watched her husband and Mary:

"I used to amuse William just as well—last year!"

When the door closed on them, Kitty fell back on her cushions with an "ouf!" of relief. William came back in a few minutes from showing the visitors the back way to their hotel, and stood beside his wife with an anxious face.

"They were too much for you, darling. They stayed too long."

"How you and Mary chattered!" said Kitty, with a little pout. But at the same moment she slipped an appealing hand into his.

Ashe clasped the hand, and laughed.

"I always told you she was an excellent gossip."

Sir Richard and Mary pursued their way through the narrow calles that led to the Piazza. Sir Richard was expatiating on Ashe's folly in marrying such a wife.

"She looks like an actress!—and as to her conversation, she began by telling me outrageous stories and ended by not having a word to say about anything. The bad blood of the Bristols, it seems to me, without their brains."

"Oh no, papa! Kitty is very clever. You haven't heard her recite. She was tired to-night."

"Well, I don't want to flatter you, my dear!" said the old man, testily, "but I thought it was pathetic—the way in which Ashe enjoyed your conversation. It showed he didn't get much of it at home."

Mary smiled uncertainly. Her whole nature was still aglow from that contact with Ashe's delightful personality. After months of depression and humiliation, her success with him had somehow restored those illusions on which cheerfulness depends.

How ill Kitty looked—and how conscious! Mary was impetuously certain that Kitty had betrayed her knowledge of Cliffe's presence in Venice; and equally certain that William knew nothing. Poor William!

Well, what can you expect of such a temperament—such a race? Mary's thoughts travelled confusedly towards—and through—some big and dreadful catastrophe.

And then? After it?

It seemed to her that she was once more in the Park Lane drawing-room; the familiar Morris papers and Burne-Jones drawings surrounded her; and she and Elizabeth Tranmore sat, hand in hand, talking of William—a William once more free, after much folly and suffering, to reconstruct his life....

"Here we are," said Sir Richard Lyster, moving down a dark passage towards the brightly lit doorway of their hotel.

With a start—as of one taken red-handed—Mary awoke from her dream.

Madame d'Estrées and her friend, Donna Laura, occupied the mezzanin of the vast Vercelli palace. The palace itself belonged to the head of the Vercelli family. It was a magnificent erection of the late seventeenth century, at this moment half furnished, dilapidated, and forsaken. But the entresol on the eastern side of the cortile was in good condition, and comfortably fitted up for the occasional use of the Principe. As he was wintering in Paris, he had let his rooms at an ordinary commercial rent to his kinswoman, Donna Laura. She, a soured and melancholy woman, unmarried in a Latin society which has small use or kindness for spinsters, had seized on Marguerite d'Estrées—whose acquaintance she had made in a Mont d'Or hotel—and was now keeping her like a caged canary that sings for its food.

Madame d'Estrées was quite willing. So long as she had a sofa on which to sit enthroned, a sufficiency of new gowns, a maid, cigarettes, breakfast in bed, and a supply of French novels, she appeared the most harmless and engaging of mortals. Her youth had been cruel, disorderly, and vicious. It had lasted long; but now, when middle age stood at last confessed, she was lapsing, it seemed, into amiability and good behavior. She was, indeed, fast forgetting her own history, and soon the recital of it would surprise no one so much as herself.

It was five o'clock. Madame d'Estrées had just established herself in the silk-panelled drawing-room of Donna Laura's apartment, expectant of visitors, and, in particular, of her daughter.

In begging Kitty to come on this particular afternoon, she had not thought fit to mention that it would be Donna Laura's "day." Had she done so, Kitty, in consideration of her mourning, would perhaps have cried off. Whereas, really—poor, dear child!—what she wanted was distraction and amusement.

And what Madame d'Estrées wanted was the presence beside her, in public, of Lady Kitty Ashe. Kitty had already visited her mother privately, and had explored the antiquities of the Vercelli palace. But Madame d'Estrées was now intent on something more and different.

For in the four years which had now elapsed since the Ashe's marriage this lively lady had known adversity. She had been forced to leave London, as we have seen, by the pressure of certain facts in her past history so ancient and far removed when their true punishment began that she no doubt felt it highly unjust that she should be punished for them at all. Her London debts had swallowed up what then remained to her of fortune; and, afterwards, the allowance from the Ashes was all she had to depend on. Banished to Paris, she fell into a lower stratum of life, at a moment when her faithful and mysterious friend, Markham Warington, was held in Scotland by the first painful symptoms of his sister's last illness, and could do but little for her. She had, in fact, known the sordid shifts and straits of poverty, though the smallest moral effort would have saved her from them. She had kept disreputable company, she had been miserable, and base; and although shame is not easy to persons of her temperament, it may perhaps be said that she was ashamed of this period of her existence. Appeals to the Ashes yielded less and less, and Warington seemed to have forsaken her. She awoke at last to a panic-stricken fear of darker possibilities and more real suffering than any she had yet known, and under the stress of this fear she collapsed physically, writing both to Warington and to the Ashes in a tone of mingled reproach and despair.

The Ashes sent money, and, though Kitty was at the moment not fit to travel, prepared to come. Warington, who had just closed the eyes of his sister, went at once. He was now the last of his family, without any ties that he could not lawfully break. Within two days of his arrival in Paris, Madame d'Estrées had promised to marry him in three months, to break off all her Paris associations, and to give her life henceforward into his somewhat stern hands. The visit to Venice was part of the price that he had had to pay for her decision. Marguerite pleaded, with a shudder, that she must have a little amusement before she went to live in Dumfriesshire; and he had been obliged to acquiesce in her arrangement with Donna Laura—stipulating only that he should be their escort and guardian.

What had moved him to such an act? His reasons can only be guessed at. Warington was a man of religion, a Calvinist by education and inheritance, and of a silent and dreamy temperament. He had been intimate with very few women in his life. His sister had been a second mother to him, and both of them had been the guardians of their younger brother. When this adored brother fell shot through the lungs in the hopeless defence of Lady Blackwater's reputation, it would have been natural enough that Markham should hate the woman who had been the occasion of such a calamity. The sister, a pious and devoted Christian, had indeed hated her, properly and duly, thenceforward. Markham, on the contrary, accepted his brother's last commission without reluctance. In this matter at least Lady Blackwater had not been directly to blame; his mind acquitted her; and her soft, distressed beauty touched his heart. Before he knew where he was she had made an impression upon him that was to be life-long.

Then gradually he awoke to a full knowledge of her character. He suffered, but otherwise it made no difference. Finding it was then impossible to persuade her to marry him, he watched over her as best he could for some years, passing through phases of alternate hope and disgust. His sister's affection for him was clouded by his strange relation to the Jezebel who in her opinion had destroyed their brother. He could not help it; he could only do his best to meet both claims upon him. During her lingering passage to the grave, his sister had nearly severed him from Marguerite d'Estrées. She died, however, just in time, and now here he was in Venice, passing through what seemed to him one of the ante-rooms of life, leading to no very radiant beyond. But, radiant or no, his path lay thither. And at the same time he saw that although Marguerite felt him to be her only refuge from poverty and disgrace, she was painfully afraid of him, and afraid of the life into which he was leading her.

The first guest of the afternoon proved to be Louis Harman, the painter and dilettante, who had been in former days one of the habitués of the house in St. James's Place. This perfectly correct yet tolerant gentleman was wintering in Venice in order to copy the Carpaccios in San Giorgio dei Schiavoni. His copies were not good, but they were all promised to artistic fair ladies, and the days which the painter spent upon them were happy and harmless.

He came in gayly, delighted to see Madame d'Estrées in flourishing circumstances again, delivered apparently from the abyss into which he had found her sliding on the occasion of various chance visits of his own to Paris. Warington's doing, apparently—queer fellow!

"Well!—I saw Lady Kitty in the Piazza this afternoon," he said, as he sat down beside his hostess. Donna Laura had not yet appeared. "Very thin and fragile! But, by Jove! how these English beauties hold their own."

"Irish, if you please," said Madame d'Estrées, smiling.

Harman bowed to her correction, admiring at the same time both the toilette and the good looks of his companion. Dropping his voice, he asked, with a gingerly and sympathetic air, whether all was now well with the Ashe ménage. He had been sorry to hear certain gossip of the year before.

Madame d'Estrées laughed. Yes, she understood that Kitty had behaved like a little goose with that poseur Cliffe. But that was all over—long ago.

"Why, the silly child has everything she wants! William is devoted to her—and it can't be long before he succeeds."

"No need to go trifling with poets," said Harman, smiling. "By-the-way, do you know that Geoffrey Cliffe is in Venice?"

Madame d'Estrées opened her eyes. "Est-il possible? Oh! but Kitty has forgotten all about him."

"Of course," said Harman. "I am told he has been seen with the Ricci."

Madame d'Estrées raised her shoulders this time in addition to her eyes. Then her face clouded.

"I believe," she said, slowly, "that woman may come here this afternoon."

"Is she a friend of yours?" Harman's tone expressed his surprise.

"I knew her in Paris," said Madame d'Estrées, with some hesitation, "when she was a student at the Conservatoire. She and I had some common acquaintance. And now—frankly, I daren't offend her. She has the most appalling temper!—and she sticks at nothing."

Harman wondered what the exact truth of this might be, but did not inquire. And as guests—including Colonel Warington—began to arrive, and Donna Laura appeared and began to dispense tea, the tête-à-tête was interrupted.

Donna Laura's salon was soon well filled, and Harman watched the gathering with curiosity. As far as it concerned Madame d'Estrées—and she was clearly the main attraction which had brought it together—it represented, he saw, a phase of social recovery. A few prominent Englishmen, passing through Venice, came in without their wives, making perfunctory excuse for the absence of these ladies. But the cosmopolitans of all kinds, who crowded in—Anglo-Italians, foreign diplomats, travellers of many sorts, and a few restless Venetians, bearing the great names of old, to whom their own Venice was little more than a place of occasional sojourn—made satisfactory amends for these persons of too long memories. In all these travellers' towns, Venice, Rome, and Florence, there is indeed a society, and a very agreeable society, which is wholly irresponsible, and asks few or no questions. The elements of it meet as strangers, and as strangers they mostly part. But between the meeting and the parting there lies a moment, all the gayer, perhaps, because of its social uncertainty and freedom.

Madame d'Estrées was profiting by it to the full. She was in excellent spirits and talk; bright-rose carnations shone in the bosom of her dress; one white arm, bared to the elbow, lay stretched carelessly on the fine cut-velvet which covered the gilt sofa—part of a suite of Venetian Louis Quinze, clumsily gorgeous—on which she sat; the other hand pulled the ears of a toy spaniel. On the ceiling above her, Tiepolo had painted a headlong group of sensuous forms, alive with vulgar movement and passion; the putti and the goddesses, peering through aërial balustrades, looked down complacently on Madame d'Estrées.

Meanwhile there stood behind her—a silent, distinguished figure—the man of whom Harman saw that she was always nervously and sometimes timidly conscious. Harman had been reading Molière's Don Juan. The sentinel figure of Warington mingled in his imagination with the statue of the Commander.

Or, again, he was tickled by a vision of Madame d'Estrées grown old, living in a Scotch house, turreted and severe, tended by servants of the "Auld Licht," or shivering under a faithful minister on Sundays. Had she any idea of the sort of fold towards which Warington—at once Covenanter and man of the world—was carrying his lost sheep?

The sheep, however, was still gambolling at large. Occasionally a guest appeared who proved it. For instance, at a certain tumultuous entrance, billowing skirts, vast hat, and high-pitched voice all combining in the effect, Madame d'Estrées flushed violently, and Warington's stiffness redoubled. On the threshold stood the young actress, Mademoiselle Ricci, a Marseillaise, half French, half Italian, who was at the moment the talk of Venice. Why, would take too long to tell. It was by no means mostly due to her talent, which, however, was displayed at the Apollo theatre two or three times a week, and was no doubt considerable. She was a flamboyant lady, with astonishing black eyes, a too transparent white dress, over which was slung a small black mantilla, a scarlet hat and parasol, and a startling fan of the same color. Both before and after her greeting of Madame d'Estrées—whom she called her "chérie" and her "belle Marguerite"—she created a whirlwind in the salon. She was noisy, rude, and false; it could only be said on the other side that she was handsome—for those who admired the kind of thing; and famous—more or less. The intimacy of the party was broken up by her, for wherever she was she brought uproar, and it was impossible to forget her. And this uneasy attention which she compelled was at its height when the door was once more thrown open for the entrance of Lady Kitty Ashe.

"Ah, my darling Kitty!" cried Madame d'Estrées, rising in a soft enthusiasm.

Kitty came in slowly, holding herself very erect, a delicate and distinguished figure, in her deep mourning. She frowned as she saw the crowd in the room.

"I'll come another time!" she said, hastily, to her mother, beginning to retreat.

"Oh, Kitty!" cried Madame d'Estrées, in distress, holding her fast.

At that moment Harman, who was watching them both with keenness, saw that Kitty had perceived Mademoiselle Ricci. The actress had paused in her chatter to stare at the new-comer. She sat fronting the entrance, her head insolently thrown back, knees crossed, a cigarette poised in the plump and dimpled hand.

A start ran through Kitty's small person. She allowed her mother to lead her in and introduce her to Donna Laura.

"Ah-ha, my lady!" said Harman, to himself. "Are you, perhaps, interested in the Ricci? Is it possible even that you have seen her before?"

Kitty, however, betrayed herself to no one else. To other people it was only evident that she did not mean to be introduced to the actress. She pointedly and sharply avoided it. This was interpreted as aristocratic hauteur, and did her no harm. On the contrary, she was soon chattering French with a group of diplomats, and the centre of the most animated group in the room. All the new-comers who could attached themselves to it, and the actress found herself presently almost deserted. She put up her eye-glass, studied Kitty impertinently, and asked a man sitting near her for the name of the strange lady.

"Isn't she lovely, my little Kitty!" said Madame d'Estrées, in the ears of a Bavarian baron, who was also much occupied in staring at the small beauty in black. "I may say it, though I am her mother. And my son-in-law, too. Have you seen him? Such a handsome fellow!—and such a dear!—so kind to me. They say, you know, that he will be Prime Minister."

The baron bowed, ironically, and inquired who the gentleman might be. He had not caught Kitty's name, and Madame d'Estrées had been for some time labelled in his mind as something very near to an adventuress.

Madame d'Estrées eagerly explained, and he bowed again, with a difference. He was a man of great intelligence, acquainted with English politics. So that was really the wife of the man to whose personality and future the London correspondent of the Allgemeine Zeitung had within the preceding week devoted a particularly interesting article, which he had read with attention. His estimate of Madame d'Estrées' place in the world altered at once. Yet it was strange that she—or, rather, Donna Laura—should admit such a person as Mademoiselle Ricci to their salon.

The mother, indeed, that afternoon had much reason to be socially grateful to the daughter. Curious contrast with the days when Kitty had been the mere troublesome appendage of her mother's life! It was clear to Marguerite d'Estrées now that if she was to accept restraint and virtuous living, if she was to submit to this marriage she dreaded, yet saw no way to escape, her best link with the gay world in the future might well be through the Ashes. Kitty could do a great deal for her; let her cultivate Kitty; and begin, perhaps, by convincing William Ashe on this present occasion that for once she was not going to ask him for money.

In the height of the party, Lord Magellan appeared. Madame d'Estrées at first looked at him with bewilderment, till Kitty, shaking herself free, came hastily forward to introduce him. At the name the mother's face flashed into smiles. The ramifications of two or three aristocracies represented the only subject she might be said to know. Dear Kitty!

Lord Magellan, after Madame d'Estrées had talked to him about his family in a few light and skilful phrases, which suggested knowledge, while avoiding flattery, was introduced to the Bavarian baron and a French naval officer. But he was not interesting to them, nor they to him; Kitty was surrounded and unapproachable; and a flood of new arrivals distracted Madame d'Estrées' attention. The Ricci, who had noticed the restrained empressement of his reception, pounced on the young man, taming her ways and gestures to what she supposed to be his English prudery, and produced an immediate effect upon him. Lord Magellan, who was only dumb with English marriageable girls, allowed himself to be amused, and threw himself into a low chair by the actress—a capture apparently for the afternoon.

Louis Harman was sitting behind Kitty, a little to her right. He saw her watching the actress and her companion; noticed a compression of the lip, a flash in the eye. She sprang up, said she must go home, and practically dissolved the party.

Mademoiselle Ricci, who had also risen, proposed to Lord Magellan that she should take him in her gondola to the shop of a famous dealer on the Canal.

"Thank you very much," said Lord Magellan, irresolute, and he looked at Kitty. The look apparently decided him, for he immediately added that he had unfortunately an engagement in the opposite direction. The actress angrily drew herself up, and proposed a later appointment. Then Kitty carelessly intervened.

"Do you remember that you promised to see me home?" she said to the young man. "Don't if it bores you!"

Lord Magellan eagerly protested. Kitty moved away, and he followed her.

"Chère madame, will you present me to your daughter?" said the Ricci, in an unnecessarily loud voice.

Madame d'Estrées, with a flurried gesture, touched Kitty on the arm.

"Kitty, Mademoiselle Ricci."

Kitty took no notice. Madame d'Estrées said, quickly, in a low, imploring voice:

"Please, dear Kitty. I'll explain."

Kitty turned abruptly, looked at her mother, and at the woman to whom she was to be introduced.

"Ah! comme elle est charmante!" cried the actress, with an inflection of irony in her strident voice. "Miladi, il faut absolument que nous nous connaissions. Je connais votre chère mère depuis si longtemps! À Paris, l'hiver passé c'était une amitié des plus tendres!"

The nasal drag she gave to the words was partly natural, partly insolent. Madame d'Estrées bit her lip.

"Oui?" said Kitty, indifferently. "Je n'en avais jamais entendu parler."

Her brilliant eyes studied the woman before her. "She has some hold on maman," she said to herself, in disgust. "She knows of something shady that maman has done." Then another thought stung her; and with the most indifferent bow, triumphing in the evident offence that she was giving, she turned to Lord Magellan.

"You'd like to see the Palazzo?"

Warington at once offered himself as a guide.

But Kitty declared she knew the way, would just show Lord Magellan the piano nobile, dismiss him at the grand staircase, and return. Lord Magellan made his farewells.

As Kitty passed through the door of the salon, while the young man held back the velvet portière which hung over it, she was aware that Mademoiselle Ricci was watching her. The Marseillaise was leaning heavily on a fauteuil, supported by a hand behind her. A slow, disdainful smile played about her lips, some evil threatening thought expressed itself through every feature of her rounded, coarsened beauty. Kitty's sharp look met hers, and the curtain dropped.

"Don't, please, let that woman take you anywhere—to see anything!" said Kitty, with energy, to her companion, as they walked through the rooms of the mezzanino.

Lord Magellan laughed. "What's the matter with her?"

"Oh, nothing!" said Kitty, impatiently, "except that she's wicked—and common—and a snake—and your mother would have a fit if she knew you had anything to do with her."

The red-haired youth looked grave.

"Thank you, Lady Kitty," he said, quietly. "I'll take your advice."

"Oh, I say, what a nice boy you are!" cried Kitty, impulsively, laying a hand a moment on his shoulder. And then, as though his filial instinct had awakened hers, she added, with hasty falsehood: "Maman, of course, knows nothing about her. That was just bluff what she said. But Donna Laura oughtn't to ask such people. There—that's the way."

And she pointed to a small staircase in the wall, whereof the trap-door at the top was open. They climbed it, and found themselves at once in one of the great rooms of the piano nobile, to which this quick and easy access from the inhabited entresol had been but recently contrived.

"What a marvellous place!" cried Lord Magellan, looking round him.

They were in the principal apartment of the famous Vercelli palace, a legacy from one of those classical architects whose work may be seen in the late seventeenth-century buildings of Venice. The rooms, enormously high, panelled here and there in tattered velvets and brocades, or frescoed in fast-fading scenes of old Venetian life, stretched in bewildering succession on either side of a central passage or broad corridor, all of them leading at last on the northern side to a vast hall painted in architectural perspective by the pupils of Tiepolo, and overarched by a ceiling in which the master himself had massed a multitude of forms equal to Rubens in variety and facility of design, expressed in a thin trenchancy of style. Figures recalling the ancient triumphs and possessions of Venice, in days when she sat dishonored and despoiled, crowded the coved roof, the painted cornices and pediments. Gayly colored birds hovered in blue skies; philosophers and poets in grisaille made a strange background for large-limbed beauties couched on roses, or young warriors amid trophies of shining arms; and while all this garrulous commonplace lived and breathed above, the walls below, cold in color and academic in treatment, maintained as best they could the dignity of the vast place, thus given up to one of the greatest of artists and emptiest of minds.

On the floor of this magnificent hall stood a few old and broken chairs. But the candelabra of glass and ormolu, hanging from the ceiling, were very nearly of the date of the palace, and superb. Meanwhile, through a faded taffeta of a golden-brown shade, the afternoon light from the high windows to the southwest poured into the stately room.

"How it dwarfs us!" said Lord Magellan, looking at his companion. "One feels the merest pygmy! From the age of decadence indeed!" He glanced at the guide-book in his hand. "Good Heavens!—if this was their decay, what was their bloom?"

"Yes—it's big—and jolly. I like it," said Kitty, absently. Then she recollected herself. "This is your way out. Federigo!" she called to an old man, the custode of the palace, who appeared at the magnificent door leading to the grand staircase.

"Commanda, eccellenza!" The old man, bent and feeble, approached. He carried a watering-pot wherewith he was about to minister to some straggling flowers in the windows fronting the Grand Canal. A thin cat rubbed itself against his legs. As he stood in his shabbiness under the high, carved door, the only permanent denizen of the building, he seemed an embodiment of the old shrunken Venetian life, still haunting a city it was no longer strong enough to use.

"Will you show this signor the way out?" said Kitty, in tourists' Italian. "Are you soon shutting up?"

For the main palazzo, which during the day was often shown to sightseers, was locked at half-past five, only the two entresols—one tenanted by Donna Laura, the other by the custode—remaining accessible.

The old man murmured something which Kitty did not understand, pointing at the same time to a door leading to the interior of the piano nobile. Kitty thought that he asked her to be quick, if she wished still to go round the palace. She tried to explain that he might lock up if he pleased; her way of retreat to the mezzanino, down the small staircase, was always open. Federigo looked puzzled, again said something in unintelligible Venetian, and led the way to the grand staircase followed by Lord Magellan.

A heavy door clanged below. Kitty was alone. She looked round her, at the stretches of marble floor, and the streaks of pale sunshine that lay upon its black and white, at the lofty walls painted with a dim superb architecture, at the crowded ceiling, the gorgeous candelabra. With its costly decoration, the great room suggested a rich and festal life; thronging groups below answering to the Tiepolo groups above; beauties patched and masked; gallants in brocaded coats; splendid senators, robed like William at the fancy ball.

Suddenly she caught sight of herself in one of the high and narrow mirrors that filled the spaces between the windows. In her mourning dress, with the light behind her, she made a tiny spectre in the immense hall. The image of her present self—frail, black-robed—recalled the two figures in the glass of her Hill Street room—the sparkling white of her goddess dress, and William's smiling face above hers, his arm round her waist.

How happy she had been that night! Even her wild fury with Mary Lyster seemed to her now a kind of happiness. How gladly would she have exchanged for it either of the two terrors that now possessed her!

With a shiver she crossed the hall, and pushed her way into the suite of rooms on the northern side. She felt herself in absolute possession of the palace. Federigo no doubt had locked up; her mother and a few guests were still talking in the salon of the mezzanine, expecting her to return. She would return—soon; but the solitariness and wildness of this deserted place drew her on.

Room after room opened before her—bare, save for a few worm-eaten chairs, a fragment of tapestry on the wall, or some tattered portraits in the Longhi manner, indifferent to begin with, and long since ruined by neglect. Yet here and there a young face looked out, roses in the hair and at the breast; or a Doge's cap—and beneath it phantom features still breathing even in the last decay of canvas and paint the violence and intrigue of the living man—the ghost of character held there by the ghost of art. Or a lad in slashed brocade, for whom even in this silent palace, and in spite of the gaping crack across his face, life was still young; a cardinal; a nun; a man of letters in clerical dress, the Abbé Prévost of his day....

Presently she found herself in a wide corridor, before a high, closed door. She tried it, and saw a staircase mounting and descending. A passion of curiosity that was half romance, half restlessness, drove her on. She began to ascend the marble steps, hearing only the echo of her own movements, a little afraid of the cold spaces of the vast house, and yet delighting in the fancies that crowded upon her. At the top of the flight she found, of course, another apartment, on the same plan as the one below, but smaller and less stately. The central hall entered from a door supported by marble caryatids, was flagged in yellow marble, and frescoed freely with faded eighteenth-century scenes—cardinals walking in stiff gardens, a pope alighting from his coach, surrounded by peasants on their knees, and behind him fountains and obelisk and the towering façade of St. Peter's. At the moment, thanks to a last glow of light coming in through a west window at the farther end, it was a place beautiful though forlorn. But the rooms into which she looked on either side were wreck and desolation itself, crowded with broken furniture, many of them shuttered and dark.

As she closed the last door, her attention was caught by a strange bust placed on a pedestal above the entrance. What was wrong with it? An accident? An injury? She went nearer, straining her eyes to see. No!—there was no injury. The face indeed was gone. Or, rather, where the face should have been there now descended a marble veil from brow to breast, of the most singular and sinister effect. Otherwise the bust was that of a young and beautiful woman. A pleasing horror seized on Kitty as she looked. Her fancy hunted for the clew. A faithless wife, blotted from her place?—made infamous forever by the veil which hid from human eye the beauty she had dishonored? Or a beloved mistress, on whom the mourning lover could no longer bear to look—the veil an emblem of undying and irremediable grief?

Kitty stood enthralled, striving to pierce the ghastly meaning of the bust, when a sound—a distant sound—a shock through her. She heard a step overhead, in the topmost apartment, or mansarde of the palace, a step that presently traversed the whole length of the floor immediately above her head and began to descend the stair.

Strange! Federigo must have shut the great gates by this time—as she had bade him? He himself inhabited the smaller entresol on the farther side of the palace, far away. Other inhabitants there were none; so Donna Laura had assured her.

The step approached, resonant in the silence. Kitty, seized with nervous fright, turned and ran down the broad staircase by which she had come, through the series of deserted rooms in the piano nobile, till she reached the great hall.

There she paused, panting, curiosity and daring once more getting the upperhand. The door she had just passed through, which gave access to the staircase, opened again and shut. The stranger who had entered came leisurely towards the hall, lingering apparently now and then to look at objects on the way. Presently a voice—an exclamation.

Kitty retreated, caught at the arm of a chair for support, clung to it trembling. A man entered, holding his hat in one hand and a small white glove in the other.

At sight of the lady in black, standing on the other side of the hall, he started violently—and stopped. Then, just as Kitty, who had so far made neither sound nor movement, took the first hurried step towards the staircase by which she had entered, Geoffrey Cliffe came forward.

"How do you do, Lady Kitty? Do not, I beg of you, let me disturb you. I had half an hour to spare, and I gave the old man down-stairs a franc or two, that he might let me wander over this magnificent old place by myself for a bit. I have always had a fancy for deserted houses. You, I gather, have it, too. I will not interfere with you for a moment. Before I go, however, let me return what I believe to be your property."

He came nearer, with a studied, deliberate air, and held out the white glove. She saw it was her own and accepted it.

"Thank you."

She bowed with all the haughtiness she could muster, though her limbs shook under her. Then as she walked quickly towards the door of exit, Cliffe, who was nearer to it than she, also moved towards it, and threw it open for her. As she approached him he said, quietly:

"This is not the first time we have met in Venice, Lady Kitty."

She wavered, could not avoid looking at him, and stood arrested. That almost white head!—that furrowed brow!—those haggard eyes! A slight, involuntary cry broke from her lips.

Cliffe smiled. Then he straightened his tall figure.

"You see, perhaps, that I have not grown younger. You are quite right. I have left my youth—what remained of it—among those splendid fellows whom the Turks have been harrying and torturing. Well!—they were worth it. I would give it them again."

There was a short silence.

The eyes of each perused the other's face. Kitty began some words, and left them unfinished. Cliffe resumed—in another tone—while the door he held swung gently backward, his hand following it.

"I spent last winter, as perhaps you know, with the Bosnian insurgents in the mountains. It was a tough business—hardships I should never have had the pluck to face if I had known what was before me. Then, in July, I got fever. I had to come away, to find a doctor, and I was a long time at Cattaro pulling round. And, meanwhile, the Turks—God blast them!—have been at their fiends' work. Half my particular friends, with whom I spent the winter, have been hacked to pieces since I left them."

She wavered, held by his look, by the coercion of that mingled passion and indifference with which he spoke. There was in his manner no suggestion whatever of things behind, no reference to herself or to the past between them. His passion, it seemed, was for his comrades; his indifference for her. What had he to do with her any more? He had been among the realities of battle and death, while she had been mincing and ambling along the usual feminine path. That was the utterance, it seemed, of the man's whole manner and personality, and nothing could have more effectually recalled Kitty's wild nature to the lure.

"Are you going back?" She had turned from him and was pulling at the fingers of the glove he had picked up.

"Of course! I am only kicking my heels here till I can collect the money and stores—ay, and the men—I want. I give my orders in London, and I must be here to see to the transshipment of stores and the embarkation of my small force! Not meant for the newspapers, you see, Lady Kitty—these little details!"

He drew himself up smiling, his worn aspect expressing just that mingling of dare-devil adventure with subtler and more self-conscious things which gave edge and power to his personality.

"I heard you were wounded," said Kitty, abruptly.

"So I was—badly. We were defending a polje—one of their high mountain valleys, against a Beg and his troops. My left arm"—he pointed to the black sling in which it was still held—"was nearly cut to pieces. However, it is practically well."

He took it out of the sling and showed that he could use it. Then his expression changed. He stepped back to the door, and opened it ceremoniously.

"Don't, however, let me delay you, Lady Kitty—by my chatter."

Kitty's cheeks were crimson. Her momentary yielding vanished in a passion of scorn. What!—he knew that she had seen him before, seen him with that woman—and he dared to play the mere shattered hero, kept in Venice by these crusader's reasons!

"Have you another volume on the way?" she asked him, as she advanced. "I read your last."

Her smile was the smile of an enemy. He eyed her strangely.

"Did you? That was waste of time."

"I think you intended I should read it."

He hesitated.

"Lady Kitty, those things are very far away. I can't defend myself—for they seem wiped out." He had crossed his arms, and was leaning back against the open door, a fine, rugged figure, by no means repentant.

Kitty laughed.

"You overstate the difference!"

"Between the past and the present? What does that mean?"

She dropped her eyes a moment, then raised them.

"Do you often go to San Lazzaro?"

He bowed.

"I had a suspicion that the vision at the window—though it was there only an instant—was you! So you saw Mademoiselle Ricci?"

His tone was assurance itself. Kitty disdained to answer. Her slight gesture bade him let her pass through; but he ignored it.

"I find her kind, Lady Kitty. She listens to me—I get sympathy from her."

"And you want sympathy?"

Her tone stung him. "As a hungry man wants food—as an artist wants beauty. But I know where I shall not get it."

"That is always a gain!" said Kitty, throwing back her little head. "Mr. Cliffe, pray let me bid you good-bye."

He suddenly made a step forward. "Lady Kitty!"—his deep-set, imperious eyes searched her face—"I can't restrain myself. Your look—your expression—go to my heart. Laugh at me if you like. It's true. What have you been doing with yourself?"

He bent towards her, scrutinizing every delicate feature, and, as it seemed, shaken with agitation. She breathed fast.

"Mr. Cliffe, you must know that any sympathy from you to me—is an insult! Kindly let me pass."

He, too, flushed deeply.

"Insult is a hard word, Lady Kitty. I regret that poem."

She swept forward in silence, but he still stood in the way.

"I wrote it—almost in delirium. Ah, well"—he shook his head impatiently—"if you don't believe me, let it be. I am not the man I was. The perspective of things is altered for me." His voice fell. "Women and children in their blood—heroic trust—and brute hate—the stars for candles—the high peaks for friends—those things have come between me and the past. But you are right; we had better not talk any more. I hear old Federigo coming up the stairs. Good-night, Lady Kitty—good-night!"

He opened the door. She passed him, and, to her own intense annoyance, a bunch of pale roses she carried at her belt brushed against the doorway, so that one broke and fell. She turned to pick it up, but it was already in Cliffe's hand. She held out hers, threateningly.

"I think not." He put it in his pocket. "Here is Federigo. Good-night."

It was quite dark when Kitty reached home. She groped her way up-stairs and opened the door of the salon. So weary was she that she dropped into the first chair, not seeing at first that any one was in the room. Then she caught sight of a brown-paper parcel, apparently just unfastened, on the table, and within it three books, of similar shape and size. A movement startled her.

"William!"

Ashe rose slowly from the deep chair in which he had been sitting. His aspect seemed to her terrified eyes utterly and wholly changed. In his hand he held a book like those on the table, and a paper-cutter. His face expressed the remote abstraction of a man who has been wrestling his way through some hard contest of the mind.