§ 7. Origin of the Hindoo Triad.

There had gradually grown up among the people a worship founded on that of the ancient Vedas. In the West of India, the god RUDRA, mentioned in the Vedic hymns, had been transformed into Siva. In the Rig-Veda Rudra is sometimes the name for Agni.75 He is described as father of the winds. He is the same as Maha-deva. He is fierce and beneficent at once. He presides over medicinal plants. According to Weber (Indische Stud., II. 19) he is the Storm-God. The same view is taken by Professor Whitney.76 But his worship gradually extended, until, under the name of Siva, the Destroyer, he became one of the principal deities of India. Meantime, in the valley of the Ganges, a similar devotion had grown up for the Vedic god VISCHNU, who in like manner had been promoted to the chief rank in the Hindoo Pantheon. He had been elevated to the character of a Friend and Protector, gifted with mild attributes, and worshipped as the life of Nature. By accepting the popular worship, the Brahmans were able to oppose Buddhism with success.

We have no doubt that the Hindoo Triad came from the effort of the Brahmans to unite all India in one worship, and it may for a time have succeeded. Images of the Trimurtti, or three-faced God, are frequent in India, and this is still the object of Brahmanical worship. But beside this practical motive, the tendency of thought is always toward a triad of law, force, or elemental substance, as the best explanation of the universe. Hence there have been Triads in so many religions: in Egypt, of Osiris the Creator, Typhon the Destroyer, and Horus the Preserver; in Persia, of Ormazd the Creator, Ahriman the Destroyer, and Mithra the Restorer; in Buddhism, of Buddha the Divine Man, Dharmma the Word, and Sangha the Communion of Saints. Simple monotheism does not long satisfy the speculative intellect, because, though it accounts for the harmonies of creation, it leaves its discords unexplained. But a dualism of opposing forces is found still more unsatisfactory, for the world does not appear to be such a scene of utter warfare and discord as this. So the mind comes to accept a Triad, in which the unities of life and growth proceed from one element, the antagonisms from a second, and the higher harmonies of reconciled oppositions from a third. The Brahmanical Triad arose in the same way.77

Thus grew up, from amid the spiritual pantheism into which all Hindoo religion seemed to have settled, another system, that of the Trimurtti, or Divine Triad; the Indian Trinity of Brahma, Vischnu, and Siva. This Triad expresses the unity of Creation, Destruction, and Restoration. A foundation for this already existed in a Vedic saying, that the highest being exists in three states, that of creation, continuance, and destruction.

Neither of these three supreme deities of Brahmanism held any high rank in the Vedas. Siva (Çiva) does not appear therein at all, nor, according to Lassen, is Brahma mentioned in the Vedic hymns, but first in a Upanishad. Vischnu is spoken of in the Rig-Veda, but always as one of the names for the sun. He is the Sun-God. His three steps are sunrise, noon, and sunset. He is mentioned as one of the sons of Aditi; he is called the "wide-stepping," "measurer of the world," "the strong," "the deliverer," "renewer of life," "who sets in motion the revolutions of time," "a protector," "preserving the highest heaven." Evidently he begins his career in this mythology as the sun.

BRAHMA, at first a word meaning prayer and devotion, becomes in the laws of Manu the primal God, first-born of the creation, from the self-existent being, in the form of a golden egg. He became the creator of all things by the power of prayer. In the struggle for ascendency which took place between the priests and the warriors, Brahma naturally became the deity of the former. But, meantime, as we have seen, the worship of Vischnu had been extending itself in one region and that of Siva in another. Then took place those mysterious wars between the kings of the Solar and Lunar races, of which the great epics contain all that we know. And at the close of these wars a compromise was apparently accepted, by which Brahma, Vischnu, and Siva were united in one supreme God, as creator, preserver, and destroyer, all in one.

It is almost certain that this Hindoo Triad was the result of an ingenious and successful attempt, on the part of the Brahmans, to unite all classes of worshippers in India against the Buddhists. In this sense the Brahmans edited anew the Mahabharata, inserting in that epic passages extolling Vischnu in the form of Krishna. The Greek accounts of India which followed the invasion of Alexander speak of the worship of Hercules as prevalent in the East, and by Hercules they apparently mean the god Krishna.78 The struggle between the Brahmans and Buddhists lasted during nine centuries (from A.D. 500 to A.D. 1400), ending with the total expulsion of Buddhism, and the triumphant establishment of the Triad, as the worship of India.79

Before this Triad or Trimurtti (of Brahma, Vischnu, and Siva) there seems to have been another, consisting of Agni, Indra, and Surya.80 This may have given the hint of the second Triad, which distributed among the three gods the attributes of Creation, Destruction, and Renovation. Of these Brahma, the Creator, ceased soon to be popular, and the worship of Siva and Vischnu as Krishna remain as the popular religion of India.

One part, and a very curious one, of the worship of Vischnu is the doctrine of the Avatars, or incarnations of that deity. There are ten of these Avatars,—nine have passed and one is to come. The object of Vischnu is, each time, to save the gods from destruction impending over them in consequence of the immense power acquired by some king, giant, or demon, by superior acts of austerity and piety. For here, as elsewhere, extreme spiritualism is often divorced from morality; and so these extremely pious, spiritual, and self-denying giants are the most cruel and tyrannical monsters, who must be destroyed at all hazards. Vischnu, by force or fraud, overcomes them all.

His first Avatar is of the Fish, as related in the Mahabharata. The object was to recover the Vedas, which had been stolen by a demon from Brahma when asleep. In consequence of this loss the human race became corrupt, and were destroyed by a deluge, except a pious prince and seven holy men who were saved in a ship. Vischnu, as a large fish, drew the ship safely over the water, killed the demon, and recovered the Vedas. The second Avatar was in a Turtle, to make the drink of immortality. The third was in a Boar, the fourth in a Man-Lion, the fifth in the Dwarf who deceived Bali, who had become so powerful by austerities as to conquer the gods and take possession of Heaven. In the eighth Avatar he appears as Krishna and in the ninth as Buddha.

This system of Avatars is so peculiar and so deeply rooted in the system, that it would seem to indicate some law of Hindoo thought. Perhaps some explanation may be reached thus:—

We observe that,—

Vischnu does not mediate between Brahma and Siva, but between the deities and the lower races of men or demons.

The danger arises from a certain fate or necessity which is superior both to gods and men. There are laws which enable a man to get away from the power of Brahma and Siva.

But what is this necessity but nature, or the nature of things, the laws of the outward world of active existences? It is not till essence becomes existence, till spirit passes into action, that it becomes subject to law.

The danger then is from the world of nature. The gods are pure spirit, and spirit is everything. But, now and then, nature seems to be something, it will not be ignored or lost in God. Personality, activity, or human nature rebel against the pantheistic idealism, the abstract spiritualism of this system.

To conquer body, Vischnu or spirit enters into body, again and again. Spirit must appear as body to destroy Nature. For thus is shown that spirit cannot be excluded from anything,—that it can descend into the lowest forms of life, and work in law as well as above law.

But all the efforts of Brahmanism could not arrest the natural development of the system. It passed on into polytheism and idolatry. The worship of India for many centuries has been divided into a multitude of sects. While the majority of the Brahmans still profess to recognize the equal divinity of Brahma, Vischnu, and Siva, the mass of the people worship Krishna, Rama, the Lingam, and many other gods and idols. There are Hindoo atheists who revile the Vedas; there are the Kabirs, who are a sort of Hindoo Quakers, and oppose all worship; the Ramanujas, an ancient sect of Vischnu worshippers; the Ramavats, living in monasteries; the Panthis, who oppose all austerities; the Maharajas, whose religion consists with great licentiousness. Most of these are worshippers of Vischnu or of Siva, for Brahma-worship has wholly disappeared.

§ 8. The Epics, the Puranas, and modern Hindoo Worship.

The Hindoos have two great epics, the Ramayana and the Mahabharata, each of immense length, and very popular with the people. Mr. Talboys Wheeler has recently incorporated both epics (of course much abridged) into his History of India, and we must refer our readers to his work for a knowledge of these remarkable poems. The whole life of ancient India appears in them, and certainly they are not unworthy products of the genius of that great nation.

According to Lassen,81 the period to which the great Indian epics refer follows directly on the Vedic age. Yet they contain passages inserted at a much later epoch, probably, indeed, as long after as the war which ended in the expulsion of the Buddhists from India.82 Mr. Talboys Wheeler considers the war of Rama and the Monkeys against Ravana to refer to this conflict, and so makes the Ramayana later than the Mahabharata. The majority of writers, however, differ from him on this point. The writers of the Mahabharata were evidently Brahmans, educated under the laws of Manu.83 But it is very difficult to fix the date of either poem with any approach to accuracy. Lassen has proved that the greater part of the Mahabharata was written before the political establishment of Buddhism.84 These epics were originally transmitted by oral tradition. They must have been brought to their present forms by Brahmans, for their doctrine is that of this priesthood. Now if such poems had been composed after the time of Asoka, when Buddhism became a state religion in India, it must have been often referred to. No such references appear in these epics, except in some solitary passages, which are evidently modern additions.85 Hence the epics must have been composed before the time of Buddhism. This argument of Lassen's is thought by Max Müller to be conclusive, and if so it disproves Mr. Talboys Wheeler's view of the purpose of the Ramayana.

Few Hindoos now read the Vedas. The Puranas and the two great epics constitute their sacred books. The Ramayana contains about fifty thousand lines, and is held in great veneration by the Hindoos. It describes the youth of Rama, who is an incarnation of Vischnu, his banishment and residence in Central India, and his war with the giants and demons of the South, to recover his wife, Sita. It probably is founded on some real war between the early Aryan invaders of Hindostan and the indigenous inhabitants.

The Mahabharata, which is probably of later date, contains about two hundred and twenty thousand lines, and is divided into eighteen books, each of which would make a large volume. It is supposed to have been collected by Vyasa, who also collected the Vedas and Puranas. These legends are very old, and seem to refer to the early history of India. There appear to have been two Aryan dynasties in ancient India,—the Solar and Lunar. Rama belonged to the first and Bharata to the second. Pandu, a descendant of the last, has five brave sons, who are the heroes of this book. One of them, Arjuna, is especially distinguished. One of the episodes is the famous Bhagavat-gita. Another is called the Brahman's Lament. Another describes the deluge, showing the tradition of a flood existing in India many centuries before Christ. Another gives the story of Savitri and Satyavan. These episodes occupy three fourths of the poem, and from them are derived most of the legends of the Puranas. A supplement, which is itself a longer poem than the Iliad and Odyssey combined (which together contain about thirty thousand lines), is the source of the modern worship of Krishna. The whole poem represents the multilateral character of Hinduism. It indicates a higher degree of civilization than that of the Homeric poems, and describes a vast variety of fruits and flowers existing under culture. The characters are nobler and purer than those of Homer. The pictures of domestic and social life are very touching; children are dutiful to their parents, parents careful of their children; wives are loyal and obedient, yet independent in their opinions; and peace reigns in the domestic circle.

The different works known as the Puranas are derived from the same religious system as the two epics. They repeat the cosmogony of the poems, and they relate more fully their mythological legends. Siva and Vischnu are almost the sole objects of worship in the Puranas. There is a sectarian element in their devotion to these deities which shows their partiality, and prevents them from being authorities for Hindoo belief as a whole.86

The Puranas, in their original form, belong to a period, says Mr. Wilson, a century before the Christian era. They grew out of the conflict between Buddhism and Brahmanism. The latter system had offered no personal gods to the people and given them no outward worship, and the masses had been uninterested in the abstract view of Deity held by the Brahmans.87

According to Mr. Wilson,88 there are eighteen Puranas which are now read by the common people. They are read a great deal by women. Some are very ancient, or at least contain fragments of more ancient Puranas. The very word signifies "antiquity." Most of them are devoted to the worship of Vischnu. According to the Bhagavat Purana,89 the only reasonable object of life is to meditate on Vischnu. Brahma, who is called in one place "the cause of causes," proclaims Vischnu to be the only pure absolute essence, of which the universe is the manifestation. In the Vischnu Purana, Brahma, at the head of the gods, adores Vischnu as the Supreme Being whom he himself cannot understand.

The power of ascetic penances is highly extolled in the Puranas, as also in the epics. In the Bhagavat it is said that Brahma, by a penitence of sixteen thousand years, created the universe. It is even told in the Ramayana, that a sage of a lower caste became a Brahman by dint of austerities, in spite of the gods who considered such a confusion of castes a breach of Hindoo etiquette.90 To prevent him from continuing his devotions, they sent a beautiful nymph to tempt him, and their daughter was the famous Sakuntala. But in the end, the obstinate old ascetic conquered the gods, and when they still refused to Brahmanize him, he began to create new heavens and new gods, and had already made a few stars, when the deities thought it prudent to yield, and allowed him to become a Brahman. It is also mentioned that the Ganges, the sacred river, in the course of her wanderings, overflowed the sacrificial ground of another powerful ascetic, who incontinently drank up, in his anger, all its waters, but was finally induced by the persuasions of the gods to set the river free again by discharging it from his ears. Such were the freaks of sages in the times of the Puranas.

Never was there a more complete example of piety divorced from morality than in these theories. The most wicked demons acquire power over gods and men, by devout asceticism. This principle is already fully developed in the epic poems. The plot of the Ramayana turns around this idea. A Rajah, Ravana, had become so powerful by sacrifice and devotion, that he oppressed the gods; compelled Yama (or Death) to retire from his dominions; compelled the sun to shine there all the year, and the moon to be always full above his Raj. Agni (Fire) must not burn in his presence; the Maruts (Winds) must blow only as he wishes. He cannot be hurt by gods or demons. So Vischnu becomes incarnate as Rama and the gods become incarnate as Monkeys, in order to destroy him. Such vast power was supposed to be attained by piety without morality.

The Puranas are derived from the same system as the epic poems, and carry out further the same ideas. Siva and Vischnu are almost the only gods who are worshipped, and they are worshipped with a sectarian zeal unknown to the epics. Most of the Puranas contain these five topics,—Creation, Destruction and Renovation, the Genealogy of the gods, Reigns of the Manus, and History of the Solar and Lunar races. Their philosophy of creation is derived from the Sánknya philosophy. Pantheism is one of their invariable characteristics, as they always identify God and Nature; and herein they differ from the system of Kapila. The form of the Puranas is always that of a dialogue. The Puranas are eighteen in number, and the contents of the whole are stated to be one million six hundred thousand lines.91

The religion of the Hindoos at the present time is very different from that of the Vedas or Manu. Idolatry is universal, and every month has its special worship,—April, October, and January being most sacred. April begins the Hindoo year. During this sacred month bands of singers go from house to house, early in the morning, singing hymns to the gods. On the 1st of April Hindoos of all castes dedicate pitchers to the shades of their ancestors. The girls bring flowers with which to worship little ponds of water dedicated to Siva. Women adore the river Ganges, bathing in it and offering it flowers. They also walk in procession round the banyan or sacred tree. Then they worship the cow, pouring water on her feet and putting oil on her forehead. Sometimes they take a vow to feed some particular Brahman luxuriously during the whole month. They bathe their idols with religious care every day and offer them food. This lasts during April and then stops.

In May the women of India worship a goddess friendly to little babies, named Shus-ty. They bring the infants to be blessed by some venerable woman before the image of the goddess, whose messenger is a cat. Social parties are also given on these occasions, although the lower castes are kept distinct at four separate tables. The women also, not being allowed to meet with the men at such times, have a separate entertainment by themselves.

The month of June is devoted to the bath of Jugger-naut, who was one of the incarnations of Vischnu. The name, Jugger-naut, means Lord of the Universe. His worship is comparatively recent. His idols are extremely ugly. But the most remarkable thing perhaps about this worship is that it destroys, for the time, the distinction of castes. While within the walls which surround the temple Hindoos of every caste eat together from the same dish. But as soon as they leave the temple this equality disappears. The ceremony of the bath originated in this legend. The idol Jugger-naut, desiring to bathe in the Ganges, came in the form of a boy to the river, and then gave one of his golden ornaments to a confectioner for something to eat. Next day the ornament was missing, and the priests could find it nowhere. But that night in a dream the god revealed to a priest that he had given it to a certain confectioner to pay for his lunch; and it being found so, a festival was established on the spot, at which the idol is annually bathed.

The other festival of this month is the worship of the Ganges, the sacred river of India. Here the people come to bathe and to offer sacrifices, which consist of flowers, incense, and clothes. The most sacred spot is where the river enters the sea. Before plunging into the water each one confesses his sins to the goddess. On the surface of this river castes are also abolished, the holiness of the river making the low-caste man also holy.

In the month of July is celebrated the famous ceremony of the car of Jugger-naut, instituted to commemorate the departure of Krishna from his native land. These cars are in the form of a pyramid, built several stories high, and some are even fifty feet in height. They are found in every part of India, the offerings of wealthy people, and some contain costly statues. They are drawn by hundreds of men, it being their faith that each one who pulls the rope will certainly go to the heaven of Krishna when he dies. Multitudes, therefore, crowd around the rope in order to pull, and in the excitement they sometimes fall under the wheels and are crushed. But this is accidental, for Krishna does not desire the suffering of his worshippers. He is a mild divinity, and not like the fierce Siva, who loves self-torture.

In the month of August is celebrated the nativity of Krishna, the story of whose birth resembles that in the Gospel in this, that the tyrant whom he came to destroy sought to kill him, but a heavenly voice told the father to fly with the child across the Jumna, and the tyrant, like Herod, killed the infants in the village. In this month also is a feast upon which no fire must be kindled or food cooked, and on which the cactus-tree and serpents are worshipped..

In September is the great festival of the worship of Doorga, wife of Siva. It commences on the seventh day of the full moon and lasts three days. It commemorates a visit made by the goddess to her parents. The idol has three eyes and ten hands. The ceremony, which is costly, can only be celebrated by the rich people, who also give presents on this occasion to the poor. The image is placed in the middle of the hall of the rich man's house. One Brahman sits before the image with flowers, holy water, incense. Trays laden with rice, fruit, and other kinds of food are placed near the image, and given to the Brahmans. Goats and sheep are then sacrificed to the idol on an altar in the yard of the house. When the head of the victim falls the people shout, "Victory to thee, O mother!" Then the bells ring, the trumpets sound, and the people shout for joy. The lamps are waved before the idol, and a Brahman reads aloud from the Scripture. Then comes a dinner on each of the three days, to which the poor and the low-caste people are also invited and are served by the Brahmans. The people visit from house to house, and in the evening there is music, dancing, and public shows. So that the worship of the Hindoos is by no means all of it ascetic, but much is social and joyful, especially in Bengal.

In October, November, and December there are fewer ceremonies. January is a month devoted to religious bathing. Also, in January, the religious Hindoos invite Brahmans to read and expound the sacred books in their houses, which are open to all hearers. In February there are festivals to Krishna.

The month of March is devoted to ascetic exercises, especially to the famous one of swinging suspended by hooks. It is a festival in honor of Siva. A procession goes through the streets and enlists followers by putting a thread round their necks. Every man thus enlisted must join the party and go about with it till the end of the ceremony under pain of losing caste. On the day before the swinging, men thrust iron or bamboo sticks through their arms or tongues. On the next day they march in procession to the swinging tree, where the men are suspended by hooks and whirled round the tree four or five times.

It is considered a pious act in India to build temples, dig tanks, or plant trees by the roadside. Rich people have idols in their houses for daily worship, and pay a priest who comes every morning to wake up the idols, wash and dress them, and offer them their food. In the evening he comes again, gives them their supper and puts them to bed.

Mr. Gangooly, in his book, from which most of the above facts are drawn, denies emphatically the statement so commonly made that Hindoo mothers throw their infants into the Ganges. He justly says that the maternal instinct is as strong with them as with others; and in addition to that, their religion teaches them to offer sacrifices for the life and health of their children.

§ 9. Relation of Brahmanism to Christianity.

Having thus attempted, in the space we can here use, to give an account of Brahmanism, we close by showing its special relation as a system of thought to Christianity.

Brahmanism teaches the truth of the reality of spirit, and that spirit is infinite, absolute, perfect, one; that it is the substance underlying all existence. Brahmanism glows through and through with this spirituality. Its literature, no less than its theology, teaches it. It is in the dramas of Calidasa, as well as in the sublime strains of the Bhagavat-gita. Something divine is present in all nature and all life,—

"Whose dwelling is the light of setting suns,
And the round ocean and the living air."

Now, with this Christianity is in fullest agreement. We have such passages in the Scripture as these: "God is a Spirit"; "God is love; whoso dwelleth in love dwelleth in God, and God in him"; "In him we live, and move, and have our being"; "He is above all, and through all, and in us all." But beside these texts, which strike the key-note of the music which was to come after, there are divine strains of spiritualism, of God all in all, which come through a long chain of teachers of the Church, sounding on in the Confessions of Augustine, the prayers of Thomas Aquinas, Anselm, Bonaventura, St. Bernard, through the Latin hymns of the Middle Ages, and develop themselves at last in what is called romantic art and romantic song. A Gothic cathedral like Antwerp or Strasburg,—what is it but a striving upward of the soul to lose itself in God? A symphony of Beethoven,—what is it but the same unbounded longing and striving toward the Infinite and Eternal? The poetry of Wordsworth, of Goethe, Schiller, Dante, Byron, Victor Hugo, Manzoni, all partake of the same element. It is opposed to classic art and classic poetry in this, that instead of limits, it seeks the unlimited; that is, it believes in spirit, which alone is the unlimited; the infinite, that which is, not that which appears; the essence of things, not their existence or outwardness.

Thus Christianity meets and accepts the truth of Brahmanism. But how does it fulfil Brahmanism? The deficiencies of Brahmanism are these,—that holding to eternity, it omits time, and so loses history. It therefore is incapable of progress, for progress takes place in time. Believing in spirit, or infinite unlimited substance, it loses person, or definite substance, whether infinite or finite. The Christian God is the infinite, definite substance, self-limited or defined by his essential nature. He is good and not bad, righteous and not the opposite, perfect love, not perfect self-love. Christianity, therefore, gives us God as a person, and man also as a person, and so makes it possible to consider the universe as order, kosmos, method, beauty, and providence. For, unless we can conceive the Infinite Substance as definite, and not undefined; that is, as a person with positive characters; there is no difference between good and bad, right and wrong, to-day and to-morrow, this and that, but all is one immense chaos of indefinite spirit. The moment that creation begins, that the spirit of the Lord moves on the face of the waters, and says, "Let there be light," and so divides light from darkness, God becomes a person, and man can also be a person. Things then become "separate and divisible" which before were "huddled and lumped."

Christianity, therefore, fulfils Brahmanism by adding to eternity time, to the infinite the finite, to God as spirit God as nature and providence. God in himself is the unlimited, unknown, dwelling in the light which no man can approach unto; hidden, not by darkness, but by light. But God, as turned toward us in nature and providence, is the infinite definite substance, that is, having certain defined characters, though these have no bounds as regards extent. This last view of God Christianity shares with other religions, which differ from Brahmanism in the opposite direction. For example, the religion of Greece and of the Greek philosophers never loses the definite God, however high it may soar. While Brahmanism, seeing eternity and infinity, loses time and the finite, the Greek religion, dwelling in time, often loses the eternal and the spiritual. Christianity is the mediator, able to mediate, not by standing between both, but by standing beside both. It can lead the Hindoos to an Infinite Friend, a perfect Father, a Divine Providence, and so make the possibility for them of a new progress, and give to that ancient and highly endowed race another chance in history. What they want is evidently moral power, for they have all intellectual ability. The effeminate quality which has made them slaves of tyrants during two thousand years will be taken out of them, and a virile strength substituted, when they come to see God as law and love,—perfect law and perfect love,—and to see that communion with him comes, not from absorption, contemplation, and inaction, but from active obedience, moral growth, and personal development. For Christianity certainly teaches that we unite ourselves with God, not by sinking into and losing our personality, in him, but by developing it, so that we may be able to serve and love him.