"Taglia Amore un coltello,

Cara, l'hai sentita dire;

Per l'Amore alla Moda,

Esso poco può soffrire.

Cuori che non mai fur giunti

Pronti stanno a separar,

Cari nodi come i nostri

Non son facili tagliar.

Questo dico, che se spezza

Tua tenera bellezza,

Molto ancor ci resterà;

Della mia buona fede

Il Coltello non s'avvede,

Nè di tua gran bontà.

Che tagliare speranze

Ben tutto si puo,

Per piaceri goduti

Oh, questo poi no?

Dolci segni!

Cari pegni!

Di felècità passata,

Non temer la coltellata,

Resterete—Io loro:

Se del caro ben gradita,

Trovo questa donatura,

Via pur la tagliatura

Sol d'Amore sta ferita."

"The power of emptying one's head of a great thing and filling it with little ones to amuse care, is no small power, and I am proud of being able to write Italian verses while I am bargaining 150,000l., and settling an event of the highest consequence to my own and my children's welfare. David Barclay, the rich Quaker, will treat for our brewhouse, and the negotiation is already begun. My heart palpitates with hope and fear—my head is bursting with anxiety and calculation; yet I can listen to a singer and translate verses about a knife."

"Mrs. Montagu has been here; she says I ought to have a statue erected to me for my diligent attendance on my compting-house duties. The wits and the blues (as it is the fashion to call them) will be happy enough, no doubt, to have me safe at the brewery—out of their way."

"A very strange thing happened in the year 1776, and I never wrote it down,—I must write it down now. A woman came to London from a distant county to prosecute some business, and fell into distress; she was sullen and silent, and the people with whom her affairs connected her advised her to apply for assistance to some friend. What friends can I have in London? says the woman, nobody here knows anything of me. One can't tell that, was the reply. Where have you lived? I have wandered much, says she, but I am originally from Litchfield. Who did you know in Litchfield in your youth? Oh, nobody of any note, I'll warrant: I knew one David Garrick, indeed, but I once heard that he turned strolling player, and is probably dead long ago; I also knew an obscure man, Samuel Johnson, very good he was too; but who can know anything of poor Johnson? I was likewise acquainted with Robert James, a quack doctor. He is, I suppose, no very reputable connection if I could find him. Thus did this woman name and discriminate the three best known characters in London—perhaps in Europe."

"'Such,' says Mrs. Montagu, 'is the dignity of Mrs. Thrale's virtue, and such her superiority in all situations of life, that nothing now is wanting but an earthquake to show how she will behave on that occasion.' Oh, brave Mrs. Montagu! She is a monkey, though, to quarrel with Johnson so about Lyttleton's life: if he was a great character, nothing said of him in that book can hurt him; if he was not a great character, they are bustling about nothing."

"Mr. Crutchley lives now a great deal with me; the business of executor to Mr. Thrale's will makes much of his attendance necessary, and it begins to have its full effect in seducing and attaching him to the house,—Miss Burney's being always about me is probably another reason for his close attendance, and I believe it is so. What better could befall Miss Burney, or indeed what better could befall him, than to obtain a woman of honour, and character, and reputation for superior understanding? I would be glad, however, that he fell honestly in love with her, and was not trick'd or trapp'd into marriage, poor fellow; he is no match for the arts of a novel-writer. A mighty particular character Mr. Crutchley is: strangely mixed up of meanness and magnificence; liberal and splendid in large sums and on serious occasions, narrow and confined in the common occurrences of life; warm and generous in some of his motives, frigid and suspicious, however, for eighteen hours at least out of the twenty-four; likely to be duped, though always expecting fraud, and easily disappointed in realities, though seldom flattered by fancy. He is supposed by those that knew his mother and her connections to be Mr. Thrale's natural son, and in many things he resembles him, but not in person: as he is both ugly and awkward. Mr. Thrale certainly believed he was his son, and once told me as much when Sophy Streatfield's affair was in question but nobody could persuade him to court the S.S. Oh! well does the Custom-house officer Green say,—

"'Coquets! leave off affected arts,

Gay fowlers at a flock of hearts;

Woodcocks, to shun your snares have skill,

You show so plain you strive to kill.'"

"3rd June, 1781.—Well! here have I, with the grace of God and the assistance of good friends, completed—I really think very happily—the greatest event of my life. I have sold my brewhouse to Barclay, the rich Quaker, for 135,000l., to be in four years' time paid. I have by this bargain purchased peace and a stable fortune, restoration to my original rank in life, and a situation undisturbed by commercial jargon, unpolluted by commercial frauds, undisgraced by commercial connections. They who succeed me in the house have purchased the power of being rich beyond the wish of rapacity[1], and I have procured the improbability of being made poor by flights of the fairy, speculation. 'Tis thus that a woman and men of feminine minds always—I speak popularly—decide upon life, and chuse certain mediocrity before probable superiority; while, as Eton Graham says sublimely,—

"'Nobler souls,

Fir'd with the tedious and disrelish'd good,

Seek their employment in acknowledg'd ill,

Danger, and toil, and pain.'

"On this principle partly, and partly on worse, was dear Mr. Johnson something unwilling—but not much at last—to give up a trade by which in some years 15,000l. or 16,000l. had undoubtedly been got, but by which, in some years, its possessor had suffered agonies of terror and tottered twice upon the verge of bankruptcy. Well! if thy own conscience acquit, who shall condemn thee? Not, I hope, the future husbands of our daughters, though I should think it likely enough; however, as Johnson says very judiciously, they must either think right or wrong: if they think right, let us now think with them; if wrong, let us never care what they think. So adieu to brewhouse, and borough wintering; adieu to trade, and tradesmen's frigid approbation; may virtue and wisdom sanctify our contract, and make buyer and seller happy in the bargain!"

[1] There is a curious similarity here to Johnson's phrase, "the potentiality of becoming rich beyond the dreams of avarice."

After mentioning some friends who disapproved of the sale, she adds: "Mrs. Montagu has sent me her approbation in a letter exceedingly affectionate and polite. 'Tis over now, tho', and I'll clear my head of it and all that belongs to it; I will go to church, give God thanks, receive the sacrament and forget the frauds, follies, and inconveniences of a commercial life this day."

Madame D'Arblay was at Streatham on the day of the sale, and gives a dramatic colour to the ensuing scene:

"Streatham, Thursday.—This was the great and most important day to all this house, upon which the sale of the brewery was to be decided. Mrs. Thrale went early to town, to meet all the executors, and Mr. Barclay, the Quaker, who was the bidder. She was in great agitation of mind, and told me, if all went well she would wave a white pocket-handkerchief out of the coach window.

"Four o'clock came and dinner was ready, and no Mrs. Thrale. Five o'clock followed, and no Mrs. Thrale. Queeny and I went out upon the lawn, where we sauntered, in eager expectation, till near six, and then the coach appeared in sight, and a white pocket-handkerchief was waved from it. I ran to the door of it to meet her, and she jumped out of it, and gave me a thousand embraces while I gave my congratulations. We went instantly to her dressing-room, where she told me, in brief, how the matter had been transacted, and then we went down to dinner. Dr. Johnson and Mr. Crutchley had accompanied her home."

The event is thus announced to Langton by Johnson, in a letter printed by Boswell, dated June 16, 1781: "You will perhaps be glad to hear that Mrs. Thrale is disencumbered of her brewhouse, and that it seemed to the purchaser so far from an evil that he was content to give for it 135,000l. Is the nation ruined." Marginal note: "I suppose he was neither glad nor sorry."

Thrale died on the 4th April, 1781, and Mrs. Thrale left Streatham on the 7th October, 1782. The intervening eighteen months have been made the subject of an almost unprecedented amount of misrepresentation. Hawkins, Boswell, Madame D'Arblay, and Lord Macaulay have vied with each other in founding uncharitable imputations on her conduct at this period of her widowhood; and it has consequently become necessary to recapitulate the authentic evidence relating to it. As Piozzi's name will occur occasionally, he must now be brought upon the scene.

He is first mentioned in "Thraliana" thus:

"Brighton, July, 1780.—I have picked up Piozzi here, the great Italian singer. He is amazingly like my father. He shall teach Hester."

A detailed account of the commencement of the acquaintance is given in one of the autobiographical fragments. She says he was recommended to her by letter by Madame D'Arblay as "a man likely to lighten the burthen of life to her," and that both she and Mr. Thrale took to him at once. Madame D'Arblay is silent as to the introduction or recommendation; but gives an amusing account of one of their first meetings:

"A few months after the Streathamite morning visit to St. Martin's Street, an evening party was arranged by Dr. Burney, for bringing thither again Dr. Johnson and Mrs. Thrale, at the desire of Mr. and Mrs. Greville and Mrs. Crewe; who wished, under the quiet roof of Dr. Burney, to make acquaintance with these celebrated personages." The conversation flagged, and recourse was had to music—

"Piozzi, a first-rate singer, whose voice was deliciously sweet, and whose expression was perfect, sung in his very best manner, from his desire to do honour to il Capo di Casa; but il Capo di Casa and his family alone did justice to his strains: neither the Grevilles nor the Thrales heeded music beyond what belonged to it as fashion: the expectations of the Grevilles were all occupied by Dr. Johnson; and those of the Thrales by the authoress of the Ode to Indifference. When Piozzi, therefore, arose, the party remained as little advanced in any method or pleasure for carrying on the evening, as upon its first entrance into the room....

"Dr. Burney now began to feel considerably embarrassed; though still he cherished hopes of ultimate relief from some auspicious circumstance that, sooner or later, would operate, he hoped, in his favour, through the magnetism of congenial talents.

"Vainly, however, he sought to elicit some observations that might lead to disserting discourse; all his attempts received only quiet, acquiescent replies, 'signifying nothing.' Every one was awaiting some spontaneous opening from Dr. Johnson.

"Mrs. Thrale, of the whole coterie, was alone at her ease. She feared not Dr. Johnson; for fear made no part of her composition; and with Mrs. Greville, as a fair rival genius, she would have been glad, from curiosity, to have had the honour of a little tilt, in full carelessness of its event; for though triumphant when victorious, she had spirits so volatile, and such utter exemption from envy or spleen, that she was gaily free from mortification when vanquished. But she knew the meeting to have been fabricated for Dr. Johnson; and, therefore, though not without difficulty, constrained herself to be passive.

"When, however, she observed the sardonic disposition of Mr. Greville to stare around him at the whole company in curious silence, she felt a defiance against his aristocracy beat in every pulse; for, however grandly he might look back to the long ancestry of the Brookes and the Grevilles, she had a glowing consciousness that her own blood, rapid and fluent, flowed in her veins from Adam of Saltsberg; and, at length, provoked by the dullness of a taciturnity that, in the midst of such renowned interlocutors, produced as narcotic a torpor as could have been caused by a dearth the most barren of human faculties; she grew tired of the music, and yet more tired of remaining, what as little suited her inclinations as her abilities, a mere cipher in the company; and, holding such a position, and all its concomitants, to be ridiculous, her spirits rose rebelliously above her control; and, in a fit of utter recklessness of what might be thought of her by her fine new acquaintance, she suddenly, but softly, arose, and stealing on tip-toe behind Signor Piozzi, who was accompanying himself on the piano-forte to an animated arria parlante, with his back to the company, and his face to the wall; she ludicrously began imitating him by squaring her elbows, elevating them with ecstatic shrugs of the shoulders, and casting up her eyes, while languishingly reclining her head; as if she were not less enthusiastically, though somewhat more suddenly, struck with the transports of harmony than himself.

"This grotesque ebullition of ungovernable gaiety was not perceived by Dr. Johnson, who faced the fire, with his back to the performer and the instrument. But the amusement which such an unlooked for exhibition caused to the party, was momentary; for Dr. Burney, shocked lest the poor Signor should observe, and be hurt by this mimicry, glided gently round to Mrs. Thrale, and, with something between pleasantness and severity, whispered to her, 'Because, Madam, you have no ear yourself for music, will you destroy the attention of all who, in that one point, are otherwise gifted?'

"It was now that shone the brightest attribute of Mrs. Thrale, sweetness of temper. She took this rebuke with a candour, and a sense of its justice the most amiable: she nodded her approbation of the admonition; and, returning to her chair, quietly sat down, as she afterwards said, like a pretty little miss, for the remainder of one of the most humdrum evenings that she had ever passed.

"Strange, indeed, strange and most strange, the event considered, was this opening intercourse between Mrs. Thrale and Signor Piozzi. Little could she imagine that the person she was thus called away from holding up to ridicule, would become, but a few years afterwards, the idol of her fancy and the lord of her destiny! And little did the company present imagine, that this burlesque scene was but the first of a drama the most extraordinary of real life, of which these two persons were to be the hero and heroine: though, when the catastrophe was known, this incident, witnessed by so many, was recollected and repeated from coterie to coterie throughout London, with comments and sarcasms of endless variety."[1]

[1] Memoirs of Dr. Burney, &c., vol. ii, pp. 105—111.

Madame D'Arblay mentioned the same circumstance in conversation to the Rev. W. Harness: yet it seems strange in connection with an entry in "Thraliana" from which it would appear that her friend was far from wanting in susceptibility to sweet sounds:

"13 August, 1780.—Piozzi is become a prodigious favourite with me, he is so intelligent a creature, so discerning, one can't help wishing for his good opinion; his singing surpasses everybody's for taste, tenderness, and true elegance; his hand on the forte piano too is so soft, so sweet, so delicate, every tone goes to the heart, I think, and fills the mind with emotions one would not be without, though inconvenient enough sometimes. He wants nothing from us: he comes for his health he says: I see nothing ail the man but pride. The newspapers yesterday told what all the musical folks gained, and set Piozzi down 1200l. o' year."

On the 24th August, 1780, Madame D'Arblay writes: "I have not seen Piozzi: he left me your letter, which indeed is a charming one, though its contents puzzled me much whether to make me sad or merry." Mrs. Thrale was still at Brighton; so that the scene at Dr. Burney's must have occurred subsequently; when she had already begun to find Piozzi what the Neapolitan ladies understand by simpatico. Madame D'Arblay's "Memoirs," as I shall have occasion to point out, are by no means so trustworthy a register of dates, facts, or impressions as her "Diary."

Whilst Thrale lived, Mrs. Thrale's regard for Piozzi was certainly not of a nature to cause scandal or provoke censure, and as it ripened into love, it may be traced, step by step, from the frankest and fullest of all possible unveilings of the heart. Rare indeed are the instances in which such revelations as we find in "Thraliana" could be risked by either man or woman, without giving scope to malevolence; and they should not only be judged as a whole and by the context, but the most favourable construction should be put upon them. When, in this sort of self-communing, every passing emotion, every transitory inclination, is set down, it would be unfair and even foolish to infer that the emotion at once became a passion, or that the inclination was criminally indulged.

The next notice of Piozzi occurs in Madame D'Arblay's "Diary" for July 10th, 1781:

"You will believe I was not a little surprised to see Sacchini. He is going to the Continent with Piozzi, and Mrs. Thrale invited them both to spend the last day at Streatham, and from hence proceed to Margate.... The first song he sang, beginning 'En quel amabil volto,' you may perhaps know, but I did not; it is a charming mezza bravura. He and Piozzi then sung together the duet of the 'Amore Soldato;' and nothing could be much more delightful; Piozzi taking pains to sing his very best, and Sacchini, with his soft but delicious whisper, almost thrilling me by his exquisite and pathetic expression. They then went through that opera, great part of 'Creso,' some of 'Erifile,' and much of 'Rinaldo.'"

Piozzi's attentions had attracted Johnson's notice without troubling his peace. On November 24th, 1781, he wrote from Ashbourne: "Piozzi, I find, is coming in spite of Miss Harriet's prediction, or second sight, and when he comes and I come, you will have two about you that love you; and I question if either of us heartily care how few more you have. But how many soever they may be, I hope you keep your kindness for me, and I have a great mind to have Queeny's kindness too."

Again, December 3rd, 1781: "You have got Piozzi again, notwithstanding pretty Harriet's dire denunciations. The Italian translation which he has brought, you will find no great accession to your library, for the writer seems to understand very little English. When we meet we can compare some passages. Pray contrive a multitude of good things for us to do when we meet. Something that may hold all together; though if any thing makes me love you more, it is going from you."

We learn from "Thraliana," that the entanglement with Piozzi was not the only one of which Streatham was contemporaneously the scene:

"August, 1781.—I begin to wish in good earnest that Miss Burney should make impression on Mr. Crutchley. I think she honestly loves the man, who in his turn appears to be in love with some one else—Hester, I fear, Oh! that would indeed be unlucky! People have said so a long while, but I never thought it till now; young men and women will always be serving one so, to be sure, if they live at all together, but I depended on Burney keeping him steady to herself. Queeny behaves like an angel about it. Mr. Johnson says the name of Crutchley comes from croix lea, the cross meadow; lea is a meadow, I know, and crutch, a crutch stick, is so called from having the handle go crosswise."

"September, 1781.—My five fair daughters too! I have so good a pretence to wish for long life to see them settled. Like the old fellow in 'Lucian,' one is never at a loss for an excuse. They are five lovely creatures to be sure, but they love not me. Is it my fault or theirs?"

"12th October, 1781.—Yesterday was my wedding-day; it was a melancholy thing to me to pass it without the husband of my youth.

"'Long tedious years may neither moan,

Sad, deserted, and alone;

May neither long condemned to stay

Wait the second bridal day!!!'[1]

"Let me thank God for my children, however, my fortune, and my friends, and be contented if I cannot be happy."

[1] Note by Mrs. T.: "Samuel Wesley's verses, making part of an epithalamium."

"15th October, 1781.—My maid Margaret Rice dreamed last night that my eldest daughter was going to be married to Mr. Crutchley, but that Mr. Thrale himself prevented her. An odd thing to me, who think Mr. Crutchley is his son."

Although the next day but one after Thrale's death Johnson carried Boswell to dine at the Queen's Arms' Club, his grief was deep and durable. Indeed, it is expressed so often and so earnestly as to rebut the presumption that "my mistress" was the sole or chief tie which bound him to Streatham. Amongst his Prayers and Meditations is the following:

"Good Friday, April 13th, 1781.—On Wednesday, 11th, was buried my dear friend Thrale, who died on Wednesday, 4th; and with him were buried many of my hopes and pleasures. About five, I think, on Wednesday morning, he expired. I felt almost the last flutter of his pulse, and looked for the last time upon the face that for fifteen years had never been turned upon me but with respect or benignity. Farewell. May God, that delighteth in mercy, have had mercy on thee! I had constantly prayed for him some time before his death. The decease of him, from whose friendship I had obtained many opportunities of amusement, and to whom I turned my thoughts as to a refuge from misfortunes, has left me heavy. But my business is with myself."

On the same paper is a note: "My first knowledge of Thrale was in 1765. I enjoyed his favours for almost a fourth part of my life."

On the 20th March, 1782, he wrote thus to Langton:

"Of my life, from the time we parted, the history is mournful. The spring of last year deprived me of Thrale, a man whose eye for fifteen years had scarcely been turned upon me but with respect or tenderness; for such another friend, the general course of human things will not suffer man to hope. I passed the summer at Streatham, but there was no Thrale; and having idled away the summer with a weakly body and neglected mind, I made a journey to Staffordshire on the edge of winter. The season was dreary, I was sickly, and found the friends sickly whom I went to see."

There is ample evidence that he neither felt nor suspected any diminution of kindness or regard, and continued, till their final departure from Streatham, to treat it as his home.

In November she writes, "Do not forget Streatham and its inhabitants, who are all much yours;" and he replies:

"Birmingham, Dec. 8th, 1781.

"DEAR MADAM,—I am come to this place on my way to London and to Streatham. I hope to be in London on Tuesday or Wednesday, and Streatham on Thursday, by your kind conveyance. I shall have nothing to relate either wonderful or delightful. But remember that you sent me away, and turned me out into the world, and you must take the chance of finding me better or worse. This you may know at present, that my affection for you is not diminished, and my expectation from you is increased. Do not neglect me, nor relinquish me. Nobody will ever love you better or honour you more."

"Feb. 16th, 1782.

"DEAREST LADY,—I am better, but not yet well; but hope springs eternal. As soon as I can think myself not troublesome, you may be sure of seeing me, for such a place to visit nobody ever had. Dearest Madam, do not think me worse than I am; be sure, at least, that whatever happens to me, I am with all the regard that admiration of excellence and gratitude for kindness can excite, Madam, your" &c.

In "Thraliana":

"23rd February, 1782 (Harley Street).—The truth is, Mr. Johnson has some occult disorder that I cannot understand; Jebb and Bromfield fancy it is water between the heart and pericardium—I do not think it is that, but I do not know what it is. He apprehends no danger himself, and he knows more of the matter than any of them all."

On February 27th, 1782, he writes to Malone: "I have for many weeks been so much out of order, that I have gone out only in a coach to Mrs. Thrale's, where I can use all the freedom that sickness requires."

On March 20th, 1782, to Mrs. Grastrell and Mrs. Aston: "When Dr. Falconer saw me, I was at home only by accident, for I lived much with Mrs. Thrale, and had all the care from her that she could take or could be taken."

April 26th, 1782, to Mrs. Thrale:

"MADAM,—I have been very much out of order since you sent me away; but why should I tell you, who do not care, nor desire to know? I dined with Mr. Paradise on Monday, with the Bishop of St. Asaph yesterday, with the Bishop of Chester I dine to-day, and with the Academy on Saturday, with Mr. Hoole on Monday, and with Mrs. Garrick on Thursday, the 2nd of May, and then—what care you? What then?

"The news run, that we have taken seventeen French transports; that Langton's lady is lying down with her eighth child, all alive; and Mrs. Carter's Miss Sharpe is going to marry a schoolmaster sixty-two years old.

"Do not let Mr. Piozzi nor any body else put me quite out of your head, and do not think that any body will love you like your" &c.

"April 30th, 1782.

"Mrs. Sheridan refused to sing, at the Duchess of Devonshire's request, a song to the Prince of Wales. They pay for the Theatre neither principal nor interest; and poor Garrick's funeral expenses are yet unpaid, though the undertaker is broken. Could you have a better purveyor for a little scandal? But I wish I was at Streatham. I beg Miss to come early, and I may perhaps reward you with more mischief."

She went to Streatham on the 18th April, 1782, and Johnson evidently with her. In "Thraliana" she writes:

"Saturday, 9th May, 1782.—To-day I bring home to Streatham my poor Dr. Johnson: he went to town a week ago by the way of amusing himself, and got so very ill that I thought I should never get him home alive,"—by home meaning Streatham.

Johnson to Mrs. Thrale:

"June 4th, 1782.

"This day I dined upon skate, pudding, goose, and your asparagus, and could have eaten more, but was prudent. Pray for me, dear Madam; I hope the tide has turned. The change that I feel is more than I durst have hoped, or than I thought possible; but there has not yet passed a whole day, and I may rejoice perhaps too soon. Come and see me, and when you think best, upon due consideration, take me away."

From her to him:

"Streatham, June 14th, 1782.

"DEAR SIR,—I am glad you confess yourself peevish, for confession must precede amendment. Do not study to be more unhappy than you are, and if you can eat and sleep well, do not be frighted, for there can be no real danger. Are you acquainted with Dr. Lee, the master of Baliol College? And are you not delighted with his gaiety of manners and youthful vivacity now that he is eighty-six years old? I never heard a more perfect or excellent pun than his, when some one told him how, in a late dispute among the Privy Counsellors, the Lord Chancellor (Thurlow) struck the table with such violence that he split it. 'No, no,' replied the Master, drily, 'I can hardly persuade myself that he split the table, though I believe he divided the Board.' Will you send me anything better from Oxford than this? for there must be no more fastidiousness now; no more refusing to laugh at a good quibble, when you so loudly profess the want of amusement and the necessity of diversion."

From him to her:

"Oxford, June 17th, 1782.

"Oxford has done, I think, what for the present it can do, and I am going slyly to take a place in the coach for Wednesday, and you or my sweet Queeny will fetch me on Thursday, and see what you can make of me."

Hannah More met him during this visit to Oxford, and writes, June 13th, 1782: "Who do you think is my principal cicerone at Oxford? only Dr. Johnson! and we do so gallant it about."

Madame D'Arblay, then at Streatham, writes, June 26th, 1782: "Dr. Johnson, who had been in town some days, returned, and Mr. Crutchley came also, as well as my father." After describing some lively conversation, she adds: "I have very often, though I mention them not, long and melancholy discourses with Dr. Johnson, about our dear deceased master, whom, indeed, he regrets unceasingly; but I love not to dwell on subjects of sorrow when I can drive them away, especially to you (her sister), upon this account as you were so much a stranger to that excellent friend, whom you only lamented for the sake of those who survived him." He had only returned that very day, and she had been absent from Streatham, as she states elsewhere, till "the Cecilian business was arranged," i.e. till the end of May.

On the 24th August, 1782 (this date is material) Johnson writes to Boswell:

"DEAR SIR,—Being uncertain whether I should have any call this autumn into the country, I did not immediately answer your kind letter. I have no call; but if you desire to meet me at Ashbourne, I believe I can come thither; if you had rather come to London, I can stay at Streatham: take your choice."

This was two days after Mrs. Thrale, with his full concurrence, had made up her mind to let Streatham. He treats it, notwithstanding, as at his disposal for a residence so long as she remains in it.

The books and printed letters from which most of these extracts are taken, have been all along accessible to her assailants. Those from "Thraliana," which come next, are new:

"25th November, 1781.—I have got my Piozzi[1] home at last; he looks thin and battered, but always kindly upon me, I think. He brought me an Italian sonnet written in his praise by Marco Capello, which I instantly translated of course; but he, prudent creature, insisted on my burning it, as he said it would inevitably get about the town how he was praised, and how Mrs. Thrale translated and echoed the praises, so that, says he, I shall be torn in pieces, and you will have some infamità said of you that will make you hate the sight of me. He was so earnest with me that I could not resist, so burnt my sonnet, which was actually very pretty; and now I repent I did not first write it into the Thraliana. Over leaf, however, shall go the translation, which happens to be done very closely, and the last stanza is particularly exact. I must put it down while I remember it:

1.

"'Favoured of Britain's pensive sons,

Though still thy name be found,

Though royal Thames where'er he runs

Returns the flattering sound,

2.

Though absent thou, on every joy

Her gloom privation flings,

And Pleasure, pining for employ,

Now droops her nerveless wings,

3.

Yet since kind Fates thy voice restore

To charm our land again[2],—

Return not to their rocky shore,

Nor tempt the angry main.

4.

Nor is their praise of so much worth,

Nor is it justly given,

That angels sing to them on earth

Who slight the road to heaven.'

"He tells me—Piozzi does—that his own country manners greatly disgusted him, after having been used to ours; but Milan is a comfortable place, I find. If he does not fix himself for life here, he will settle to lay his bones at Milan. The Marquis D'Araciel, his friend and patron, who resides there, divides and disputes his heart with me: I shall be loth to resign it."

[1] This mode of expression did not imply then what it might now. See ante, p. 92, where Johnson writes to "my Baretti."

[2] "Capello is a Venetian poet."

"17th December, 1781.—Dear Mr. Johnson is at last returned; he has been a vast while away to see his country folks at Litchfield. My fear is lest he should grow paralytick,—there are really some symptoms already discoverable, I think, about the mouth particularly. He will drive the gout away so when it comes, and it must go somewhere. Queeny works hard with him at the classicks; I hope she will be out of leading-strings at least before he gets into them, as poor women say of their children."

"1st January, 1782.—Let me not, while censuring the behaviour of others, however, give cause of censure by my own. I am beginning a new year in a new character. May it be worn decently yet lightly! I wish not to be rigid and fright my daughters by too much severity. I will not be wild and give them reason to lament the levity of my life. Resolutions, however, are vain. To pray for God's grace is the sole way to obtain it—'Strengthen Thou, O Lord, my virtue and my understanding, preserve me from temptation, and acquaint me with myself; fill my heart with thy love, restrain it by thy fear, and keep my soul's desires fixed wholly on that place where only true joys are to be found, through Jesus Christ our Lord,—Amen.'"

January, 1782.—(After stating her fear of illness and other ills.) "If nothing of all these misfortunes, however, befall one; if for my sins God should take from me my monitor, my friend, my inmate, my dear Doctor Johnson; if neither I should marry, nor the brewhouse people break; if the ruin of the nation should not change the situation of affairs so that one could not receive regular remittances from England: and if Piozzi should not pick him up a wife and fix his abode in this country,—if, therefore, and if and if and if again all should conspire to keep my present resolution warm, I certainly would, at the close of the four years from the sale of the Southwark estate, set out for Italy, with my two or three eldest girls, and see what the world could show me."

In a marginal note, she adds:

"Travelling with Mr. Johnson I cannot bear, and leaving him behind he could not bear, so his life or death must determine the execution or laying aside my schemes. I wish it were within reason to hope he could live four years."

"Streatham, 4th January, 1782.—I have taken a house in Harley Street for these three months next ensuing, and hope to have some society,—not company tho': crowds are out of the question, but people will not come hither on short days, and 'tis too dull to live all alone so. The world will watch me at first, and think I come o' husband-hunting for myself or my fair daughters, but when I have behaved prettily for a while, they will change their mind."

"Harley Street, 14th January, 1782.—The first seduction comes from Pepys. I had a letter to-day desiring me to dine in Wimpole Street, to meet Mrs. Montagu and a whole army of blues, to whom I trust my refusal will afford very pretty speculation ... and they may settle my character and future conduct at their leisure. Pepys is a worthless fellow at last; he and his brother run about the town, spying and enquiring what Mrs. Thrale is to do this winter, what friends she is to see, what men are in her confidence, how soon she will be married, &c.; the brother Dr.—the Medico, as we call him—lays wagers about me, I find; God forgive me, but they'll make me hate them both, and they are no better than two fools for their pains, for I was willing to have taken them to my heart."

"They say Pacchierotti, the famous soprano singer, is ill, and they say Lady Mary Duncan, his frightful old protectress, has made him so by her caresses dénaturées. A little envy of the new woman, Allegrante, has probably not much mended his health, for Pacchierotti, dear creature, is envious enough. I was, however, turning over Horace yesterday, to look for the expression tenui fronte[1], in vindication of my assertion to Johnson that low foreheads were classical, when the 8th Ode of the First Book of Horace struck me so, I could not help imitating it while the scandal was warm in my mind:

1.

"'He's sick indeed! and very sick,

For if it is not all a trick

You'd better look about ye.

Dear Lady Mary, prythee tell

Why thus by loving him too well

You kill your Pacchierotti?

2.

Nor sun nor dust can he abide,

Nor careless in a snaffle ride,

The steed we saw him mount ill.

You stript him of his manly force,

When tumbling headlong from his horse

He pressed the plains of Fonthill.[2]

3.

Why the full opera should he shun?

Where crowds of critics smiling run,

To applaud their Allegrante.

Why is it worse than viper's sting,

To see them clap, or hear her sing?

Surely he's envious, ain't he?

4.

Forbear his house, nor haunt his bed

With that strange wig and fearful head,

Then, though he now so ill is,

We o'er his voice again may doze,

When, cover'd warm with women's clothes,

He acts a young Achilles.'"