"I conjecture then," continues Saunderson, enlarging the idea of the possibilities of matter and motion, "that in the beginning when matter in fermentation gradually brought our universe bursting into being, blind creatures like myself were very common. But why should I not believe of worlds what I believe of animals? How many worlds, mutilated and imperfect, were peradventure dispersed, then re-formed, and are again dispersing at each moment of time in those far-off spaces which I cannot touch and you cannot behold, but where motion combines and will continue to combine masses of matter, until they have chanced on some arrangement in which they may finally persevere! O philosophers, transport yourselves with me on to the confines of the universe, beyond the point where I feel, and you see, organised beings; gaze over that new ocean, and seek across its lawless, aimless heavings some vestiges of that intelligent Being whose wisdom strikes you with such wonder here!

"What is this world? A complex whole, subject to endless revolutions. All these revolutions show a continual tendency to destruction; a swift succession of beings who follow one another, press forward, and vanish; a fleeting symmetry; the order of a moment. I reproached you just now with estimating the perfection of things by your own capacity; and I might accuse you here of measuring its duration by the length of your own days. You judge of the continuous existence of the world, as an ephemeral insect might judge of yours. The world is eternal for you, as you are eternal to the being that lives but for one instant. Yet the insect is the more reasonable of the two. For what a prodigious succession of ephemeral generations attests your eternity! What an immeasurable tradition! Yet shall we all pass away, without the possibility of assigning either the real extension that we filled in space, or the precise time that we shall have endured. Time, matter, space—all, it may be, are no more than a point."[71]

Diderot sent a copy of his work to Voltaire. The poet replied with his usual playful politeness, but declared his dissent from Saunderson, "who denied God, because he happened to have been born blind."[72] More pretentious, and infinitely less acute critics than Voltaire, have fixed on the same point in the argument and met it by the same answer; namely, that, blind as he was, Saunderson ought to have recognised an intelligent Being who had provided him with so many substitutes for sight; he ought to have inferred a skilful demiurgus from those ordered relations in the universe, which Thought, independently of Vision, might well have disclosed to him. In truth, this is not the centre of the whole argument. When Saunderson implies that he could only admit a God on condition that he could touch him, he makes a single sense the channel of all possible ideas, and the arbiter of all reasoned combinations of ideas. This is absurd, and Diderot, as we have seen, rapidly passed away from that to the real strength of the position. All the rest of the contention against final causes would have come just as fitly from the lips of a man with vision, as from Saunderson. The hypothetical inference of a deity from the marvels of adaptation to be found in the universe is unjustified, among other reasons, because it ignores or leaves unexplained the marvels of mis-adaptation in the universe. It makes absolute through eternity a hypothesis which can at its best only be true relatively—not merely to the number of our senses, but—to a few partially chosen phenomena of our own little day. It explains a few striking facts; it leaves wholly unexplained a far greater number of equally striking facts, even if it be not directly contradicted by them. It is the invention of an imaginary agency to account for the scanty successes of creation, and an attribution to that agency of the kind of motives that might have animated a benevolent European living in the eighteenth century. It leaves wholly unaccounted for the prodigious host of monstrous or imperfect organisms, and the appalling law of merciless and incessant destruction.

To us this is the familiar discussion of the day. But let us return to the starting-point of this chapter. In France a hundred and twenty years ago it was the first opening of a decisive breach in the walls that had sheltered the men of Western Europe against outer desolation for some fifteen centuries or more. The completeness of Catholicism, as a self-containing system of life and thought, is now harder for Protestants or Sceptics to realise, than any other fact in the whole history of human society. Catholicism was not only an institution, nor only a religious faith; it was also a philosophy and a systematised theory of the universe. The Church during its best age directed the moral relations of individual men, and attempted, more or less successfully, to humanise the relations of communities. It satisfied or stimulated the affections by its exaltation of the Virgin Mary as a supreme object of worship; it nourished the imagination on polytheistic legends of saints and martyrs; it stirred the religious emotions by touching and impressive rites; it surrounded its members with emblems of a special and invincible protection. Catholicism, we have again and again to repeat, claimed to deal with life as a whole, and to leave no province of nature, no faculty of man, no need of intelligence or spirit, uncomprehended. But we must not forget that, though this prodigious system had its root in the affections and sympathies of human nature, it was also fenced round by a theory of metaphysic. It rested upon authority and tradition, but it also sought an expression in an intellectual philosophy of things. The essence of this philosophy was to make man the final cause of the universe. Its interpretation of the world was absolute; its conception of the Creator was absolute; its account of our intellectual impressions, of our moral rules, of our spiritual ideals, made them all absolute. Now Diderot, when he wrote the Letter on the Blind, perceived that mere rationalistic attacks upon the sacred books, upon the miracles, upon the moral types, of Catholicism, could only be partially effective for destruction, and could have no effect at all in replacing the old ways of thinking by others of more solid truth. The attack must begin in philosophy. The first fruitful process must consist in shifting the point of view, in enlarging the range of the facts to be considered, in pressing the relativity of our ideas, in freeing ourselves from the tyranny of anthropomorphism.

Hobbes's witty definition of the papacy as the ghost of the old Roman Empire sitting enthroned on the grave thereof, may tempt us to forget the all-important truth that the basis of the power of the ghost was essentially different from that of the dissolved body. The Empire was a political organisation, resting on military force. The Church was a social organisation, made vital by a conviction. The greatest fact in the intellectual history of the eighteenth century is the decisive revolution that overtook that sustaining conviction. The movement and the men whom we are studying owe all their interest to the share that they had in this immense task. The central conception, that the universe was called into existence only to further its Creator's purpose towards man, became incredible. This absolute proposition was slowly displaced by notions of the limitation of human faculties, and of the comparatively small portion of the whole cosmos or chaos to which we have reason to believe that these faculties give us access. To substitute this relative point of view for the absolute, was the all-important preliminary to the effectual breaking up of the great Catholic construction.

What seems to careless observers a mere metaphysical dispute was in truth, and still is, the decisive quarter of the great battle between theology and a philosophy reconcilable with science. When the Catholic reaction set in, Joseph de Maistre, by far its acutest champion in the region of philosophy, at once made it his first business to attack the principle of relativity with all his force of dialectic, and to reinstate absolute modes of thinking, and the absolute quality of Catholic propositions about religion, knowledge, and government.[73] Yet neither he nor any one else on his side has ever effectively shaken the solid argument which Diderot fancifully illustrated in the following passage from his reply to Voltaire's letter of thanks for the opuscule: "This marvellous order and these wondrous adaptations, what am I to think of them? That they are metaphysical entities only existing in your own mind. You cover a vast piece of ground with a mass of ruins falling hither or thither at hazard; amid these the worm and the ant find commodious shelter enough. What would you say of these insects, if they were to take for real and final entities the relations of the places which they inhabit to their organisation, and then fall into ecstasies over the beauty of their subterranean architecture, and the wonderfully superior intelligence of the gardener who arranges things so conveniently for them?"[74] This is the notion which Voltaire himself three years afterwards illustrated in the witty fancies of Micromégas. The little animalcule in the square cap, who makes the giant laugh in a Homeric manner by its inflated account of itself as the final cause of the universe, is the type of the philosophy on which Catholicism is based.

In the same letter Diderot avows his dissent—hypocritically, we find reason for suspecting—from Saunderson's conclusion. "It is commonly in the night-time," he says, "that the mists arise which obscure in me the existence of God; the rising of the sun never fails to scatter them. But then the darkness is ever-enduring for the blind, and the sun only rises for those who see." Diderot's denial of atheism seems more than suspicious, when one finds him taking so much pains to make out Saunderson's case for him, when he urges the argument following, for instance: "If there had never existed any but material beings, there would never have been spiritual beings; for then the spiritual beings would either have given themselves existence, or else would have received it from the material beings. But if there had never existed any but spiritual beings, you will see that there would never have been material beings. Right philosophy only allows me to suppose in things what I can distinctly perceive in them. Now I perceive no other faculties distinctly in the mind except those of willing and thinking, and I no more conceive that thought and will can act on material beings or on nothing, than I can conceive material beings or nothing acting on spiritual beings." And he winds up his letter thus: "It is very important not to take hemlock for parsley; but not important at all to believe or to disbelieve in God. The world, said Montaigne, is a tennis-ball that he has given to philosophers to toss hither and thither; and I would say nearly as much of the Deity himself."[75]

In concluding our account of this piece, we may mention that Diderot threw out a hint, which is a good illustration of the alert and practically helpful way in which his mind was always seeking new ideas. We have common signs, he said, appealing to the eye, namely, written characters, and others appealing to the ear, namely, articulate sounds; we have none appealing to touch. "For want of such a language, communication is entirely broken between us and those who are born deaf, dumb, and blind. They grow, but they remain in a state of imbecility. Perhaps they would acquire ideas, if we made ourselves understood by them from childhood in a fixed, determinate, constant, and uniform manner; in short, if we traced on their hand the same characters that we trace upon paper, and invariably attached the same significance to them."[76] The patient benevolence and ingenuity of Dr. Howe of Boston has realised in our own day the value of Diderot's suggestion.

One or two trifling points of literary interest may be noticed in the Letter on the Blind. Diderot refers to "the ingenious expression of an English geometer that God geometrises" (p. 294). He is unaware apparently of the tradition which attributes the expression to Plato, though it is not found in Plato's writings. Plutarch, I believe, is the first person who mentions the saying, and discusses what Plato exactly meant by it. In truth, it is one of that large class of dicta which look more ingenious than they are true. There is a fine Latin passage by Barrow on the mighty geometry of the universe, and the reader of the Religio Medici (p. 42) may remember that Sir Thomas Browne pronounces God to be "like a skilful geometrician."

An odd coincidence of simile is worth mentioning. Diderot says "that great services are like large pieces of money, that we have seldom any occasion to use. Small attentions are a current coin that we always carry in our hands." This is curiously like the saying in the Tatler that "A man endowed with great perfections without good breeding is like one who has his pockets full of gold, but wants change for his ordinary occasions." Yet if Diderot had read the Tatler, he would certainly have referred to the story in No. 55, how William Jones of Newington, born blind, was brought to sight at the age of twenty—a story told in a manner after Diderot's own heart.

II.

It is proper in this place to mention a short philosophic piece which Diderot wrote in 1751, his Letter on the Deaf and Dumb for the Use of those who Hear and Talk. This is not, like the Letter on the Blind, the examination of a case of the Intellect deprived of one or more of the senses. It is substantially a fragment, and a very important fragment, on Æsthetics, and as such there will be something to say about it in another chapter. But there are, perhaps, one or two points at which the Letter on the Deaf and Dumb touches the line of thought of the Letter on the Blind.

The Letter opens on the question of the origin and limits of inversion in language. This at once leads to a discussion of the natural order of ideas and expressions, and that original order, says Diderot, we can only ascertain by a study of the language of gesture. Such a study can be pursued either in assiduous conversation with one who has been deaf and dumb from birth, or by the experiment of a muet de convention, a man who foregoes the use of articulate sounds for the sake of experiment as to the process of the formation of language. Generalising this idea, Diderot proceeds to consider man as distributed into as many distinct and separate beings as he has senses. "My idea would be to decompose a man, so to speak, and to examine what he derives from each of the senses with which he is endowed. I have sometimes amused myself with this kind of metaphysical anatomy; and I found that of all the senses, the eye was the most superficial; the ear, the proudest; smell, the most voluptuous; taste, the most superstitious and the most inconstant; touch, the profoundest and the most of a philosopher. It would be amusing to get together a society, each member of which should have no more than one sense; there can be no doubt that they would all treat one another as out of their wits."

This is interesting, because it was said at the time to be the source of one of the most famous fancies in the philosophical literature of the century, the Statue in Condillac's Treatise on the Sensations. Condillac imagined a statue organised like a man, but each sense unfolding itself singly, at the will of an eternal arbiter. The philosopher first admits the exercise of smell to his Frankenstein, and enumerates the mental faculties which might be expected to be set in operation under the changing impressions made upon that one sense. The other senses are imparted to it in turn, one by one, each adding a new group of ideas to the previous stock, until at length the mental equipment is complete.

We may see the extent of the resemblance between Condillac's Statue and Diderot's muet de convention, but Diderot at least is free from the charge of borrowing. Condillac's book was published three years (1754) after the Letter on the Deaf and Dumb, and he afterwards wrote a pamphlet defending himself from the charge of having taken the fancy of his Statue from Diderot; nor, for that matter, did Diderot ever make sign or claim in the matter. We have already spoken of the relations between the two philosophers, and though it is a mistake to describe Diderot as one of Condillac's most celebrated pupils,[77] yet there is just as little reason to invert the connection, or to doubt Condillac's own assertion that the Statue was suggested to him by Mademoiselle Ferrand, that remarkable woman to whose stimulating and directing influence he always professed such deep obligation. Attention has been called to the fact that in 1671 a Parisian bookseller published a Latin version of a much more intelligent and scientific fancy than the Statue—the Philosophus Autodidactus of the Arabian, Ibn Tophail. This was a romance, in which a human being is suckled by a gazelle on a desert island in the tropics, and grows up in the manner of some Robinson Crusoe with a turn for psychological speculation, and gradually becomes conscious, through observation, of the peculiar properties belonging to his senses.[78]

Of the part of the Letter that concerns gesture, one can only say that it appears astonishingly crude to those who know the progress that has been made since Diderot's time in collecting and generalising the curious groups of fact connected with gesture-language. We can imagine the eager interest that Diderot would have had in such curious observations as that gesture-language has something like a definite syntax; that it furnishes no means of distinguishing causation from sequence or simultaneity; that savages can understand and be understood with ease and certainty in a deaf-and-dumb school.[79] Diderot was acute enough to see that the questions of language could only be solved, not by the old metaphysical methods, but experientially. For the experiential method in this matter the time was not ripe. It was no wonder, then, that after a few pages, he broke away and hastened to æsthetics.

III.

Penalties on the publication of heretical opinion did not cease in England with the disappearance of the Licensing Act. But they were at least inflicted by law. It was the Court of King's Bench which, in 1730, visited Woolston with fine and imprisonment, after all the forms of a prosecution had been duly gone through. It was no Bishop's court nor Star Chamber, much less a warrant signed by George the Third or by Bute, which in 1762 condemned Peter Annet to the pillory and the gaol for his Free Inquirer. The only evil which overtook Mandeville for his Fable of the Bees was to be harmlessly presented (1723) as a public nuisance by the Grand Jury of Middlesex. We may contrast with this the state of things which prepared a revolution in France.

One morning in July, 1749—almost exactly forty years before that July of '89, so memorable in the annals of arbitrary government and state prisons—a commissary of police and three attendants came to Diderot's house, made a vigorous scrutiny of his papers, and then produced a warrant for his detention. The philosopher, without any ado, told his wife not to expect him home for dinner, stepped into the chaise, and was driven off with his escort to Vincennes. His real offence was a light sneer in the Letter on the Blind at the mistress of a minister.[80] The atheistical substance of the essay, however, apart from the pique of a favourite, would have given sufficiently good grounds for a prosecution in England, and in France for that vile substitute for prosecution, the lettre-decachet. And there happened to be special causes for harshness towards the press at this moment. Verses had been published satirising the king and his manner of life in bitter terms, and a stern raid was made upon all the scribblers in Paris. At the court there had just taken place one of those reactions in favour of the ecclesiastical party, which for thirty years in the court history alternated so frequently with movements in the opposite direction. The gossip of the town set down Diderot's imprisonment to a satire against the Jesuits, of which he was wrongly supposed to be the author.[81] It is not worth while to seek far for a reason, when authority was as able and as ready to thrust men into gaol for a bad reason as for a good one. The writer or the printer of a philosophical treatise was at this moment looked upon in France much as a magistrate now looks on the wretch who vends infamous prints.

The lieutenant of police (Berryer) treated the miserable author with additional severity, for stubbornly refusing to give up the name of the printer. Diderot was well aware that the printer would be sent to the galleys for life, if the lieutenant of police could once lay hands upon him. This personage, we may mention, was afterwards raised to the dignified office of keeper of the seals, as a reward for his industry and skill in providing victims for the royal seraglio at Versailles.[82] The man who had ventured to use his mind, was thrown into the dungeon at Vincennes by the man who played spy and pander for the Pompadour. The official record of a dialogue between Berryer and Denis Diderot, "of the Catholic, Apostolic, and Roman religion," is a singular piece of reading, if we remember that the prisoner's answers were made, "after oath taken by the respondent to speak and answer the truth."

"Interrogated if he has not composed a work entitled Letters on the Blind.

"Answered no.

"Interrogated by whom he had caused said work to be printed.

"Answered that he had not caused the said work to be printed.

"Interrogated if he knows the name of the author of the said work.

"Answered that he knows nothing about it.

"Interrogated whether he has not had said work in manuscript in his possession before it was printed.

"Answered that he had not had the said manuscript in his possession before or after it was printed.

"Interrogated whether he has not composed a work which appeared some years ago, entitled Philosophic Thoughts.

"Answered no."

And so, after a dozen more replies of equal veracity, on reading being made to the respondent of the present interrogatory, Diderot "said that the answers contain the truth, persisted in them, and signed," as witness his hand. A sorrowful picture, indeed, of the plight of an apostle of a new doctrine. On the other hand, the apostle of the new doctrine was perhaps good enough for the preachers of the old. Two years before this, the priest of the church of Saint Médard had thought it worth while to turn spy and informer. This is the report which the base creature sent to the lieutenant of police (1747):—

"Diderot, a man of no profession, living, etc., is a young man who plays the free-thinker, and glories in impiety. He is the author of several works of philosophy, in which he attacks religion. His talk is like his books. He is busy at the composition of one now, which is very dangerous."

The priest's delation was confirmed presently by a still lower agent of authority, who, in bad grammar and bad spelling, describes "this wretch Diderot as a very dangerous man, who speaks of the holy mysteries of our religion with contempt; who corrupts manners, and who says that when he comes to the last moment of his life, he will have to do like others, will confess, and will receive what we call our God, but it will only be for the sake of his family."[83]

All these things had prepared an unfriendly fate for Diderot when his time at last came, as it came to most of his friends. For a month he was cut off from the outer world. His only company was the Paradise Lost, which he happened to have in his pocket at the moment of his arrest. He compounded an ink for himself, by scraping the slate at the side of his window, grinding it very fine, and mixing with wine in a broken glass. A toothpick, found by happy accident in the pocket of his waistcoat, served him for pen, and the fly-leaves and margins of the Milton made a repository for his thoughts. With a simple but very characteristic interest in others who might be as unfortunate as himself, he wrote upon the walls of his prison his short recipe for writing materials.[84] Diderot might easily have been buried here for months or even years. But, as it happened, the governor of Vincennes was a kinsman of Voltaire's divine Emily, the Marquise du Châtelet. When Voltaire, who was then at Luneville, heard of Diderot's ill-fortune, he proclaimed as usual his detestation of a land where bigots can shut up philosophers under lock and key, and as usual he at once set to work to lessen the wrong. Madame du Châtelet was made to write to the governor, praying him to soften the imprisonment of Socrates-Diderot as much as he could.[85] It was the last of her good deeds, for she died in circumstances of grotesque tragedy in the following month (Sept. 1749), and her husband, her son, Voltaire, and Saint Lambert alternately consoled and reproached one another over her grave. Diderot meanwhile had the benefit of her intervention. He was transferred from the dungeon to the château, was allowed to wander about the park on his parole, and to receive visits from his friends. One of the most impulsive of these friends was Jean Jacques. Their first meeting after Diderot's imprisonment has been, described by Rousseau himself, in terms at which the phlegmatic will smile—not wisely, for the manner of expressing emotion, like all else, is relative. "After three or four centuries of impatience, I flew into the arms of my friend. indescribable moment! He, was not alone; D'Alembert and the treasurer of the Sainte Chapelle were with him. As I went in, I saw no one but himself. With a single hound and a cry, I pressed his face close to mine, I clasped him tightly in my arms, without speaking to him save by my tears and sobs; I was choking with tenderness and joy."[86] After this Rousseau used to walk over to see him two or three times a week. It was during one of these walks on a hot summer afternoon, that he first thought of that memorable literary effort, the essay against civilisation. He sank down at the foot of a tree, and feverishly wrote a page or two to show to his friend. He tells us that but for Diderot's encouragement he should hardly have executed his design. There is a story that it was Diderot who first suggested to Rousseau to affirm that arts and sciences had corrupted manners. There is no violent improbability in this. Diderot, for all the robustness and penetration of his judgment, was yet often borne by his natural impetuosity towards the region of paradox. His own curious and bold Supplément au Voyage de Bougainville is entirely in the vein of Rousseau's discourse on the superiority of primitive over civilised life. "Prodigious sibyl of the eighteenth century," cries Michelet, "the mighty magician Diderot! He breathed out one day a breath; lo, there sprang up a man—Rousseau."[87] It is hard to believe that such an astonishing genius for literature as Rousseau's could have lain concealed, after he had once inhaled the vivifying air of Paris. Yet the fire and inspiring energy of Diderot may well have been the quickening accident that brought his genius into productive life. All the testimony goes to show that it was so. Whether, however, Diderot is really responsible for the perverse direction of Rousseau's argument is a question of fact, and the evidence is not decisive.[88] It would be an odd example of that giant's nonchalance which is always so amazing in Diderot, if he really instigated the most eloquent and passionate writer then alive to denounce art and science as the scourge of mankind, at the very moment when he was himself straining his whole effort to spread the arts and sciences, and to cover them with glory in men's eyes.

Among Diderot's other visitors was Madame de Puisieux. One day she came clad in gay apparel, bound for a merry-making at a neighbouring village. Diderot, conceiving jealous doubts of her fidelity, received assurance that she would be solitary and companionless at the feast, thinking mournfully of her persecuted philosopher lying in prison. She forgot that one of the parents of philosophy is curiosity, and that Diderot had trained himself in the school of the sceptics. That evening he scaled the walls of the park of Vincennes, flew to the scene of the festival, and there found what he had expected. In vain for her had he written upon virtue and merit, and the unhallowed friendship came to an end.

After three months of captivity, Diderot was released. The booksellers who were interested in the Encyclopædia were importunate with the authorities to restore its head and chief to an enterprise that stirred universal curiosity.[89] For the first volume of that famous work was now almost ready to appear, and expectation was keen. The idea of the book had occurred to Diderot in 1745, and from 1745 to 1765 it was the absorbing occupation of his life. Of the value and significance of the conception underlying this immense operation, I shall speak in the next chapter. There also I shall describe its history. The circumstances under which these five-and-thirty volumes were given to the world mark Diderot for one of the few true heroes of literature. They called into play some of the most admirable of human qualities. They required a laboriousness as steady and as prolonged, a wariness as alert, a grasp of plan as firm, a fortitude as patient, unvarying, and unshaken, as men are accustomed to applaud in the engineer who constructs some vast and difficult work, or the commander who directs a hardy and dangerous expedition.


CHAPTER V.
THE ENCYCLOPÆDIA.

The history of the encyclopædic conception of human knowledge is a much more interesting and important object of inquiry than a list of the various encyclopædic enterprises to be found in the annals of literature. Yet it is proper here to mention some of the attempts in this direction, which preceded our memorable book of the eighteenth century. It is to Aristotle, no doubt, that we must look for the first glimpse of the idea that human knowledge is a totality, whose parts are all closely and organically connected with one another. But the idea that only dawned in that gigantic understanding was lost for many centuries. The compilations of Pliny are not in a right sense encyclopædic, being presided over by no definite idea of informing order. It was not until the later middle age that any attempt was made to present knowledge as a whole. Albertus Magnus, "the ape of Aristotle" (1193-1280), left for a season the three great questions of the existence of universals, of the modes of the existence of species and genus, and of their place in or out of the bosom of the individuals, and executed a compilation of such physical facts as had been then discovered.[90] A more distinctly encyclopædic work was the book of Vincent de Beauvais (d. 1264), called Speculum naturale, morale, doctrinale, et historiale—a compilation from Aquinas in some parts, and from Aristotle in others. Hallam mentions three other compilations of the thirteenth and fourteenth centuries, and observes that their laborious authors did not much improve the materials which they had amassed in their studies, though they sometimes arranged them conveniently. In the mediæval period, as he remarks, the want of capacity to discern probable truths was a very great drawback from the value of their compilations.[91]

Far the most striking production of the thirteenth century in this kind was the Opus Majus of Roger Bacon (1267), of which it has been said that it is at once the Encyclopædia and the Novum Organum of that age;[92] at once a summary of knowledge, and the suggestion of a truer method. This, however, was merely the introductory sketch to a vaster encyclopædic work, the Compendium Philosophiæ, which was not perfected. "In common with minds of great and comprehensive grasp, his vivid perception of the intimate relationship of the different parts of philosophy, and his desire to raise himself from the dead level of every individual science, induced Bacon to grasp at and embrace the whole."[93] In truth, the encyclopædic spirit was in the air throughout the thirteenth century. It was the century of books bearing the significant titles of Summa, or Universitas, or Speculum.

The same spirit revived towards the middle of the sixteenth century. In 1541 a book was published at Basel by one Ringelberg, which first took the name of Cyclopædia, that has since then become so familiar a word in Western Europe. This was followed within sixty years by several other works of the same kind. The movement reached its height in a book which remained the best in its order for a century. A German, one J.H. Alsted (1588-1638), published in 1620 an Encyclopædia scientiarum omnium. A hundred years later the illustrious Leibnitz pronounced it a worthy task to perfect and amend Alsted's book. What was wanting to the excellent man, he said, was neither labour nor judgment, but material, and the good fortune of such days as ours. And Leibnitz wrote a paper of suggestions for its extension and improvement.[94] Alsted's Encyclopædia is of course written in Latin, and he prefixes to it by way of motto the celebrated lines in which Lucretius declares that nothing is sweeter than to dwell apart in the serene temples of the wise. Though he informs us in the preface that his object was to trace the outlines of the great "latifundium regni philosophici" in a single syntagma, yet he really does no more than arrange a number of separate treatises or manuals, and even dictionaries, within the limits of a couple of folios. As is natural to the spirit of the age in which he wrote, great predominance is given to the verbal sciences of grammar, rhetoric, and formal logic, and a verbal or logical division regulates the distribution of the matter, rather than a scientific regard for its objective relations.

For the true parentage, however, of the Encyclopædia of Diderot and D'Alembert, it is unnecessary to prolong this list. It was Francis Bacon's idea of the systematic classification of knowledge which inspired Diderot, and guided his hand throughout. "If we emerge from this vast operation," he wrote in the Prospectus, "our principal debt will be to the chancellor Bacon, who sketched the plan of a universal dictionary of sciences and arts at a time when there were not, so to say, either arts or sciences." This sense of profound and devoted obligation was shared by D'Alembert, and was expressed a hundred times in the course of the work. No more striking panegyric has ever been passed upon our immortal countryman than is to be found in the Preliminary Discourse.[95] The French Encyclopædia was the direct fruit of Bacon's magnificent conceptions. And if the efficient origin of the Encyclopædia was English, so did the occasion rise in England also.

In 1727 Ephraim Chambers, a Westmoreland Quaker, published in London two folios, entitled, a Cyclopædia or Universal Dictionary of the Arts and Sciences. The idea of it was broad and excellent. "Our view," says Chambers, "was to consider the several matters, not only in themselves, but relatively, or as they respect each other; both to treat them as so many wholes, and as so many parts of some greater whole." The compiler lacked the grasp necessary to realise this laudable purpose. The book has, however, the merit of conciseness, and is a singular monument of literary industry, for it was entirely compiled by Chambers himself. It had a great success, and though its price was high (four guineas), it ran through five editions in eighteen years. On the whole, however, it is meagre, and more like a dictionary than an encyclopædia, such as Alsted's for instance.

Some fifteen years after the publication of Chambers's Cyclopædia, an Englishman (Mills) and a German (Sellius) went to Le Breton with a project for its translation into French. The bookseller obtained the requisite privilege from the government, but he obtained it for himself, and not for the projectors. This trick led to a quarrel, and before it was settled the German died and the Englishman returned to his own country. They left the translation behind them duly executed.[96] Le Breton then carried the undertaking to a certain abbé, Gua de Malves. Gua de Malves (b. 1712) seems to have been a man of a busy and ingenious mind. He was the translator of Berkeley's Hylas and Philonous, of Anson's Voyages, and of various English tracts on currency and political economy. It is said that he first suggested the idea of a cyclopædia on a fuller plan,[97] but we have no evidence of this. In any case, the project made no advance in his hands. The embarrassed bookseller next applied to Diderot, who was then much in need of work that should bring him bread. His fertile and energetic intelligence transformed the scheme. By an admirable intuition, he divined the opportunity which would be given by the encyclopædic form, of gathering up into a whole all that new thought and modern knowledge, which existed as yet in unsystematic and uninterpreted fragments. His enthusiasm fired Le Breton. It was resolved to make Chambers's work a mere starting-point for a new enterprise of far wider scope.

"The old and learned D'Aguesseau," says Michelet, "notwithstanding the pitiable, the wretched sides of his character, had two lofty sides, his reform of the laws, and a personal passion, the taste and urgent need of universality, a certain encyclopædic sense. A young man came to him one day, a man of letters living by his pen, and somewhat under a cloud for one or two hazardous books that lack of bread had driven him to write. Yet this stranger of dubious repute wrought a miracle. With bewilderment the old sage listened to him unrolling the gigantic scheme of a book that should be all books. On his lips, sciences were light and life. It was more than speech, it was creation. One would have said that he had made these sciences, and was still at work, adding, extending, fertilising, ever engendering. The effect was incredible. D'Aguesseau, a moment above himself, forgot the old man, received the infection of genius, and became great with the greatness of the other. He had faith in the young man, and protected the Encyclopædia."[98]

A fresh privilege was procured (Jan. 21, 1746), and as Le Breton's capital was insufficient for a project of this magnitude, he invited three other booksellers to join him, retaining a half share for himself, and allotting the other moiety to them. As Le Breton was not strong enough to bear the material burdens of producing a work on so gigantic a scale as was now proposed, so Diderot felt himself unequal to the task of arranging and supervising every department of a book that was to include the whole circle of the sciences. He was not skilled enough in mathematics, nor in physics, which were then for the most part mathematically conceived. For that province, he associated with himself as an editorial colleague one of the most conspicuous and active members of the philosophical party. Of this eminent man, whose relations with Diderot were for some years so intimate, it is proper that we should say something.

D'Alembert was the natural son of Madame de Tencin, by whom he had been barbarously exposed immediately after his birth. "The true ancestors of a man of genius," says Condorcet finely upon this circumstance, "are the masters who have gone before him, and his true descendants are disciples that are worthy of him." He was discovered on a November night in the year 1717, by the beadle, in a nearly dying condition on the steps of the church of St. John the Round, from which he afterwards took his Christian name. An honest woman of the common people, with that personal devotion which is less rare among the poor than among the rich, took charge of the foundling. The father, who was an officer of artillery and brother of Destouches, the author of some poor comedies, by and by advanced the small sums required to pay for the boy's schooling. D'Alembert proved a brilliant student. Unlike nearly every other member of the encyclopædic party, he was a pupil not of the Jesuits but of their rivals. The Jansenists recognised the keenness and force of their pupil, and hoped that they had discovered a new Pascal. But he was less docile than his great predecessor in their ranks. When his studies were completed, he devoted himself to geometry, for which he had a passion that nothing could extinguish. For the old monastic vow of poverty, chastity, and obedience, he adopted the manlier substitute of poverty, truth, and liberty—the worthy device of every man of letters. When he awoke in the morning, he thought with delight of the work that had been begun the previous day and would occupy the day before him. In the necessary intervals of his meditations, he recalled the lively pleasure that he felt at the play: at the play between the acts, he thought of the still greater pleasure that was promised to him by the work of the morrow. His mathematical labours led to valuable results in the principles of equilibrium and the movement of fluids, in a new calculus, and in a new solution of the problem of the precession of the equinoxes.[99]

These contributions to what was then the most popular of the sciences brought him fame, and fame brought him its usual distractions. As soon as a writer has shown himself the possessor of gifts that may be of value to society, then society straightway sets to work to seduce and hinder him from diligently exercising them. D'Alembert resisted these influences steadfastly. His means were very limited, yet he could never be induced to increase them at the cost either of his social independence or of his scientific pursuits. He lived for forty years under the humble roof of the poor woman who had treated him as a son. "You will never be anything better than a philosopher," she used to cry reproachfully, "and what is a philosopher? 'Tis a madman who torments himself all his life, that people may talk about him when he is dead." D'Alembert zealously adhered to his destination. Frederick the Great vainly tempted him by an offer of the succession to Maupertuis as president of the Academy of Berlin. Although, however, he declined to accept the post, he enjoyed all its authority and prerogative. Frederick always consulted him in filling up vacancies and making appointments. It is a magnanimous trait in D'Alembert's history that he should have procured for Lagrange a position and livelihood at Berlin, warmly commending him as a man of rare and superior genius, although Lagrange had vigorously opposed some of his own mathematical theories. Ten years after Frederick's offer, the other great potentate of the north, Catherine of Russia, besought him to undertake the education of the young grand duke, her son. But neither urgent flatteries and solicitations under the imperial hand, nor the munificent offer of a hundred thousand francs a year, availed to draw him away from his independence and his friends. The great Frederick used to compare him to one of those oriental monarchs, who cherish a strict seclusion in order to enhance their importance and majesty. He did not refuse a pension of some fifty pounds a year from Berlin, and the same amount was bestowed upon him from the privy purse at Versailles. He received a small annual sum in addition from the Academy.

Though the mathematical sciences remained the objects of his special study, D'Alembert was as free as the other great men of the encyclopædic school from the narrowness of the pure specialist. He naturally reminds us of the remarkable saying imputed to Leibnitz, that he only attributed importance to science, because it enabled him to speak with authority in philosophy and religion. His correspondence with Voltaire, extending over the third quarter of the century, is the most instructive record that we possess of the many-sided doings of that busy time. His series of éloges on the academicians who died between 1700 and 1772 is one of the most interesting works in the department of literary history. He paid the keenest attention to the great and difficult art of writing. Translations from Tacitus, Bacon, and Addison, show his industry in a useful practice. A long collection of synonyms bears witness to his fine discrimination in the use of words. And the clearness, precision, and reserved energy of his own prose mark the success of the pains that he took with style. He knew the secret. Have lofty sentiments, he said, and your manner of writing will be firm and noble.[100] Yet he did not ignore the other side and half of the truth, which is expressed in the saying of another important writer of that day—By taking trouble to speak with precision, one gains the habit of thinking rightly (Condillac).

Like so many others to whom literature owes much, D'Alembert was all his life fighting against bad health. Like Voltaire and Rousseau, he was born dying, and he remained delicate and valetudinarian to the end. He had the mental infirmities belonging to his temperament. He was restless, impatient, mobile, susceptible of irritation. When the young Mademoiselle Phlipon, in after years famous as wife of the virtuous Roland, was taken to a sitting of the Academy, she was curious to see the author of the Preliminary Discourse to the Encyclopædia, but his small face and sharp thin voice made her reflect with some disappointment, that the writings of a philosopher are better to know than his mask.[101] In everything except zeal for light and emancipation, D'Alembert was the opposite of Diderot. Where Diderot was exuberant, prodigal, and disordered, D'Alembert was a precisian. Difference of temperament, however, did not prevent their friendship from being for many years cordial and intimate. When the Encyclopædia was planned, it was to D'Alembert, as we have said, that Diderot turned for aid in the mathematical sciences, where his own knowledge was not sufficiently full nor well grounded. They were in strong and singular agreement in their idea of the proper place and function of the man of letters. One of the most striking facts about their alliance, and one of the most important facts in the history of the Encyclopædia, is that henceforth the profession of letters became at once definite and independent. Diderot and D'Alembert both of them remained poor, but they were never hangers-on. They did not look to patrons, nor did they bound their vision by Versailles. They were the first to assert the lawful authority of the new priesthood. They revolted deliberately and in set form against the old system of suitorship and protection. "Happy are men of letters," wrote D'Alembert, "if they recognise at last that the surest way of making themselves respectable is to live united and almost shut up among themselves; that by this union they will come, without any trouble, to give the law to the rest of the nation in all affairs of taste and philosophy; that the true esteem is that which is awarded by men who are themselves worthy of esteem.... As if the art of instructing and enlightening men were not, after the too rare art of good government, the noblest portion and gift in human reach."[102]

This consciousness of the power and exaltation of their calling, which men of letters now acquired, is much more than the superficial fact which it may at first seem to be. It marked the rise of a new teaching order and the supersession of the old. The highest moral ideas now belonged no longer to the clergy, but to the writers; no longer to official Catholicism, but to that fertilising medley of new notions about human knowledge and human society which then went by the name of philosophy. What is striking is that the ideas sown by philosophy became eventually the source of higher life in Catholicism. If the church of the revolution showed something that we may justly admire, it was because the encyclopædic band had involuntarily and inevitably imparted a measure of their own clearsightedness, fortitude, moral energy, and spirit of social improvement, to a church which was, when they began their work, an abominable burden on the spiritual life of the nation. If the Catholicism of Chateaubriand, of Lamennais, of Montalembert, was a different thing from the Catholicism of a Dubois, or a Rohan, from the vile corruptions of the Jesuits and the grovelling superstitions of the later Jansenists, it was the execrated freethinkers whom the church and mankind had to thank for the change. The most enlightened Catholic of to-day ought to admit that Voltaire, Diderot, Rousseau, were the true reformers of his creed. They supplied it with ideas which saved it from becoming finally a curse to civilisation. It was no Christian prelate, but Diderot who burst the bonds of a paralysing dogma by the magnificent cry, Détruisez ces enceintes qui rétrécissent vos idées! Elargissez Dieu![103] We see the same phenomenon in our own day. The Christian churches are assimilating as rapidly as their formula will permit, the new light and the more generous moral ideas and the higher spirituality of teachers who have abandoned all churches, and who are systematically denounced as enemies of the souls of men. Sic vos non vobis mellificatis apes! These transformations of religion by leavening elements contributed from a foreign doctrine, are the most interesting process in the history of truth.

The Encyclopædia became a powerful engine for aiding such a transformation. Because it was this, and because it rallied all that was then best in France round the standard of light and social hope, we ought hardly to grudge time or pains to its history. For it was not merely in the field of religious ideas that the Encyclopædists led France in a new way. They affected the national life on every side, pressing forward with enlightened principles in all the branches of material and political organisation. Their union in a great philosophical band gave an impressive significance to their work. The collection within a single set of volumes of a body of new truths, relating to so many of the main interests of men, invested the book and its writers with an aspect of universality, of collective and organic doctrine, which the writers themselves would without doubt have disowned, and which it is easy to dissolve by tests of logic. But the popular impression that the Encyclopædists constituted a single body with a common doctrine and a common aim was practically sound. Comte has pointed out with admirable clearness the merit of the conception of an encyclopædic workshop.[104] It united the members of rival destructive schools in a great constructive task. It furnished a rallying-point for efforts otherwise the most divergent. Their influence was precisely what it would have been, if popular impressions had been literally true. Diderot and D'Alembert did their best to heighten this feeling. They missed no occasion of fixing a sentiment of co-operation and fellowship. They spoke of their dictionary as the transactions of an Academy.[105] Each writer was answerable for his own contribution, but he was in the position of a member of some learned corporation. To every volume, until the great crisis of 1759, was prefixed a list of those who had contributed to it. If a colleague died, the public was informed of the loss that the work had sustained, and his services were worthily commemorated in a formal éloge.[106] Feuds, epigrams, and offences were not absent, but on the whole there was steadfast and generous fraternity.

As Voltaire eloquently said, officers of war by land and by sea, magistrates, physicians who knew nature, men of letters whose taste purified knowledge, geometers, physicists, all united in a work that was as useful as it was laborious, without any view of interest, without even seeking fame, as many of them concealed their names; finally without any common understanding and agreement, and therefore without anything of the spirit of party.[107] Turning over the pages on which the list of writers is inscribed, we find in one place or another nearly every name that has helped to make the literature of the time famous. Montesquieu, who died in the beginning of 1755, left behind him the unfinished fragment of an article on Taste, and it may be noticed in passing that our good-natured Diderot was the only man of letters who attended the remains of the illustrious writer to the grave.[108] The article itself, though no more than a fragment, has all the charms of Montesquieu's delightful style; it is serious without pedantry, graceful without levity, and is rich in observations that are precise and pointed without the vice of emphasis. The great Turgot, diligently solicitous for the success of every enterprise that promised to improve human happiness by adding to knowledge and spreading enlightenment, wrote some of the most valuable articles that the work contained, and his discussion of Endowments perhaps still remains the weightiest contribution to that important subject. Oddly enough, he was one of the very few writers who refused to sign his name to his contributions.[109] His assistance only ceased when he perceived that the scheme was being coloured by that spirit of sect, which he always counted the worst enemy of the spirit of truth.[110] Jean Jacques Rousseau, who had just won a singular reputation by his paradoxes on natural equality and the corruptions of civilisation, furnished the articles on music in the first half dozen volumes. They were not free from mistakes, but his colleagues chivalrously defended him by the plea of careless printing or indifferent copying.[111] The stately Buffon very early in the history of the Encyclopædia sent them an article upon Nature, and the editors made haste to announce to their subscribers the advent of so superb a colleague.[112] The articles on natural history, however, were left by Buffon in his usual majestic fashion to his faithful lieutenant and squire-at-arms, Daubenton. And even his own article seems not to have been printed. Before the eleventh volume appeared, terrible storms had arisen, not a few of the shipmen had parted company, and Buffon may well have been one of them. Certainly the article on Nature, as it stands, can hardly be his.

In the supplementary volumes, which appeared in 1776—ten years after the completion of the original undertaking—two new labourers came into the vineyard, whose names add fresh lustre and give still more serious value to the work. One of these was the prince of the physiologists of the eighteenth century, the great Haller, who contributed an elaborate history of those who had been his predecessors in unfolding the intricate mechanism of the human frame, and analysing its marvels of complex function. The other was the austere and generous Condorcet. Ever loyal to good causes, and resolute against despairing of the human commonwealth, he began in the pages of the Encyclopædia a career that was brilliant with good promise and high hopes, and ended in the grim hall of the Convention and a nobly tragic death amid the red storm of the Terror.

Among the lesser stars in the encyclopædic firmament are some whose names ought not to be wholly omitted. Forbonnais, one of the most instructive economic writers of the century, contributed articles to the early volumes, which were afterwards republished in his Elements of Commerce.[113] The light-hearted Marmontel wrote cheerful articles on Comedy, Eloges, Eclogues, Glory, and other matters of literature and taste. Quesnai, the eminent founder of the economic sect, dealt with two agricultural subjects, and reproduced both his theoretical paradoxes, and his admirable practical maxims, on the material prosperity of nations. Holbach, not yet author of the memorable System of Nature, compiled a vast number of the articles on chemistry and mineralogy, chiefly and avowedly from German sources, he being the only writer of the band with a mastery of a language which was at that moment hardly more essential to culture than Russian is now. The name of Duclos should not be passed over, in the list of the foremost men who helped to raise the encyclopædic monument. He was one of the shrewdest and most vigorous intelligences of the time, being in the front rank of men of the second order. His quality was coarse, but this was only the effect of a thoroughly penetrating and masculine understanding. His articles in the Encyclopædia (Déclamation des Anciens, Etiquette, etc.) are not very remarkable; but the reflections on conduct which he styled Considérations sur les Mœurs de ce Siécle (1750), though rather hard in tone, abound in an acuteness, a breadth, a soundness of perception that entitle the book to the rare distinction, among the writings of moralists and social observers, of still being worth reading. Morellet wrote upon some of the subjects of theology, and his contributions are remarkable as being the chief examples in the record of the encyclopædic body of a distinctly and deliberately historic treatment of religion. "I let people see," he wrote many years after, "that in such a collection as the Encyclopædia we ought to treat the history and experience of the dogmas and discipline of the Christian, exactly like those of the religion of Brahma or Mahomet."[114] This sage and philosophic principle enabled him to write the article, Fils de Dieu (vol. vi.), without sliding into Arian, Nestorian, Socinian, or other heretical view on that fantastic theme. We need not linger over the names of other writers, who indeed are now little more than mere shadows of names, such as La Condamine, a scientific traveller of fame and merit in his day and generation; of Du Marsais, the poverty-stricken and unlucky scholar who wrote articles on grammar; of the President Des Brosses, who was unfortunate enough to be in the right in a quarrel about money with Voltaire, and who has since been better known to readers through the fury of the provoked patriarch, than through his own meritorious contributions to the early history of civilisation.

The name of one faithful worker in the building of this new Jerusalem ought not to be omitted, though his writings were multa non multum. The Chevalier de Jaucourt (1704-1779), as his title shows, was the younger son of a noble house. He studied at Geneva, Cambridge, and Leyden, and published in 1734 a useful account of the life and writings of Leibnitz. When the Encyclopædia was projected, his services were at once secured, and he became its slave from the beginning of A to the end of Z. He wrote articles in his own special subjects of natural history and physical science, but he was always ready to lend his help in other departments, in writing, rewriting, reading, correcting, and all those other humbler necessities of editorship of which the inconsiderate reader knows little and thinks less. Jaucourt revelled in this drudgery. God made him for grinding articles, said Diderot. For six or seven years, he wrote one day, Jaucourt has been in the middle of half a dozen secretaries, reading, dictating, slaving, for thirteen or fourteen hours a day, and he is not tired of it even now. When he was told that the work must positively be brought to an end, his countenance fell, and the prospect of release from such happy bondage filled his heart with desolation.[115] "If," says Diderot in the preface to the eighth volume (1765), "we have raised a shout of joy like the sailor when he espies land after a sombre night that has kept him midway between sky and flood, it is to M. de Jaucourt that we are indebted for it. What has he not done for us, especially in these latter times? With what constancy has he not refused all the solicitations, whether of friendship or of authority, that sought to take him away from us? Never has sacrifice of repose, of health, of interest been more absolute and more entire."[116] These modest and unwearying helpers in good works ought not to be wholly forgotten, in a commemoration of more far-shining names.

Besides those who were known to the conductors of the Encyclopædia, was a host of unsought volunteers. "The further we proceed," the editors announced in the preface to the sixth volume (1756), "the more are we sensible of the increase both in matter and in number of those who are good enough to second our efforts." They received many articles on the same subject. They were constantly embarrassed by an emulation which, however flattering as a testimony to their work, obliged them to make a difficult choice, or to lose a good article, or to sacrifice one of their regular contributors, or to offend some influential newcomer. Every one who had a new idea in his head, or what he thought a new idea, sent them an article upon it. Men who were priests or pastors by profession and unbelievers in their hearts, sent them sheaves of articles in which they permitted themselves the delicious luxury of saying a little of what they thought. Women, too, pressed into the great work. Unknown ladies volunteered sprightly explanations of the technicalities of costume, from the falbala which adorned the bottom of their skirts, up to that little knot of riband in the hair, which had come to replace the old appalling edifice of ten stories high, in hierarchic succession of duchess, solitary, musketeer, crescent, firmament, tenth heaven, and mouse.[117] The oldest contributor was Lenglet du Fresnoy, whose book on the Method of Studying History is still known to those who have examined the development of men's ideas about the relations of the present to the past. Lenglet was born in 1674. The youngest of the band was Condorcet, who was born nearly seventy years later (1743). One veteran, Morellet, who had been, the schoolmate of Turgot and Loménie de Brienne, lived to think of many things more urgent than Faith, Fils de Dieu, and Fundamentals. He survived the Revolution, the Terror, the Empire, Waterloo, the Restoration, and died in 1819, within sight of the Holy Alliance and the Peterloo massacre. From the birth of Lenglet to the death of Morellet—what an arc of the circle of western experience!

No one will ask whether the keen eye, and stimulating word, and helpful hand of Voltaire were wanting to an enterprise which was to awaken men to new love of tolerance, enlightenment, charity, and justice. Voltaire was playing the refractory courtier at Potsdam when the first two volumes appeared. With characteristic vehemence, he instantly pronounced it a work which should be the glory of France, and the shame of its persecutors. Diderot and D'Alembert were raising an immortal edifice, and he would gladly furnish them with a little stone here or there, which they might find convenient to stuff into some corner or crevice in the wall. He was incessant in his industry. Unlike those feebler and more consequential spirits, the petits-maîtres of thought, by whom editors are harassed and hindered, this great writer was as willing to undertake small subjects as large ones, and to submit to all the mutilations and modifications which the exigencies of the work and the difficulties of its conductors recommended to them.[118] As the structure progresses, his enthusiasm waxes warmer. Diderot and his colleague are cutting their wings for a flight to posterity. They are Atlas and Hercules bearing a world upon their shoulders. It is the greatest work in the world; it is a superb pyramid; its printing-office is the office for the instruction of the human race; and so forth, in every phrase of stimulating sympathy and energetic interest. Nor does his sympathy blind him to faults of execution. Voltaire's good sense and sound judgment were as much at the service of his friends in warning them of shortcomings, as in eulogising what they achieved. And he had good faith enough to complain to his friends, instead of complaining of them. In one place he tells them, what is perfectly true, that their journeymen are far too declamatory, and too much addicted to substitute vague and puerile dissertations for that solid instruction which is what the reader of an Encyclopædia seeks. In another he remonstrates against certain frivolous affectations, and some of the coxcombries of literary modishness. Everywhere he recommends them to insist on a firm and distinct method in their contributors—etymologies, definitions, examples, reasons, clearness, brevity. "You are badly seconded," he writes; "there are bad soldiers in the army of a great general."[119] "I am sorry to see that the writer of the article Hell declares that hell was a point in the doctrine of Moses; now by all the devils that is not true. Why lie about it? Hell is an excellent thing, to be sure, but it is evident that Moses did not know it. 'Tis this world that is hell."[120]

D'Alembert in reply always admitted the blemishes for which the patriarch and master reproached them, but urged various pleas in extenuation. He explains that Diderot is not always the master, either to reject or to prune the articles that are offered to him.[121] A writer who happened to be useful for many excellent articles would insist as the price of good work that they should find room for his bad work also; and so forth. "No doubt we have bad articles in theology and metaphysics, but with theologians for censors, and a privilege, I defy you to make them any better. There are other articles that are less exposed to the daylight, and in them all is repaired. Time will enable people to distinguish what we have thought from what we have said."[122] This last is a bitter and humiliating word, but before any man hastens to cast a stone, let him first make sure that his own life is free from every trace of hypocritical conformity and mendacious compliance. Condorcet seems to make the only remark that is worth making, when he says that the true shame and disgrace of these dissemblings lay not with the writers, whose only other alternative was to leave the stagnation of opinion undisturbed, but with the ecclesiastics and ministers whose tyranny made dissimulation necessary. And the veil imposed by authority did not really serve any purpose of concealment. Every reader was let into the secret of the writer's true opinion of the old mysteries, by means of a piquant phrase, an adroit parallel, a significant reference, an equivocal word of dubious panegyric. Diderot openly explains this in the pages of the Encyclopædia itself. "In all cases," he says, "where a national prejudice would seem to deserve respect, the particular article ought to set it respectfully forth, with its whole procession of attractions and probabilities. But the edifice of mud ought to be overthrown and an unprofitable heap of dust scattered to the wind, by references to articles in which solid principles serve as a base for the opposite truths. This way of undeceiving men operates promptly on minds of the right stamp, and it operates infallibly and without any troublesome consequences, secretly and without disturbance, on minds of every description."[123] "Our fanatics feel the blows," cried D'Alembert complacently, "though they are sorely puzzled to tell from which side they come."[124]

It is one of the most deplorable things in the history of literature to see a man endowed with Diderot's generous conceptions and high social aims, forced to stoop to these odious economies. In reading his Prospectus, and still more directly in his article,

Encyclopédie, we are struck by the beneficence and breadth of the great designs which inspire and support him. The Encyclopædia, it has been said, was no peaceful storehouse in which scholars and thinkers of all kinds could survey the riches they had acquired; it was a gigantic siege-engine and armoury of weapons of attack.[125] This is only true in a limited sense of one part of the work, and that not the most important part. Such a judgment is only possible for one who has not studied the book itself, or else who is ignorant of the social requirements of France at the time. We shall show this presently in detail. Meanwhile it is enough to make two observations. The implements which the circumstances of the time made it necessary to use as weapons of attack, were equally fitted for the acquisition in a happier season of those treasures of thought and knowledge which are the object of disinterested research. And what is still more important, we have to observe that it was the characteristic note and signal glory of the French revolutionary school, to subordinate mere knowledge to the practical work of raising society up from the corruption and paralysis to which it had been brought by the double action of civil and ecclesiastical authority. The efforts of the Encyclopædists were not disinterested in the sense of being vague blows in the air. Their aim was not theory but practice, not literature but life. The Encyclopædists were no doubt all men of battle, and some of them were hardly more than mere partisans.