- Tacitus, 4, 46.
- Tact, woman's, 12.
- Tenth Symphony (proposed), 170, 200,
- Adagio of, 173,
- Allegro of, a Bacchic festival, 173,
- Religious in character, 172.
- Tetralogy, variations in, 157.
- Thackeray, 134.
- Thayer, A.W., 59, 90.
- Third Leonore overture, 56, 229.
- Third Mass (proposed), Kyrie of, 172
- Third period, mysticism of, 100.
- Third Symphony (Eroica), 11, 40 et seq., 68, 71, 73, 100, 104, 123,
- Composed in spirit of altruism, 43,
- First dedicated to Napoleon, 43-44,
- Last movement of, 158,
- Unique as a Symphony, 43.
- Thomas, Theodore, 166.
- Thoreau, 3, 113, 123, 161, 176, 218, 227.
- Thun, Countess, 62.
- Tolstoy, 45.
- Tone-figure, 234.
- Tone-pictures, 148.
- Transposing, 31.
- Treitschke, 106.
- Trombones, 211,
- Turin, 93.
- Unger, Fräulein, 170.
- Unrest, 4.
- Vander Stucken, 166.
- Variation form, 231,
- in the Diabelli Waltzes, 157,
- in Beethoven's Symphonies, 157,
- in Beethoven's Sonatas, 157.
- Vienna, bombarded by French, 85,
- Conservatory of, 118,
- Italian element in, 58,
- Population in Beethoven's time, 58,
- Musical atmosphere of, 9, 10, 65,
- Society, attitude toward Beethoven, 60,
- its student element, 104.
- Viennese, virtuosity of, 62-63,
- Vittoria, battle of, 102, 103.
- Voltaire, 218.
- Wagner, 4, 30, 50, 51, 56-57, 64, 66, 77, 79, 96, 120, 123, 125, 126, 127, 141, 150, 156, 157, 223,
- Art-product of, 228,
- biographical sketch of Beethoven, his, 228,
- C♯ minor quartet, 195,
- Criticisms on music, his, 227,
- Disciple of Beethoven, 225, 229,
- Early recognition of, in this country, 181,
- Evening of life, 208,
- Flying Dutchman, 79,
- Industry of, 216,
- Is influenced by Beethoven, 230, 231,
- Literary achievement, his, 228,
- Life's Problem, solution of, 236,
- Life-work of, 208,
- Mystic, a, 236,
- Napoleonic ambition, 228,
- Ninth Symphony, 163, 165,
- Originality of, 230,
- Poetic temperament, 52, 53,
- Romanticism, his, 53, 230,
- Seventh Symphony, and the, 96,
- Tribute to Beethoven, 224,
- Tribute to Shakespeare, 224,
- Unerring poetic sense, 230,
- Variation form, and the, 157, 158.
- Wagner and Beethoven, Affinity between, 229,
- Pioneers, 236,
- their Spiritual relationship, 229,
- World-weary, 236.
- Wagner-Liszt correspondence, 232.
- Waldstein, Count, 10, 11, 12, 28, 44.
- Waterloo, battle of, 102, 110.
- Weber, 139, 159, 160.
- Wegeler, Dr., 12, 37.
- Weihe des Hauses, 155, 169.
- Weimar, 91.
- Wellington, Duke of, 102, 106.
- Weltschmertz, 126, 164.
- Westphalia, King of, 83.
- Wolfmayer, 29.
- World's stage, 3.
- World, torment of, 164,
- and Beethoven's influence on it, 15,
- ideal of, 15,
- in transition, 3.
- Zauberflöte, 137, 185, 206.
- Zehrgarten, at Bonn, 10.
- Zeitgeist, the, 4.
- Zelter, 91, 152.
- Zmeskall, 137, 185, 206.
- Zukunftsmusik, 150.