- C minor Symphony (see Fifth Symphony).
- Calm Sea and Prosperous Voyage, 141.
- Carlsbad, 92, 93.
- Carlyle on Goethe, 90,
- Castle Garden, 165.
- Celestial music, 232, 235.
- Chamberlain, H.S., 120.
- Chamber-music, 46, 63, 65, 85, 192,
- Character, and environment, 116.
- Cherubini, 57, 66, 123; Requiem, 140, 212.
- Chopin, Improvising, 28.
- Choral Fantasia, 29.
- Christianity, 4, 143.
- Cirrhosis, 213,
- Dropsical accumulations in, 207,
- Cause of, 213,
- not transmissible, 214.
- Clementi, Sonatas, 139.
- Cologne, 17.
- Concert, Spirituel, of Vienna, 178, 179,
- Congress of Vienna, 107 et seq.
- Coriolanus overture, 14, 75, 124, 229.
- Corsican, the young, 41.
- Critics on Second Symphony, 36,
- Czerny, 29, 66, 80, 96, 127, 128, 130, 131, 140, 159, 167, 207, 211,
- Teacher of young Karl, 110.
- Dance, the, 99,
- the, favorite musical form, 157.
- Dante, 77.
- Damrosch, Dr. Leopold, 166.
- De Profundus, 151.
- Diabelli, 157, 167, 187.
- Dietrichstein, Count, 172.
- Dignity, of the artist, 2.
- Don Giovanni, 9, 48, 139, 140.
- Dönhoff, Graf von, 94.
- Egmont music, 92, 106, 142, 156, 226, 229.
- Eighth Symphony, 95, 98, 100, 106, 145,
- Eisfeld, Theo, 166.
- Elector of Cologne, 4, 5, 13, 24,
- Eliot, George, 134.
- Elysian Fields, 193.
- Emerson, 77, 145, 147, 148, 228.
- England, 103, 106, 107.
- Erdödy, Countess, 60, 61.
- Erlkönig, Beethoven's setting of, 142.
- Eroica Symphony (see Third Symphony).
- Ertmann, Baroness, 60, 61, 80, 128.
- Esterhazy, Prince, 75-76,
- Princess Marie, 76,
- the Princes, 51.
- Eucharist, 232.
- Euryanthe, 159, 160.
- Eustachian tubes, office of, 214.
- Fate, struggle with, 163,
- Relentless, 218,
- Propitiated, 184,
- and Destiny, 218.
- Fates, the, 204, 220.
- Fatherland, Poets of, 14.
- Faust, 38, 156, 157, 162, 200.
- Fichte (quoted), 219.
- Fidelio, 11, 48, 98, 155,
- libretto of, 49-50,
- First production of, 54, 55,
- revision of, 56, 74, 75, 98, 106, 123, 155, 159,
- dedication of piano score, 107,
- its Spanish background, 49.
- Fielding and humor, 134.
- Fifth Symphony (C minor), 14, 68, 73, 76, 77, 152.
- First Symphony, 33, 34, 37.
- Fischer, 225.
- Förster, teacher of Beethoven, 63.
- Fourth Symphony, 66-68,
- Serenity of, 67,
- Philosophic import of, 68.
- France, 42, 43, 107.
- France, King of (Louis XVIII), 45, 154, 155.
- Freemasonry, among musicians, 10.
- Freischütz, 139.
- French Revolution, 3, 4, 41, 133.
- Friends of music, Society of, 129.
- Friendship, 176.
- Frimmel von, 180, 215.
- Fugue, the, 124, 125, 129,
- of the C♯ minor quartet, 121,
- Credo of Mass in D, 153.
- Fuller, Margaret (footnote), 181.
- Gayety, 100.
- Galaxy of virtuosi, 17.
- Galitzin, Prince, and last quartets, 192-194,
- Genius, prerogative of, 230.
- Germanic Order, 10.
- Germans, the, 104.
- Gewandhaus Concerts, 226.
- Glacis, the, 204, 210.
- Glück, 79.
- Goethe, 13, 38, 80, 88, 90, 101, 111, 125, 129, 141, 191, 212, 217,
- Worldly wisdom of, 90,
- as Courtier, 91,
- Councillor, 92,
- Spiritual mentor, 162.
- Gothic architecture, 143.
- Greece, 143.
- Greek Classics, 140-141.
- Grillparzer, 160.
- Hafiz (quoted), 102.
- Hanau, battle of, 104.
- Händel, 27, 79, 139, 143, 223,
- Beethoven's opinion of, 20,
- Oratorios of, 143, 144,
- works of, 207.
- Händel and Haydn Society of Boston, 181.
- Happiness, and Beethoven, 38.
- Hatzfeld, Prince von, 154.
- Hawthorne, Nathaniel, 18.
- Haydn, 4, 17, 18, 19, 29, 30, 33, 43, 46, 73, 76, 79, 100, 101, 123, 140, 219, 229,
- Important work of, 143,
- Distinguishing trait, 123,
- Kyrie of Imperial Mass, 74,
- and the Minuet, 34,
- Humor in music, 34, 133,
- Sonatas, 34,
- Teacher of Beethoven, 19-20,
- Visits Bonn, 17.
- Haydn and Mozart, 4, 20.
- Haydn and Beethoven, life-work of, 20.
- Heiligenstadt, 73.
- Herder, 141,
- Higher law, the, 38.
- Hiller, Ferdinand, 205.
- Hirsch, Beethoven's last pupil, 180.
- Holy Grail, 232.
- Holz, 178, 185, 194, 198, 206, 213.
- Homer, 13.
- Host, the, elevation of, 233,
- Humanity, 43,
- at bay, 163,
- Golden age for, 164.
- Humor, in music, evolution of, 133,
- Hümmel, 22, 29, 31, 63, 76, 105, 206.
- Hüttenbrenner, 8, 177, 210, 211.
- Imperial family (of Austria), 5, 41, 81, 91, 170, 171, 212.
- Impedimenta, 39.
- Improvising, 28, 125,
- Bach, excelled in it, 28,
- Chopin, last to exercise it in public, 28,
- Beethoven, genius in, 28-29,
- by Karl, 117.
- Instrumental music, 227, 230.
- Intellect of mankind, 2.
- Intuition, 2.
- Italian vocalism, 4.
- Jeitteles, 121.
- Jesus, teaching of, 164.
- Johnson, Dr., 130.
- Joy, language of, 68.
- Joyousness (quoted), 101.
- Judiciary, the, of Austria, 212.
- Kalischer, 186, 197.
- Kantian Philosophy, 229.
- Karlskirche, 212.
- Kenilworth, 209.
- Keyboard, of piano, 3.
- Kiel University, 16.
- Kinsky, Prince, 26, 83, 84,
- Klober, 148.
- Klopstock, 92.
- Kren, Michael, 200.
- Kreutzer, R., 45,
- Krumpholz, 38,
- Leipzig, 92,
- Leonore overtures, 49, 56,
- Lessing, 13.
- Letter to a young girl, 141,
- Holz, appointing him his biographer, 179,
- Breuning, Stephen von, 175,
- Czapka, a magistrate, 198,
- Rampel, his copyist, 190,
- Lichnowsky, Prince, 70,
- Messrs. Schott, 193,
- Zmeskall, 137-138.
- Lichnowsky, Prince von, 23, 25, 26, 35, 55, 56, 59, 127,
- Settles annuity on Beethoven, 24,
- Beethoven visits him, in Silesia, 68,
- quarrels with him, 69,
- death of, 130.
- Lichnowsky, Princess von, 62, 65,
- Lichnowsky, Count Moritz von, 26, 43, 129, 168, 176.
- Life, a precious gift, 98.
- Life's problem, 4, 218.
- Life's tragedy, 36.
- Liszt, 5, 29, 52, 127, 136, 225, 226,
- advent of, in concert, 159,
- pupil of Czerny, 29.
- Liszt's father, 159.
- Lobkowitz, Prince von, 26, 44, 45, 59, 84,
- bankruptcy of, 145,
- death of, 130.
- Loder, George, 165.
- Lohengrin, Prelude, 231, 232, 234.
- London, 117.
- Louis, Ferdinand of Prussia, 44.
- Love, 165,
- Lützen, battle of, 102.