Scheherazade immediately began the following story.
Ali Ben Ali (did you never read
His wond'rous acts that chronicles relate,—
How there was one in pity might exceed
The Sack of Troy?) Magnificent he sate
Upon the throne of greatness—great indeed!
For those that he had under him were great—
The horse he rode on, shod with silver nails,
Was a Bashaw—Bashaws have horses' tails.
Ali was cruel—a most cruel one!
'Tis rumored he had strangled his own mother—
Howbeit such deeds of darkness he had done,
'Tis thought he would have slain his elder brother
And sister too—but happily that none
Did live within harm's length of one another,
Else he had sent the Sun in all its blaze
To endless night, and shorten'd the Moon's days.
Despotic power, that mars a weak man's wit,
And makes a bad man—absolutely bad,
Made Ali wicked—to a fault:—'tis fit
Monarchs should have some check-strings; but he had
No curb upon his will—no, not a bit—
Wherefore he did not reign well—and full glad
His slaves had been to hang him—but they falter'd
And let him live unhang'd—and still unalter'd,
Until he got a sage-bush of a beard,
Wherein an Attic owl might roost—a trail
Of bristly hair—that, honor'd and unshear'd,
Grew downward like old women and cow's tail;
Being a sign of age—some gray appear'd,
Mingling with duskier brown its warnings pale;
But yet, not so poetic as when Time
Comes like Jack Frost, and whitens it in rime.
Ben Ali took the hint, and much did vex
His royal bosom that he had no son,
No living child of the more noble sex,
To stand in his Morocco shoes—not one
To make a negro-pollard—or tread necks
When he was gone—doom'd, when his days were done,
To leave the very city of his fame
Without an Ali to keep up his name.
Therefore he chose a lady for his love,
Singling from out the herd one stag-eyed dear;
So call'd, because her lustrous eyes, above
All eyes, were dark, and timorous, and clear;
Then, through his Muftis piously he strove,
And drumm'd with proxy-prayers Mohammed's ear:
Knowing a boy for certain must come of it,
Or else he was not praying to his Profit.
Beer will grow mothery, and ladies fair
Will grow like beer; so did that stag-eyed dame:
Ben Ali, hoping for a son and heir,
Boy'd up his hopes, and even chose a name
Of mighty hero that his child should bear;
He made so certain ere his chicken came:—
But oh! all worldly wit is little worth,
Nor knoweth what to-morrow will bring forth!
To-morrow came, and with to-morrow's sun
A little daughter to this world of sins,—
Miss-fortunes never come alone—so one
Brought on another, like a pair of twins:
Twins! female twins!—it was enough to stun
Their little wits and scare them from their skins
To hear their father stamp, and curse, and swear,
Pulling his beard because he had no heir.
Then strove their stag-eyed mother to calm down
This his paternal rage, and thus addrest;
"Oh! Most Serene! why dost thou stamp and frown,
And box the compass of the royal chest?"
"Ah! thou wilt mar that portly trunk, I own
I love to gaze on!—Pr'ythee, thou hadst best
Pocket thy fists. Nay, love, if you so thin
Your beard, you'll want a wig upon your chin!"
But not her words, nor e'en her tears, could slack
The quicklime of his rage, that hotter grew:
He call'd his slave to bring an ample sack
Wherein a woman might be poked—a few
Dark grimly men felt pity and look'd black
At this sad order; but their slaveships knew
When any dared demur, his sword so bending
Cut off the "head and front of their offending."
For Ali had a sword, much like himself,
A crooked blade, guilty of human gore—
The trophies it had lopp'd from many an elf
Were struck at his head-quarters by the score—
Not yet in peace belaid it on the shelf,
But jested with it, and his wit cut sore;
So that (as they of Public Houses speak)
He often did his dozen butts a week.
Therefore his slaves, with most obedient fears,
Came with the sack the lady to enclose;
In vain from her stag-eyes "the big round tears
Coursed one another down her innocent nose";
In vain her tongue wept sorrow in their ears;
Though there were some felt willing to oppose,
Yet when their heads came in their heads, that minute,
Though 'twas a piteous case, they put her in it.
And when the sack was tied, some two or three
Of these black undertakers slowly brought her
To a kind of Moorish Serpentine; for she
Was doom'd to have a winding sheet of water.
Then farewell, earth—farewell to the green tree—
Farewell, the sun—the moon—each little daughter!
She's shot from off the shoulders of a black,
Like bag of Wall's-End from a coalman's back.
The waters oped, and the wide sack full-fill'd
All that the waters oped, as down it fell;
Then closed the wave, and then the surface rill'd
A ring above her, like a water-knell;
A moment more, and all its face was still'd,
And not a guilty heave was left to tell
That underneath its calm and blue transparence
A dame lay drownèd in her sack, like Clarence.
But Heaven beheld, and awful witness bore,—
The moon in black eclipse deceased that night,
Like Desdemona smother'd by the Moor—
The lady's natal star with pale afright
Fainted and fell—and what were stars before,
Turn'd comets as the tale was brought to light;
And all looked downward on the fatal wave,
And made their own reflections on her grave.
Next night, a head—a little lady head,
Push'd through the waters a most glassy face,
With weedy tresses, thrown apart and spread,
Comb'd by 'live ivory, to show the space
Of a pale forehead, and two eyes that shed
A soft blue mist, breathing a bloomy grace
Over their sleepy lids—and so she rais'd
Her aqualine nose above the stream, and gazed.
She oped her lips—lips of a gentle blush,
So pale it seem'd near drownèd to a white,—
She oped her lips, and forth there sprang a gush
Of music bubbling through the surface light;
The leaves are motionless, the breezes hush
To listen to the air—and through the night
There come these words of a most plaintive ditty,
Sobbing as they would break all hearts with pity:
THE WATER PERI'S SONG.
Farewell, farewell, to my mother's own daughter.
The child that she wet-nursed is lapp'd in the wave;
The Mussulman, coming to fish in this water,
Adds a tear to the flood that weeps over her grave.
This sack is her coffin, this water's her bier,
This grayish bath cloak is her funeral pall;
And, stranger, O stranger! this song that you hear
Is her epitaph, elegy, dirges, and all!
Farewell, farewell, to the child of Al Hassan,
My mother's own daughter—the last of her race—
She's a corpse, the poor body! and lies in this basin,
And sleeps in the water that washes her face.
Alack! 'tis melancholy theme to think
How Learning doth in rugged states abide,
And, like her bashful owl, obscurely blink,
In pensive glooms and corners, scarcely spied;
Not, as in Founders' Halls and domes of pride,
Served with grave homage, like a tragic queen,
But with one lonely priest compell'd to hide,
In midst of foggy moors and mosses green,
In that clay cabin hight the College of Kilreen!
This College looketh South and West alsoe,
Because it hath a cast in windows twain;
Crazy and crack'd they be, and wind doth blow
Through transparent holes in every pane,
Which Pan, with many paines, makes whole again
With nether garments, which his thrift doth teach
To stand for glass, like pronouns, and when rain
Stormeth, he puts, "once more unto the breach,"
Outside and in, tho' broke, yet so he mendeth each.
And in the midst a little door there is,
Whereon a board that doth congratulate
With painted letters, red as blood I wis,
Thus written,
"CHILDREN TAKEN IN TO BATE":
And oft, indeed, the inward of that gate,
Most ventriloque, doth utter tender squeak,
And moans of infants that bemoan their fate,
In midst of sounds of Latin, French, and Greek,
Which, all i' the Irish tongue, he teacheth them to speak.
For some are meant to right illegal wrongs,
And some for Doctors of Divinitie,
Whom he doth teach to murder the dead tongues,
And soe win academical degree;
But some are bred for service of the sea,
Howbeit, their store of learning is but small,
For mickle waste he counteth it would be
To stock a head with bookish wares at all,
Only to be knock'd off by ruthless cannon-ball.
Six babes he sways,—some little and some big,
Divided into classes six; alsoe,
He keeps a parlor boarder of a pig,
That in the College fareth to and fro,
And picketh up the urchins' crumbs below,
And eke the learned rudiments they scan,
And thus his A, B, C, doth wisely know,—
Hereafter to be shown in caravan,
And raise the wonderment of many a learned man.
Alsoe, he schools some tame familiar fowls,
Whereof, above his head, some two or three
Sit darkly squatting, like Minerva's owls,
But on the branches of no living tree,
And overlook the learned family;
While, sometimes, Partlet, from her gloomy perch,
Drops feather on the nose of Dominie,
Meanwhile, with serious eye, he makes research
In leaves of that sour tree of knowledge—now a birch.
No chair he hath, the awful Pedagogue,
Such as would magisterial hams imbed,
But sitteth lowly on a beechen log,
Secure in high authority and dread:
Large, as a dome for Learning, seems his head,
And, like Apollo's, all beset with rays,
Because his locks are so unkempt and red,
And stand abroad in many several ways:—
No laurel crown he wears, howbeit his cap is baize.
And, underneath, a pair of shaggy brows
O'erhang as many eyes of gizzard hue,
That inward giblet of a fowl, which shows
A mongrel tint, that is ne brown ne blue;
His nose,—it is a coral to the view;
Well nourish'd with Pierian Potheen,—
For much he loves his native mountain dew;—
But to depict the dye would lack, I ween,
A bottle-red, in terms, as well as bottle-green.
As for his coat, 'tis such a jerkin short
As Spenser had, ere he composed his Tales;
But underneath he hath no vest, nor aught,
So that the wind his airy breast assails;
Below, he wears the nether garb of males,
Of crimson plush, but non-plushed at the knee;—
Thence further down the native red prevails,
Of his own naked fleecy hosierie:—
Two sandals, without soles, complete his cap-a-pie.
Nathless, for dignity, he now doth lap
His function in a magisterial gown,
That shows more countries in it than a map,—
Blue tinct, and red, and green, and russet brown,
Besides some blots, standing for country-town;
And eke some rents, for streams and rivers wide;
But, sometimes, bashful when he looks adown,
He turns the garment of the other side,
Hopeful that so the holes may never be espied!
And soe he sits, amidst the little pack,
That look for shady or for sunny noon,
Within his visage, like an almanack,—
His quiet smile foretelling gracious boon:
But when his mouth droops down, like rainy moon,
With horrid chill each little heart unwarms,
Knowing that infant show'rs will follow soon,
And with forebodings of near wrath and storms
They sit, like timid hares, all trembling on their forms.
Ah! luckless wight, who cannot then repeat
"Corduroy Colloquy,"—or "Ki, Kæ, Kod,"—
Full soon his tears shall make his turfy seat
More sodden, tho' already made of sod,
For Dan shall whip him with the word of God,—
Severe by rule, and not by nature mild,
He never spoils the child and spares the rod,
But spoils the rod and never spares the child,
And soe with holy rule deems he is reconcil'd.
But, surely, the just sky will never wink
At men who take delight in childish throe,
And stripe the nether-urchin like a pink
Or tender hyacinth, inscribed with woe;
Such bloody Pedagogues, when they shall know,
By useless birches, that forlorn recess,
Which is no holiday, in Pit below,
Will hell not seem design'd for their distress,—
A melancholy place, that is all bottomlesse?
Yet would the Muse not chide the wholesome use
Of needful discipline, in due degree.
Devoid of sway, what wrongs will time produce,
Whene'er the twig untrained grows up a tree.
This shall a Carder, that a Whiteboy be,
Ferocious leaders of atrocious bands,
And Learning's help be used for infamie,
By lawless clerks, that, with their bloody hands,
In murder'd English write Rock's murderous commands.
But ah! what shrilly cry doth now alarm
The sooty fowls that dozed upon the beam,
All sudden fluttering from the brandish'd arm,
And cackling chorus with the human scream;
Meanwhile, the scourge plies that unkindly seam
In Phelim's brogues, which bares his naked skin,
Like traitor gap in warlike fort, I deem,
That falsely lets the fierce besieger in,
Nor seeks the Pedagogue by other course to win.
No parent dear he hath to heed his cries;—
Alas! his parent dear is far aloof,
And deep in Seven-Dial cellar lies,
Killed by kind cudgel-play, or gin of proof,
Or climbeth, catwise, on some London roof,
Singing, perchance, a lay of Erin's Isle,
Or, whilst he labors, weaves a fancy-woof,
Dreaming he sees his home,—his Phelim smile;—
Ah me! that luckless imp, who weepeth all the while!
Ah! who can paint that hard and heavy time,
When first the scholar lists in Learning's train,
And mounts her rugged steep, enforc'd to climb,
Like sooty imp, by sharp posterior pain,
From bloody twig, and eke that Indian cane,
Wherein, alas! no sugar'd juices dwell,
For this, the while one stripling's sluices drain,
Another weepeth over chilblains fell,
Always upon the heel, yet never to be well!
Anon a third, for his delicious root,
Late ravish'd from his tooth by elder chit,
So soon is human violence afoot,
So hardly is the harmless biter bit!
Meanwhile, the tyrant, with untimely wit
And mouthing face, derides the small one's moan,
Who, all lamenting for his loss, doth sit,
Alack,—mischance comes seldomtimes alone,
But aye the worried dog must rue more curs than one.
For lo! the Pedagogue, with sudden drub,
Smites his scald-head, that is already sore,—
Superfluous wound,—such is Misfortune's rub!
Who straight makes answer with redoubled roar,
And sheds salt tears twice faster than before,
That still, with backward fist, he strives to dry;
Washing, with brackish moisture, o'er and o'er,
His muddy cheek, that grows more foul thereby,
Till all his rainy face looks grim as rainy sky.
So Dan, by dint of noise, obtains a peace,
And with his natural untender knack,
By new distress, bids former grievance cease,
Like tears dried up with rugged huckaback,
That sets the mournful visage all awrack;
Yet soon the childish countenance will shine
Even as thorough storms the soonest slack,
For grief and beef in adverse ways incline,
This keeps, and that decays, when duly soak'd in brine.
Now all is hushed, and, with a look profound,
The Dominie lays ope the learned page;
(So be it called) although he doth expound
Without a book, both Greek and Latin sage;
Now telleth he of Rome's rude infant age,
How Romulus was bred in savage wood,
By wet-nurse wolf, devoid of wolfish rage;
And laid foundation-stone of walls of mud,
But watered it, alas! with warm fraternal blood.
Anon, he turns to that Homeric war,
How Troy was sieged like Londonderry town;
And stout Achilles, at his jaunting-car,
Dragged mighty Hector with a bloody crown;
And eke the bard, that sung of their renown,
In garb of Greece, most beggar-like and torn,
He paints, with colly, wand'ring up and down,
Because, at once, in seven cities born;
And so, of parish rights, was, all his days, forlorn.
Anon, through old Mythology he goes,
Of Gods defunct, and all their pedigrees,
But shuns their scandalous amours, and shows
How Plato wise, and clear-ey'd Socrates,
Confess'd not to those heathen hes and shes;
But thro' the clouds of the Olympic cope
Beheld St. Peter, with his holy keys,
And own'd their love was naught, and bow'd to Pope,
Whilst all their purblind race in Pagan mist did grope!
From such quaint themes he turns, at last, aside,
To new philosophies, that still are green,
And shows what railroads have been track'd, to guide
The wheels of great political machine;
If English corn should grow abroad, I ween,
And gold be made of gold, or paper sheet;
How many pigs be born to each spalpeen;
And, ah! how man shall thrive beyond his meat,—
With twenty souls alive, to one square sod of peat!
Here, he makes end; and all the fry of youth,
That stood around with serious look intense,
Close up again their gaping eyes and mouth,
Which they had opened to his eloquence,
As if their hearing were a threefold sense.
But now the current of his words is done,
And whether any fruits shall spring from thence,
In future time, with any mother's son,
It is a thing, God wot! that can be told by none.
Now by the creeping shadows of the noon,
The hour is come to lay aside their lore;
The cheerful Pedagogue perceives it soon,
And cries, "Begone!" unto the imps,—and four
Snatch their two hats and struggle for the door,
Like ardent spirits vented from a cask,
All blithe and boisterous,—but leave two more,
With Reading made Uneasy for a task,
To weep, whilst all their mates in merry sunshine bask,
Like sportive Elfins, on the verdant sod,
With tender moss so sleekly overgrown,
That doth not hurt, but kiss, the sole unshod,
So soothly kind is Erin to her own!
And one, at Hare and Hound, plays all alone,—
For Phelim's gone to tend his step-dame's cow;
Ah! Phelim's step-dame is a canker'd crone!
Whilst other twain play at an Irish row,
And, with shillelah small, break one another's brow!
But careful Dominie, with ceaseless thrift,
Now changeth ferula for rural hoe;
But, first of all, with tender hand doth shift
His college gown, because of solar glow,
And hangs it on a bush, to scare the crow:
Meanwhile, he plants in earth the dappled bean,
Or trains the young potatoes all a-row,
Or plucks the fragrant leek for pottage green,
With that crisp curly herb, call'd Kale in Aberdeen.
And so he wisely spends the fruitful hours,
Linked each to each by labor, like a bee;
Or rules in Learning's hall, or trims her bow'rs;—
Would there were many more such wights as he,
To sway each capital academie
Of Cam and Isis; for, alack! at each
There dwells, I wot, some dronish Dominie,
That does no garden work, nor yet doth teach,
But wears a floury head, and talks in flow'ry speech!
Bianca!—fair Bianca!—who could dwell
With safety on her dark and hazel gaze,
Nor find there lurk'd in it a witching spell,
Fatal to balmy nights and blessed days?
The peaceful breath that made the bosom swell,
She turn'd to gas, and set it in a blaze;
Each eye of hers had Love's Eupyrion in it,
That he could light his link at in a minute.
So that, wherever in her charms she shone,
A thousand breasts were kindled into flame;
Maidens who cursed her looks forgot their own,
And beaux were turn'd to flambeaux where she came;
All hearts indeed were conquer'd but her own,
Which none could ever temper down or tame:
In short, to take our haberdasher's hints,
She might have written over it,—"from Flints."
She was, in truth, the wonder of her sex,
At least in Venice—where with eyes of brown
Tenderly languid, ladies seldom vex
An amorous gentle with a needless frown;
Where gondolas convey guitars by pecks,
And Love at casements climbeth up and down,
Whom for his tricks and custom in that kind,
Some have considered a Venetian blind.
Howbeit, this difference was quickly taught,
Amongst more youths who had this cruel jailer,
To hapless Julio—all in vain he sought
With each new moon his hatter and his tailor;
In vain the richest padusoy he bought,
And went in bran new beaver to assail her—
As if to show that Love had made him smart
All over—and not merely round his heart.
In vain he labor'd thro' the sylvan park
Bianca haunted in—that where she came,
Her learned eyes in wandering might mark
The twisted cypher of her maiden name,
Wholesomely going thro' a course of bark:
No one was touched or troubled by his flame,
Except the Dryads, those old maids that grow
In trees,—like wooden dolls in embryo.
In vain complaining elegies he writ,
And taught his tuneful instrument to grieve,
And sang in quavers how his heart was split,
Constant beneath her lattice with each eve;
She mock'd his wooing with her wicked wit,
And slash'd his suit so that it matched his sleeve,
Till he grew silent at the vesper star,
And, quite despairing, hamstring'd his guitar.
Bianca's heart was coldly frosted o'er
With snows unmelting—an eternal sheet,
But his was red within him, like the core
Of old Vesuvius, with perpetual heat;
And oft he longed internally to pour
His flames and glowing lava at her feet,
But when his burnings he began to spout.
She stopp'd his mouth, and put the crater out.
Meanwhile he wasted in the eyes of men,
So thin, he seem'd a sort of skeleton-key
Suspended at death's door—so pale—and then
He turn'd as nervous as an aspen tree;
The life of man is three score years and ten,
But he was perishing at twenty-three,
For people truly said, as grief grew stronger,
"It could not shorten his poor life—much longer."
For why, he neither slept, nor drank, nor fed,
Nor relished any kind of mirth below;
Fire in his heart, and frenzy in his head,
Love had become his universal foe,
Salt in his sugar—nightmare in his bed,
At last, no wonder wretched Julio,
A sorrow-ridden thing, in utter dearth
Of hope,—made up his mind to cut her girth!
For hapless lovers always died of old,
Sooner than chew reflection's bitter cud;
So Thisbe stuck herself, what time 'tis told,
The tender-hearted mulberries wept blood;
And so poor Sappho when her boy was cold,
Drown'd her salt tear drops in a salter flood,
Their fame still breathing, tho' their breath be past,
For those old suitors lived beyond their last.
So Julio went to drown,—when life was dull,
But took his corks, and merely had a bath;
And once he pull'd a trigger at his skull,
But merely broke a window in his wrath;
And once, his hopeless being to annul,
He tied a pack-thread to a beam of lath,
A line so ample, 'twas a query whether
'Twas meant to be a halter or a tether.
Smile not in scorn, that Julio did not thrust
His sorrows thro'—'tis horrible to die!
And come down, with our little all of dust,
That dun of all the duns to satisfy:
To leave life's pleasant city as we must,
In Death's most dreary spunging-house to lie,
Where even all our personals must go
To pay the debt of nature that we owe!
So Julio liv'd:—'twas nothing but a pet
He took at life—a momentary spite;
Besides, he hoped that time would some day get
The better of love's flame, howover bright;
A thing that time has never compass'd yet,
For love, we know, is an immortal light.
Like that old fire, that, quite beyond a doubt,
Was always in,—for none have found it out.
Meanwhile, Bianca dream'd—'twas once when Night
Along the darken'd plain began to creep,
Like a young Hottentot, whose eyes are bright,
Altho' in skin as sooty as a sweep:
The flow'rs had shut their eyes—the zephyr light
Was gone, for it had rock'd the leaves to sleep.
And all the little birds had laid their heads
Under their wings—sleeping in feather beds.
Lone in her chamber sate the dark-ey'd maid,
By easy stages jaunting thro' her pray'rs,
But list'ning side-long to a serenade,
That robb'd the saints a little of their shares;
For Julio underneath the lattice play'd
His Deh Vieni, and such amorous airs,
Born only underneath Italian skies,
Where every fiddle has a Bridge of Sighs.
Sweet was the tune—the words were even sweeter—
Praising her eyes, her lips, her nose, her hair,
With all the common tropes wherewith in metre
The hackney poets overcharge their fair.
Her shape was like Diana's, but completer;
Her brow with Grecian Helen's might compare:
Cupid, alas! was cruel Sagittarius,
Julio—the weeping water-man Aquarius.
Now, after listing to such laudings rare,
'Twas very natural indeed to go—
What if she did postpone one little pray'r—
To ask her mirror "if it was not so?"
'Twas a large mirror, none the worse for wear,
Reflecting her at once from top to toe:
And there she gazed upon that glossy track,
That show'd her front face tho' it "gave her back."
And long her lovely eyes were held in thrall,
By that dear page where first the woman reads:
That Julio was no flatt'rer, none at all,
She told herself—and then she told her beads;
Meanwhile, the nerves insensibly let fall
Two curtains fairer than the lily breeds;
For Sleep had crept and kiss'd her unawares,
Just at the half-way milestone of her pray'rs.
Then like a drooping rose so bended she,
Till her bow'd head upon her hand reposed;
But still she plainly saw, or seem'd to see,
That fair reflection, tho' her eyes were closed,
A beauty-bright as it was wont to be,
A portrait Fancy painted while she dozed:
'Tis very natural some people say,
To dream of what we dwell on in the day.
Still shone her face—yet not, alas! the same,
But 'gan some dreary touches to assume,
And sadder thoughts, with sadder changes came—
Her eyes resigned their light, her lips their bloom,
Her teeth fell out, her tresses did the same,
Her cheeks were tinged with bile, her eyes with rheum:
There was a throbbing at her heart within,
For, oh! there was a shooting in her chin.
And lo! upon her sad desponding brow,
The cruel trenches of besieging age,
With seams, but most unseemly, 'gan to show
Her place was booking for the seventh stage;
And where her raven tresses used to flow,
Some locks that Time had left her in his rage.
And some mock ringlets, made her forehead shady,
A compound (like our Psalms) of tête and braidy.
Then for her shape—alas! how Saturn wrecks,
And bends, and corkscrews all the frame about,
Doubles the hams, and crooks the straightest necks,
Draws in the nape, and pushes forth the snout,
Makes backs and stomachs concave or convex:
Witness those pensioners called In and Out,
Who all day watching first and second rater,
Quaintly unbend themselves—but grow no straighter.
So Time with fair Bianca dealt, and made
Her shape a bow, that once was like an arrow;
His iron hand upon her spine he laid,
And twisted all awry her "winsome marrow."
In truth it was a change!—she had obey'd
The holy Pope before her chest grew narrow,
But spectacles and palsy seem'd to make her
Something between a Glassite and a Quaker.
Her grief and gall meanwhile were quite extreme,
And she had ample reason for her trouble;
For what sad maiden can endure to seem
Set in for singleness, tho' growing double.
The fancy madden'd her; but now the dream,
Grown thin by getting bigger, like a bubble,
Burst,—but still left some fragments of its size,
That, like the soapsuds, smarted in her eyes.
And here—just here—as she began to heed
The real world, her clock chimed out its score;
A clock it was of the Venetian breed,
That cried the hour from one to twenty-four;
The works moreover standing in some need
Of workmanship, it struck some dozens more;
A warning voice that clench'd Bianca's fears,
Such strokes referring doubtless to her years.
At fifteen chimes she was but half a nun,
By twenty she had quite renounced the veil;
She thought of Julio just at twenty-one,
And thirty made her very sad and pale,
To paint that ruin where her charms would run;
At forty all the maid began to fail,
And thought no higher, as the late dream cross'd her,
Of single blessedness, than single Gloster.
And so Bianca changed;—the next sweet even,
With Julio in a black Venetian bark,
Row'd slow and stealthily—the hour, eleven,
Just sounding from the tow'r of old St. Mark;
She sate with eyes turn'd quietly to heav'n,
Perchance rejoicing in the grateful dark
That veil'd her blushing cheek,—for Julio brought her
Of course—to break the ice upon the water.
But what a puzzle is one's serious mind
To open;—oysters, when the ice is thick,
Are not so difficult and disinclin'd;
And Julio felt the declaration stick
About his throat in a most awful kind;
However, he contrived by bits to pick
His trouble forth,—much like a rotten cork
Grop'd from a long-necked bottle with a fork.
But love is still the quickest of all readers;
And Julio spent besides those signs profuse
That English telegraphs and foreign pleaders,
In help of language, are so apt to use,
Arms, shoulders, fingers, all were interceders,
Nods, shrugs, and bends,—Bianca could not choose
But soften to his suit with more facility,
He told his story with so much agility.
"Be thou my park, and I will be thy dear,
(So he began at last to speak or quote;)
Be thou my bark, and I thy gondolier,
(For passion takes this figurative note;)
Be thou my light, and I thy chandelier;
Be thou my dove, and I will be thy cote:
My lily be, and I will be thy river;
Be thou my life—and I will be thy liver."
This, with more tender logic of the kind,
He pour'd into her small and shell-like ear,
That timidly against his lips inclin'd;
Meanwhile her eyes glanced on the silver sphere
That even now began to steal behind
A dewy vapor, which was lingering near,
Wherein the dull moon crept all dim and pale,
Just like a virgin putting on the veil:—
Bidding adieu to all her sparks—the stars,
That erst had woo'd and worshipp'd in her train,
Saturn and Hesperus, and gallant Mars—
Never to flirt with heavenly eyes again.
Meanwhile, remindful of the convent bars,
Bianca did not watch these signs in vain,
But turn'd to Julio at the dark eclipse,
With words, like verbal kisses, on her lips.
He took the hint full speedily, and, back'd
By love, and night, and the occasion's meetness,
Bestow'd a something on her cheek that smack'd
(Tho' quite in silence) of ambrosial sweetness;
That made her think all other kisses lack'd
Till then, but what she knew not, of completeness;
Being used but sisterly salutes to feel,
Insipid things—like sandwiches of veal.
He took her hand, and soon she felt him wring
The pretty fingers all instead of one;
Anon his stealthy arm began to cling
About her waist that had been clasp'd by none,
Their dear confessions I forbear to sing,
Since cold description would but be outrun;
For bliss and Irish watches have the pow'r,
In twenty minutes, to lose half an hour!