"The promised land" has kept its promise to Rebecca Meyer! | I. STORY OF REBECCA MEYER |
Eight months ago an illiterate Austrian immigrant girl, unable to speak or write English, went to work in a New York garment factory. | 1. Striking statement beginning Note effective use of device of contrast |
To-day, speaking and writing fluently the language of her adopted country, proficient in other studies, she proudly cherishes the first "certificate of literacy" issued by a factory—a factory which has paid her for going to school during working hours! | Second and third paragraphs show striking results in one concrete case. |
It was Rebecca Meyer who received this first certificate, at the graduation exercises held on the top floor of the big women's wear factory of D.E. Sicher & Co. It was Rebecca Meyer who delivered the address of welcome to the members of the board of education, the members of the firm, her fellow employees, and all the others gathered at these exercises—the first of their kind ever held in any commercial establishment, anywhere! | 2. Commencement Note that Rebecca is the central figure Dash used to set off unique element |
"Isn't it wonderful!" she said. "When I came from Austria, I hoped to find work. That was all. How I should learn to speak the English language, I did not know. It might take me years, I thought. That I should go to school every day, while I worked—who could dream of such a thing? It could not be in any other country except America." | 3. Rebecca's statement Slightly unidiomatic English is suggestive |
Dudley E. Sicher, head of the firm, in whose workrooms a regularly organized class of the New York public schools has held its sessions all winter, stood smiling in the background. Mr. Sicher is president of the Cotton Goods Manufacturers' Association. It was he who conceived the idea, about a year ago, of increasing the efficiency of his women employees by giving them an education free of cost, during working hours. | II. STORY OF THE SCHOOL 1. Origin of school Note method of introducing head of firm |
"One of the first and most noticeable results of the factory school has been a marked decrease in the friction and the waste of time caused by the inability of employees to comprehend directions. A girl who understands English, and has been enabled thereby to school herself in factory methods and conditions, doesn't hesitate and blunder; she understands, and does. And what then? Why, higher pay." | 2. Results of school Statement of head of firm |
No wonder Rebecca Meyer is grateful for the 45 minutes a day in which button-sewing has given place to study—no wonder she thinks America must be the wonderland of all the world! | III. CONCLUSION Rebecca again made the central figure Appeal to reader's pride in his country. |
Articles Composed of Units. The study of the two special feature stories on the factory school shows how articles of this type are built up out of a number of units, such as examples, incidents, and statistics. A similar study of the other types of articles exemplified in Chapter V will show that they also are made up of various kinds of units. Again, if we turn to the types of beginnings illustrated in Chapter VII, we shall find that they, too, are units, which in some cases might have been used in the body of the article instead of as an introduction. Since, then, every division of a subject may be regarded as a unit that is complete in itself whatever its position in the article, each of the several kinds of units may be studied separately. For this purpose we may discuss five common types of units: (1) examples, (2) incidents, (3) statistics, (4) scientific and technical processes, and (5) recipes and directions.
Methods of Developing Units. In order to present these units most effectively, and to vary the form of presentation when occasion demands, a writer needs to be familiar with the different methods of developing each one of these types. Four common methods of handling material within these units are: (1) exposition, narration, or description in the writer's own words; (2) dialogue; (3) the interview; (4) direct or indirect quotation. Statistics and recipes may also be given in tabular form.
When a unit may be developed with equal effectiveness by any one of several methods, a writer should choose the one that gives variety to his article. If, for example, the units just before and after the one under consideration are to be in direct quotation, he should avoid any form that involves quoted matter.
Examples. In all types of articles the concrete example is the commonest and most natural means of explaining a general idea. To most readers, for instance, the legal provisions of an old age pension law would be neither comprehensible nor interesting, but a story showing how a particular old man had been benefited by the law would appeal to practically every one. That is, to explain the operation and advantages of such a law, we give, as one unit, the concrete example of this old man. Actual examples are preferable to hypothetical ones, but the latter may occasionally be used when real cases are not available. Imaginary instances may be introduced by such phrases as, "If, for example," or "Suppose, for instance, that."
To explain why companies that insure persons against loss of their jewelry are compelled to investigate carefully every claim filed with them, a writer in the Buffalo News gave several cases in which individuals supposed that they were entitled to payment for losses although subsequent investigation showed that they had not actually sustained any loss. One of these cases, that given below, he decided to relate in his own words, without conversation or quotation, although he might have quoted part of the affidavit, or might have given the dialogue between the detective and the woman who had lost the pin. No doubt he regarded the facts themselves, together with the suspense as to the outcome of the search, as sufficiently interesting to render unnecessary any other device for creating interest.
Another woman of equal wealth and equally undoubted honesty lost a horseshoe diamond pin. She and her maid looked everywhere, as they thought, but failed to find it. So she made her "proof of loss" in affidavit form and asked the surety company with which she carried the policy on all her jewelry to replace the article.
She said in her affidavit that she had worn the pin in a restaurant a few nights before and had lost it that night, either in the restaurant or on her way there or back. The restaurant management had searched for it, the restaurant help had been questioned closely, the automobile used that night had been gone over carefully, and the woman's home had been ransacked. Particular attention had been given to the gown worn by the woman on that occasion; every inch of it had been examined with the idea that the pin, falling from its proper place, had caught in the folds.
The surety company assigned one of its detectives to look for the pin. From surface indications the loss had the appearance of a theft—an "inside job." The company, however, asked that its detective be allowed to search the woman's house itself. The request was granted readily. The detective then inquired for the various gowns which the woman had worn for dress occasions within the preceding several weeks.
This line of investigation the owner of the pin considered a waste of time, since she remembered distinctly wearing the pin to the restaurant on that particular night, and her husband also remembered seeing it that night and put his memory in affidavit form. But the detective persisted and with the help of a maid examined carefully those other gowns.
In the ruffle at the bottom of one of them, worn for the last time at least a week before the visit to the restaurant, she found the pin. The woman and her husband simply had been mistaken—honestly mistaken. She hadn't worn the pin to the restaurant, and her husband hadn't seen it that night. The error was unintentional, but it came very near costing the surety company a large sum of money.
The benefits of a newly established clinic for animals were demonstrated in a special feature article in the New York Times by the selection of several animal patients as typical cases. Probably the one given below did not seem to the writer to be sufficiently striking if only the bare facts were given, and so he undertook to create sympathy by describing the poor, whimpering little dog and the distress of the two young women. By arousing the sympathies of the readers, he was better able to impress them with the benefits of the clinic.
The other day Daisy, a little fox terrier, was one of the patients. She was a pretty little thing, three months old, with a silky coat and big, pathetic eyes. She was escorted to the clinic by two hatless young women, in shawls, and three children. The children waited outside in the reception room, standing in a line, grinning self-consciously, while the women followed Daisy into the examination room. There she was gently muzzled with a piece of bandage, and the doctor examined her. There was something the matter with one hind leg, and the poor little animal whimpered pitifully, as dogs do, while the doctor searched for a broken bone. It was too much for one of the women. She left the room, and, standing outside the door, put her fingers in her ears, while the tears rolled down her cheeks.
"Well, I wouldn't cry for a dog," said a workman, putting in some S.P.C.A. receiving boxes, with a grin, while the three children—and children are always more or less little savages—grinned sympathetically. But it was a very real sorrow for Daisy's mistress.
There was no reason for alarm; it was only a sprain, caused by her mistress' catching the animal by the leg when she was giving her a bath. Her friends were told to take her home, bathe the leg with warm water, and keep her as quiet as possible. Her mistress, still with a troubled face, wrapped her carefully in the black shawl she was wearing, so that only the puppy's little white head and big, soft eyes peeped out, and the small procession moved away.
In a special feature story designed to show how much more intelligently the first woman judge in this country could deal with cases of delinquent girls in the juvenile court than could the ordinary police court judge, a writer selected several cases that she had disposed of in her characteristic way. The first case, which follows, he decided could best be reported verbatim, as by that method he could show most clearly the kindly attitude of the judge in dealing with even the least appreciative of girls.
The first case brought in the other day was that of a girl of 16, who hated her home and persisted in running away, sometimes to a married sister, and sometimes to a friend. She was accompanied by her mother and older sister, both with determined lower jaws and faces as hard as flint. She swaggered into the room in an impudent way to conceal the fact that her bravado was leaving her.
"Ella," said Miss Bartelme, looking up from her desk, "why didn't you tell me the truth when you came in here the other day? You did not tell me where you had been. Don't you understand that it is much easier for me to help you if you speak the truth right away?"
Ella hung her head and said nothing. The older sister scowled at the girl and muttered something to the mother.
"No," refused the mother, on being questioned. "We don't want nothing more to do with her."
"Humph," snorted Ella, "you needn't think I want to come back. I don't want nothing more to do with you, either."
Miss Bartelme often lets the family fight things out among themselves; for in this way, far more than by definite questioning, she learns the attitude of the girl and the family toward each other, and indirectly arrives at most of the actual facts of the case.
"How would you like to go into a good home where some one would love you and care for you?" asked the judge.
"I don't want nobody to love me."
"Why, Ella, wouldn't you like to have a kind friend, somebody you could confide in and go walking with and who would be interested in you?"
"I don't want no friends. I just want to be left alone."
"Well, Ella," said the judge, patiently, ignoring her sullenness, "I think we shall send you back to Park Ridge for a while. But if you ever change your mind about wanting friends let us know, because we'll be here and shall feel the same way as we do now about it."
To explain to readers of the Kansas City Star how a bloodhound runs down a criminal, a special feature writer asked them to imagine that a crime had been committed at a particular corner in that city and that a bloodhound had been brought to track the criminal; then he told them what would happen if the crime were committed, first, when the streets were deserted, or second, when they were crowded. In other words, he gave two imaginary instances to illustrate the manner in which bloodhounds are able to follow a trail. Obviously these two hypothetical cases are sufficiently plausible and typical to explain the idea.
If a bloodhound is brought to the scene of the crime within a reasonable length of time after it has been committed, and the dog has been properly trained, he will unfailingly run down the criminal, provided, of course, that thousands of feet have not tramped over the ground.
If, for instance, a crime were committed at Twelfth and Walnut streets at 3 o'clock in the morning, when few persons are on the street, a well-trained bloodhound would take the trail of the criminal at daybreak and stick to it with a grim determination that appears to be uncanny, and he would follow the trail as swiftly as if the hunted man had left his shadow all along the route.
But let the crime be committed at noon when the section is alive with humanity and remain undiscovered until after dark, then the bloodhound is put at a disadvantage and his wonderful powers would fail him, no doubt.
Incidents. Narrative articles, such as personal experience stories, confessions, and narratives in the third person, consist almost entirely of incidents. Dialogue and description are very frequently employed in relating incidents, even when the greater part of the incident is told in the writer's own words. The incidents given as examples of narrative beginnings on pages 135-37 are sufficient to illustrate the various methods of developing incidents as units.
Statistics. To make statistical facts comprehensible and interesting is usually a difficult problem for the inexperienced writer. Masses of figures generally mean very little to the average reader. Unless the significance of statistics can be quickly grasped, they are almost valueless as a means of explanation. One method of simplifying them is to translate them into terms with which the average reader is familiar. This may often be done by reducing large figures to smaller ones. Instead of saying, for example, that a press prints 36,000 newspapers an hour, we may say that it prints 10 papers a second, or 600 a minute. To most persons 36,000 papers an hour means little more than a large number, but 10 papers and one second are figures sufficiently small to be understood at a glance. Statistics sometimes appear less formidable if they are incorporated in an interview or in a conversation.
In undertaking to explain the advantages of a coöperative community store, a writer was confronted with the problem of handling a considerable number of figures. The first excerpt below shows how he managed to distribute them through several paragraphs, thus avoiding any awkward massing of figures. In order to present a number of comparative prices, he used the concrete case, given below, of an investigator making a series of purchases at the store.
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Here's the way the manager of the community store started. He demonstrated to his neighbors by actual figures that they were paying anywhere from $2 to $8 a week more for their groceries and supplies than they needed to. This represented the middlemen's profits.
He then proposed that if a hundred families would pay him regularly 50 cents a week, he would undertake to supply them with garden truck, provisions and meats at wholesale prices. To clinch the demonstration he showed that an average family would save this 50-cent weekly fee in a few days' purchases.
There is no difference in appearance between the community store and any other provision store. There is no difference in the way you buy your food. The only difference is that you pay 50 cents a week on a certain day each week and buy food anywhere from 15 to 40 per cent less than at the commercial, non-coöperative retail stores.
(2)
The other day an investigator from the department of agriculture went to the Washington community store to make an experiment. He paid his 50-cent weekly membership fee and made some purchases. He bought a 10-cent carton of oatmeal for 8 cents; a 10-cent loaf of bread for 8 cents; one-half peck of string beans for 20 cents, instead of for 30 cents, the price in the non-coöperative stores; three pounds of veal for 58 cents instead of 80 cents; a half dozen oranges for 13 cents instead of the usual price of from 20 to 25 cents. His total purchases amounted to $1.32, and the estimated saving was 49 cents—within 1 cent of the entire weekly fee.
Since to the average newspaper reader it would not mean much to say that the cost of the public schools amounted to several hundred thousand dollars a year, a special feature writer calculated the relation of the school appropriation to the total municipal expenditure and then presented the results as fractions of a dollar, thus:
Of every dollar that each taxpayer in this city paid to the city treasurer last year, 45 cents was spent on the public schools. This means that nearly one-half of all the taxes were expended on giving boys and girls an education.
Of that same dollar only 8 cents went to maintain the police department, 12 cents to keep up the fire department, and 13 cents for general expenses of the city offices.
Out of the 45 cents used for school purposes, over one-half, or 24 cents, was paid as salaries to teachers and principals. Only 8 cents went for operation, maintenance, and similar expenses.
How statistics may be effectively embodied in an interview is demonstrated by the following excerpt from a special feature story on a workmen's compensation law administered by a state industrial board:
Judge J.B. Vaughn, who is at the head of the board, estimates that the system of settling compensation by means of a commission instead of by the regular courts has saved the state $1,000,000 a year since its inception in 1913. "Under the usual court proceedings," he says, "each case of an injured workman versus his employer costs from $250 to $300. Under the workings of the industrial board the average cost is no more than $20.
"In three and one-half years 8,000 cases have come before us. Nine out of every ten have been adjusted by our eight picked arbitrators, who tour the state, visiting promptly each scene of an accident and adjusting the compensation as quickly as possible. The tenth case, which requires a lengthier or more painstaking hearing, is brought to the board.
"Seven million dollars has been in this time ordered to be paid to injured men and their families. Of this no charge of any sort has been entered against the workers or their beneficiaries. The costs are taken care of by the state. Fully 90 per cent of all the cases are settled within the board, which means that only 10 per cent are carried further into the higher courts for settlement."
Processes. To make scientific and technical processes sufficiently simple to appeal to the layman, is another problem for the writer of popular articles. A narrative-descriptive presentation that enables the reader to visualize and follow the process, step by step, as though it were taking place before his eyes, is usually the best means of making it both understandable and interesting.
In a special feature story on methods of exterminating mosquitoes, a writer in the Detroit News undertook to trace the life history of a mosquito. In order to popularize these scientific details, he describes a "baby mosquito" in a concrete, informal manner, and, as he tells the story of its life, suggests or points out specifically its likeness to a human being.
The baby mosquito is a regular little water bug. You call him a "wiggler" when you see him swimming about in a puddle. His head is wide and flat and his eyes are set well out at the sides, while in front of them he has a pair of cute little horns or feelers. While the baby mosquito is brought up in the water, he is an air-breather and comes to the top to breathe as do frogs and musk-rats and many other water creatures of a higher order.
Like most babies the mosquito larva believes that his mission is to eat as much as he can and grow up very fast. This he does, and if the weather is warm and the food abundant, he soon outgrows his skin. He proceeds to grow a new skin underneath the old one, and when he finds himself protected, he bursts out of his old clothes and comes out in a spring suit. This molting process occurs several times within a week or two, but the last time he takes on another form. He is then called a pupa, and is in a strange transition period during which he does not eat. He now slowly takes on the form of a true mosquito within his pupal skin or shell.
After two or three days, or perhaps five or six, if conditions are not altogether favorable, he feels a great longing within him to rise to something higher. His tiny shell is floating upon the water with his now winged body closely packed within. The skin begins to split along the back and the true baby mosquito starts to work himself out. It is a strenuous task for him and consumes many minutes.
At last he appears and sits dazed and exhausted, floating on his old skin as on a little boat, and slowly working his new wings in the sunlight, as if to try them out before essaying flight. It is a moment of great peril. A passing ripple may swamp his tiny craft and shipwreck him to become the prey of any passing fish or vagrant frog. A swallow sweeping close to the water's surface may gobble him down. Some ruthless city employe may have flooded the surface of the pond with kerosene, the merest touch of which means death to a mosquito. Escaping all of the thousand and one accidents that may befall, he soon rises and hums away seeking whom he may devour.
A mechanical process, that of handling milk at a model dairy farm, was effectively presented by Constance D. Leupp in an article entitled, "The Fight for Clean Milk," printed in the Outlook. By leading "you," the reader, to the spot, as it were, by picturing in detail what "you" would see there, and then by following in story form the course of the milk from one place to another, she succeeded in making the process clear and interesting.
Here at five in the afternoon you may see long lines of sleek, well-groomed cows standing in their cement-floored, perfectly drained sheds. The walls and ceilings are spotless from constant applications of whitewash, ventilation is scientifically arranged, doors and windows are screened against the flies. Here the white-clad, smooth-shaven milkers do their work with scrubbed and manicured hands. You will note that all these men are studiously low-voiced and gentle in movement; for a cow, notwithstanding her outward placidity, is the most sensitive creature on earth, and there is an old superstition that if you speak roughly to your cow she will earn no money for you that day.
As each pail is filled it is carried directly into the milk-house; not into the bottling-room, for in that sterilized sanctum nobody except the bottler is admitted, but into the room above, where the pails are emptied into the strainer of a huge receptacle. From the base of this receptacle it flows over the radiator in the bottling-room, which reduces it at once to the required temperature, thence into the mechanical bottler. The white-clad attendant places a tray containing several dozen empty bottles underneath, presses a lever, and, presto! they are full and not a drop spilled. He caps the bottles with another twist of the lever, sprays the whole with a hose, picks up the load and pushes it through the horizontal dumb-waiter, where another attendant receives it in the packing-room. The second man clamps a metal cover over the pasteboard caps and packs the bottles in ice. Less than half an hour is consumed in the milking of each cow, the straining, chilling, bottling, and storing of her product.
Practical Guidance Units. To give in an attractive form complete and accurate directions for doing something in a certain way, is another difficult problem for the inexperienced writer. For interest and variety, conversation, interviews and other forms of direct quotation, as well as informal narrative, may be employed.
Various practical methods of saving fuel in cooking were given by a writer in Successful Farming, in what purported to be an account of a meeting of a farm woman's club at which the problem was discussed. By the device of allowing the members of the club to relate their experiences, she was able to offer a large number of suggestions. Two units selected from different portions of the article illustrate this method:
"I save dollars by cooking in my furnace," added a practical worker. "Potatoes bake nicely when laid on the ledge, and beans, stews, roasts, bread—in fact the whole food list—may be cooked there. But one must be careful not to have too hot a fire. I burned several things before I learned that even a few red coals in the fire-pot will be sufficient for practically everything. And then it does blacken the pans! But I've solved that difficulty by bending a piece of tin and setting it between the fire and the cooking vessel. This prevents burning, too, if the fire should be hot. Another plan is to set the vessel in an old preserving kettle. If this outer kettle does not leak, it may be filled with water, which not only aids in the cooking process but also prevents burning. For broiling or toasting, a large corn popper is just the thing."
"My chief saving," confided the member who believes in preparedness, "consists in cooking things in quantities, especially the things that require long cooking, like baked beans or soup. I never think of cooking less than two days' supply of beans, and as for soup, that is made up in quantity sufficient to last a week. If I have no ice, reheating it each day during warm weather prevents spoiling. Most vegetables are not harmed by a second cooking, and, besides the saving in fuel it entails, it's mighty comforting to know that you have your dinner already prepared for the next day, or several days before for that matter. In cold weather, or if you have ice, it will not be necessary to introduce monotony into your meals in order to save fuel, for one can wait a day or two before serving the extra quantity. Sauces, either for vegetables, meats or puddings, may just as well be made for more than one occasion, altho if milk is used in their preparation, care must be taken that they are kept perfectly cold, as ptomaines develop rapidly in such foods. Other things that it pays to cook in large portions are chocolate syrup for making cocoa, caramel for flavoring, and apple sauce."
By using a conversation between a hostess and her guest, another writer in the same farm journal succeeded in giving in a novel way some directions for preparing celery.
"Your escalloped corn is delicious. Where did you get your recipe?"
Mrs. Field smiled across the dining table at her guest. "Out of my head, I suppose, for I never saw it in print. I just followed the regulation method of a layer of corn, then seasoning, and repeat, only I cut into small pieces a stalk or two of celery with each layer of corn."
"Celery and corn—a new combination, but it's a good one. I'm so glad to learn of it; but isn't it tedious to cut the celery into such small bits?"
"Not at all, with my kitchen scissors. I just slash the stalk into several lengthwise strips, then cut them crosswise all at once into very small pieces."
"You always have such helpful ideas about new and easy ways to do your work. And economical, too. Why, celery for a dish like this could be the outer stalks or pieces too small to be used fresh on the table."
"That's the idea, exactly. I use such celery in soups and stews of all kinds; it adds such a delicious flavor. It is especially good in poultry stuffings and meat loaf. Then there is creamed celery, of course, to which I sometimes add a half cup of almonds for variety. And I use it in salads, too. Not a bit of celery is wasted around here. Even the leaves may be dried out in the oven, and crumbled up to flavor soups or other dishes."
"That's fine! Celery is so high this season, and much of it is not quite nice enough for the table, unless cooked."
A number of new uses for adhesive plaster were suggested by a writer in the New York Tribune, who, in the excerpt below, employs effectively the device of the direct appeal to the reader.
Aside from surgical "First Aid" and the countless uses to which this useful material may be put, there are a great number of household uses for adhesive plaster.
If your pumps are too large and slip at the heel, just put a strip across the back and they will stay in place nicely. When your rubbers begin to break repair them on the inside with plaster cut to fit. If the children lose their rubbers at school, write their names with black ink on strips of the clinging material and put these strips inside the top of the rubber at the back.
In the same way labels can be made for bottles and cans. They are easy to put on and to take off. If the garden hose, the rubber tube of your bath spray, or your hot water bag shows a crack or a small break, mend it with adhesive.
A cracked handle of a broom, carpet sweeper, or umbrella can be repaired with this first aid to the injured. In the same way the handles of golf sticks, baseball bats, flagstaffs and whips may be given a new lease on life.
If your sheet music is torn or the window shade needs repairing, or there is a cracked pane of glass in the barn or in a rear window, apply a strip or patch of suitable size.
In an article in the Philadelphia Ledger on "What Can I Do to Earn Money?" Mary Hamilton Talbot gave several examples of methods of earning money, in one of which she incorporated practical directions, thus:
A resourceful girl who loved to be out-of-doors found her opportunity in a bed of mint and aromatic herbs. She sends bunches of the mint neatly prepared to various hotels and cafés several times a week by parcel post, but it is in the over-supply that she works out best her original ideas. Among the novelties she makes is a candied mint that sells quickly. Here is her formula: Cut bits of mint, leaving three or four small leaves on the branch; wash well; dry and lay in rows on a broad, level surface. Thoroughly dissolve one pound of loaf sugar, boil until it threads and set from the fire. While it is still at the boiling point plunge in the bits of mint singly with great care. Remove them from the fondant with a fork and straighten the leaves neatly with a hatpin or like instrument. If a second plunging is necessary, allow the first coating to become thoroughly crystalized before dipping them again. Lay the sweets on oiled paper until thoroughly dry. With careful handling these mints will preserve their natural aroma, taste, and shape, and will keep for any length of time if sealed from the air. They show to best advantage in glass. The sweet-smelling herbs of this girl's garden she dries and sells to the fancy goods trade, and they are used for filling cushions, pillows, and perfume bags. The seasoning herbs she dries, pulverizes, and puts in small glasses, nicely labeled, which sell for 10 cents each, and reliable grocers are glad to have them for their fastidious customers.
Importance of the Beginning. The value of a good beginning for a news story, a special feature article, or a short story results from the way in which most persons read newspapers and magazines. In glancing through current publications, the average reader is attracted chiefly by headlines or titles, illustrations, and authors' names. If any one of these interests him, he pauses a moment or two over the beginning "to see what it is all about." The first paragraphs usually determine whether or not he goes any further. A single copy of a newspaper or magazine offers so much reading matter that the casual reader, if disappointed in the introduction to one article or short story, has plenty of others to choose from. But if the opening sentences hold his attention, he reads on. "Well begun is half done" is a saying that applies with peculiar fitness to special feature articles.
Structure of the Beginning. To accomplish its purpose an introduction must be both a unit in itself and an integral part of the article. The beginning, whether a single paragraph in form, or a single paragraph in essence, although actually broken up into two or more short paragraphs, should produce on the mind of the reader a unified impression. The conversation, the incident, the example, or the summary of which it consists, should be complete in itself. Unless, on the other hand, the introduction is an organic part of the article, it fails of its purpose. The beginning must present some vital phase of the subject; it should not be merely something attractive attached to the article to catch the reader's notice. In his effort to make the beginning attractive, an inexperienced writer is inclined to linger over it until it becomes disproportionately long. Its length, however, should be proportionate to the importance of that phase of the subject which it presents. As a vital part of the article, the introduction must be so skillfully connected with what follows that a reader is not conscious of the transition. Close coherence between the beginning and the body of the article is essential.
The four faults, therefore, to be guarded against in writing the beginning are: (1) the inclusion of diverse details not carefully coordinated to produce a single unified impression; (2) the development of the introduction to a disproportionate length; (3) failure to make the beginning a vital part of the article itself; (4) lack of close connection or of skillful transition between the introduction and the body of the article.
Types of Beginnings. Because of the importance of the introduction, the writer should familiarize himself with the different kinds of beginnings, and should study them from the point of view of their suitability for various types of articles. The seven distinct types of beginnings are: (1) summary; (2) narrative; (3) description; (4) striking statement; (5) quotation; (6) question; (7) direct address. Combinations of two or more of these methods are not infrequent.
Summary Beginnings. The general adoption by newspapers of the summary beginning, or "lead," for news stories has accustomed the average reader to finding most of the essential facts of a piece of news grouped together in the first paragraph. The lead, by telling the reader the nature of the event, the persons and things concerned, the time, the place, the cause, and the result, answers his questions, What? Who? When? Where? Why? How? Not only are the important facts summarized in such a beginning, but the most striking detail is usually "played up" in the first group of words of the initial sentence where it catches the eye at once. Thus the reader is given both the main facts and the most significant feature of the subject. Unquestionably this news story lead, when skillfully worked out, has distinct advantages alike for the news report and for the special article.
(1)
(Kansas City Star)
A FRESH AIR PALACE READY
A palace of sunshine, a glass house of fresh air, will be the Christmas offering of Kansas City to the fight against tuberculosis, the "Great White Plague." Ten miles from the business district of the city, overlooking a horizon miles away over valley and hill, stands the finest tuberculosis hospital in the United States. The newly completed institution, although not the largest hospital of the kind, is the best equipped and finest appointed. It is symbolic of sunshine and pure air, the cure for the disease.
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(New York World)
STOPPING THE COST OF LIVING LEAKS
BY MARIE COOLIDGE RASK
After ten weeks' instruction in domestic economy at a New York high school, a girl of thirteen has been the means of reducing the expenditure in a family of seven to the extent of five dollars a week.
The girl is Anna Scheiring, American born, of Austrian ancestry, living with her parents and brothers and sisters in a five-room apartment at No. 769 East One Hundred and Fifty-eighth Street, where her father, Joseph Scheiring is superintendent of the building.
The same economic practices applied by little Anna Scheiring are at the present time being worked out in two thousand other New York homes whose daughters are pupils in the Washington Irving High School.
(3)
(The Outlook)
THE FIGHT FOR CLEAN MILK
BY CONSTANCE D. LEUPP
Two million quarts of milk are shipped into New York every day. One hundred thousand of those who drink it are babies. The milk comes from forty-four thousand dairy farms scattered through New York, New Jersey, Connecticut, Massachusetts, Pennsylvania, Vermont, and even Ohio.
A large proportion of the two million quarts travels thirty-six hours before it lands on the front doorstep of the consumer. The situation in New York is duplicated in a less acute degree in every city in the United States.
Narrative Beginnings. To begin a special feature article in the narrative form is to give it a story-like character that at once arouses interest. It is impossible in many instances to know from the introduction whether what follows is to be a short story or a special article. An element of suspense may even be injected into the narrative introduction to stimulate the reader's curiosity, and descriptive touches may be added to heighten the vividness.
If the whole article is in narrative form, as is the case in a personal experience or confession story, the introduction is only the first part of a continuous story, and as such gives the necessary information about the person involved.
Narrative beginnings that consist of concrete examples and specific instances are popular for expository articles. Sometimes several instances are related in the introduction before the writer proceeds to generalize from them. The advantage of this inductive method of explanation grows out of the fact that, after a general idea has been illustrated by an example or two, most persons can grasp it with much less effort and with much greater interest than when such exemplification follows the generalization.
Other narrative introductions consist of an anecdote, an incident, or an important event connected with the subject of the article.
Since conversation is an excellent means of enlivening a narrative, dialogue is often used in the introduction to special articles, whether for relating an incident, giving a specific instance, or beginning a personal experience story.
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(The Outlook)
BOOKER T. WASHINGTON
BY EMMETT J. SCOTT AND LYMAN BEECHER STOWE
It came about that in the year 1880, in Macon County, Alabama, a certain ex-Confederate colonel conceived the idea that if he could secure the Negro vote he could beat his rival and win the seat he coveted in the State Legislature. Accordingly the colonel went to the leading Negro in the town of Tuskegee and asked him what he could do to secure the Negro vote, for Negroes then voted in Alabama without restriction. This man, Lewis Adams by name, himself an ex-slave, promptly replied that what his race most wanted was education, and what they most needed was industrial education, and that if he (the colonel) would agree to work for the passage of a bill appropriating money for the maintenance of an industrial school for Negroes, he, Adams, would help to get for him the Negro vote and the election. This bargain between an ex-slaveholder and an ex-slave was made and faithfully observed on both sides, with the result that the following year the Legislature of Alabama appropriated $2,000 a year for the establishment of a normal and industrial school for Negroes in the town of Tuskegee. On the recommendation of General Armstrong, of Hampton Institute, a young colored man, Booker T. Washington, a recent graduate of and teacher at the Institute, was called from there to take charge of this landless, buildingless, teacherless, and studentless institution of learning.
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(Leslie's Weekly)
MILLIONAIRES MADE BY WAR
BY HOMER CROY
A tall, gaunt, barefooted Missouri hill-billy stood beside his rattly, dish-wheeled wagon waiting to see the mighty proprietor of the saw mill who guessed only too well that the hill-billy had something he wanted to swap for lumber.
The hillman shifted his weight uneasily. "I 'low I got somethun of powerful lot of interest to yuh." Reaching over the side of the wagon he placed his rough hand tenderly on a black lump. "I guess yuh know what it is."
The saw mill proprietor glanced at it depreciatingly and turned toward the mill.
"It's lead, pardner, pure lead, and I know where it come from. I could take you right to the spot—ef I wanted to."
The mill proprietor hooked a row of fingers under the rough stone and tried to lift it. But he could not budge it. "It does seem to have lead in it. What was you calc'lating askin' for showin' me where you found it?"
The farmer from the foothills cut his eyes down to crafty slits. "I was 'lowing just tother day as how a house pattern would come in handy. Ef you'll saw me out one I'll take you to the spot." And so the deal was consummated, the hill-billy gleefully driving away, joyous over having got a fine house pattern worth $40 for merely showing a fellow where you could pick up a few hunks of lead.
That was forty-five years ago and it was thus that the great Joplin lead and zinc district was made known to the world.
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(Munsey's Magazine)
FRANK A. SCOTT, CHAIRMAN OF THE WAR INDUSTRIES BOARD
BY THEODORE TILLER
One day in the year 1885 a twelve-year-old boy, who had to leave school and make his own way in the world on account of his father's death, applied for a job in a railroad freight-office in Cleveland, Ohio.
"I'm afraid you won't do," said the chief. "We need a boy, but you're not tall enough to reach the letter-press."
"Well, couldn't I stand on a box?" suggested the young seeker of employment.
That day a box was added to the equipment of the freight-office and the name of Frank A. Scott to the payroll.
(New York Times)
NEW YORKER INVENTS NEW EXPLOSIVE AND GIVES IT TO THE UNITED STATES
Nine young men recently rowed to the middle of the Hudson River with a wooden box to which wires were attached, lying in the bottom of the boat. They sank the box in deep water very cautiously, and then rowed slowly back to land, holding one end of the wire. Presently a column of water 40 feet through and 300 feet high shot into the air, followed by a deafening detonation, which tore dead branches from trees.
The nine young men were congratulating one man of the group on the explosion when an irate farmer ran up, yelling that every window in his farmhouse, nearly a mile away, had been shattered. The party of young men didn't apologize then; they gathered about the one who was being congratulated and recongratulated him.
The farmer did not know until later that the force which broke his windows and sent the huge column of water into the air was the War Department's newest, safest, and most powerful explosive; that the young men composed the dynamite squad of the Engineer Corps of the New York National Guard; and that the man they were congratulating was Lieut. Harold Chase Woodward, the inventor of the explosive.
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(System)
WHY THE EMPLOYEES RUN OUR BUSINESS
A business of the workers, by the workers, and for the workers—how it succeeds.
BY EDWARD A. FILENE
"I know I am right. Leave it to any fair-minded person to decide."
"Good enough," I replied; "you name one, I will name another, and let them select a third."
She agreed; we selected the umpires and they decided against the store!
It had come about in this way. The store rule had been that cashiers paid for shortages in their accounts as—in our view—a penalty for carelessness; we did not care about the money. This girl had been short in an account; the amount had been deducted from her pay, and, not being afraid to speak out, she complained:
"If I am over in my accounts, it is a mistake; but if I am short, am I a thief? Why should I pay back the money? Why can't a mistake be made in either direction?"
This arbitration—although it had caused a decision against us—seemed such a satisfactory way of ending disputes that we continued the practice in an informal way. Out of it grew the present arbitration board, which is the corner-stone of the relation between our store and the employees, because it affords the machinery for getting what employees are above all else interested in—a square deal.
Descriptive Beginnings. Just as description of characters or of scene and setting is one method of beginning short stories and novels, so also it constitutes a form of introduction for an article. In both cases the aim is to create immediate interest by vivid portrayal of definite persons and places. The concrete word picture, like the concrete instance in a narrative beginning, makes a quick and strong appeal. An element of suspense or mystery may be introduced into the description, if a person, a place, or an object is described without being identified by name until the end of the portrayal.
The possibilities of description are not limited to sights alone; sounds, odors and other sense impressions, as well as emotions, may be described. Frequently several different impressions are combined. To stir the reader's feelings by a strong emotional description is obviously a good method of beginning.
A descriptive beginning, to be clear to the rapid reader, should be suggestive rather than detailed. The average person can easily visualize a picture that is sketched in a few suggestive words, whereas he is likely to be confused by a mass of details. Picture-making words and those imitative of sounds, as well as figures of speech, may be used to advantage in descriptive beginnings. For the description of feelings, words with a rich emotional connotation are important.
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