294 (return)
[ may we] So the 8vo.—The
4to "we may."]
295 (return)
[ this] So the 8vo.—The
4to "that" (but in the next speech of the same person it has "THIS
Tamburlaine").]
296 (return)
[ record] i.e. call to
mind.]
297 (return)
[ Aid] So the 8vo.—The
4to "And."]
298 (return)
[ Renowmed] See note ||,
p. 11. So the 8vo.—The 4to "Renowned."—The prefix to this
speech is wanting in the old eds.
299 (return)
[ invisibly] So the 4to.—The
8vo "inuincible."]
300 (return)
[ inexcellence] So the
4to.—The 8vo "inexcellencie."]
301 (return)
[ Enter Tamburlaine,
&c.] Here the old eds. have no stage- direction; and perhaps the poet
intended that Tamburlaine should enter at the commencement of this scene.
That he is drawn in his chariot by the two captive kings, appears from his
exclamation at p. 72, first col. "Draw, you slaves!"]
302 (return)
[ cease] So the 8vo.—The
4to "case."]
303 (return)
[ hypostasis] Old eds.
"Hipostates."]
304 (return)
[ artiers] See note *, p.
18.
305 (return)
[ upon] So the 4to.—The
8vo "on."]
306 (return)
[ villain cowards] Old
eds. "VILLAINES, cowards" (which is not to be defended by "VILLAINS,
COWARDS, traitors to our state", p. 67, sec. col.). Compare "But where's
this COWARD VILLAIN," &c., p. 61 sec. col.]
307 (return)
[ unto] So the 8vo.—The
4to "to."]
308 (return)
[ Whereas] i.e. Where.]
309 (return)
[ Terrene] i.e.
Mediterranean.]
310 (return)
[ began] So the 8vo.—The
4to "begun."]
311 (return)
[ this] So the 8vo.—The
4to "the."]
312 (return)
[ subjects] Mr. Collier
(Preface to COLERIDGE'S SEVEN LECTURES ON SHAKESPEARE AND MILTON, p.
cxviii) says that here "subjects" is a printer's blunder for "substance":
YET HE TAKES NO NOTICE OF TAMBURLAINE'S NEXT WORDS, "But, sons, this
SUBJECT not of force enough," &c.—The old eds. are quite right
in both passages: compare, in p. 62, first col.;
313 (return)
[ into] So the 8vo.—The
4to "vnto."]
314 (return)
[ your seeds] So the 8vo.—The
4to "OUR seedes." (In p. 18, first col., [The First Part of Tamburlaine
the Great] we have had "Their angry SEEDS"; but in p. 47, first col.,
[this play] "thy seed":—and Marlowe probably wrote "seed" both here
and in p. 18.)]
315 (return)
[ lineaments] So the 8vo.—The
4to "laments."—The Editor of 1826 remarks, that this passage "is too
obscure for ordinary comprehension."]
316 (return)
[ these] So the 4to.—The
8vo "those."]
317 (return)
[ these] So the 4to.—The
8vo "those."]
318 (return)
[ damned] i.e. doomed,—sorrowful.]
319 (return)
[ Clymene's] So the 8vo.—The
4to "Clymeus."]
320 (return)
[ Phoebe's] So the 8vo.—The
4to "Phoebus."]
321 (return)
[ Phyteus'] Meant perhaps
for "Pythius'", according to the usage of much earlier poets:
Here the modern editors print "Phoebus'".]
322 (return)
[ thee] So the 8vo.—The
4to "me."]
323 (return)
[ cliffs] Here the old
eds. "clifts" and "cliftes": but see p. 12, line 5, first col.