“There are Sixty-eight Subscribers to the forthcoming work, gentlemen of considerable Talents, Liberality, and worth;—who, with perfect cheerfulness, have evinced a most laudable disposition to foster, encourage, and reward, a specimen of Irish Manufacture and Native Talent, in so humble a person as their extremely grateful, much obliged, and faithful servant,
Frank M'Kenna was a snug farmer, frugal and industrious in his habits, and, what is rare amongst most men of his class, addicted to neither drink nor quarrelling. He lived at the skirt of a mountain, which ran up in long successive undulations, until it ended in a dark, abrupt peak, very perpendicular on one side, and always, except on a bright day, capped with clouds. Before his door lay a hard plain, covered only with a kind of bent, and studded with round gray rocks, protruding somewhat above its surface. Through this plain, over a craggy channel, ran a mountain torrent, that issued to the right of M'Kenna's house, from a rocky and precipitous valley which twisted itself round the base of the mountain until it reached the perpendicular side, where the peak actually overhung it. On looking either from the bottom of the valley or the top of the peak, the depth appeared immense; and, on a summer's day, when the black thorns and other hardy shrubs that in some placas clothed its rocky sides were green, to view the river sparkling below you in the sun, as it flung itself over two or three cataracts of great depth and boldness, filled the mind with those undefinable sensations of pleasure inseparable from a contemplation of the sublimities of nature. Nor did it possess less interest when beheld in the winter storm. Well do we remember, though then ignorant of our own motives, when we have, in the turmoil of the elements, climbed its steep, shaggy sides, disappearing like a speck, or something not of earth, among the dark clouds that rolled over its summit, for no other purpose than to stand upon its brow, and look down on the red torrent, dashing with impetuosity from crag to crag, whilst the winds roared, and the clouds flew in dark columns around us, giving to the natural wildness of the place an air of wilder desolation.—Beyond this glen the mountains stretched away for eight or ten miles in swelling masses, between which lay many extensive sweeps, well sheltered and abundantly stocked with game, particularly with hares and grouse. M'Kenna's house stood, as I said, at the foot of this mountain, just where the yellow surface of the plain began to darken into the deeper hues of the heath; to the left lay a considerable tract of stony land in a state of cultivation; and beyond the river, exactly opposite the house, rose a long line of hills, studded with houses, and in summer diversified with pasture and corn fields, the beauty of which was heightened by the columns of smoke that slanted across the hills, as the breeze carried them through the lucid haze of the atmosphere.
M'Kenna's family consisted of himself, his wife, two daughters, and two sons. One of these was a young man addicted to drink, idle, ill-tempered, and disobedient; seldom taking a part in the labors of the family, but altogether devoted to field sports, fairs, markets, and dances. In many parts of Ireland it is usual to play at cards for mutton, loaves, fowls, or whiskey, and he was seldom absent from such gambling parties, if held within a reasonable distance. Often had the other members of the family remonstrated with him on his idle and immoral courses; but their remonstrances only excited his bad passions, and produced, on his part, angry and exasperating language, or open determination to abandon the family altogether and enlist. For some years he went on in this way, a hardened, ungodly profligate, spurning the voice of reproof and of conscience, and insensible to the entreaties of domestic affection, or the commands of parental authority. Such was his state of mind and mode of life when our story opens.
At the time in which the incidents contained in this sketch took place, the peasantry of Ireland, being less encumbered with heavy rents, and more buoyant in spirits than the decay of national prosperity has of late permitted them to be, indulged more frequently, and to a greater stretch, in those rural sports and festivities so suitable to their natural love of humor and amusement. Dances, wakes, and weddings, were then held according to the most extravagant forms of ancient usage; the people were easier in their circumstances, and consequently indulged in them with lighter hearts, and a stronger relish for enjoyment. When any of the great festivals of their religion approached, the popular mind, unrepressed by poverty and national dissension, gradually elevated itself to a species of wild and reckless mirth, productive of incidents irresistibly ludicrous, and remarkably characteristic of Irish manners. It is not, however, to be expected, that a people whose love of fighting is so innate a principle in their disposition, should celebrate these festive seasons without an occasional crime, which threw its deep shadow over the mirthful character of their customs. Many such occurred; but they were looked upon then with a degree of horror and detestation of which we can form but a very inadequate idea at present.
It was upon the advent of one of those festivals—Christmas—which the family of M'Kenna, like every other family in the neighborhood, were making preparations to celebrate with the usual hilarity. They cleared out their barn in order to have a dance on Christmas-eve; and for this purpose, the two sons and the servant-man wrought with that kind of industry produced by the cheerful prospect of some happy event. For a week or fortnight before the evening on which the dance was appointed to be held, due notice of it had been given to the neighbors, and, of course, there was no doubt but that it would be numerously attended.
Christmas-eve, as the day preceding Christmas is called, has been always a day of great preparation and bustle. Indeed the whole week previous to it is also remarkable, as exhibiting the importance attached by the people to those occasions on which they can give a loose to their love of fun and frolic. The farm-house undergoes a thorough cleansing. Father and sons are, or rather used to be, all engaged in repairing the out-houses, patching them with thatch where it was wanted, mending mangers, paving stable-floors, fixing cow-stakes, making boraghs,* removing nuisances, and cleaning streets.
On the ether hand, the mother, daughters and maids, were also engaged in their several departments; the latter scouring the furniture with sand: the mother making culinary preparations, baking bread, killing fowls, or salting meat; whilst the daughters were unusually intent upon the decoration of their own dress, and the making up of the family linen. All, however, was performed with an air of gayety and pleasure; the ivy and holly were disposed about the dressers and collar beams with great glee; the chimneys were swept amidst songs and laughter; many bad voices, and some good ones, were put in requisition; whilst several who had never been known to chaunt a stave, alarmed the listeners by the grotesque and incomprehensible nature of their melody. Those who were inclined to devotion—and there is no lack of it in Ireland—took to carols and hymns, which they sang, for want of better airs, to tunes highly comic. We have ourselves often heard the Doxology sung in Irish verse to the facetious air of “Paudeen O'Rafferty,” and other hymns to the tune of “Peas upon a Trencher,” and “Cruskeen Lawn.” Sometimes, on the contrary, many of them, from the very fulness of jollity, would become pathetic, and indulge in those touching old airs of their country, which maybe truly,called songs of sorrow, from the exquisite and simple pathos with which they abound. This, though it may seem anomalous, is but natural; for there is nothing so apt to recall to the heart those friends, whether absent or dead, with whom it has been connected, as a stated festival. Affection is then awakened, and summons to the hearth where it presides those on whose face it loves to look; if they be living, it places them in the circle of happiness which surrounds it; and if they be removed forever from such scenes, their memory, which, amidst the din of ordinary life, has almost passed away, is now restored, and their loss felt as if it had been only just then sustained. For this reason, at such times, it is not at all unusual to see the elders of Irish families touched by pathos as well as humor. The Irish are a people whose affections are as strong as their imaginations are vivid; and, in illustration of this, we may add, that many a time have we seen them raised to mirth and melted into tears almost at the same time, by a song of the most comic character. The mirth, however, was for the song, and the sorrow for the memory of some beloved relation who had been remarkable for singing it, or with whom it had been a favorite.
We do not affirm that in the family of the M'Kennas there were, upon the occasion which we were describing, any tears shed. The enjoyments of the season and the humors of the expected dance, both combined to give them a more than usual degree of mirth and frolic At an early hour all that was necessary for the due celebration of that night and the succeeding day, had been arranged and completed. The whiskey had been laid in, the Christmas candles bought, the barn cleared out, the seats laid; in short, every thing in its place, and a place for everything. About one o'clock, however, the young members of the family began to betray some symptoms of uneasiness; nor was M'Kenna himself, though the farithee or man of the house, altogether so exempt from what they felt, as might, if the cause of it were known to our readers, be expected from a man of his years and experience.
From time to time one of the girls tripped out as far as the stile before the door, where she stood looking in a particular direction until her sight was fatigued.
“Och,' och,” her mother exclaimed during her absence, “but that colleen's sick about Barny!—musha, but it would be the beautiful joke, all out, if he'd disappoint the whole of yez. Faix, it wouldn't be unlike the same man, to go wherever he can make most money; and sure small blame to him for that; what's one place to him more than another?”
“Hut,” M'Kenna replied, rising, however, to go out himself, “the girsha's makin' a bauliore (* laughing stock) of herself.”
“An' where's yourself slippin' out to?” rejoined his wife, with a wink of shrewd humor at the rest. “I say, Frank, are you goin' to look for him too? Mavrone, but that's sinsible! Why, thin, you snakin' ould rogue, is that the way wid you? Throth I have often hard it said, that 'one fool makes many;' but sure enough, 'an ould fools worse nor any.' Come in here this minute, I say—walk back—you to have your horn up! Faix, indeed!”
“Why! I am only goin' to get the small phaties boiled for the pigs, poor crathurs, for their Christmas dinner. Sure we oughtn't to neglect thim no more than ourselves, the crathurs, that can't spake their wants, except by grantin'.”
“Saints above!—the Lord forgive me for bringin' down their names upon a Christmas Eve, but it's beside himself the man is! an' him knows that the phaties wor boiled an' made up into balls for them airly this mornin'!”
In the meantime, the wife's good-natured attack upon her husband produced considerable mirth in the family. In consequence of what she said, he hesitated: but ultimately was proceeding towards the door, when the daughter returned, her brow flushed, and her eye sparkling with mirth and delight.
“Ha!” said the father, with a complacent smile, “all's right, Peggy, you seen him, alanna. The music's in your eye, acushla; an' the' feet of you can't keep themselves off o' the ground; an' all bekase you seen Barny Dhal (* blind Barney) pokin' acrass the fields, wid his head up, an' his skirt stickn' out behind him wid Granua Waile.” (* The name of his fiddle)
The father had conjectured properly, for the joy which animated the girl's countenance could not be misunderstood.
“Barny's comin',” she exclaimed, clapping her hands with great glee, “an' our Frank wid him; they're at the river, and Frank has him on his back, and Granua Waile undhor his arm! Come out, come out! You'll die for good, lookin' at them staggerin' acrass. I knew he'd come! I knew it! and be good to thim that invinted Christmas; it's a brave time, faix!”
In a moment the inmates were grouped before the door, all anxious to catch a glimpse of Barny and Granua Waile.
“Faix ay! Sure enough.. Sarra doubt if it! Wethen, I'd never mistrust Barny!” might be heard in distinct exclamations from each.
“Faith he's a Trojan,” said the farithee, an' must get lashins of the best we have. Come in, childher, an' red the hob for him.
For all that, the sorra fig I care for either ale or beer, barrin' in regard of mere drouth; give me the whiskey, Eh, Alley—won't we have a jorum any how?”
“Why, thin,” replied the wife, “the devil be from me (the crass about us for namin' him) but you're a greater Brinoge than some of your childher! I suppose its your capers Frank has in him. Will you behave yourself, you old slingpoke? Behave, I say, an let me go. Childher, will you help me to flake this man out o' the place? Look at him, here, caperin' an' crackin' his fingers afore me, an' pullin' me out to dance!”
“Och, och, murdher alive,” exclaimed the good man out of breath, “I seen the day, any way! An', maybe, could show a step or two yet, if I was well fixed. You can't forget ould times, Alley? Eh, you thief?”
“Musha, have sinse, man alive,” replied the wife, in a tone of placid gravity, which only betrayed the pleasure she herself felt in his happiness. “Have sinse, an' the strange man comin' in, an' don't let him see you in such figaries.”
The observation of the good woman produced a loud laugh among them. “Arrah what are yez laughing at?” she inquired.
“Why, mother,” said one of her daughters “how could Barny Dhal, a blind man, see anybody?”
Alley herself laughed at her blunder, but wittily replied, “Faith, avourneen, maybe he can often see as nately through his ear as you could do wid your eyes open; sure they say he can hear the grass growin'.”
“For that matther,” observed the farithee, joining in the joke, “he can see as far as any of us—while we're asleep.”
The conversation was thus proceeding, when Barney Dhal and young Frank M'Kenna entered the kitchen.
In a moment all hands were extended to welcome Barney: “Millia failte ghud, Barny!” “Cead millia failte ghud, Barny!” “Oh, Barny, did you come at last? You're welcome.” “Barny, my Trojan, how is every cart-load of you?” “How is Granua Waile, Barny?”
“Why, thin, holy music, did you never see Barny Dhal afore? Clear off from about me, or, by the sweets of rosin, I'll play the devil an' brake things. 'You're welcome, Barny!'—an' 'How are you, Barny?' Why thin, piper o' Moses, don't I know I'm welcome, an' yit you must be tellin' me what everybody knows! But sure I have great news for you all!”
“What is that, Barny?”
“Well, but can yez keep a sacret? Can yez, girls?”
“Faix can we, Barny, achora.”
“Well, so can I—ha, ha, ha! Now, are,yez sarved? Come, let me to the hob.”
“Here, Barny; I'll lead you, Barny.”
“No, I have him; come, Barny, I'll lead you: here, achora, this is the spot—that's it. Why, Barny,” said the arch girl, as she placed him in the corner, “sorra one o' the hob but knows you: it never stirs—ha, ha, ha!”
“Throth, a colleen, that tongue o' yours will delude some one afore long, if it hasn't done so already.”
“But how is Granua Waile, Barny?”
“Poor Granua is it? Faith, times is hard wid her often. 'Granua,' says I to her 'what do you say, acushla? we're axed to go to two or three places to-day—what do you say? Do you lead, an' I'll follow: your will is my pleasure.' 'An' where are we axed to?' says Granua, sinsible enough. 'Why,' says I, 'to Paddy Lanigan's, to Mike Hartigan's, to Jack Lynch's, an' at the heel o' the hunt, to Frank M'Kenna's, of the Mountain Bar.' 'By my song,' says she, 'you may go where you plase; as for me, I'm off to Frank M'Kenna's, one of the dacentest men in Europe, an' his wife the same. Divil a toe I'll set a waggin' in any other place this night,' says she; 'for 'tis there we're both well thrated wid the best the house can afford. So,' says she, 'in the name of all that's musical, you're welcome to the poker an' tongs anywhere else; for me, I'm off to Frank's.' An' faith, sure enough, she took to her pumps; an' it was only comin' over the hill there, that young Frank an' I overtuck her: divil a lie in it.”
In fact, Barney, besides being a fiddler, was a senachie of the first water; could tell a story, or trace a genealogy as well as any man living, and draw the long bow in either capacity much better than he could in the practice of his more legitimate profession.
“Well, here she is, Barny, to the fore,” said the aforesaid arch girl, “an' now give us a tune.”
“What!” replied the farithee, “is it wid-out either aitin' or dhrinkin'? Why, the girsha's beside herself! Alley, aroon, get him the linin' * an' a sup to tighten his elbow.”
The good woman instantly went to provide refreshments for the musician.
“Come, girls,” said Barny, “will yez get me a scythe or a handsaw.”
“A scythe or a handsaw! eh, then what to do, Barny?”
“Why, to pare my nails, to be sure,” replied Barny, with a loud laugh; “but stay—come back here—I'll make shift to do wid a pair of scissors this bout.
Wherever Barny came there was mirth, and a disposition to be pleased, so that his jokes always told.
“Musha, the sorra pare you, Barny,” said one of the girls; “but there's no bein' up to you, good or bad.”
“The sorra pair me, is it? faix, Nancy, you'll soon be paired yourself wid some one, avourneen. Do you know a sartin young man wid a nose on him runnin' to a point like the pin of a sun-dial, his knees brakin' the king's pace, strikin' one another ever since he was able to walk, an' that was about four years afther he could say his Father Nosther; an' faith, whatever you may think, there's no makin' them paceable except by puttin' between them! The wrong side of his shin, too, is foremost; an' though the one-half of his two feet is all heels, he keeps the same heels for set days an' bonfire nights, an' savinly walks on his ankles. His leg, too, Nancy, is stuck in the middle of his foot, like a poker in a pick-axe; an', along wid all—”
“Here, Barny, thry your hand at this,” said the good woman, who had not heard his ludicrous description of her fictitious son-in-law—“eeh arran agus bee laudher, Barny, ate bread and be strong. I'll warrant when you begin to play, they'll give you little time to do anything but scrape away;—taste the dhrink first, anyway, in the name o' God,”—and she filled him a glass.
“Augh, augh! faith you're the moral of a woman. Are you there, Frank M'Kenna?—here's a sudden disholution to your family! May they be scattered wid all speed—manin' the girls—to all corners o' the parish!—ha, ha, ha! Well, that won't vex them, anyhow; an' next, here's a merry Chris'mas to us, an' many o' them! Whooh! blur-an'-age! whooh! oh, by gorra!—that's—that's—Frank run afther my breath—I've lost it—run, you tory: oh, by gor, that's stuff as sthrong as Sampson, so it is. Arrah, what well do you dhraw that from? for, faith, 'twould be mighty convanient to live near it in a hard frost.”
Barny was now silent for some time, which silence was produced by the industry he displayed in assailing the substantial refreshments before him. When he had concluded his repast he once more tasted the liquor; after which he got Granua Waile, and continued playing their favorite tunes, and amusing them with anecdotes, both true and false, until the hour drew nigh when his services were expected by the young men and maidens who had assembled to dance in the barn. Occasionally, however, they took a preliminary step in which they were joined by few of their neighbors. Old Frank himself felt his spirits elevated by contemplating the happiness of his children and their young associates.
“Frank,” said he, to the youngest of his sons, “go down to Owen Reillaghan's, and tell him an' his family to come up to the dance early in the evenin'. Owen's a pleasant man,” he added, “and a good neighbor, but a small thought too strict in his duties. Tell him to come up, Frank, airly, I say; he'll have time enough to go to the Midnight Mass afther dancin' the 'Rakes of Ballyshanny,' and 'the Baltihorum jig;' an' maybe he can't do both in style!”
“Ay,” said Frank, in a jeering manner, “he carries a handy heel at the dancin', and a soople tongue at the prayin'; but let him alone for bringin' the bottom of his glass and his eyebrow acquainted. But if he'd pray less—”
“Go along, a veehonce, (* you profligate) an' bring him up,” replied the father: “you to talk about prayin'! Them that 'ud catch you at a prayer ought to be showed for the world to wondher at: a man wid two heads an him would be a fool to him. Go along, I say, and do what you're bid.”
“I'm goin',” said Frank. “I'm off; but what if he doesn't come? I'll then have my journey for nothin'.”
“An' it's good payment for any journey ever you'll make, barrin' it's to the gallows,” replied the father, nearly provoked at his reluctance in obeying him: “won't you have dancin' enough in the coorse o' the night, for you'll not go to the Midnight Mass, and why don't you be off wid you at wanst?”
Frank shrugged his shoulders two or three times, being loth to leave the music and dancing; but on seeing his father about to address him in sharper language, he went out with a frown on his brows, and a half-smothered imprecation bursting from his lips.
He had not proceeded more than a few yards from the door, when he met Rody Teague, his father's servant, on his way to the kitchen. “Rody,” said he, “isn't this a purty business? My father wantin' to send me down to Owen Reillaghan's; when, by the vartue o' my oath, I'd as soon go half way into hell, as to any place where his son, Mike Reillaghan, 'ud be. How will I manage, Rody?”
“Why,” replied Rody, “as to meetin' wid Mike, take my advice and avoid him. And what is more I'd give up Peggy Gartland for good. Isn't it a mane thing for you, Frank, to be hangin' afther a girl that's fonder of another than she is of yourself. By this and by that, I'd no more do it—avvouh! catch me at it—I'd have spunk in me.”
Frank's brow darkened as Rody spoke; instead of instantly replying', he was silent and appeared to be debating some point in his own mind, on which he had not come to a determination.
“My father didn't hear of the fight between Mike and me?” said he, interrogatively—“do you think he did, Rody?”
“Not to my knowledge,” replied the servant; “if he did, he wouldn't surely send you down; but talking of the fight, you are known to be a stout, well-fought boy—no doubt of that—still, I say, you had no right to provoke Mike as you did, who, it's well known, could bate any two men in the parish; and so sign, you got yourself dacently trounced, about a girl that doesn't love a bone in your skin.”
“He disgraced me, Rody,” observed Frank—“I can't rise my head; and you know I was thought, by all the parish, as good a man as him. No, I wouldn't, this blessed Christmas Eve above us, for all that ever my name was worth, be disgraced by him as I am. But—hould, man—have patience!”
“Throth and, Frank, that's what you never had,” said Eody; “and as to bein' disgraced, you disgraced yourself. What right had you to challenge the boy to fight, and to strike him into the bargain, bekase Peggy Gartland danced with him, and wouldn't go out wid you? Death alive, sure that wasn't his fault.”
Every word of reproof which proceeded from Rody's lips but strengthened Frank's rage, and added to his sense of shame; he looked first in the direction of Reillaghan's house, and immediately towards the little village in which Peggy Gartland lived.
“Rody,” said he, slapping him fiercely on the shoulder, “go in—I've—I've made up my mind upon what I'll do; go in, Eody, and get your dinner; but don't be out of the way when I come back.”
“And what have you made up your mind to?” inquired Eody.
“Why, by the sacred Mother o' Heaven, Rody, to—to—be friends wid Mike.”
“Ay, there's sinse and rason in that,” replied Eody; “and if you'd take my advice you'd give up Peggy Gartland, too.”
“I'll see you when I come back, Eody; don't be from about the place.”
And as he spoke, a single spring brought him over the stile at which they held the foregoing conversation.
On advancing, he found himself in one of his father's fields, under the shelter of an elder-hedge. Here he paused, and seemed still somewhat uncertain as to the direction in which he should proceed. At length he decided; the way towards Peggy Gartland's was that which he took, and as he walked rapidly, he soon found himself at the village in which she lived.
It was now a little after twilight; the night was clear the moon being in her first quarter, and the clouds through which she appeared to struggle, were light and fleecy, but rather cold-looking, such, in short, as would seem to promise a sudden fall of snow. Frank had passed the two first cabins of the village, and was in the act of parrying the attacks of some yelping cur that assailed him, when he received a slap on the back, accompanied by a gho manhi Dhea gliud, a Franchas, co wul thu guilh a nish, a rogora duh?*
“Who's this?” exclaimed Frank: “eh! why, Darby More, you sullin' thief o' the world, is this you?”
“Ay, indeed; an' you're goin' down to Peggy's?” said the the other, pointing significantly towards Peggy Gartland's house. “Well, man, what's the harm? She may get worse, that is, hopin' still that you'll mend your manners, a bouchal: but isn't your nose out o' joint there, Frank, darlin'?”
“No sich thing at all, Darby,” replied Frank, gulping down his indignation, which rose afresh on hearing that the terms on which he stood with Peggy were so notorious.
“Throth but it is,” said Darby, “an' to tell the blessed thruth, I'm not sarry that it's out o' joint; for when I tould you to lave the case in my hands, along wid a small thrifle o' silver that didn't signify much to you—whoo! not at all: you'd rather play it at cards, or dhrink it, or spind it wid no good. Out o' joint! nrasha, if ever a man's nose was to be pitied, and yours is: why, didn't Mike Reillaghan put it out o' joint, twist? first in regard to Peggy, and secondly by the batin' he gave you an it.”
“It's well known, Darby,” replied Frank, “that 'twas by a chance blow he did it; and, you know, a chance blow might kill the devil.”
“But there was no danger of Mike's gettin' the chance blow,” observed the sarcastic vagrant, for such he was.
“Maybe it's afore him,” replied his companion: “we'll have another thrial for it, any how; but where are you goin', Darby? Is it to the dance?”
Me! Is it a man “wid two holy ordhers an him?* No, no! I might go up, may be, as far as your father's, merely to see the family, only for the night that's in it; but I'm goin' to another frind's place to spind my Chris'mas, an' over an' above, I must go to the Midnight Mass. Frank, change your coorses, an' mend your life, an' don't be the talk o' the parish. Remimber me to the family, an' say I'll see them soon.”
“How long will you stop in the neighborhood?” inquired Frank.
“Arrah why, acushla?” replied the mendicant, softening his language.
“I might be wantin to see you some o' these days,” said the other: “indeed, it's not unlikely, Darby; so don't go, any how, widout seein' me.”
“Ah!” said Darby, “had you taken a fool's advice—but it can't be helped now—the harm's done, I doubt; how-an'-ever, for the matther o' that, may be I have as good as Peggy in my eye for you; by the same token, as the night's could, warm your tooth, avick; there's waker wather nor this in Lough Mecall. Sorra sup of it over I keep for my own use at all, barrin' when I take a touch o' configuration in my bowels, or, may be, when I'm too long at my prayers; for, God help me, sure I'm but sthrivin', wid the help o' one thing an' another, to work out my salvation as well as I can! Your health, any how, an' a merry Chris'mas to you!—not forgettin' myself,” he added, putting to his lips a large cow's horn, which he kept slung beneath his arm, like the bugle of a coach-guard, only that this was generally concealed by an outside coat, no two inches of which were of the same materials of color. Having taken a tolerably large draught from this, which, by the “way, held near two quarts, he handed it with a smack and a shrug to Frank, who immediately gave it a wipe with the skirt of his coat, and pledged his companion.
“I'll be wantin',” observed Frank, “to see you in the hollydays—faith, that stuff's to be christened yet, Darby—so don't go till we have a dish o' discoorse about somethin' I'll mintion to you. As for Peggy Gartland, I'm done wid her; she may marry ould Nick for me.”
“Or you for ould Nick,” said the cynic, “which would be nearly the same thing: but go an, avick, an' never heed me; sure I must have my spake—doesn't every body know Darby More?”
“I've nothin' else to say now,” added Frank, “and you have my authority to spread it as far as you plase. I'm done wid her: so good-night, an' good cuttin' (* May what's in it never fail) to your horn, Darby!—You damn ould villian!” he subjoined in a low voice, when Darby had got out of his hearing: “surely it's not in yourself, but in the blessed words and things you have about you, that there is any good.”
“Musha, good-night, Frank alanna,” replied the other;—“an' the divil sweep you, for a skamin' vagabone, that's a curse to the country, and has kep me out o' more weddins than any one I ever met wid, by your roguery in puttin' evil between frinds an' neighbors, jist whin they'd be ready for the priest to say the words over them! Good won't come of you, you profligate.”
The last words were scarcely uttered by the sturdy mendicant, when he turned round to observe whether or not Frank would stop at Larry Gartland's, the father of the girl to whom he had hitherto unsuccessfully avowed his attachment.
“I'd depind an him,” said he, in a soliloquy, “as soon as I'd depind upon ice of an hour's growth: an', whether or not, sure as I'm an my way to Owen Reillaghan's, the father of the dacent boy that he's strivin' to outdo, mayn't I as well watch his motions, any way?”
He accordingly proceeded along the shadowy side of the street, in order to avoid Frank's eye, should he chance to look back, and quietly dodged on until he fairly saw him enter the house.
Having satisfied himself that the object of Frank's visit to the village was in some shape connected with Peggy Gartland, the mendicant immediately retraced his steps, and at a pace more rapid than usual, strided on to Owen Reillaghan's, whither he arrived just in time to secure an excellent Christmas-eve dinner.
In Ireland, that description of mendicants which differ so strikingly from the common crowd of beggars as to constitute a distinct species, comprehends within itself as anomalous an admixture of fun and devotion, external rigor and private licentiousness, love of superstition and of good whiskey, as might naturally be supposed, without any great sketch of credulity, to belong to men thrown among a people in whom so many extremes of character and morals meet. The known beggar, who goes his own rounds, and has his own walk, always adapts his character to that of his benefactor, whose whims and peculiarities of temper he studies with industry, and generally with success. By this means, joined to a dexterity in tracing out the private history of families and individuals, he is enabled to humor the capprices, to manage the eccentricities, and to touch with a masterly hand the prejudices, and particular opinions, of his patrons; and this he contrives to do with great address and tact. Such was the character of Darby More, whose person, naturally large, was increased to an enormous size by the number of coats, blankets, and bags, with which he was encumbered. A large belt, buckled round his body, contained within its girth much more of money, meal, and whiskey, than ever met the eye; his hat was exceedingly low in the crown; his legs were cast in at least three pairs of stockings; and in his hand he carried a long cant, spiked at the lower end, with which he slung himself over small rivers and dykes, and kept dogs at bay. He was a devotee, too, notwithstanding the whiskey horn under his arm; attended wakes, christenings, and weddings: rubbed for the rose (* a scrofulous swelling) and king's evil, (for the varlet insisted that he was a seventh son); cured toothaches, colics, and headaches, by charms; but made most money by a knack which he possessed of tatooing into the naked breast the representation of Christ upon the cross. This was a secret of considerable value, for many of the superstitious people believed that by having this stained in upon them, they would escape unnatural deaths, and be almost sure of heaven.
When Darby approached Reillaghan's house, he was considering the propriety of disclosing to his son the fact of having left his rival with Peggy Gartland. He ultimately determined that it would be proper to do so; for he was shrewd enough to suspect that the wish Frank had expressed of seeing him before he left the country, was but a ruse to purchase his silence touching his appearance in the village. In this, however, he was mistaken.
“God save the house!” exclaimed Darby, on entering—“God save the house, an' all that's in it! God save it to the North!” and he formed the sign of the cross in every direction to which he turned: “God save it to the South! + to the Aiste! + and to the Waiste! + Save it upwards! + and save it downwards! + Save it backwards! + and save it forwards! + Save it right! + and save it left! + Save it by night! + save it by day! + Save it here! + save it there! + Save it this way! + an' save it that way! + Save it atin'! + + + an' save it drinkin'! + + + + + + + + Oxis Doxis Glorioxis—Amin. An' now that I've blessed the place in the name of the nine Patriarchs, how are yez all, man, woman, an' child? An' a merry Christmas to yez, says Darby More!”
Darby, in the usual spirit of Irish hospitality, received a sincere welcome, was placed up near the fire, a plate filled with the best food on the table laid before him, and requested to want nothing for the asking.
“Why, Darby,” said Reillaghan, “we expected you long ago: why didn't you come sooner?”
“The Lord's will be done! for ev'ry man has his throubles,” replied Darby, stuffing himself in the corner like an Epicure; “an' why should a sinner like me, or the likes of me, be without thim? 'Twas a dhrame I had last night that kep me. They say, indeed, that dhrames go by contriaries, but not always, to my own knowledge.”
“An' what was the dhrame about, Darby?” inquired Reillaghan's wife.
“Why, ma'am, about some that I see on this hearth, well, an' in good health; may they long live to be so! Oxis Doxis Glorioxis—Amin!” + + +
“Blessed Virgin! Darby, sure it would be nothin' bad that's to happen? Would it, Darby?”
“Keep yourself aisy on that head. I have widin my own mind the power of makin' it come out for good—I know the prayer for it. Oxis Doxis!” + +
“God be praised for that, Darby; sure it would be a terrible business, all out, if any thing was to happen. Here's Mike that was born on Whissle * Monday, of all days in the year, an' you know, they say that any child born on that day is to die an unnatural death. We named Mike after St. Michael that he might purtect him.”
“Make yourself aisy, I say; don't I tell you I have the prayer to keep it back—hach! hach!—why, there's a bit stuck in my throath, some way! Wurrah dheelish, what's this! Maybe, you could give me a sup o' dhrink—wather, or anything to moisten the morsel I'm atin? Wurrah, ma'am dear, make haste, it's goin' agin' the breath wid me!”
“Oh, the sorra taste o' wather, Darby,” said Owen; “sure this is Christmas-eve, you know: so you see, Darby, for ould acquaintance sake, an' that you may put up an odd prayer now an' thin for us, jist be thryin' this.”
Darby honored the gift by immediate acceptance.
“Well, Owen Reillaghan,” said he, “you make me take more o' this stuff nor any man I know; and particularly by rason that bein' given, wid a blessin', to the ranns, an' prayers, an' holy charms, I don't think it so good; barrin', indeed, as Father Donnellan towld me, when the wind, by long fastin', gets into my stomach, as was the case today, I'm often throubled, God help me, wid a configuration in the—hugh! ugh—an' thin it's good for me—a little of it.”
“This would make a brave powdher-horn, Darby Moore,” observed one of Reilla-ghan's sons, “if it wasn't so big. What do you keep in it, Darby?”
“Why, avillish, (* my sweet) nothin' indeed but a sup o' Father Donnellan's holy water, that they say by all accounts it costs him great trouble to make, by rason that he must fast a long time, and pray by the day, afore he gets himself holy enough to consecrate it.”
“It smells like whiskey, Darby,” said the boy, without any intention, however, of offending him. “It smells very like poteen.”
“Hould yer tongue, Risthard,” said the elder Reillaghan; “what 'ud make the honest man have whiskey in it? Didn't he tell you what's in it?”
“The gorsoon's right enough,” replied Darby. “I got the horn from Barny Dalton a couple o' days agone; 'twas whiskey he had in it, an' it smells of it sure enough, an' will, indeed, for some time longer. Och! och! the heavens be praised, I've made a good dinner! May they never know want that gave it to me! Oxis Doxis Glorioxis—Amin!” + + +
“Darby, thry this again,” said Reillaghan, offering him another bumper.
“Troth an' I will, thin, for I find myself a great dale the betther of the one I tuck. Well, here's health an' happiness to us, an' may we all meet in heaven! Risthard, hand me that horn till I be goin' out to the barn, in ordher to do somethin' for my sowl. The holy wather's a good thing to have about one.”
“But the dhrame, Darby?” inquired Mrs. Reillaghan. “Won't you tell it to us?”
“Let Mike follow me to the barn,” he replied, “an' I'll tell him as much of it as he ought to hear. An' now let all of yez prepare for the Midnight Mass; go there wid proper intuitions, an' not to be coortin' or dhrinkin' by the way. We're all sinners, any way, an' oughtn't to neglect our sowls. Oxis Doxis Glorioxis. Amin!”
He immediately strided with the horn under his arm, towards the barn, where he knelt, and began his orisons in a tone sufficiently loud to be heard in the kitchen. When he was gone, Mrs. Reillaghan, who, with the curiosity natural to her sex, and the superstition peculiar to her station in life, felt anxious to hear Darby's dream, urged Mike to follow him forthwith, that he might prevail on him to detail it at full length.
Darby, who knew not exactly what the dream ought to be, replied to Mike's inquiries vaguely.
“Mike,” said he, “until the proper time comes, I can't tell it; but listen; take my advice, an' slip down to Peggy Gartland's by and by. I have strong suspicions, if my dhrame is thrue, that Frank M'Kenna has a design upon her. People may be abroad this night widout bein' noticed, by rason o' the Midnight Mass; Frank has, friends in Kilnaheery, down behind the moors; an' the divil might tempt him to bring her there. Keep your eye an him, or rather an Peggy. If my dhrame's true, he was there this night.”
“I thought I gave him enough on her account,” said. Mike. “The poor girl hasn't a day's pace in regard of him; but, plase goodness, I'll soon put an end to it, for I'll marry her durin' the Hollydays.”
“Go, avick, an' let me finish my Pudheran Partha: I have to get through it before the Midnight Mass comes. Slip down, and find out what he was doin'; and when you come back, let me know.”
Mike, perfectly aware of young M'Kenna's character, immediately went towards Lisrum, for so the village where Peggy Gartland lived was called. He felt the danger to be apprehended from the interference of his rival the more acutely, inasmuch as he was not ignorant of the feuds and quarrels which the former had frequently produced between friends and neighbors, by the subtle poison of his falsehoods, which were both wanton and malicious. He therefore advanced at an unusually brisk pace, and had nearly reached the village, when he perceived in the distance a person resembling Frank approaching him at a pace nearly as rapid as his own.
“If it's Frank M'Kenna,” thought he, “he must pass me, for this is his straight line home.”
It appeared, however, that he had been mistaken; for he whom he had supposed to be the object of his enmity, crossed the field by a different path, and seemed to be utterly ignorant of the person whom he was about to meet—so far, at least, as a quick, free, unembarrassed step could intimate his unacquaintance with him.
The fact, however, was, that Reillaghan, had the person whom he met approached him more nearly, would have found his first suspicions correct. Frank was then on his return from Gartland's, and no sooner perceived Reillaghan, whom he immediately recognized by his great height, than he took another path in order to avoid him. The enmity between these rivals was, deep and implacable; aggravated on the one hand by a sense of unmerited injury, and on the other by personal defeat and the bitterest jealousy. For this reason neither of them wished to meet, particularly Frank M'Kenna, who not only hated, but feared his enemy.
Having succeeded in avoiding Reillaghan, the latter soon reached home; but here he found the door closed, and the family, without a single exception, in the barn, which was now nearly crowded with the youngsters of both sexes from the surrounding villages.
Frank's arrival among them gave a fresh impulse to their mirth and enjoyment. His manners were highly agreeable, and his spirits buoyant almost to levity. Notwithstanding the badness of his character in the opinion of the sober, steady, and respectable inhabitants of the parish, yet he was a favorite with the desolate and thoughtless, and with many who had not an opportunity of seeing him except in his most favorable aspect. Whether he entertained on this occasion any latent design that might have induced him to assume a frankness of manner, and an appearance of good-humor, which he did not feel, it is difficult to determine. Be this as it may, he made himself generally agreeable, saw that every one was comfortable, suggested an improvement in the arrangement of the seats, broke several jests on Bariry and Granua Waile—which, however, were returned with interest—and, in fact, acquitted himself so creditably, that his father whispered with a sigh to his mother—“Alley, achora, wouldn't we be the happy family if that misfortunate boy of ours was to be always the thing he appears to be? God help him! the gommach, if he had sinse, and the fear o' God before him, he'd not be sich a pace o' desate to sthrangers, and such a divil's limb wid ourselves: but he's young, an' may see his evil coorses in time, wid the help o' God.”
“Musha, may God grant it!” exclaimed his mother: “a fine slip he is, if his heart 'ud only turn to the right thoughts. One can't help feelin' pride out o' him, when they see him actin' wid any kind o' rason.”
The Irish dance, like every other assembly composed of Irishmen and Irishwomen, presents the spectators with those traits which enter into our conception of rollicking fun and broad humor. The very arrangements are laughable; and when joined to the eccentric strains of some blind fiddler like Barny Dhal, to the grotesque and caricaturish faces of the men, and the modest, but evidently arch and laughter-loving countenances of the females, they cannot fail to impress an observing mind with the obvious truth, that a nation of people so thoughtless and easily directed from the serious and useful pursuits of life to such scenes, can seldom be industrious and wealthy, nor, despite their mirth and humor, a happy people.
The barn in which they danced on this occasion was a large one. Around the walls were placed as many seats as could be spared from the neighbors' houses; these were eked out by sacks of corn laid length-wise, logs of round timber, old creels, iron pots with their bottoms turned up, and some of them in their usual position. On these were the youngsters seated, many of the “boys” with their sweethearts on their knees, the arms of the fair ones lovingly around their necks; and, on the contrary many of the young women with their bachelors on their laps, their own necks also gallantly encircled by the arms of their admirers. Up in a corner sat Barny, surrounded by the seniors of the village, sawing the fiddle with indefatigable vigor, and leading the conversation with equal spirit. Indeed, his laugh was the loudest, and his joke the best; whilst, ever and anon, his music became perfectly furious—that is to say, when he rasped the fiddle with a desperate effort “to overtake the dancers,” from whom, in the heat of the conversation, he had unwittingly lagged behind.
Dancing in Ireland, like everything else connected with the amusement of the people, is frequently productive of bloodshed. It is not unusual for crack dancers from opposite parishes, or from distant parts of the same parish, to meet and dance against each other for victory. But as the judges in those cases consist of the respective friends or factions of the champions, their mode of decision may readily be conjectured. Many a battle is fought in consequence of such challenges, the result usually being that not he who has the lightest heel, but the hardest head, generally comes off the conqueror.
While the usual variety of Irish dances—the reel, jig, fling, three-part-reel, four-part-reel, rowly-powly, country-dance, cotillion, or cut-along (as the peasantry call it), and minuet, vulgarly minion, and minionet—were going forward in due rotation, our readers may be assured that those who were seated around the walls did not permit the time to pass without improving it. Many an attachment is formed at such amusements, and many a bitter jealousy is excited: the prude and coquette, the fop and rustic Lothario, stand out here as prominently to the eye of him who is acquainted with human nature, as they do in similar assemblies among the great: perhaps more so, as there is less art, and a more limited knowledge of intrigue, to conceal their natural character.
The dance in Ireland usually commences with those who sit next the door, from whence it goes round with the sun. In this manner it circulates two or three times, after which the order is generally departed from, and they dance according as they can. This neglect of the established rule is also a fertile source of discord; for when two persons rise at the same time, if there be not room for both, the right of dancing first is often decided by blows.
At the dance we are describing, however, there was no dissension; every heart appeared to be not only elated with mirth, but also free from resentment and jealousy. The din produced by the thumping of vigorous feet upon the floor, the noise of the fiddle, the chat between Barny and the little sober knot about him, together with the brisk murmur of the general conversation, and the expression of delight which sat on every countenance, had something in them elevating to the spirits.
Barny, who knew their voices, and even the mode of dancing peculiar to almost every one in the barn, had some joke for each. When a young man brings out his sweetheart—which he frequently does in a manner irresistibly ludicrous, sometimes giving a spring from the earth, his caubeen set with a knowing air on one side of his head, advancing at a trot on tiptoe, catching her by the ear, leading her out to her position, which is “to face the fiddler,” then ending by a snap of the fingers, and another spring, in which he brings his heel backwards in contact with his ham;—we say, when a young man brings out his sweetheart, and places her facing the fiddler, he asks her what will she dance; to which, if she as no favorite tune, she uniformly replies—“Your will is my pleasure.” This usually made Barny groan aloud.
“What ails you, Barny?”
“Oh, thin, murdher alive, how little thruth's in this world! Your will's my pleassure! Baithirshin! but, sowl, if things goes an, it won't be long so!”
“Why, Barny,” the young man would exclaim, “is the ravin' fit comin' over you?”
“No, in troth, Jim; but it's thinkin' of home I am. Howandiver, do you go an; but, naboklish! what'll ye have?”
“'Jig Polthouge,' Barny: but on your wrist ma bouchal, or Katty will lave us both ut o' sight in no time. Whoo! success! clear the coorse. Well done, Barny! That's the go.”
When the youngsters had danced for some time, the fathers and mothers of the village were called upon “to step out.” This was generally the most amusing scene in the dance. No excuse is ever taken on such occasions, for when they refuse, about a dozen young fellows place them, will they will they, upright upon the floor, from whence neither themselves nor their wives are permitted to move until they dance. No sooner do they commence, than, they are mischievously pitted against each other by two sham parties, one encouraging the wife, the other cheering on the good man; whilst the fiddler, falling in with the frolic, plays in his most furious style. The simplicity of character, and, perhaps, the lurking vanity of those who are the butts of the mirth on this occasion, frequently heighten the jest.
“Why, thin, Paddy, is it strivin' to outdo me you are? Faiks, avourneen, you never seen that day, any way,” the old woman would exclaim, exerting all her vigor.
“Didn't I? Sowl, I'll sober you before I lave the flure, for all that,” her husband would reply.
“An' do you forget,” she would rejoin, “that the M'Carthy dhrop is in me; ay, an' it's to the good still.”
And the old dame would accompany the boast with a fresh attempt at agility; to which Paddy would respond by “cutting the buckle,” and snapping his fingers, whilst fifty voices, amidst roars of laughter, were loud in encouraging each.
“Handle your feet, Kitty, darlin'—the mettle's lavin' him!”
“Off wid the brogues, Paddy, or she'll do you. That's it; kick off the other, an' don't spare the flure.”
“A thousand guineas on Katty! M'Carthy agin Gallagher for ever!—whirroo!”
“Blur alive the flure's not benefittin by you, Paddy. Lay on it, man!—That's it!—Bravo!—Whish!—Our side agin Europe!”
“Success, Paddy! Why you could dance the Dusty Miller upon a flure paved wid drawn razures, you're so soople.”
“Katty for ever! The blood's in you, Katty; you'll win the day, a ban choir! (* decent woman). More power to you!”
“I'll hould a quart on Paddy. Heel an' toe, Paddy, you sinner!”
“Right an' left, Katty; hould an', his breath's goin'.”
“Right an' wrong, Paddy, you spalpeen. The whiskey's an you, man alive: do it decently, an' don't let me lose the wager.”
In this manner would they incite some old man, and, perhaps, his older wife, to prolonged exertion, and keep them bobbing and jigging about, amidst roars of laughter, until the worthy couple could dance no longer.
During stated periods of the night, those who took the most prominent part in the dance, got a plate and hat, with which they went round the youngsters, to make collections for the fiddler. Barny reserved his best and most sarcastic jokes for these occasions; for so correct was his ear, that he felt little difficulty in detecting those whose contributions to him were such as he did not relish.
The aptitude of the Irish for enjoying humorous images was well displayed by one or two circumstances which occurred on this night. A few of both sexes, who had come rather late, could get no other seats than the metal pots to which we have alluded. The young women were dressed in white, and their companions, who were also their admirers, exhibited, in proud display, each a bran-new suit, consisting of broadcloth coat, yellow-buff vest, and corduroy small-clothes, with a bunch of broad silk ribbons standing out at each knee. They were the sons and daughters of respectable farmers, but as all distinctions here entirely ceased, they were fain to rest contented with such seats as they could get, which on this occasion consisted of the pots aforesaid. No sooner, however, had they risen to dance than the house was convulsed with laughter, heightened by the sturdy vigor with which, unconscious of their appearance, they continued to dance. That part of the white female dresses which had come in contact with the pots, exhibited a circle like the full moon, and was black as pitch. Nor were their partners more lucky: those who sat on the mouths of the pots had the back part of their dresses streaked with dark circles, equally ludicrous. The mad mirth with which they danced, in spite of their grotesque appearance, was irresistible. This, and other incidents quite as pleasant—such as the case of a wag who purposely sank himself into one of the pots, until it stuck to him through half the dance—increased the laughter, and disposed them to peace and cordiality.
No man took a more active part in these frolics than young Frank M'Kenna. It is true, a keen eye might have noticed under his gayety something of a moody and dissatisfied air. As he moved about from time to time, he whispered something to above a dozen persons, who were well known in the country as his intimate companions, young fellows whose disposition and character were notoriously bad. When he communicated the whisper, a nod of assent was given by his confidants, after which it might be remarked that they moved round to the door with a caution that betrayed a fear of observation, and quietly slunk out of the barn one by one, though Frank himself did not immediately follow them. In about a quarter of an hour afterwards, Rody came in, gave him a signal and sat down. Frank then followed his companions, and after a few minutes Rody also disappeared. This was about ten o'clock, and the dance was proceeding with great gayety and animation.
Frank's dread of openly offending his parents prevented him from assembling his associates in the dwelling-house; the only convenient place of rendezvous, therefore, of which they could avail themselves, was the stable. Here they met, and Frank, after uncorking a bottle of poteen, addressed them to the following effect:
“Boys, there's great excuse for me, in regard of my fight wid Mike Reillaghan; that you'll all allow. Come, boys, your healths! I can tell yez you'll find this good, the divil a doubt of it; be the same token, that I stole it from my father's Christmas dhrink; but no matther for that—I hope we'll never do worse. So, as I was sayin', you must bear me out as well as you can, when I'm brought before the Dilegates to-morrow, for challengin' and strikin' a brother.* But, I think, you'll stand by me, boys?”