Solution caustic potash (Lond. Ph.),6 lbs.
Olive oil,1 lb.
Perfume to taste.

Before commencing to make the soap, reduce the potash lye to one half its bulk by continued boiling. Now proceed as for the manufacture of saponaceous cream. After standing a few days, pour off the waste liquor.

Transparent Hard Soap.

Reduce the soap to shavings, and dry them as much as possible, then dissolve in alcohol, using as little spirit as will effect the solution, then color and perfume as desired, and cast the product in appropriate moulds; finally dry in a warm situation.

Until the Legislature allows spirit to be used for manufacturing purposes, free of duty, we cannot compete with our neighbors in this article.

Juniper Tar Soap.

This soap is made from the tar of the wood of the Juniperus communis, by dissolving it in a fixed vegetable oil, such as almond or olive oil, or in fine tallow, and forming a soap by means of a weak soda lye, after the customary manner. This yields a moderately firm and clear soap, which may be readily used by application to parts affected with eruptions at night, mixed with a little water, and carefully washed off the following morning. This soap has lately been much used for eruptive disorders, particularly on the Continent, and with varying degrees of success. It is thought that the efficient element in its composition is a rather less impure hydrocarburet than that known in Paris under the name huile de cade. On account of its ready miscibility with water, it possesses great advantage over the common tar ointment.

Medicated Soaps.

Six years ago I began making a series of medicated soaps, such as Sulphur Soap, Iodine Soap, Bromine Soap, Creosote Soap, Mercurial Soap, Croton Oil Soap, and many others. These soaps are prepared by adding the medicant to curd soap, and then making in a tablet form for use. For sulphur soap, the curd soap may be melted, and flowers of sulphur added while the soap is in a soft condition. For antimony soap and mercurial soap, the low oxides of the metals employed may also be mixed in the curd soap in a melted state. Iodine, bromine, creosote soap, and others containing very volatile substances, are best prepared cold by shaving up the curd soap in a mortar, and mixing the medicant with it by long beating.

In certain cutaneous diseases the author has reason to believe that they will prove of infinite service as auxiliaries to the general treatment. It is obvious that the absorbent vessels of the skin are very active during the lavoratory process; such soap must not, therefore, be used except by the special advice of a medical man. Probably these soaps will be found useful for internal application. The precedent of the use of Castile soap (containing oxide of iron) renders it likely that when prejudice has passed away, such soaps will find a place in the pharmacopœias. The discovery of the solubility, under certain conditions, of the active alkaloids, quinine, morphia, &c., in oil, by Mr. W. Bastick, greatly favors the supposition of analogous compounds in soap.


SECTION IX.

EMULSINES.

From soaps proper we now pass to those compounds used as substitutes for soap, which are classed together under one general title as above, for the reason that all cosmetiques herein embraced have the property of forming emulsions with water.

Chemically considered, they are an exceedingly interesting class of compounds, and are well worthy of study. Being prone to decomposition, as might be expected from their composition, they should be made only in small portions, or, at least, only in quantities to meet a ready sale.

While in stock they should be kept as cool as possible, and free from a damp atmosphere.

Amandine.

Fine almond oil,7 lbs.
Simple syrup,[E] 4 oz.
White soft soap, or saponaceous cream, i.e. Crême d'Amande, 1 oz.
Otto of almonds,1 oz.
   "     bergamot, 1 oz.
   "     cloves,1/2 oz.

Rub the syrup with the soft soap until the mixture is homogeneous, then rub in the oil by degrees; the perfume having been previously mixed with the oil.

Oil-Runner in Emulsine Process. Oil-Runner in Emulsine Process.

In the manufacture of amandine (and olivine) the difficulty is to get in the quantity of oil indicated, without which it does not assume that transparent jelly appearance which good amandine should have. To attain this end, the oil is put into "a runner," that is, a tin or glass vessel, at the bottom of which is a small faucet and spigot, or tap. The oil being put into this vessel is allowed to run slowly into the mortar in which the amandine is being made, just as fast as the maker finds that he can incorporate it with the paste of soap and syrup; and so long as this takes place, the result will always have a jelly texture to the hand. If, however, the oil be put into the mortar quicker than the workman can blend it with the paste, then the paste becomes "oiled," and may be considered as "done for," unless, indeed, the whole process be gone through again, starting off with fresh syrup and soap, using up the greasy mass as if it were pure oil. This liability to "go off," increases as the amandine nears the finish; hence extra caution and plenty of "elbow grease" must be used during the addition of the last two pounds of oil. If the oil be not perfectly fresh, or if the temperature of the atmosphere be above the average of summer heat, it will be almost impossible to get the whole of the oil given in the formula into combination; when the mass becomes bright and of a crystalline lustre, it will be well to stop the further addition of oil to it.

This and similar compounds should be potted as quickly as made, and the lids of the pots banded either with strips of tin-foil or paper, to exclude air. When the amandine is filled into the jars, the top or face of it is marked or ornamented with a tool made to the size of half the diameter of the interior of the jar, in a similar way to a saw; a piece of lead or tortoise-shell, being serrated with an angular file, or piece of an "old saw," will do very well; place the marker on the amandine, and turn the jar gently round.

Olivine.

Gum acacia, in powder,2 oz.
Honey,6 oz.
Yolk of eggs, in number,5.
White soft soap,3 oz.
Olive oil,2 lbs.
Green oil,1 oz.
Otto of bergamot,1 oz.
    "     lemon,1 oz.
   "     cloves,1/2 oz.
   "     thyme and cassia, each,1/2 drachm.

Rub the gum and honey together until incorporated, then add the soap and egg. Having mixed the green oil and perfumes with the olive oil, the mixture is to be placed in the runner, and the process followed exactly as indicated for amandine.

Honey and Almond Paste. (Pâte d'Amande au Miel.)

Bitter almonds, blanched and ground,1/2 lb.
Honey,1 lb.
Yolk of eggs, in number,8.
Almond oil,1 lb.
Otto of bergamot,1/4 oz.
   "     cloves,1/4 oz.

Rub the eggs and honey together first, then gradually add the oil, and finally the ground almonds and the perfume.

Almond Paste.

Bitter almonds, blanched and ground,1-1/2 lb.
Rose-water,1-1/2 pint.
Alcohol (60 o.p.),16 oz.
Otto of bergamot,3 oz.

Place the ground almonds and one pint of the rose-water into a stewpan; with a slow and steady heat, cook the almonds until their granular texture assumes a pasty form, constantly stirring the mixture during the whole time, otherwise the almonds quickly burn to the bottom of the pan, and impart to the whole an empyreumatic odor.

The large quantity of otto of almonds which is volatilized during the process, renders it essential that the operator should avoid the vapor as much as possible.

When the almonds are nearly cooked, the remaining water is to be added; finally the paste is put into a mortar, and well rubbed with the pestle; then the perfume and spirit are added. Before potting this paste, as well as honey paste, it should be passed through a medium fine sieve, to insure uniformity of texture, especially as almonds do not grind kindly.

Other pastes, such as Pâte de Pistache, Pâte de Cocos, Pâte de Guimauve, are prepared in so similar a manner to the above that it is unnecessary to say more about them here, than that they must not be confounded with preparations bearing a similar name made by confectioners.

Almond Meal.

Ground almonds,1 lb.
Wheat flour,1 lb.
Orris-root powder,1/4 lb.
Otto of lemon,1/2 oz.
    "     almonds,1/4 drachm.

Pistachio Nut Meal, or any other Nut.

Pistachio nuts (decorticated as almonds are bleached),1 lb.
Orris powder,1 lb.
Otto of neroli,1 drachm.
    "     lemons,1/2 oz.

Other meals, such as perfumed oatmeal, perfumed bran, &c., are occasionally in demand, and are prepared as the foregoing.

All the preceding preparations are used in the lavatory process as substitutes for soap, and to "render the skin pliant, soft, and fair!"

Emulsin au Jasmin.

Saponaceous cream,1 oz.
Simple syrup,1-1/2 oz.
Almond oil,1 lb.
Best jasmine oil,1/2 lb.

Emulsin a le Violette.

Saponaceous cream,1 oz.
Syrup of violets,1-1/2 oz.
Best violet oil,1-1/2 lb.

Emulsin of other odors can be prepared with tubereuse, rose, or cassie (acacia) oil (prepared by enfleurage or maceration).

For the methods of mixing the ingredients, see "Amandine," p. 195.

On account of the high price of the French oils, these preparations are expensive, but they are undoubtedly the most exquisite of cosmetiques.


SECTION X.

MILK, OR EMULSIONS.

In the perfumery trade, few articles meet with a more ready sale than that class of cosmetiques denominated milks. It has long been known that nearly all the seeds of plants which are called nuts, when decorticated and freed from their pellicle, on being reduced to a pulpy mass, and rubbed with about four times their weight of water, produce fluid which has every analogy to cow's milk. The milky appearance of these emulsions is due to the minute mechanical division of the oil derived from the nuts being diffused through the water. All these emulsions possess great chemical interest on account of their rapid decomposition, and the products emanating from their fermentation, especially that made with sweet almonds and pistachios (Pistachia vera).

In the manufacture of various milks for sale, careful manipulation is of the utmost importance, otherwise these emulsions "will not keep;" hence more loss than profit.

"Transformation takes place in the elements of vegetable caseine (existing in seeds) from the very moment that sweet almonds are converted into almond-milk."—Liebig. This accounts for the difficulty many persons find in making milk of almonds that does not spontaneously divide, a day or so after its manufacture.

Milk of Roses.

Valencia almonds (blanched),1/2 lb.
Rose-water,1 quart.
Alcohol (60 o.p.),1/4 pint.
Otto of rose,1 drachm.
White wax, spermaceti, oil soap, each,1/2 oz.

Manipulation.—Shave up the soap, and place it in a vessel that can be heated by steam or water-bath; add to it two or three ounces of rose-water. When the soap is perfectly melted, add the wax and spermaceti, without dividing them more than is necessary to obtain the correct weight; this insures their melting slowly, and allows time for their partial saponification by the fluid soap; occasional stirring is necessary. While this is going on, blanch the almonds, carefully excluding every particle that is in the least way damaged. Now proceed to beat up the almonds in a scrupulously clean mortar, allowing the rose-water to trickle into the mass by degrees; the runner, as used for the oil in the manufacture of olivine, is very convenient for this purpose. When the emulsion of almonds is thus finished, it is to be strained, without pressure, through clean washed muslin (new muslin often contains starch, flour, gum, or dextrine).

The previously-formed saponaceous mixture is now to be placed in the mortar, and the ready-formed emulsion in the runner; the soapy compound and the emulsion is then carefully blended together. As the last of the emulsion runs into the mortar, the spirit, in which the otto of roses has been dissolved, is to take its place, and to be gradually trickled into the other ingredients. A too sudden addition of the spirit frequently coagulates the milk and causes it to be curdled; as it is, the temperature of the mixture rises, and every means must be taken to keep it down; the constant agitation and cold mortar effecting that object pretty well. Finally, the now formed milk of roses is to be strained.

The almond residue may be washed with a few ounces of fresh rose-water, in order to prevent any loss in bulk to the whole given quantity. The newly-formed milk should be placed into a bottle having a tap in it about a quarter of an inch from the bottom. After standing perfectly quiet for twenty-four hours it is fit to bottle. All the above precautions being taken, the milk of roses will keep any time without precipitate or creamy supernatation. These directions apply to all the other forms of milk now given.

Milk of Almonds.

Bitter almonds (blanched),10 oz.
Distilled (or rose) water,1 quart.
Alcohol (60 o.p.),3/4 pint.[F]
Otto of almonds,1/2 drachm.
    "      bergamot,2 drachms.
Wax, spermaceti,}
Almond oil, curd soap,} each,1/2 oz.

Milk of Elder.

Sweet almonds,4 oz.
Elder-flower water,1 pint.
Alcohol (60 o.p.),8 oz.
Oil of elder flowers, prepared by maceration,1/2 oz.
Wax, sperm, soap, each,1/2 oz.

Milk of Dandelion.

Sweet almonds,4 oz.
Rose-water,1 pint.
Expressed juice of dandelion root,1 oz.
Esprit tubereuse,8 oz.
Green oil, wax,}
Curd soap,} each1/2 oz.

Let the juice of the dandelion be perfectly fresh pressed; as it is in itself an emulsion, it may be put into the mortar after the almonds are broken up, and stirred with the water and spirit in the usual manner.

Milk of Cucumber.

Sweet almonds,4 oz.
Expressed juice of cucumbers,1 pint.
Spirit (60 o.p.),8 oz.
Essence of cucumbers,1/4 pint.
Green oil, wax,}
Curd soap,} each1/2 oz.

Raise the juice of the cucumbers to the boiling point for half a minute, cool it as quickly as possible, then strain through fine muslin; proceed to manipulate in the usual manner.

Essence of Cucumbers.

Break up in a mortar 28 lbs. of good fresh cucumbers; with the pulp produced mix 2 pints rectified spirit (sp. gr. .837), and allow the mixture to stand for a day and night; then distil the whole, and draw off a pint and a half. The distillation may be continued so as to obtain another pint fit for ulterior purposes.

Creme de Pistache. (Milk of Pistachio Nuts.)

Pistachio nuts,3 oz.
Orange-flower water,3-1/4 pints.
Esprit neroli,3/4 pint.
Palm soap,}
Green oil, wax,} each,1 oz.
Spermaceti,}

Lait Virginal.

Rose-water,1 quart.
Tincture benzoin,1/2 oz.

Add the water very slowly to the tincture; by so doing an opalescent milky fluid is produced, which will retain its consistency for many years; by reversing this operation, pouring the tincture into the water, a cloudy precipitate of the resinous matter ensues, which does not again become readily suspended in the water.

Extract of Elder Flowers.

Elder-flower water,1 quart.
Tincture benzoin,1 oz.

Manipulate as for virgin's milk.

Similar compounds may, of course, be made with orange-flower and other waters.


SECTION XI.

COLD CREAM.

Galen, the celebrated physician of Pergamos, in Asia, but who distinguished himself at Athens, Alexandria, and Rome, about 1700 years ago, was the inventor of that peculiar unguent, a mixture of grease and water, which is now distinguished as cold cream in perfumery, and as Ceratum Galeni in Pharmacy.

The modern formula for cold cream is, however, quite a different thing to that given in the works of Galen in point of odor and quality, although substantially the same—grease and water. In perfumery there are several kinds of cold cream, distinguished by their odor, such as that of camphor, almond, violet, roses, &c. Cold cream, as made by English perfumers, bears a high reputation, not only at home, but throughout Europe; the quantity exported, and which can only be reckoned by jars in hundreds of dozens, and the repeated announcements that may be seen in the shops on the Continent, in Germany, France, and Italy, of "Cold Crême Anglaise," is good proof of the estimation in which it is held.

Rose Cold Cream.

Almond oil,1 lb.
Rose-water,1 lb.
White wax, }
spermaceti, } each,1 oz.
Otto of roses,1/2 drachm.

Manipulation.—Into a well-glazed thick porcelain vessel, which should be deep in preference to shallow, and capable of holding twice the quantity of cream that is to be made, place the wax and sperm; now put the jar into a boiling bath of water; when these materials are melted, add the oil, and again subject the whole to heat until the flocks of wax and sperm are liquefied; now remove the jar and contents, and set it under a runner containing the rose-water: the runner may be a tin can, with a small tap at the bottom, the same as used for the manufacture of milk of roses. A stirrer must be provided, made of lancewood, flat, and perforated with holes the size of a sixpence, resembling in form a large palette-knife. As soon as the rose-water is set running, the cream must be kept agitated until the whole of the water has passed into it; now and then the flow of water must be stopped, and the cream which sets at the sides of the jar scraped down, and incorporated with that which remains fluid. When the whole of the water has been incorporated, the cream will be cool enough to pour into the jars for sale; at that time the otto of rose is to be added. The reason for the perfume being put in at the last moment is obvious—the heat and subsequent agitation would cause unnecessary loss by evaporation. Cold cream made in this way sets quite firmly in the jars into which it is poured, and retains "a face" resembling pure wax, although one-half is water retained in the interstices of the cream. When the pots are well glazed, it will keep good for one or two years. If desired for exportation to the East or West Indies, it should always be sent out in stoppered bottles.

Cold Cream of Almonds

Is prepared precisely as the above; but in place of otto of roses otto of almonds is used.

Violet Cold Cream.

Huile violette,1 lb.
Rose-water,1 lb.
Wax and spermaceti, each,1 oz.
Otto of almonds,5 drops.

Violet Cold Cream. Imitation.

Almond oil,3/4 lb.
Huile cassie,1/4 lb.
Rose-water,1 lb.
Sperm and wax,1 oz.
Otto of almonds,1/4 drachm.

This is an elegant and economical preparation, generally admired.

Tubereuse, Jasmine, and Fleur d'Orange Cold Creams.

Are prepared in similar manner to violet (first form); they are all very exquisite preparations, but as they cost more than rose cold cream, perfumers are not much inclined to introduce them in lieu of the latter.

Camphor Cold Cream. (Otherwise Camphor Ice.)

Almond oil,1 lb.
Rose-water,1 lb.
Wax and Spermaceti,1 oz.
Camphor,2 oz.
Otto of rosemary,1 drachm.

Melt the camphor, wax, and sperm, in the oil, then manipulate as for cold cream of roses.

Cucumber Cold Cream. (Crême de Concombre.)

Almond oil,1 lb.
Green oil,1 oz.
Juice of cucumber,1 lb.
Wax and sperm, each,1 oz.
Otto of neroli,1/4 drachm.

The cucumber juice is readily obtained by subjecting the fruit to pressure in the ordinary tincture press. It must be raised to a temperature high enough to coagulate the small portion of albumen which it contains, and then strained through fine linen, as the heat is detrimental to the odor on account of the great volatility of the otto of cucumber. The following method may be adopted with advantage:—Slice the fruit very fine with a cucumber-cutter, and place them in the oil; after remaining together for twenty-four hours, repeat the operation, using fresh fruit in the strained oil; no warmth is necessary, or at most, not more than a summer heat; then proceed to make the cold cream in the usual manner, using the almond oil thus odorized, the rose-water, and other ingredients in the regular way, perfuming, if necessary, with a little neroli.

Another and commoner preparation of cucumber is found among the Parisians, which is lard simply scented with the juice from the fruit, thus:—The lard is liquefied by heat in a vessel subject to a water-bath; the cucumber juice is then stirred well into it; the vessel containing the ingredients is now placed in a quiet situation to cool. The lard will rise to the surface, and when cold must be removed from the fluid juice; the same manipulation being repeated as often as required, according to the strength of odor of the fruit desired in the grease.

Pivers' Pomade of Cucumber.

Benzoinated lard,6 lbs.
Spermaceti,2 lbs.
Essence of cucumbers,1 lb.

Melt the stearine with the lard, then keep it constantly in motion while it cools, now beat the grease in a mortar, gradually adding the essence of cucumbers; continue to beat the whole until the spirit is evaporated, and the pomade is beautifully white.

Melons and other similar fruit will scent grease treated in the same way. (See "Essence of Cucumbers," p. 204.)

Pomade Divine.

Among the thousand and one quack nostrums, pomade divine, like James's powder, has obtained a reputation far above the most sanguine expectations of its concoctors. This article strictly belongs to the druggist, being sold as a remedial agent; nevertheless, what is sold is almost always vended by the perfumer. It is prepared thus:—

Spermaceti,1/4 lb.
Lard,1/2 lb.
Almond oil,3/4 lb.
Gum benzoin,1/4 lb.
Vanilla beans,1-1/2 oz.

Digest the whole in a vessel heated by a water-bath at a temperature not exceeding 90° C. After five or six hours it is fit to strain, and may be poured into the bottles for sale. (Must be stamped if its medicinal qualities are stated.)

Almond Balls.

Purified suet,1 lb.
White wax,1/2 lb.
Otto of almonds,1 drachm.
    "     cloves,1/4 drachm.

Camphor Balls.

Purified suet,1 lb.
White wax,1/2 lb.
Camphor,1/4 lb.
Otto of French lavender or rosemary,1/2 oz.

Both the above articles are sold either white or colored with alkanet root. When thoroughly melted, the material is cast in a mould; ounce gallipots with smooth bottoms answer very well for casting in. Some venders use only large pill-boxes.

Camphor Paste.

Sweet almond oil,1/2 lb.
Purified lard,1/4 lb.
Wax and spermaceti,}
Camphor,} each,1 oz.

Glycerine Balsam.

White wax,}
Spermaceti,} each,1 oz.
Almond oil,1/2 lb.
Glycerine,2 oz.
Otto of roses,1/4 drachm.

Of the remedial action of any of the above preparations we cannot here discuss; in giving the formulæ, it is enough for us that they are sold by perfumers.

Rose Lip Salve.

Almond oil,1/2 lb.
Spermaceti and wax, each,2 oz.
Alkanet root,2 oz.
Otto of roses,1/4 drachm.

Place the wax, sperm, and oil on to the alkanet root in a vessel heated by steam or water-bath; after the materials are melted, they must digest on the alkanet to extract its color for at least four or five hours; finally, strain through fine muslin, then add the perfume just before it cools.

White Lip Salve.

Almond oil,1/4 lb.
Wax and Spermaceti, each,1 oz.
Otto of almonds,1/2 drachm.
    "     geranium,1/4 "

After lip salve is poured into the pots and got cold, a red-hot iron must be held over them for a minute or so, in order that the heat radiated from the irons may melt the surface of the salve and give it an even face.

Common Lip Salve

Is made simply of equal parts of lard and suet, colored with alkanet root, and perfumed with an ounce of bergamot to every pound of salve.


SECTION XII.

POMADES AND OILS.

The name of pomatum is derived from pomum, an apple, because it was originally made by macerating over-ripe apples in grease.

If an apple be stuck all over with spice, such as cloves, then exposed to the air for a few days, and afterwards macerated in purified melted lard, or any other fatty matter, the grease will become perfumed. Repeating the operation with the same grease several times, produces real "pomatum."

According to a recipe published more than a century ago the form given is:—"Kid's grease, an orange sliced, pippins, a glass of rose-water, and half a glass of white wine, boiled and strained, and at last sprinkled with oil of sweet almonds." The author, Dr. Quincy, observes, that "the apple is of no significance at all in the recipe," and, like many authors of the present day, concludes that the reader is as well acquainted with the subject as the writer, and therefore considers that the weights or bulk of the materials in his recipe are, likewise, of no significance. According to ancient writers, unguent, pomatum, ointment, are synonymous titles for medicated and perfumed greases. Among biblical interpreters, the significant word is mostly rendered "ointment;" thus we have in Prov. 27:9, "Ointment and perfume rejoice the heart;" in Eccles. 9:8, "Let thy head lack no ointment."

Perfumers, acting upon their own or Dr. Quincy's advice, pay no regard to the apples in the preparation of pomatum, but make it by perfuming lard or suet, or a mixture of wax, spermaceti, and oil, or some of them or all blended, to produce a particular result, according to the name that it bears.

The most important thing to consider in the manufacture of pomatum, &c., is to start off with a perfectly inodorous grease, whatever that grease may be.

Inodorous lard is obtained thus:—Take, say 28 lbs. of perfectly fresh lard, place it in a well-glazed vessel, that can be submitted to the heat of a boiling salt-water bath, or by steam under a slight pressure; when the lard is melted, add to it one ounce of powdered alum and two ounces of table salt; maintain the heat for some time, in fact till a scum rises, consisting in a great measure of coagulated proteine compounds, membrane, &c., which must be skimmed off; when the liquid grease appears of a uniform nature it is allowed to grow cold.

The lard is now to be washed. This is done in small portions at a time, and is a work of much labor, which, however, is amply repaid by the result. About a pound of the grease is now placed on a slate slab a little on the incline, a supply of good water being set to trickle over it; the surface of the grease is then constantly renewed by an operative working a muller over it, precisely as a color-maker grinds paints in oil. In this way the water removes any traces of alum or salt, also the last traces of nitrogenous matter. Finally, the grease, when the whole is washed in this way, is remelted, the heat being maintained enough to drive off any adhering water. When cold it is finished.

Although purifying grease in this way is troublesome, and takes a good deal of time, yet unless done so, it is totally unfit for perfuming with flowers, because a bad grease will cost more in perfume to cover its mal odeur than the expense of thus deodorizing it. Moreover, if lard be used that "smells of the pig," it is next to impossible to impart to it any delicate odor; and if strongly perfumed by the addition of ottos, the unpurified grease will not keep, but quickly becomes rancid. Under any circumstances, therefore, grease that is not perfectly inodorous is a very expensive material to use in the manufacture of pomades.

In the South and flower-growing countries, where the fine pomades are made by Enfleurage, or by Maceration[G] (see pp. 37, 38), the purification of grease for the purpose of these manufactures is of sufficient importance to become a separate trade.

The purification of beef and mutton suet is in a great measure the same as that for lard: the greater solidity of suets requires a mechanical arrangement for washing them of a more powerful nature than can be applied by hand labor. Mr. Ewen, who is undoubtedly the best fat-purifier in London, employs a stone roller rotating upon a circular slab; motion is given to the roller by an axle which passes through the centre of the slab, or rather stone bed, upon which the suet is placed; being higher in the centre than at the sides, the stream of water flows away after it has once passed over the suet; in other respects the treatment is the same as for lard. These greases used by perfumers have a general title of "body," tantamount to the French nomenclature of corps; thus we have pomades of hard corps (suet), pomades of soft corps (lard). For making extraits, such as extrait de violette, jasmin, the pomades of hard corps are to be preferred; but when scented pomade is to be used in fabrication of unguents for the hair, pomades of soft corps are the most useful.

The method of perfuming grease by the direct process with flowers having already been described under the respective names of the flowers that impart the odor thereto, it remains now only to describe those compounds that are made from them, together with such incidental matter connected with this branch of perfumery as has not been previously mentioned.

Acacia Pomade, commonly called Cassie Pomatum, is made with a purified body-grease, by maceration with the little round yellow buds of the Acacia Farnesiana.

Black currant leaves, and which the French term cassie, have an odor very much resembling cassie (acacia), and are used extensively for adulterating the true acacia pomades and oils. The near similarity of name, their analogous odor (although the plants have no botanical connection), together with the word cassia, a familiar perfume in England, has produced generally confused ideas in this country as to the true origin of the odor now under discussion. Cassie, casse, cassia, it will be understood now, are three distinct substances; and in order to render the matter more perspicuous in future, the materials will always be denominated Acacia, if prepared from the Acacia Farnesiana; Casse, when from black currant; and Cassia, if derived from the bark of the Cinnamomum Cassia.

Benzoin Pomade and Oil.

Benzoic acid is perfectly soluble in hot grease. Half an ounce of benzoic acid being dissolved in half a pint of hot olive or almond oil, deposits on cooling beautiful acicular crystals, similar to the crystals that effloresce from vanilla beans; a portion of the acid, however, remains dissolved in the oil at the ordinary temperature, and imparts to it the peculiar aroma of benzoin; upon this idea is based the principle of perfuming grease with gum benzoin by the direct process, that is, by macerating powdered gum benzoin in melted suet or lard for a few hours, at a temperature of about 80° C. to 90° C. Nearly all the gum-resins give up their odoriferous principle to fatty bodies, when treated in the same way; this fact becoming generally known, will probably give rise to the preparation of some new remedial ointments, such as Unguentum myrrhæ, Unguentum assafœtida, and the like.

Tonquin Pomade, and Tonquin Oil, are prepared by macerating the ground Tonquin beans in either melted fat or warm oil, from twelve to twenty-eight hours, in the proportion of