Suddenly he seemed to hear Helen's voice saying earnestly: "My cousin Aubrey is not a good man, Ronnie; he is not a man you should trust."

This vivid remembrance of Helen, brought him to his senses.

"I prefer not to discuss my wife," he said, with quiet dignity; "nor my relations with her. Let us talk of something else."

"By all means, my dear fellow," replied Aubrey. "You must pardon the indiscretion of cousinly interest. Tell me of your new book. Have you settled upon a title?"

But the instinct of authorship now shielded Ronnie.

"I never talk of my books, excepting to Helen, until they are finished," he said.

"Quite right," agreed Aubrey, cordially. "But you might tell me why this one took you to Central Africa. Is it a book of travels?"

"No; it is a love-story. But the scene is laid in wild places—ah, such places! One cannot possibly understand, until one gets there and does it, what it is like to leave civilisation behind, and crawl into long grass thirteen feet high!"

"It sounds weirdly fascinating," remarked Aubrey. "So unusual a setting, must mean a remarkable plot."

"It is the strongest thing I have done yet," said Ronnie, with enthusiasm.

Aubrey smiled, surveying Ronnie's eager face with slow enjoyment. He was mentally recalling phrases from reviews he had written for various literary columns, on Ronnie's work. Already he began wording the terse sentences in which he would point out the feebleness and lack of literary merit, in "the strongest thing" Ronnie had done yet. It might be well to know something more about it.

"It will be very unlike your other books," he suggested.

"Yes," explained Ronnie, expanding. "You see they were all absolutely English; just of our own set, and our own surroundings. I wanted something new. I couldn't go on letting my hero make love in an English garden."

"If you wanted a variety," suggested Aubrey Treherne, "you might have let him make love in another man's garden. Stolen fruits are sweet! There is always a fascination about trespassing."

"No, thank you," said Ronnie. "That would be Paradise Lost."

"Or Paradise Regained," murmured Aubrey.

"I think not. Besides—Helen reads my books."

"Oh, I see," sneered Aubrey. "So your wife draws the line?"

"I don't know what you mean," replied Ronnie. "Falsehood, frailty, and infidelity, do not appeal to me as subjects for romance. But, if they did, I certainly should not feel free to put a line into one of my books which I should be ashamed to see my own wife reading."

"Oh, safe and excellent standard!" mocked Aubrey Treherne. "No wonder you go down with the British public."

"I think, if you don't mind," said Ronald, with some heat, "we will cease to discuss my books and my public."

"Then there is but one subject left to us," smiled Aubrey—"the Infant of Prague! Let us concentrate our attention upon this entirely congenial topic. I wonder how long this dear child has remained dumb. I have seen many fine instruments in my time, West, but I am inclined to think your 'cello is the finest I have yet come across. Do you mind if I tune it, and try the strings?"

Ronnie's pleasure and enthusiasm were easily rekindled.

"Do," he said. "I am grateful. I do not even know the required notes."

Aubrey, leaning forward, carefully lifted the instrument, resting it against his knees. He took a tuning-fork from his pocket.

"It is tuned in fifths," he said. "The open strings are A, D, G, C. You can remember them, because they stand for 'Allowable Delights Grow Commonplace'; or, read the other way up: 'Courage Gains Desired Aims.'"

With practised skill he rapidly tightened the four strings into harmony; then, after carefully rosining the bow, rasped it with uncertain touch across them. The Infant squealed, as if in dire pain. Ronnie winced, obviously restraining himself with an effort from snatching his precious 'cello out of Aubrey's hands.

It did not strike him as peculiar that a man who played the violin with ease, should not be able to draw a clear tone from the open strings of a 'cello.

"I don't seem to make much of it," said Aubrey. "The 'cello is a difficult instrument to play, and requires long practice." And again he rasped the bow across the strings.

The Infant's wail of anguish gained in volume.

Ronnie sprang up, holding out eager hands. "Let me try," he said. "It must be able to make a better sound than that!"

As he placed the 'cello between his knees, a look of rapt content came into his face. He slipped his left hand up and down the neck, letting his fingers glide gently along the strings.

Aubrey watched him narrowly.

Ronnie lifted the bow; then he paused. A sudden remembrance seemed to arrest the action in mid-air.

He laid his left hand firmly on the shoulder of the Infant, out of reach of the tempting strings.

"I am not going to play," he said. "The very first time I really play, must be in the studio, and Helen must be there. But I will just sound the open strings."

He looked down upon the 'cello and waited, the light of expectation brightening in his face.

Aubrey Treherne noted the remarkable correctness of the position he had unconsciously assumed.

Then Ronnie, raising the bow, drew it, with unfaltering touch, across the silver depths of lower C.

A rich, full note, rising, falling, vibrating, filled the room. The Infant of Prague was singing. A master-hand had waked its voice once more.

Ronnie's head swam. A hot mist was before his eyes. His breath came in short sobs. He had completely forgotten the sardonic face of his wife's cousin, in the chair opposite.

Then the hot mist cleared. He raised the bow once more, and drew it across G.

G merged into D without a pause. Then, with a strong triumphant sweep, he sounded A.

The four open strings of the 'cello had given forth their full sweetness and power.

"Helen, oh, Helen!" said Ronnie.

Then he looked up, and saw Aubrey Treherne.

He laughed, rather unsteadily. "I thought I was at home," he said. "For the moment it seemed as if I must be at home. I was experiencing the purest joy I have known since I left Helen. What do you think of my 'cello, man? Isn't it wonderful?"

"It is very wonderful," said Aubrey Treherne. "Your Infant is all you hoped. The tone is perfect. But what is still more wonderful is that you—who believe yourself never to have handled a 'cello before—can set the strings vibrating with such unerring skill; such complete mastery. Of course, to me, the mystery is no mystery. The reason of it all is perfectly clear."

"What is the reason of it all?" inquired Ronnie, eagerly.

"In a former existence, dear boy," said Aubrey Treherne, slowly, "you were a great master of the 'cello. Probably the Infant of Prague was your favourite instrument. It called to you from its high place in the 'cello room at Zimmermann's, as it has been calling to you for years; only, at last, it made you hear. It was your own, and you knew it. You would have bought it, had its price been a thousand pounds. You could not have left the place without the Infant in your possession."

Ronald's feverish flush deepened. His eyes grew more burningly bright.

"What an extraordinary idea!" he said. "I don't think Helen would like it, and I am perfectly certain Helen would not believe it."

"You cannot refuse to believe a truth because it does not happen to appeal to your wife," said Aubrey. "Grasp it clearly yourself; then educate her up to a proper understanding of the matter. All of us who are worth anything in this world have lived before—not once, nor twice, but many times. We bring the varied experiences of all previous existences, unconsciously to bear upon and to enrich this one. Have you not often heard the expression 'A born musician'? What do we mean by that? Why, a man born with a knowledge, a sense, an experience, of music, who does not require to go through the mill of learning all the rudiments before music can express itself through him, because the soul of music is in him. He plays by instinct—some folk call it inspiration. Technical, skill he may have to acquire—his fingers are new to it. The understanding of notation he may have to master again—the brain he uses consciously is also of fresh construction. But the sub-conscious self, the Ego of the man, the real eternal soul of him, leaps back with joy to the thing he has done perfectly before. He is a born musician; just as John the Baptist was a born prophet, because, into the little body prepared by Zacharias and Elisabeth, came the great Ego of Elijah reincarnate; to reappear as a full-grown prophet on the banks of the Jordan—the very spot from which he had been caught away, his life-work only half-accomplished, nine centuries before. Even our good Helen, if she knows her Bible, could hardly question this, remembering Whom it was Who said: 'If ye will receive it, this is Elijah which was for to come; and they knew him not, but have done unto him whatsoever they listed.'"

"Great Scott!" exclaimed Ronnie. "What a theory! But indeed Helen would question it; and not only so, but she would be exceedingly upset and very much annoyed."

"Then Helen would fully justify the 'If' of the greatest of all teachers. She would come under the heading of those who refuse to receive a truth, however clearly and unmistakably expressed."

"Lor!" exclaimed Ronnie, in undisguised perplexity. "You have completely cornered me. But then I never set up for being a theologian."

"No; you are a born artist and musician. Music, tone, sound, colour, vibrate in every page of your romances. Had your parents taught you harmony, the piano, and the fiddle, your music would have burst forth along its normal lines. As they merely taught you the alphabet and grammar, your creative faculty turned to literature; you wrote romances full of music, instead of composing music full of romance. It is a distinction without a difference. But, now that you have found your mislaid 'cello, and I am teaching you to KNOW YOURSELF, you will do both."

Ronald stared across at Aubrey. His head was throbbing. Every moment he seemed to become more certain that he had indeed, many times before, held the Infant of Prague between his knees.

But there was a weird, uncanny feeling in the room. Helen seemed to walk in, to seat herself in the empty chair; and, leaning forward, to look at him steadily, with her clear earnest eyes. She seemed to repeat impressively: "Aubrey is not a good man, Ronnie. He is not a man you should trust."

"Well?" asked Aubrey, at last. "Do you recognise the truth?"

Then, with an effort, Ronnie answered as he believed Helen would have answered; and her face beside him seemed to smile approval.

"It sounds a plausible theory," he said slowly; "it may possibly be a truth. But it is not a truth required by us now. Our obvious duty in the present is to live this life out to its fullest and best, regarding it as a time of preparation for the next."

Aubrey's thin lips framed the word "Rubbish!" but, checking it unuttered, substituted: "Quite right. This existence is a preparation for the next; just as that which preceded was a preparation for this."

Then Ronnie ceased to express Helen, and gave vent to an idea of his own.

"It would make a jolly old muddle of all our relationships," he said.

"Not at all," replied Aubrey. "It merely readjusts them, compensating for disappointments in the present, by granting us the assurance of past possessions, and the expectation of future enjoyment. In the life which preceded this, Helen was probably my wife, while you were a beautiful old person in diamond shoe-buckles, knee-breeches, and old lace, who played the 'cello at our wedding."

"Confound you!" cried Ronnie, in sudden fury, springing up and swinging the 'cello above his head, as if about to bring it down, with a crashing blow, upon Aubrey. "Damned old shoe-buckle yourself! Helen was never your wife! More likely you blacked her boots and mine!"

"Oh, hush!" smiled Aubrey, in contemptuous amusement. "Excellent young men who make innocent love in rose-gardens, never say 'damn.' And in those days, dear boy, we did not use shoe-blacking. Pray calm yourself, and sit down. You are upsetting the internal arrangements of your Infant. If you swing a baby violently about, it makes it sick. Any old Gamp will tell you that."

Ronnie sat down; but solely because his knees suddenly gave way beneath him. The floor on which he was standing seemed to become deep sand.

"Keep calm," sneered Aubrey Treherne. "Perhaps you would like to know my excellent warrant for concluding that Helen was my wife in a former life? She came very near to being my wife in this. She was engaged to me before she ever met you, my boy. Had it not been for the interference of that strong-minded shrew, Mrs. Dalmain, she would have married me. I had kissed my cousin Helen, as much as I pleased, before you had ever touched her hand."

The incandescent lights grew blood-red, leaping up and down, in wild, bewildering frolic.

Then they steadied suddenly. Helen's calm, lovely figure, in a shaft of sunlight, reappeared in the empty chair.

Ronnie handed the Infant to her; rose, staggered across the intervening space, and struck Aubrey Treherne a violent blow on the mouth.

Aubrey gripped his arms, and for a moment the two men glared at one another.

Then Ronnie's knees gave way again; his feet sank deeply into the sand; and Aubrey, forcing him violently backward, pinned him down in his chair.

"I would kill you for this," he whispered, his face very close to Ronnie's; blood streaming from his lip. "I would kill you for this, you clown! But I mean to kiss Helen again; and life, while it holds that prospect, is too sweet to risk losing for the mere pleasure of wiping you out. Otherwise, I would kill you now, with my two hands."

Then a black pulsating curtain rolled, in impenetrable folds, between Ronnie and that livid bleeding face, and he sank away—down—down—down—into silent depths of darkness and of solitude.


CHAPTER VI

AUBREY PUTS DOWN HIS FOOT

Ronnie's first sensation as he returned to consciousness, was of extreme lassitude and exhaustion.

His eyelids lifted heavily; he had some difficulty in realising where he was.

Then he saw his 'cello, leaning against a chair; and, a moment later, Aubrey Treherne, lying back in the seat opposite, enveloped in a cloud of tobacco smoke.

"Hullo, West!" said Aubrey, kindly. "You put in your half-hour quite unexpectedly. You were trying, in a sleepy fashion, to tell me how you came to purchase this fine 'cello; but you dropped off, with the tale unfinished."

Ronnie looked in silence at his wife's cousin.

"Are you the better for your sleep?"

"I am fagged out," said Ronnie, wearily.

Aubrey went to a cupboard, poured something into a glass, and handed it to Ronald.

"Drink this, my boy. It will soon wake you up."

Ronnie drank it. Its tint was golden, its odour, fragrant; but otherwise, for aught he knew, it might have been pure water.

He sat up and took careful note of his surroundings.

Then an idea seemed to strike him. He leaned forward and twanged the strings of his 'cello. They were not in tune.

"Will you lend me your tuning-fork?" he said to Aubrey.

But Aubrey had expected this.

"Sorry," he said. "I don't possess one, just now. I gave away mine last week. You can tune your 'cello by the organ."

"I don't know how to tune a 'cello," said Ronnie.

"Let me show you," suggested Aubrey, with the utmost friendliness.

He walked over to the organ, drew out the 'cello stop, sounded a note, then came back humming it.

Then he took up the Infant and carefully tuned the four strings, talking easily meanwhile.

"You see? You screw up the pegs—so. The notes are A, D, G, C."

"What have you done to your lip?" said Ronald, suddenly.

"Knocked it on the stove just now, as I bent to stoke it with my fingers, for fear of waking you. It bled amazingly."

Aubrey produced a much-stained handkerchief.

"It is curious how a tiny knock will sometimes draw as much blood as a sword-thrust. There! The Infant is in perfect tune, so far as I can tell without the bow. Do you mind if I just pass the bow across the strings? After each string is perfectly tuned to a piano or organ, you must make them vibrate together in order to get the fifths perfect. A violin or a 'cello is capable of a more complete condition of intuneness—if I may coin a word—than an organ or a piano."

He took up the bow, then with careful precision sounded the strings, singly and together. The beautiful open notes of the Infant of Prague, filled the room.

"There," said Aubrey, putting it back against the empty chair. "I am afraid that is all I must attempt. I only play the fiddle. I might disappoint you in your Infant if I did more than sound the open strings."

Ronald passed his hand over his forehead. "When did I fall asleep?" he asked.

"Just after suggesting that we should not discuss your books or your public."

"Ah, I remember! Treherne, I have had the most vivid and horrid nightmares."

"Then forget them," put in Aubrey, quickly. "Never recount a nightmare, when it is over. You suffer all its horrors again, in the telling. Turn your thoughts to something pleasant. When do you reach England?"

"I cross by the Hook, the day after to-morrow, reaching London early the following morning. I shall go to my club, see my publisher, lunch in town, and get down home to tea."

"To the moated Grange?" inquired Aubrey.

"Yes, to the Grange. Helen will await me there. But why do you call it 'moated'? We do not boast a moat."

Aubrey laughed. "I suppose my thoughts had run to 'Mariana.' You remember? 'He cometh not,' she said; the young woman who grew tired of waiting. They do, sometimes, you know! I believe her grange was moated. All granges should be moated; just as all old manors should be haunted. What a jolly time you and Helen must have in that lovely old place. I knew it well as a boy."

"You must come and stay with us," said Ronnie, with an effort.

"Thanks, dear chap. Delighted. Has Helen kept well during your absence?"

"Quite well. She wrote as often as she could, but there was a beastly long time when I could get no letters. Hullo!—I say!"

Ronnie stood up suddenly, the light of remembrance on his thin face, and began plunging his hands into the many pockets of his Norfolk coat.

"I found a letter from Helen at the Poste Restante, here; but owing to my absorption in the Infant, I clean forgot to read it! Heaven send I haven't dropped it anywhere!"

He stood with his back to the stove, hunting vaguely, but feverishly, in all his pockets.

Aubrey smoked on, watching him without stirring.

Aubrey was wishing that Helen could know how long her letter had remained unread, owing to the Infant of Prague.

At length Ronnie found the letter—a large, square foreign envelope—safely stowed away in his pocket-book, in the inner breast-pocket of his coat.

"Of course," he said. "I remember. I put it there when I was writing Zimmermann's cheque. You will excuse me if I read it straight away? There may be something requiring a wire."

"Naturally, my dear fellow; read it. Cousins need not stand on ceremony; and the Infant now being thoroughly in tune, your mind is free to spare a thought or two to Helen. Don't delay another moment. There may be a message in the letter for me."

Ronnie drew the thin sheets from the envelope in feverish haste.

As he did so, a folded note fell from among them unseen by Ronnie, and dropped to the floor close to Aubrey's foot.

Ronnie began reading; but black spots danced before his eyes, and Helen's beautiful clear writing zig-zagged up and down the page.

Presently his vision cleared a little and he read more easily.

Suddenly he laughed, a short, rather mirthless, laugh.

"What's up?" inquired Aubrey Treherne.

"Oh, nothing much; only I suppose I'm in for a lecture again! Helen says: 'Ronald'—" Ronnie lifted his eyes from the paper. "What a nuisance it is to own that kind of name. As a small boy I was always 'Ronnie' when people were pleased, and 'Ronald' if I was in for a wigging. The feeling of it sticks to you all your life."

"Of course it does," said Aubrey sympathetically. "Beastly hard lines. Well? Helen says 'Ronald'—?"

Ronnie's eyes sought the paper again; but once more the black spots danced in a wild shower. He rubbed his eyes and went on reading.

"'Ronald, I shall have something to tell you when you get home, which will make a great difference to this Christmas, and to all Christmas-times to come. I will not put it into a letter. I will wait until you are here, and I can say it.'"

"What can it be?" questioned Aubrey.

"Oh, I know," said Ronnie, unsteadily—the floor was becoming soft and sandy again. "I have heard it all before. She always thinks me extravagant at Christmas, and objects to her old people being given champagne and other seasonable good things. I have heard—heard it—all before. There was no need to write about it. And when she—when she says it, I shall jolly well tell her that a—that a—a fellow can do as he likes with his own earnings."

"I should," said Aubrey Treherne.

Ronald went on reading, in silence.

Aubrey's eye was upon the folded sheet of paper on the floor.

Suddenly Ronnie said: "Hullo! I'm to have it after all! Listen to this. 'P.S.—On second thoughts, now you are so nearly home, I would rather you knew what I have to say, before your return; so I am enclosing with this a pencil note I wrote some weeks ago. Ronnie, we will have a Christmas-tree this Christmas.' Well, I never!" said Ronnie. "That's not a very wild thing in the way of extravagance, is it? But it's a concession. I have wanted a Christmas-tree each Christmas. But Helen said you couldn't have a Christmas-tree in a home where there were no kids; it was absurd for two grownup people to give each other a Christmas-tree. Now, where is—" He began searching in the empty envelope.

With a quick stealthy movement, Aubrey put his foot upon the note.

"It is not here," said Ronnie, shaking out the thin sheets one by one, and tearing open the envelope. "She has forgotten it, after all. Well—I should think it will keep. It can hardly have been important."

"Evidently," remarked Aubrey, "third thoughts followed second thoughts. Even Helen would scarcely put a lecture on economy into a welcome-home letter."

"No, of course not," agreed Ronnie, and walked unsteadily to his chair.

Aubrey, stooping, transferred the note from beneath his foot to his pocket.

Ronald read his letter through again, then turned to Aubrey.

"Look here," he said. "I must send a wire. Helen wants to know whether I wish her to meet me in town, or whether I would rather she waited for me at home. What shall I say?"

Aubrey Treherne rose. "Think it over," he said, "while I fetch a form."

He left the room.

He was some time in finding that form.

When he returned his face was livid, his hand shook.

Ronald sat in absorbed contemplation of the Infant.

"It appears more perfect every time one sees it," he remarked, without looking at Aubrey.

Aubrey handed him a form for foreign telegrams, and a fountain pen.

"What are you going to say to—to your wife?" he asked in a low voice.

"I don't know," said Ronnie, vaguely. "What a jolly pen! What am I to do with this?"

"You are to let Helen know whether she is to meet you in town, or to wait at the Grange."

"Ah, I remember. What do you advise, Treherne? I don't seem able to make plans."

"I should say most decidedly, let her wait for you at home."

"Yes, I think so too. I shall be rushing around in town. I can get home before tea-time. How shall I word it?"

"Why not say: Owing to satisfactory news in letter, prefer to meet you quietly at home. All well."

Ronnie wrote this at Aubrey's dictation; then he paused.

"What news?" he asked, perplexed at the words he himself had written.

"Why—that Helen is quite well. Isn't that satisfactory news?"

"Oh, of course. I see. Yes."

"Then you might add: Will wire train from London."

"But I know the train now," objected Ronnie. "I have been thinking of it for weeks! I shall catch the 3 o'clock express."

"Very well, then add: Coming by 3 o'clock train. Home to tea."

Ronnie wrote it—a joyous smile on his lips and in his eyes.

"It sounds so near," he said. "After seven long months—it sounds so near!"

"Now," said Aubrey, "give it to me. I will take it out for you. I know an office where one can hand in wires at any hour."

"You are a good fellow," said Ronnie gratefully.

"And now look here," continued Aubrey. "Before I go, you must turn into bed, old chap. You need sleep more than you know. I can do a little prescribing myself. I am going to give you a dose of sleeping stuff which brought me merciful oblivion, after long nights of maddening wakefulness. You will feel another man, when you wake in the morning. But I am coming with you to the Hague. I can tend the Infant, while you go to the publishers. I will see you safely on board at the Hook, on the following evening, and next day you will be at home. After all those months alone in the long grass, you don't want any more solitary travelling. Now come to bed."

Ronnie rose unsteadily. "Aubrey," he said, "you are a most awfully good fellow. I shall tell Helen. She will—will—will be so—so grateful. I'm perfectly all right, you know; but other people seem so—so busy, and—and—so vague. You will help me to—to—to—arrest their attention. I must take the Infant to bed."

"Yes, yes," said Aubrey; "we will find a cosy place for the Infant. If Helen were here she would provide a bassinet. Don't forget that joke. It will amuse Helen. I make you a present of it. If Helen were here she would provide a bassinet and a pram for the Infant of Prague."

Ronnie laughed. "I shall tell Helen you said so." Then, carrying the 'cello, he lurched unsteadily through the doorway. The Infant's head had a narrow escape.


Aubrey Treherne sent off the telegram. He required to alter only one word.

When it reached Helen, the next morning at breakfast, it read thus: Owing to astonishing news in letter prefer to meet you quietly at home. All well. Coming by 3 o'clock train. Home to tea.—Ronald.

Helen suffered a sharp pang of disappointment. She had expected something quite different. The adjective "astonishing" seemed strangely cold and unlike Ronnie. She had thought he would say "wonderful," or "unbelievable," or "glorious."

But before she had finished her first cup of coffee, she had reasoned herself back into complete content. Ronnie, in an unusual fit of thoughtfulness, had remembered her feeling about the publicity of telegrams. She had so often scolded him for putting "darling" and "best of love" into messages which all had to be shouted by telephone from the postal town, into the little village office which, being also the village grocery store, was a favourite rendezvous at all hours of the day for village gossips.

It was quite unusually considerate of Ronnie to curb the glowing words he must have longed to pour forth. The very effort of that curbing, had reduced him to a somewhat stilted adjective.

So Helen finished her lonely breakfast with thoughts of glad anticipation. Ronnie's return was drawing so near. Only two more breakfasts without him. At the third she would be pouring out his coffee, and hearing him comment on the excellence of Blake's hot buttered toast!

Then, with a happy heart, she went up to the nursery.

Yet—unconsciously—the pang remained.


CHAPTER VII

A FRIEND IN NEED

As Aubrey Treherne, on his way back from despatching the telegram, stood in the general entrance hall, fumbling with the latch-key at the door of his own flat, a tall young man in an ulster dashed up the wide stone stairs, rapidly read the names on the various brass plates, and arrived at Aubrey's just as his door had yielded to persuasion and was admitting him into his own small passage.

"Hullo," said a very British voice. "Do you happen to be Ronald West's wife's cousin?"

Aubrey turned in the doorway, taking stock of his interlocutor. He saw a well-knit, youthful figure, a keen resourceful face, and a pair of exceedingly bright brown eyes, unwavering in the steady penetration of their regard. Already they had taken him in, from top to toe, and were looking past him in a rapid investigation of as much of his flat as could be seen from the doorway.

Aubrey was caught!

He had fully intended muffling his electric bell, and not being at home to visitors.

But this brisk young man, with an atmosphere about him of always being ten minutes ahead of time, already had one of his very muddy boots inside the door, and eagerly awaited the answer to his question; so it was useless to reply to the latter in German, and to bang the former.

Therefore: "I have that honour," replied Aubrey, with the best grace he could muster.

"Ah! Well, I'm sorry to bother you so late, but I must have a word with you; and then I am going round to spend the night with Ronnie at his hotel."

"Come in," said Aubrey, in a low voice; "but we must not talk in the passage or we shall wake him. I saw he was not fit to be alone, so I sent to the hotel for his traps, and am putting him up here. He turned in, half an hour ago, and seemed really inclined to sleep. He was almost off, when I left him."

Aubrey, closing the door, led the way to his sitting-room, where the three easy chairs were still drawn up before the stove.

"I conclude you are Dr. Cameron," said Aubrey, turning up the light, and motioning his visitor to the chair which had lately been Ronnie's.

"Yes, I am Dick Cameron, Ronnie's particular chum; and if ever he needed a particular chum, poor old chap, he does so at this moment. But I am glad he has found a friend in you, and one really able to undertake him. You did right not to leave him at the hotel; and he must not travel back to England alone."

"I have already arranged to accompany him," said Aubrey Treherne.

"Good; it will save me a journey."

Dick pulled off his ulster, threw it across the red velvet sofa, flung his cap after it, and took the proffered chair.

In his blue serge suit and gay tie, he looked like the captain of a college football team.

Aubrey, eyeing him with considerable reserve and distaste, silently took up his position in the chair opposite. He felt many years older than this peremptory young man, who appeared to consider himself master of all situations.

Dick turned his bright eyes on to the empty chair between them.

"So Ronnie has spent the evening with you?"

"He has."

"Who was the third party?"

"The third party was the Infant of Prague."

"Oh, bother that rotten Infant!" exclaimed Dr. Dick. "I came near to putting my foot through its shining tummy this morning! Still it may serve its silly use, if it takes his mind off his book, until we can get him safely home. I suppose you know, sir, that Ronald West is about as ill as a man can be? It will be touch and go whether we can get him home before the crash comes."

"I thought he seemed excited and unwell," said Aubrey. "What do you consider is the cause of his condition?"

"Well, the bother is, we can't exactly tell. But I should say he has been letting himself in for constant exposure to extreme heat by day, and to swampy dampness by night; not taking proper food; living in a whirl of excited imagination with no rational companionship to form an outlet; and, on the top of all this, contracted some malarial germ, which has put up his temperature and destroyed the power of natural sleep. This condition of brain has enabled him to work practically night and day at his manuscript, and I have no doubt he has written brilliant stuff, which an enchanted world will read by-and-by, with no notion of the price which has been paid for their pleasure and edification. But meanwhile, unless proper steps are taken to avert disaster, our friend Ronnie will be, by then, unable to understand or to enjoy his triumph."

Aubrey's lean face flushed. "I hope you are taking an exaggerated view," he said.

"I hope you understand," retorted Dr. Dick, "that I am doing nothing of the kind. I cannot tell you precisely what course the illness will run; the nuisance of these African jungle poisons is that we know precious little about them. But I have known Ronnie since he and I were at school together, and any poison goes straight to his brain. If he gets influenza, he never sneezes and snuffles like an ordinary mortal, but walks about, more or less light-headed, all day; and lies dry awake, staring at the ceiling all night."

"What do you recommend in this case?"

"Ah, there we arrive at my reason for coming to you. I don't know Ronnie's wife. I conclude you do."

"She is my first cousin. I have known her intimately all her life."

"Can you write to her to-night, and mail the letter so that it will reach her before he arrives home?"

"I have every intention of doing so."

Dick Cameron sat forward, eagerly.

"Good! It will come better from you than from a total stranger. No doubt I am known to her by name; but we have never chanced to meet. Without alarming her too much, I want you to make Ronnie's condition quite clear to her. Tell her he must be kept absolutely quiet and happy on his return; and, with as little delay as may be, she must have the best advice procurable."

"Whom would you recommend?"

"To be quite honest, I am afraid a brain specialist. But I will give you the name of a man who has also made a special study of the conditions caused by malarial fever, and exposure to tropical heat."

Dick produced a note-book, wrote down a name and address, tore out the leaf, and handed it to Aubrey.

"There! You can't do better than that. Of course it is everything that you are taking him right home. But, even so, let your letter get there first. You might have difficulty in seeing Mrs. West alone, and mischief might be done in a moment, which you would be powerless to prevent. Tell her, that above all else, she must avoid any sort of shock for him. A violent emotion of any kind would probably send him clean off his head."

"I am sure you are right, there," said Aubrey. "He suddenly became violent to-night, while we were talking about his 'cello; got up, staggered across, and struck me on the mouth."

Dr. Dick's keen eyes were instantly bent upon Aubrey Treherne in perplexed scrutiny.

Aubrey shifted uncomfortably in his seat; then rose and put fuel into the stove.

Still Dick sat silent.

When Aubrey resumed his seat, Dick spoke—slowly, as if carefully weighing every word.

"Now that is peculiar," he said. "Ronnie's mental condition is a perfectly amiable one, unless anything was said or done to cause him extreme provocation. In fact, he would not be easily provoked. He is inclined rather to take a maudlinly affectionate and friendly view of things and people; to be very simply, almost childishly, pleased with the last new idea. That wretched Infant of his is a case in point. I should be glad if you would tell me, sir, what happened in this room just before Ronnie hit out."

"Merely a conversation about the 'cello," replied Aubrey, hurriedly. "A perfectly simple remark of mine apparently annoyed him. But I soon pacified him. He was obviously not responsible for his actions."

"He was obviously in a frenzy of rage," remarked Dr. Dick, drily; "and he caught you a good one on the mouth. Did he apologise afterwards?"

"He fell asleep," said Aubrey, "and appeared on awaking to have absolutely forgotten the occurrence."

Dick got up, put his hands in his pockets, walked over to the organ, and, bending down, examined the stops. He whistled softly to himself as he did so.

Aubrey, meanwhile, had the uncomfortable sensation that the whole scene with Ronnie was being re-acted, with Dick Cameron as an interested spectator.

It tried Aubrey's nerves.

"I do not wish to hurry you," he suggested presently. "But if I am to post my letter to my cousin before midnight, the sooner I am able to write it, the better."

Dick turned at once and took up his ulster.

Aubrey, relieved, came forward cordially to lend him a hand.

"No, thank you," said Dr. Dick. "A man should always get into his coat unaided. In so doing, he uses certain muscles which are exercised in no other way."

He swung himself into the heavy coat, and stood before Aubrey Treherne—very tall, very grave, very determined.

"You quite understand, sir, that if you were not yourself taking Ronnie home, I should do so? And if, by any chance, you are prevented from going, just let me know, and I can be packed and ready to start home with him in a quarter of an hour."

"Very good of you," said Aubrey, "but all our plans are made. We reach the Hague to-morrow night. He requires a day there for making his translation and publishing arrangements. So we sleep at the Hague to-morrow, crossing by the Hook of Holland on the following evening. I have wired to the Hôtel des Indes for a suite. I feel sure my cousin would wish him to have the best of everything, and to be absolutely comfortable and quiet. At the Hôtel des Indes they have an excellent orchestra, and a particularly fine 'cellist. West will enjoy showing him the Infant. They can compare babies! It will keep him amused and interested all the evening."

"Good idea," agreed Dr. Dick. "But Ronnie need not come down on his wife for his hotel expenses! He is making a pot of money himself, now. You will be careful to report to Mrs. West exactly what I have said of his condition?"

"I will write immediately. As we stay a night en route, and another is taken up in crossing, my cousin should receive my letter twenty-four hours before our arrival."

"Impress upon her," said Dr. Dick, earnestly, "how dangerous any mental shock might be."

"Do you fear brain fever?" questioned Aubrey.

Dick laughed. "Brain fever is a popular fiction," he said. "It is not a term admitted by the faculty. If you mean meningitis—no, I trust not. But probably temporary loss of memory, and a complete upsetting of mental control; with a possible impairing, for a considerable time, of his brilliant mental powers."

"In other words, my cousin's husband is threatened with insanity."

"Lor, no!" exclaimed Dick, with vehemence. "How easily you good people hand a fellow-creature over to that darkest of all fates! Ronnie's condition is brought about by temporary circumstances which are not in the least likely to have permanent results. He has always had the eccentricity of genius; but, since his genius has been recognised, people have ceased to consider him eccentric. Now I must be off. But I will see him first. Will you show me his room?" "He is asleep," objected Aubrey. "Is it not a pity to disturb him?"

"I doubt his being asleep," replied Dick. "But if he is, we shall not wake him."

He stepped into the passage, his attitude one of uncompromising determination.

Aubrey Treherne opened the door of Ronnie's room. It was in darkness. He stepped back into the passage, lighted a candle, handed it to Dick Cameron, and they entered quietly together.

Ronnie lay on his back, sleeping heavily. His eyes were partly open, his face flushed, his breathing rapid. One arm was flung out toward a chair beside the bed, on which lay his pocket-book, his watch, and a small leather miniature-case containing a portrait of Helen. This lay open upon the watch, having evidently fallen from his fingers. A candle had burned down into the socket, and spluttered itself out.

Dick picked up the miniature, held it close to the light of his own candle, and examined it critically.

"He certainly went in for beauty," he remarked in a low voice to Aubrey Treherne, as he laid the miniature beside the pocket-book. "Of course Ronnie would. But it is also a noble face—a face one could altogether trust. Ronnie will be in safe hands when once you get him home."

Aubrey's smile, in the flare of the candle, was the grin of a hungry wolf. He made no reply.

Dr. Dick, watch in hand, stood silently beside the bed, counting the rapid respiration of his friend. Then he turned, took up an empty tumbler from the table behind him, smelt it, and looked at Aubrey Treherne.

"I thought so," he said. "You meant well, no doubt. But don't do it again. Drugs to produce sleep may occasionally be necessary, but should only be given under careful medical supervision. Personally, I am inclined to think that any sort of artificial sleep does more harm to a delicately poised brain, than insomnia. However, opinions differ. But there is no question that your experiment of to-night must not be repeated. I have given him stuff to take during his homeward journey which will tend to calm him, lessen the fever, and clear his mind. See that he takes it."

Young Dick Cameron walked out of Ronnie's room, blew out the candle he carried, and replaced the candlestick on a little ornamental bracket.

Aubrey followed, inwardly fuming.

If Dick had been at the top of the tree, the first opinion procurable from Harley Street, W., his manner could hardly have been more authoritative, his instructions more peremptory.

"Upstart!" said Aubrey to himself. "Insolent Jackanapes!"

When Dick Cameron reached the outer door his cap was on the back of his head, his hands were thrust deep into his coat pockets.

"Good-evening," he said. "Excuse my long intrusion. I shall be immensely obliged if you will let me have a wire reporting your safe arrival, and a letter, later on, with details as to Ronnie's state. I put my address on the paper I gave you just now, with the name of the man Mrs. West must call in."

Dick crossed the great entrance-hall, and ran lightly down the stone steps.

Aubrey heard the street door close behind him.

Then he shut and double locked his own flat.

"Upstart!" he said. "Jackanapes! Insolent fool!"

It is sometimes consoling to call people that which you know they are not, yet heartily wish they were.

Aubrey entered his sitting-room. He wanted an immediate vent for his ill-humour and sense of impotent mortification.

The leaf from Dick's note-book lay on the table.

Aubrey took it up, opened the iron door of the stove, and thrust the leaf into the very heart of the fire.


CHAPTER VIII

PARADISE LOST

Aubrey Treherne sat at his writing-table, his head buried in his hands.

Before him lay the closely-written sheets of his letter to Helen; beside them her pencil note which had fallen, unnoticed by Ronnie, from her letter to him.

Presently Aubrey lifted his head. His face bore traces of the anguish of soul through which he had been passing.

A man who has yielded himself to unrestrained wrong-doing, suffers with a sharpness of cold misery unknown to the brave true heart, however hard or lonely may be his honourable way.

Before finally reading his own letter to Helen, Aubrey read again her pathetic note to her husband.

"Ronnie, my own!

"Excuse pencil and bad writing. Nurse has propped me up in bed, but not so high as I should like.

"Darling, I am not ill, only rather weak, and very, very happy.

"Ronnie, I must write to you on this first day of being allowed a pencil, though I shall not, of course, yet send the letter. In fact, I daresay I shall keep it, and give it to you by-and-by. But you will like to feel that I wrote at once.

"Darling, how shall I tell you? Beside me, in your empty place, as I write, lies your little son—our own baby-boy, Ronnie!

"He came three days ago.

"Oh, Ronnie, it is so wonderful! He is so like you; though his tiny fingers are all pink and crinkled, and his palms are like little sea-shells. But he is going to have your artistic hands. When I cuddle them against my neck, the awful longing and loneliness of these past months seem wiped out. But only because he is yours, darling, and because I know you are soon coming back to him and to me.

"I could not tell you before you went, because I know you would have felt obliged to give up going, and your book is so important; and I have not told you since, because you must not have anything to worry you while so far away. Also I was glad to bear it alone, and to save you the hard part. One soon forgets the hardness, in the joy.

"Jane was with me.

"We are sending no announcement to the papers, for fear you should see it on the way home. Very few people know.

"Our little son will be six weeks old, when you get back. I shall be quite strong again.

"I hope you will be able to read this tiny writing. Nurse would only give me one sheet of paper!

"His eyes are blue. His little mouth is just like yours. I kiss it, but it doesn't kiss back! He is a darling, Ronnie, but—he isn't you!

"Come back soon, to your more than ever loving wife,

"HELEN.

"Yes, the smudgy places are tears, but only because I am rather weak, and so happy."

Crossing the first page came a short postscript, in firmer hand-writing:

"After all I am sending this to Leipzig. I daren't not tell you before you arrive. I sometimes feel as if I had done something wrong! Tell me, directly you take me in your arms, that I did right, and that you are glad. I am down, as usual, now, and baby is quite well."

Aubrey's hands shook as he folded the thin paper, opened a drawer, pushed the letter far into it, and locked the drawer.

Then, with set face, he turned to his own letter to Ronald West's wife.

"My own Beloved—

"Yes, I call you so still, because you were mine, and are mine. You threw me over, giving me no chance to prove that my love for you had made me worthy—that I would have been worthy. You sent me into outer darkness, where there was wailing and gnashing of teeth; where the worm of remorse dies—never. But, through it all, I loved you still. I love you to-night, as I never loved you before. The whole world is nothing to me, excepting as the place on which you walk.

"I have seen the man—- the selfish, self-absorbed fool—on whom you threw yourself away, six months after you had cast me adrift. At this moment he is my guest, snoring in an adjoining room while I sit up writing to you.

"He has spent the evening talking of nothing but himself, his journey, his wonderful book—the strongest thing he has done yet, etc., etc., etc.; till I could have risen up and strangled him with my two hands. Oh, Helen—my lovely one—he is altogether unworthy of you! I saw a letter of yours long ago, in which you said he was like a young sun-god. Handsome he is, I admit. He says he has never felt fitter in his life, and he looks it. But surely a woman wants more than mere vitality and vigour and outward beauty of appearance? Heart—he has none. The wonderful news in your letter has left him unmoved. He thinks more of a 'cello he has just bought than he does of your little son. When I remonstrated with him, he rose up and struck me on the mouth. But I forgave him for your sake, and he now sleeps under my roof.

"Helen, he must have disappointed you over and over again. He will continue to disappoint you.

"Helen, you loved me once; and when a woman loves once, she loves for always.

"Helen, if he could leave you alone during seven months, in order to get local scenery for a wretched manuscript, he will leave you again, and again, and yet again. He married you for your money; he has practically admitted it to me; but now that he is making a yearly income larger than your own, he has no more use for you.

"Oh, my beloved—my queen—my only Love—don't stay with a man who is altogether unworthy of you! If a man disappoints a woman she has a right to leave him. He is not what she believed him to be; that fact sets her free. If you had found out, afterwards, that he was already married to another, would you not have left him? Well, he was already wedded to himself and to his career. He had no whole-hearted devotion to give to you.

"Helen, don't wait for his return. Directly you get this come out here to me. Bring your little son and his nurse. My flat will be absolutely at your disposal. I can sleep elsewhere; and I swear to you I will never stay one moment after you have bid me go. As soon as West has set you legally free, we can marry and travel abroad for a couple of years; then, when the whole thing has blown over, go back to live in the old house so dear to us both.

"Helen, you will have twenty-four hours in which to get away before he returns. But even if you decide to await his return, it will not be too late. His utter self-absorption must give you a final disillusion.

"See if his first words to you are not about his cursèd 'cello, rather than about his child and yours.

"If so, treat him with the silent contempt he deserves, and come at once to the man who won you first and to whom you have always belonged; come, where tenderest consideration and the worship of a lifetime await you.

"Yours till death—- and after,

"AUBREY TREHERNE."


CHAPTER IX

THE PINNACLE OF THE TEMPLE

Aubrey's letter fell upon Helen as a crushing, stunning blow.

At first her womanhood reeled beneath it.

"What have I been—what have I done," she cried, "that a man dares to write thus to me?"

Then her wifehood rose up in arms as she thought of Ronnie's gay, boyish trust in her; their happy life together; his joyous love and laughter.

She clenched her hands.

"I could kill Aubrey Treherne!" she said.

Then her motherhood arose; and bowing her proud head, she burst into a passion of tears.

At length she stood up and walked over to the window.

"It will be bad for my little son if I weep," she said, and smiled through her tears.

The trees were leafless, the garden beds empty. The park looked sodden, dank and cheerless. Summer was long dead and over, yet frosts had not begun, bringing suggestions of mistletoe and holly.

But the mists were lifting, fading in white wreaths from off the grass; and, at that moment, the wintry sun, bursting through the November clouds, shone on the diamond panes, illumining the cross and the motto beneath it.

"In hoc vince!" murmured Helen. "As I told my own dear boy, the path of clear shining is the way to victory. In hoc signo vinces! I will take this gleam of sunlight as a token of triumph. By the help of God, I will write such an answer to Aubrey as shall lead him to overcome his evil desires, and bring his dark soul out into the light of repentance and confession."

The same post had brought her a short letter from Ronnie, written immediately on his arrival at Leipzig, evidently before receiving hers. It was a disappointment to have nothing more. As Aubrey had got a letter through after hearing the news, Ronnie might have done the same.

But perhaps, face to face with her wonderful tidings, words had altogether failed him. He feared to spoil all he would so soon be able to say, by attempting to write.

To-morrow—the day which should bring him to her—would soon be here.

Meanwhile her reply to Aubrey must be posted to-day, and his letter consigned to the flames.

Feeling unable to go to the nursery with that letter unanswered, she sat down at once and wrote to her cousin.

"I only read your letter, Aubrey, half an hour ago. I am answering it at once, because I cannot enter the presence of my little son, with such a letter as yours still in my possession. As soon as I have answered it I shall burn it.

"I may then be able to rise above the terrible sense of shame which completely overwhelmed me at first, at the thought that any man—above all a man who knew me well—should dare to write me such a letter!

"At first my whole soul cried out in horror: 'What am I? What have I been? What have I done—that such words should be written—such a proposition made—to me?' The sin of it seemed to soil me; the burning wickedness, to brand me. I seemed parted from my husband and my child, and dragged down with you into your abyss of outer darkness.

"Then, into my despair, sacred words were whispered for my comfort. 'He was in all points tempted, like as we are, yet without sin,' and, through my shame and tears, I saw a vision of the Holy One, standing serene and kingly on the pinnacle of the temple, where, though the devil dared to whisper the fiendish suggestion: 'Cast Thyself down,' He stood His ground without a tremor—tempted, yet unsoiled.

"So—with this vision of my Lord before me—I take my stand, Aubrey Treherne, upon the very summit of the holy temple of wifehood and motherhood, and I say to you: 'Get thee gone, Satan!' You may have bowed my mind to the very dust in shame over your wicked words, but you cannot cause my womanhood to descend one step from off its throne.

"This being so, poor Aubrey, I feel able to forgive you the other great wrong, and to try to find words in which to prove to you the utter vileness of the sin, and yet to show you also the way out of your abyss of darkness and despair, into the clear shining of repentance, confession, and forgiveness.

"As regards the happenings of the past, between you and me—you state them wrongly. I did not love you, Aubrey, or I would never have sent you away. I could have forgiven anything to an honest man, who had merely failed and fallen.

"But you had lived a double life; you had deceived me all along the line. I had loved the man I thought you were—the man you had led me to believe you were. I did not love the man I found you out to be.

"I could not marry a man I did not love. Therefore, I sent you away. There was no question then of giving you, or not giving you, a chance to prove yourself worthy. I was not concerned just then with what you might eventually prove yourself. I did not love you; therefore, I could not wed you. Though, as a side issue, it is only fair to point out—if you wish to stand upon your possible merits—that this letter, written four years later, confirms my then estimate of your true character.

"Aubrey, I cannot discuss my husband with you; nor can I bring myself to allude to the subject of my relations with him, or his with me.

"To defend him to you would be to degrade him in all honest eyes.

"To enlarge upon my love for him, would be like pouring crystal water into a stagnant polluted pool, in order to prove how pure was the fountain from which that water flowed. Nothing could be gained by such a proceeding. Pouring samples of its purity into the tainted waters of the pool, would neither prove the former, nor cleanse the latter.

"But, in order to free my own mind from the poison of your suggestions and the shame of the fact that they were made to me, I must answer, in the abstract, one statement in your letter. Please understand that I answer it completely in the abstract. You have dared to apply it to my husband and to me. I do not admit that it applies. But, even if it did, I should not let it pass unchallenged. I break a lance with you, Aubrey Treherne, and with all men of your way of thinking, on behalf of every true wife and mother in Christendom!

"You say, that if a man has disappointed his wife, she has a right to leave him; the fact of that disappointment sets her free?

"I say to you, in answer: when a woman loves a man enough to wed him, he becomes to her as her life—her very self.

"I often fail, and fall, and disappoint myself. I do not thereupon immediately feel free to commit suicide. I face my failure, resolve to do better, and take up my life again, as bravely as may be, on higher lines.

"If a woman leaves her husband she commits moral suicide. By virtue of his union with her, he is as her own self. If disappointment and disillusion come to her through him, she must face them as she does when they come through herself. She must be patient, faithful, understanding, tender; helping him, as she would help herself, to start afresh on higher ground; once more, with a holy courage, facing life bravely.

"This is my answer—every true woman's answer—to the subtle suggestions of your letter.

"I admit that often marriages turn out hopeless—impossible; mere prisons of degradation. But that is when the sacred tie is entered into for other than the essential reasons of a perfect love and mutual need; or without due consideration, 'unadvisedly, lightly, wantonly,' notwithstanding the Church's warning. Or when people have found out their mistake in time, yet lacked the required courage to break their engagement, as I broke off mine with you, Aubrey; thus saving you and myself a lifetime of regret and misery.

"Oh, cannot you see that the only real 'outer darkness' is the doing of wrong? Disappointment, loss, loneliness, remorse—all these may be hard to bear, but they can be borne in the light; they do not necessarily belong to the outer darkness.

"May I ask you, as some compensation for the pain your letter has given me, and the terrible effort this answer has cost, to bear with me if, in closing, I quote to you in full the final words of the first chapter of the first epistle of St. John? I do so with my heart full of hope and prayer for you—yes, even for you, Aubrey. Because, though my words will probably fail to influence you, God has promised that His Word shall never return unto Him void.

"'If we walk in the light, as He is in the light, we have fellowship one with another, and the blood of Jesus Christ His Son cleanseth us from all sin.... If we confess our sins, He is faithful and just to forgive us our sins, and to cleanse us from all unrighteousness.'

"Oh, Aubrey, act on this! It is true.

"Your cousin, who still hopes better things of you, and who will not fail in thought and prayer,

"HELEN WEST."