Great Russell Street, October 24, 1830.
Dear H——,
I have been too busy to answer your last sooner, but this hour before bedtime, the first quiet one for some time, shall be yours. I have heard nothing more of my brother, and am ignorant where he is or how engaged at present. You judged rightly with respect to the impossibility of longer keeping my mother in ignorance of his absence from England. The result was pretty much what I had apprehended; but her feelings have now become somewhat calmer on the subject. We are careful, however, as much as possible, to avoid all mention of or reference to my brother in her presence, for she is in a very cruel state of anxiety about him.
I am endeavoring as much as possible to follow my studies with some regularity. I have forsworn paying and receiving morning visits; so that, when no rehearsal interferes, I get my practicing, my singing, and my reading in tolerable peace.
I have had a key of Russell Square offered me, which privilege I shall most thankfully accept. Walking regularly is, of course, essential, and though I rather dread the idea of solitarily turning round and round that dreary emblem of eternity, a circular gravel-walk, over-gloomed with soot-blackened privet bushes, I am sure I ought, and I mean to do it every day for an hour. We do not dine till six, when I do not act, and when I do, I do not go to the theater till that hour; so that from ten in the morning, when breakfast is over, I get a tolerably long day. I have obtained my father's leave to learn drawing and German, and as soon as our house is a little more comfortably settled, I shall begin both. I do not know whether I have the least talent for drawing, but I have so strong a desire to possess that accomplishment that I think, by the help of a good master and patience and hard work, I must succeed to some decent degree. I wish to provide myself with every possible resource against the engrossing excitement of my profession while I remain in it, and to fill its place whenever I leave it, or it leaves me; all my occupations are with that view and to that end.
My father has promised me to speak to Mr. Murray about publishing my play and my verses. I am anxious for this for several reasons, some of which I believe I mentioned to you; and to these I have since added a great wish to have some good prints I possess framed, for my little room, and I should not scruple to apply part of the money so earned to that purpose. You asked me which is my room. You remember the bathroom, next to what was my uncle John's bedroom, on the third floor; the room above that my mother has fitted up beautifully for me, and I inhabit it all day long with great complacency and a sort of comfortable, Alexander-Selkirk feeling. And this suggests a question which has seldom been out of my mind, and which I wish to recall to yours. When do you intend to come and see me? I can offer you a nest on the fourth story, which is excellent for your health, as free a circulation of air as a London lodging can well afford, and as fine a combination of chimney-pots as even your love of the picturesque could desire.
Dear H——, will you not come and pass a month with us? Now stop a bit, and I will point out to you one by one the inducements to and advantages of such a step. In the first place, my father and mother both request and wish it, and you know how truly happy it would make me. Your own people can well spare you for a month, and I am sure will be the more inclined to do so from the consideration that change of air and scene will be good for you, and that, though your stock of original ideas is certainly extraordinary, yet you cannot be expected to go on for ever, like a spider, existing mentally in the midst of your own weavings, without every now and then recruiting your strength and taking in a new supply of material.
You shall come to London, that huge mass of matter for thought and observation, and to me, in whom you find so interesting an epitome of all the moods, tenses, and conjugations of every regular and irregular form of "to do, to be, and to suffer;" and when you have been sufficiently smoked, fogged, astonished, and edified, you shall return home with one infallible result of your stay with us—increased value for a peaceful life, quiet companions, a wide sea-view, and potatoes roasted in their skins; not but what you shall have the last-mentioned luxury here, if you will but come.
Now, dear H——, I wish this very much, but promise to bear your answer reasonably well; I depend upon your indulging me if you can, and shall try not to behave ill if you don't; so do me justice, and do not give way to your shyness and habits of retirement. I want you to come here before the 20th of November, and then I will let you go in time to be at home for Christmas. So now my cause is in your hands—avisez-vous.
I wonder whether you have heard that my father has been thrashing the editor of the Age newspaper, who, it seems, took offence at my father's not appearing on sufficiently familiar terms with him somewhere or other when they met, in revenge for which "coldness" (as he styles it) he has not ceased for the last six months abusing us, every week, in his paper. From what I hear I was the especial mark of his malice; of course I need not tell you that, knowing the character of this publication, I should never have looked at it, and the circumstance of my name appearing in its columns would hardly have been an inducement to me to do so. I knew nothing, therefore, of my own injuries, but heard general expressions of indignation against Mr. Westmacott, and saw that my father was extremely exasperated upon the subject. The other night they were all going to the play, and pressed me very much to go too, but I had something I wished to write, and remained at home. On their return my father appeared to me much excited, and I was informed that having unluckily come across Mr. Westmacott, his wrath had got the better of his self-command, and he had bestowed a severe beating upon that individual. I could not help looking very grave at this; for though I should have been very well satisfied if it could have rained a good thrashing upon Mr. Westmacott from the sky, yet as I do not approve of returning injuries by injuries, I could not rejoice that my father had done so. I suppose he saw that I had no great satisfaction in the event, for he said, "The law affords no redress against such attacks as this paper makes on people, and I thought it time to take justice in my own hands when my daughter is insulted." He then repeated some of the language made use of with reference to me in the Age, and I could not help blushing with indignation to my fingers' ends.
Perhaps, under the circumstances, it is not surprising that my father has done what he has, but I think I should have admired him more if he had not. Mr. Westmacott means to bring an action against him, and I am afraid he will have to pay dearly for his momentary indulgence of temper.
I must have done writing, though I had a good deal more to say. God bless you, dear. If you answer this letter directly, I will write you a better next time.
Ever yours,
F. A. K.
The majority of parents—mothers, I believe I ought to say—err in one or other excess with regard to their children. Love either blinds them absolutely to their defects, or makes them so terribly alive to them as to exaggerate every imperfection. It is hard to say which of the errors is most injurious in its effects. I suppose according as the temperament is desponding and diffident, or sanguine and self-sufficient, the one system or the other is likely to do most harm.
My mother's intensely nervous organization, acute perceptions, and exacting taste made her in everything most keenly alive to our faults and deficiencies. The unsparing severity of the sole reply or comment she ever vouchsafed to our stupidity, want of sense, or want of observation—"I hate a fool"—has remained almost like a cut with a lash across my memory. Her wincing sensitiveness of ear made it all but impossible for me to practice either the piano or singing within hearing of her exclamations of impatient anguish at my false chords and flat intonations; and I suppose nothing but my sister's unquenchable musical genius would have sustained her naturally timid, sensitive disposition under such discipline.
Two of our family, my eldest brother and myself, were endowed with such robust self-esteem and elastic conceit as not only defied repression, but, unfortunately for us, could never be effectually snubbed; with my sister and my younger brother the case was entirely different, and encouragement was rather what they required. How well it is for the best and wisest, as well as the least good and least wise, of trainers of youth, that God is above all. I do not myself understand the love that blinds one to the defects of those dear to one; their faults are part of themselves, without which they could not be themselves, no more to be denied or dissembled, it seems to me, than the color of their eyes or hair. I do not feel the scruple which I observe in others, in alluding to the failings of those they love. The mingled good and evil qualities in my friends make up their individual identity, and neither from myself, nor from them, nor from others does it ever occur to me that half that identity should or could be concealed. I could as soon imagine them without their arms or their legs as without their peculiar moral characteristics, and could no more think of them without their faults than without their virtues.
Many were the pleasant hours, in spite of my misgivings, that I passed with a book in my hand, mechanically pacing the gravel walks of Russell Square. Certain readings of Shakespeare's plays, "Othello" and "Macbeth" especially, in lonely absorption of spirit, I associate for ever with that place. I remember, too, reading at my father's request, during those peripatetic exercises, two plays written by Sheil for his amiable countrywoman, Miss O'Neill, in which she won deserved laurels: "Evadne, or the Statue," and "The Apostate." I never had the pleasure of seeing Miss O'Neill act; but the impression left on my mind by those plays was that her abilities must have been very great to have given them the effect and success they had. As for me, as usual, of course my reply to my father was a disconsolate "I am sure I can do nothing with them."
My friend H—— S——, in coming to us in Russell Street, came to a house that had been almost a home to her and her brother when they were children, in the life of my uncle and Mrs. John Kemble, by whom they were regarded with great affection, and whom they visited and stayed with as if they had been young relations of their own.
My hope of learning German and drawing was frustrated by the engrossing calls of my theatrical occupations. The first study was reserved for a long-subsequent season, when I had recourse to it as a temporary distraction in perplexity and sorrow, from which I endeavored to find relief in some sustained intellectual effort; and I mastered it sufficiently to translate without difficulty Schiller's "Mary Stuart" and some of his minor poems.
As for drawing, that I have once or twice tried to accomplish, but the circumstances of my unsettled and restless life have been unfavorable for any steady effort to follow it up, and I have got no further yet than a passionate desire to know how to draw. If (as I sometimes imagine) in a future existence undeveloped capacities and persistent yearnings for all kinds of good may find expansion and exercise, and not only our moral but also our intellectual being put forth new powers and achieve progress in new directions, then in some of the successive heavens to which, perhaps, I may be allowed to climb (if to any) I shall be a painter of pictures; a mere idea that suggests a heavenly state of long-desired capacity, to possess which, here on earth, I would give at once the finger of either hand least indispensable to an artist. Of the two pursuits, a painter's or a musician's, considered not as arts but as accomplishments merely, the former appears to me infinitely more desirable, for a woman, than the latter far more frequently cultivated one. The one is a sedative, the other an acute stimulant to the nervous system. The one is a perfectly independent and always to be commanded occupation; the other imperatively demands an instrument, utters an audible challenge to attention, and must either command solitude or disturb any society not inclined to become an audience. The one cultivates habits of careful, accurate observation of nature, and requires patient and precise labor in reproducing her models; the other appeals powerfully to the imagination and emotions, and charms almost in proportion as it excites its votaries. With regard to natural aptitude, the most musical of nations—the German—shows by the impartial training of its common schools how universal it considers a certain degree of musical capacity.
Our musical literature of the seventeenth and eighteenth centuries, the glees, madrigals, rounds, and catches, requiring considerable skill, and familiarly performed formerly in the country houses and home circles of our gentry, and the noble church music of our cathedral choirs, bear witness to a high musical inspiration, and thorough musical training in their composers and executants.
We seem to have lost this vein of original national music; the Lancashire weavers and spinners are still good choristers, but among the German half of our common Teutonic race, the real feeling for and knowledge of music continues to flourish, while with the Anglo-Saxons of Britain and America it has dwindled and decayed.
Great Russell Street, November 8, 1830.
Dearest H——,
I received your note, for I cannot honor the contents of your last with the name of a letter (whatever title the shape and quantity of the paper it was written on may claim).
I have made up my mind to let you make up yours, without urging you further upon the subject; but I must reply to one thing. You say to me, could you bring with you a strip of sea-shore, a corner of blue sky, or half a dozen waves, you would not hesitate. Allow my to say that whereas by the sea-side or under a bright sky your society enhances the pleasure derived from them, I now desire it (not having these) as delightful in itself, increasing my enjoyment in the beauties of nature, and compensating for their absence. But I have done; only if Mrs. K—— has held out a false hope to me, she is ferocious and atrocious, and that is all, and so pray tell her.
I had left myself so little room to tell you about this disagreeable business of the Age newspaper, in my last, that I thought what I said of it would be almost unintelligible to you. I do not really deserve the sympathy you express for my feelings in the matter, for partly from being totally ignorant of the nature and extent of my injuries—having never, of course, read a line of that scurrilous newspaper—and partly from my indifference to everything that is said about me, I really have felt no annoyance or distress on the subject, beyond, as I told you, one moment's feminine indignation at a coarse expression which was repeated to me, but which in strict truth did not and could not apply to me; and considerable regret that my father should have touched Mr. Westmacott even with a stick, or a "pair of tongs." That individual intends bringing a suit for damages, which makes me very anxious to have my play and rhymes published, if I can get anything for them, as I think the profits derived from my "scribbles" (as good Queen. Anne called her letters) would be better bestowed in paying for that little ebullition of my father's temper than in decorating my tiny sanctum. What does my poor, dear father expect, but that I shall be bespattered if I am to live on the highway?
Mr. Murray has been kind enough to say he will publish my very original compositions, and I am preparing them for him. I am sorry to say I have heard nothing from my brother; of him I have heard, for his whereabout is known and talked of—so much so, indeed, that my father says further concealment is at once useless and ridiculous. I may therefore now tell you that he is at this moment in Spain, trying to levy troops for the cause of the constitutionalists. I need not tell you, dearest H——, how much I regret this, because you will know how deeply I must disapprove of it. I might have thought any young man Quixotic who thus mistook a restless, turbulent spirit, eager to embrace a quarrel not his own, for patriotism and self-devotion to a sacred cause; but in my brother, who had professed aims and purposes so opposed to tumult and war and bloodshed, it seems to me a subject of much more serious regret. Heaven only knows what plans he has formed for the future! His present situation affords anxiety enough to warrant our not looking further in anticipation of vexation, but even if the present be regarded with the best hope of success in his undertaking, the natural consideration must be, as far as he is concerned, "What follows?" It is rather a melancholy consideration that such abilities should be wasted and misapplied. Our own country is in a perilous state of excitement, and these troubled times make politicians of us all. Of course the papers will have informed you of the risings in Kent and Sussex; London itself is in an unquiet state that suggests the heaving of a volcano before an eruption. It is said that the Duke of Wellington must resign; I am ignorant, but it appears to me that whenever he does it will be a bad day's work for England. The alarm and anxiety of the aristocracy is extreme, and exhibits itself, even as I have had opportunity of observing in society, in the half-angry, half-frightened tone of their comments on public events. If one did not sympathize with their apprehensions, their mode of expressing them would sometimes be amusing.
The aspect of public affairs is injurious to the theater, and these graver interests thin our houses while they crowd the houses of Parliament. However, when we played "The Provoked Husband" before the king and queen the other night, the theater was crammed from floor to ceiling, and presented a most beautiful coup d'œil. I have just come out in Mrs. Haller. It seems to have pleased the people very much. I need not tell you how much I dislike the play; it is the quintessence of trashy sentimentalism; but our audiences cry and sob at it till we can hardly hear ourselves speak on the stage, and the public in general rejoices in what the servant-maids call "something deep." My father acts the Stranger with me, which makes it very trying to my nerves, as I mix up all my own personal feelings for him with my acting, and the sight of his anguish and sense of his displeasure is really very dreadful to me, though it is only all about "stuff and nonsense" after all.
I must leave off writing; I am excruciated with the toothache, which has tormented me without respite all day. I will inclose a line to Mrs. K——, which I will beg you to convey to her.
With kindest love to all your circle, believe me ever yours,
F. A. K.
Thank you for your delicious French comic song; you should come to London to hear how admirably I sing it.
Mrs. K—— was a Miss Dawson, sister of the Right Honorable George Dawson, and the wife of an eminent member of the Irish bar. She was a woman of great mental cultivation and unusual information upon subjects which are generally little interesting to women. She was a passionate partisan of Owen the philanthropist and Combe the phrenologist, and entertained the most sanguine hopes of the regeneration of the whole civilized world through the means of the theories of these benevolent reformers. Except Queen Elizabeth, of glorious memory, I do not think a woman can have existed who combined the love of things futile and serious to the same degree as Mrs. K——. Her feminine taste for fashionable society and the frivolities of dress, together with her sober and solid studies of the gravest sort and her devotion to the speculations of her friends Owen and Combe, constituted a rare union of contrasts. She was a remarkable instance of the combination exemplified by more than one eminent person of her sex, of a capacity for serious study, solid acquirements, and enlightened and liberal views upon the most important subjects, with a decided inclination for those more trifling pursuits supposed to be the paramount interests of the female mind. She was the dear friend of my dear friend Miss S——, and corresponded with her upon the great subject of social progress with a perfect enthusiasm of theoretical reform.
Great Russell Street, November 14th
Dearest H——,
Thank you a thousand times for your kindness in consenting to come to us. We are all very happy in the hope of having you, nor need you be for a moment nervous or uncomfortable from the idea that we shall receive or treat you otherwise than as one of ourselves. I have left my mother and my aunt in the room which is to be yours, devising and arranging matters for you. It is a very small roost, dear H——, but it is the only spare room in our house, and although it is three stories up, it is next to mine, and I hope good neighborhood will atone for some deficiencies. With regard to interfering with the routine or occupations of the family, they are of a nature which, fortunately for your scruples, renders that impossible. There is but one thing in your letter which rather distressed me: you allude to the inconveniences of a woman traveling in mail coaches in December, and I almost felt, when I read the sentence, what my aunt Dall told me after I had requested you to come to us now, that it was a want of consideration in me to have invited you at so ungenial a season for traveling. I had one reason for doing so which I hope will excuse the apparent selfishness of the arrangement. Toward the end of the spring I shall be leaving town, I hope to come nearer your land, and the beginning of our spring is seldom much more mild and inviting or propitious for traveling than the winter itself. Then, too, the early spring is the time when our engagements are unavoidably very numerous; to decline going into society is not in my power, and to drag you to my balls (which I love dearly) would, I think, scarce be a pleasure to you (whom I love more), and to go to them when I might be with you would be to run the risk of destroying my taste for the only form of intercourse with my fellow-creatures which is not at present irksome to me. Think, dear H——, if ceasing to dance I should cease to care for universal humanity—indeed, take to hating it, and become an absolute misanthropist! What a risk!
I have heard nothing more of or from John, but the newspaper reports of the proceedings are rather more favorable than they have been, though I fear one cannot place much reliance on them. I do not know how the papers you see speak of the aspect of affairs in England at this moment; the general feeling seems to be one of relief, and that, whatever apprehensions may have been entertained for the tranquillity of the country, the storm has blown over for the present. Everything is quiet again in London and promises to remain so, and there seems to be a sort of "drawing of a long breath" sensation in the state of the public mind, though I cannot myself help thinking not only that we have been, but that we still are, on the eve of some great crisis.
Mrs. Haller is going on very well; it is well spoken of, I am told, and upon the whole it seems to have done me credit, though I am surprised it has, for there is nothing in the part that gives me the least satisfaction. My next character, I hear, is to be of a very different order of frailty—Calista, in "The Fair Penitent." However odious both play and part are, there are powerful situations in it, and many opportunities for fine acting, but I am afraid I am quite unequal to such a turpissime termagant, with whom my aunt did such tremendous things.
My performance of "The Fair Penitent" was entirely ineffective, and did neither me nor the theater any service; the play itself is a feeble adaptation of Massinger's powerful drama of "The Fatal Dowry," and, as generally happens with such attempts to fit our old plays to our modern stage, the fundamentally objectionable nature of the story could not be reformed without much of the vigorous and terrible effect of the original treatment evaporating in the refining process. Mr. Macready revived Massinger's fine play with considerable success, but both the matter and the manner of our dramatic ancestors is too robust for the audiences of our day, who nevertheless will go and see "Diane de Lys," by a French company of actors, without wincing. Of Mrs. Siddons's Mrs. Haller, one of her admirers once told me that her majestic and imposing person, and the commanding character of her beauty, militated against her effect in the part. "No man, alive or dead," said he, "would have dared to take a liberty with her; wicked she might be, but weak she could not be, and when she told the story of her ill-conduct in the play, nobody believed her." While another of her devotees, speaking of "The Fair Penitent," said that it was worth sitting out the piece for her scene with Romont alone, and to see "such a splendid animal in such a magnificent rage."
My friend left us after a visit of a few weeks, taking my sister to Ireland with her on a visit to Ardgillan.
Great Russell Street, December 21st.
My dearest H——,
My aunt Dall brought me home word that you wished me to send a letter which should meet you on your arrival at Ardgillan; and I would have done so, but that I had previously promised myself that I would do nothing this day till I had copied out the fourth act of "The Star of Seville," and you know unless I am steady at my work this week, I shall break my word a second time, which is impossible, as it ought to have been at first.
[A tragedy in five acts, called "The Star of Seville," at which I was working, is here referred to. My father had directed my attention to the subject by putting in my hands a sketch of the life and works of Lope de Vega, by Lord Holland. The story of La Estrella de Seviglia appeared to my father eminently dramatic, and he excited me to choose it for the subject of a drama. I did so, and Messrs. Saunders and Ottley were good enough to publish it; it had no merit whatever, either dramatic or poetical (although I think the subject gave ample scope for both), and I do not remember a line of it.]
However, it is nine o'clock; I have not ceased writing except to dine, and my act is copied; and now I can give you an hour before bedtime. How are you? and how is dear A——? Give her several good kisses for me; she is by this time admirable friends with all your circle, I doubt not, and slightly, superficially acquainted with the sea. Tell her she is a careless little puss, though, for she forgot the plate with my effigy on it for Hercules [Miss S——'s nephew] which she was to have given my aunt to pack up. I am quite sorry about it; tell him, however, he shall not lose by it, for I will send him both a plate with the Belvidera and a mug with my own natural head on it, the next time you return home.
I stood in the dining-room listening to your carriage wheels until I believe they were only rolling in my imagination; you cannot fancy how doleful our breakfast was. Henry was perfectly enraged at finding that A—— was gone in earnest, and my father began to wonder how it had ever come to pass that he had consented to let her go. After breakfast, Dall and I walked to Mr. Cartwright's (the dentist), who fortunately did not torture me much; for if he had, my spirits were so exceedingly low that I am sure I should have disgraced myself and cried like a coward. As soon as we came home I set to work, and have never stopped copying till I began this letter, when, having done my day's work, I thought I might tell you how much I miss you and dear A——.
My father is gone to the theater upon business to-night; my mother is very unwell, and Dall and Henry, as well as myself, are stupid and dreary.
My dear H——, tell me how you bore the journey and the cold, and how dear A—— fared on the road; how you found all your people, and how the dell and the sea are looking. Write to me very soon and very long. You have let several stitches fall in one of the muffetees you knit for me, and it is all running to ruin; I must see and pick them up at the theater on Thursday night. You have left all manner of things behind you; among others, Channing's two essays; I will keep all your property honestly for you, and shall soon have time to read those essays, which I very much wish to do.
A large supply of Christmas fare arrived from Stafford to-day from my godmother, and among other things, a huge nosegay for me. I was very grateful for the flowers; they are always a pleasure, and to-day I thought they tried to be a consolation to me.
Now I must break off. Do you remember Madame de Sévigné's "Adieu; ce n'est pas jusqu'à demain—jusqu'à samedi—jusqu' aujourd'hui en huit; c'est adieu pour un an"? and yet I certainly have no right to grumble, for our meeting as we have done latterly is a pleasure as little to have been anticipated as the events which have enabled us to do so, and for which I have so many reasons to be thankful. God bless you, dear H——; kiss dear little A—— for me, and remember me affectionately to all your people.
I am yours ever truly,
Fanny.
Dall sends her best love to both, and all; and Henry bids me tell A—— that the name of the Drury Lane pantomime is "Harlequin and Davy Jones, or Mother Carey's Chickens." Ours is yet a secret; he will write her all about it.
Mr. Cartwright, the eminent dentist, was a great friend of my father's; he was a cultivated gentleman of refined taste, and an enlightened judge and liberal patron of the arts. If anything could have alleviated the half-hour's suspense before one obtained admission to his beautiful library, which was on some occasions (of, I suppose, slight importance) his "operating-room," it would have been the choice specimens of lovely landscape painting, by the first English masters, which adorned his dining-room. I have sat by Sir Thomas Lawrence at the hospitable dinner-table, where Mr. Cartwright gave his friends the most agreeable opportunity of using the teeth which he, preserved for them, and heard in his house the best classical English vocal music, capitally executed by the first professors of that school, and brilliant amicable rivalry of first-rate piano-forte performances by Cramer, Neukomm, Hummel, and Moscheles, who were all personal friends of their host.
Great Russell Street, January 3, 1831.
My dear H——,
I promised you, in the interesting P.S. I annexed to my aunt Dall's letter, to write to you to-day, and I sit down this evening to fulfill my promise. My father is gone out to dinner, my mother is asleep on the sofa, Dall reclines dozing in that blissful armchair you wot of, and Henry, happier than either, is extended snoring before the fire on the softest, thickest, splendidest colored rug (a piece of my mother's workmanship) that the most poetical canine imagination could conceive; I should think an earthly type of those heavenly rugs which virtuous dogs, according to your creed, are destined to enjoy.
[My friend Miss S—— held (without having so eloquently advocated) the theory of her and my friend Miss Cobbe, of the possible future existence of animals; such animals at any rate as had formed literally a precious part of the earthly existence of their owners, and in whom a certain sense, so nearly resembling conscience, is developed, by their obedience and attachment to the superior race, that it is difficult to consider them unmoral creatures. Perhaps, however, if the choice were given our four-footed friends to share our future prospects and present responsibility, they might decline the offer, "Thankfu' they werena' men, but dogs."]
Dear H——, the pleasant excitement of your society assisted the natural contentedness or indifference of my disposition to throw aside many reflections upon myself and others, the life I lead and its various annoyances, which have been unpleasantly forced upon me since your departure; and when I say that I do not feel happy, you will not count it merely the blue-devilish fancy of a German brain or an English (that is bilious) stomach.
I have a feeling, not of dissatisfaction or discontent so much as of sadness and weariness, though I struggle always and sometimes pretty successfully to rouse myself from it.
You say you wish to know what we did on Christmas Day. I'll tell you. In the morning I went to church, after which I came home and copied "The Star of Seville" till dinner-time. After dinner my mother, who had proposed spending the evening at our worthy pastor's, Mr. Sterky's, finding my father disinclined for that exertion, remained at home and went to sleep; my father likewise, Dall likewise, Henry likewise; and I copied on at my play till bedtime: voilà. On Monday, contrary to my expectation, I had to play Euphrasia before the pantomime. You know we were to spend Christmas Eve at my aunt Siddons's; we had a delightful evening and I was very happy. My aunt came down from the drawing-room (for we danced in the dining-room on the ground floor) and sat among us, and you cannot think how nice and pretty it was to see her surrounded by her clan, more than three dozen strong; some of them so handsome, and many with a striking likeness to herself, either in feature or expression. Mrs. Harry and Cecy danced with us, and we enjoyed ourselves very much; I wished for dear A—— exceedingly. Wednesday we dined at Mrs. Mayow's.
[My mother's dear friend, Mrs. Mayow, was the wife of a gentleman in a high position in one of our Government offices. She was a West Indian creole, and a singularly beautiful person. Her complexion was of the clear olive-brown of a perfectly Moorish skin, with the color of a damask rose in her cheeks, and lips as red as coral. Her features were classically symmetrical, as was the soft, oval contour of her face; her eyes and hair were as black as night, and the former had a halo of fine lashes of the most magnificent length. She never wore any head-dress but a white muslin turban, the effect of which on her superb dark face was strikingly handsome, and not only its singularity but its noble and becoming simplicity distinguished her in every assembly, amid the various fantastic head-gear of each successive Parisian "fashion of the day." As a girl she had been remarkably slender, but she grew to an enormous size, without the increased bulk of her person disfiguring or rendering coarse her beautiful face.]
Thursday I acted Lady Townley, and acted it abominably ill, and was much mortified to find that Cecilia had got my cousin Harry to chaperon her two boys to the play that night; because, as he never before went to see me act, it is rather provoking that the only time he did so I should have sent him to sleep, which he gallantly assured me I did. I do not find cousins so much more polite than brothers (one's natural born plagues). Harry's compliment to my acting had quite a brotherly tenderness, I think. Friday, New Year's Eve, we went to a ball at Mrs. G——'s, which I did not much enjoy; and yesterday, New Year's Day, Henry and I spent the evening at Mrs. Harry's. There was no one there but Cecy and her two boys, and we danced, almost without stopping, from eight till twelve.
[The lads my cousin Cecilia called her boys were the two younger sons of her brother George Siddons, Mrs. Siddons's eldest son, then and for many years after collector of the port at Calcutta. These lads and their sisters were being educated in England, and were spending their Christmas holidays with their grandmother, Mrs. Siddons. The youngest of these three schoolboys, Henry, was the father of the beautiful Mrs. Scott-Siddons of the present day. It was in the house of my cousin George Siddons, then one of the very pleasantest and gayest in Calcutta, that his young nephew Harry, son of his sister-in-law, my dear Mrs. Harry Siddons, was to find a home on his arrival in India, and subsequently a wife in Harriet, the second daughter of the house.]
I am to act Juliet to-morrow, and Calista on Thursday; Friday and Saturday I am to act Mrs. Haller and Lady Townley at Brighton. I shall see the sea, that's one comfort, and it will be something to live upon for some time to come. Next Wednesday week I am to come out in Bianca, in Milman's "Fazio." Do you know the play? It is very powerful, and my part is a very powerful one indeed. I have hopes it may succeed greatly. Mr. Warde is to be my Fazio, for, I hear, people object to my having my father's constant support, and wish to see me act alone; what geese, to be sure! I wonder whether they think my father has hold of strings by the means of which he moves my arms and legs! I am very glad something likely to strike the public is to be given before "Inez de Castro" (a tragedy of Miss Mitford's), for it will need all the previous success of a fine play and part to carry us safely through that.
I have not seen Mr. Murray again; I conclude he is out of town just now.
We have made all inquiries about poor dear A——'s trunk, and of course, as soon as we hear of it, it will be sent to her; I am very sorry for her, poor dear little child, but I advise her, when she does get them, to put on each of her new dresses for an hour by turns, and sit opposite the glass in them. Good-by, dear H——. Your affectionate
F. K.
Great Russell Street, 6th January, 1831.
Dearest H——,
I have only time to say two words to you, for I am in the midst of preparations for our flight to Brighton, to-morrow. Thank you for your last letter; I liked it very much, and will answer it at length when we come back to town.
Mr. Murray has got my MSS., but I have yet heard nothing about it from him. My fire is not in that economical invention, the "miserable basket" [an iron frame fitting inside our common-sized grate to limit the extravagant consumption of coal], but well spread out in the large comfortable grate; yet I am sitting with my door and windows all wide open; it is a lovely, bright, mild spring day. I do not lose my time any more of a morning watching the fire kindling, for the housemaid lights it before I get out of bed, so my poetry and philosophy are robbed of a most interesting subject of meditation.
With regard to what you say about A——, I do not know that I expected her to love, though I was sure she would admire, nature; she is very young yet, and her quick, observant mind and tendency to wit and sarcasm make human beings more amusing, if not more interesting, to her than inanimate objects. It is not the beauty of nature alone, as it appeals merely to our senses, that produces that passionate love for it which induces us to prefer communion with it to the intercourse of our fellows. The elevated trains of thought, and the profound and sublime aspirations which the external beauty of the world suggests, draw and rivet our mind and soul to its contemplation, and produce a sort of awful sense of companionship with the Unseen, which cannot, I think, be an experience of early youth. For then the volatile, vivid, and various spirit, with its sympathizing and communicative tendency, has a strong propensity to spend itself on that which can return its value in like commodity; and exchange of thought and feeling is a preponderating desire and necessity, and human fellowship and intercourse is naturally attractive to unworn and unwearied human nature. I suppose the consolatory element in the beautiful unhuman world in which we live is not often fully appreciated by the young, they want comparatively so little of it; youth is itself so thoroughly its own consoler. Some years hence, I dare say A—— will love both the sea and sky better than she does now. To a certain degree, too, the love of solitude, which generally accompanies a deep love for nature, is a kind of selfishness that does not often exist in early life.
I am desired to close this letter immediately; I have therefore only time to add that I act Calista to-night here, Mrs. Haller to-morrow at Brighton, and Saturday, also there, Lady Townley. On Monday I act Juliet here, and on Wednesday Bianca in "Fazio"—when pray for me! Now you know where to think of me. I will write to you a real letter on Sunday.
Kiss A—— for me, and do not be unhappy, my dear, for you will soon see me again; and in the meantime I advise you, as you think my picture so much more agreeable than myself, to console yourself with that. Good-by.
Your affectionate
Fanny.
The fascination of sitting by a brook and watching the lapsing water, or, on the sands, the oncoming, uprising, breaking, and melting away of the white wave-crests, is, I suppose, matter of universal experience. I do not know whether watching fire has the same irresistible attraction for everybody. It has almost a stronger charm for me; and the hours I have spent sitting on the rug in front of my grate, and watching the wonderful creature sparkling and glowing there, have been almost more than I dare remember. I was obliged at last, in order not to waste half my day in the contemplation of this bewitching element, to renounce a practice I long indulged in of lighting my own fire; but to this moment I envy the servant who does that office, or should envy her but that she never remains on her knees worshiping the beautiful, subtle spirit she has evoked, as I could still find it in my heart to do.
I think I remember that Shelley had this passion for fire-gazing; it's a comfort to think that whatever he could say, he could never see more enchanting things in his grate than I have in mine; but indeed, even for Shelley, the motions and the colors of flames are unspeakable.
Great Russell Street, January 9, 1831.
Dear H——,
I promised you a letter to-day, and if I can do so now, at least I will begin to keep my promise, though I think it possible my courage may fail me after the first side of my sheet of paper. We arrived in town from Brighton on this afternoon at four o'clock, and though it is not yet ten I am so weary, and have so much to do to-morrow (rehearsing "Fazio" and acting Juliet), that I think I shall not sit up much longer to-night, even to write to you.
We found my mother tolerably well, and Henry, who had been out skating all day, in great beauty and high spirits. I must now tell you what I had not room for when I wrote you those few lines in A——'s letter.
Mr. Barton, a friend of John's who traveled with him in Germany, and whose sister has lately married John Sterling (of whom you have often heard us speak), called here the other day, and during the course of a long visit told us a great deal of the very beginning of this Spanish expedition, and of the share Mr. Sterling and Richard Trench [the present venerable archbishop of Dublin] had in its launching.
It seems (though he would not say whence they derived them) that they were plentifully supplied with funds, with which they purchased and manned a vessel destined to carry arms and ammunition to Spain for the purposes of the revolutionists. This ship they put under command of an experienced smuggler, and it was actually leaving the mouth of the Thames with Sterling and Mr. Trench on board it, bound for Spain, when by order of Lord Aberdeen it was stopped. Our two young gentlemen jumped into a boat and made their escape, but Mr. Sterling, hearing that government threatened to proceed against the captain of the captured vessel, came forward and owned it as his property, and exonerated the man, as far as he could, from any share of the blame attaching to an undertaking in which he was an irresponsible instrument. Matters were in this state, with a prosecution pending over John Sterling, when the ministry was changed, and nothing further has been done or said by government on the subject since.
My brother had gone off to Gibraltar previously to all this, to take measures for facilitating their landing; he is now quietly and I hope comfortably wintering there. Torrijos, it seems, is not at all disheartened, but is waiting for the propitious moment, which, however, from the appearance of things, I should not consider likely to be at hand just yet. Mr. Sterling has, I understand, been so seriously ill since his marriage that at one time his life was despaired of, and even now that he is a little recovered he is ordered to Madeira as soon as he can be moved. This is very sad for his poor bride.
Of our home circle I have nothing to tell you. My father, Dall, and I had a very delightful day on Saturday at Brighton. After a lovely day's journey, we arrived there on Friday. Our companion in the coach luckily happened to be a son of Dr. Burney's, who was an old and intimate friend of my father's, and they discoursed together the whole way along, of all sorts of events and people: of my uncle John and my aunt Siddons, in their prime; of Mrs. Jordan and the late king; of the present one, Harlow, Lawrence, and innumerable other folk of note and notoriety. Among other things they had a long discussion on the subject of Hamlet's feigned or—as my father maintains and I believe—real madness; all this formed a very amusing accompaniment to the history of Sir Launcelot du Lac, which I was reading with much delight when I was not listening to their conversation.
I like all that concerns the love adventures of these valorous knights of yore; but their deadly blows and desperate thrusts, their slashing, gashing, mashing, mangling, and hewing bore me to death. The fate of Guinevere interested me deeply, but Sir Launcelot's warlike exploits I got dreadfully weary of; I prefer him greatly in hall and bower rather than in tournament and battle-field.
We got into Brighton at half-past four, and had just time to dine, dress, and go to the theater, where we were to act "The Stranger." The house was very full indeed, but my reception was not quite what I had expected; for whether they were disappointed in my dress (Mrs. Haller being traditionally clothed in droopacious white muslin, and I dressing her in gray silk, which is both stiff and dull looking, as I think it should be), or whether, which I think still more likely, they were disappointed in my "personal appearance," which, as you know, is neither tragical nor heroic, I know not, but I thought their welcome rather, cold; but the truth is, I believe my London audience spoils me for every other. However, the play went off admirably, and I believe everybody was satisfied, not excepting the manager, who assured me so full and enthusiastic a house had not been seen in Brighton for many years.
Our rooms at the inn [the old Ship was then the famous Brighton hotel] looked out upon the sea, but it was so foggy when we entered Brighton that although I perceived the motion of the waves through the mist that hung over them, their color and every object along the shore was quite indistinct. The next morning was beautiful. Dall and I ran down to the beach before breakfast; there are no sands, unluckily, but we stood ankle-deep in the shingles, watching the ebbing tide and sniffing the sweet salt air for a long time with great satisfaction. After breakfast we rehearsed "The Provoked Husband," and from the theater proceeded to take a walk.
All this was very fine, but still it was streets and houses; and there were crowds of gay people parading up and down, looking as busy about nothing and as full of themselves as if the great awful sea had not been close beside them. In fact, I was displeased with the levity of their deportment, and the contrast of all that fashionable frivolity with the grandest of all natural objects seemed to me incongruous and discordant; and I was so annoyed at finding myself by the sea-side and yet still surrounded with all the glare and gayety of London, that I think I wished myself at the bottom of the cliff and Brighton at the bottom of the sea. However, we walked on and on, beyond the Parade, beyond the town, till we had nothing but the broad open downs to contrast with the broad open sea, and then I was completely happy. I gave my muff to my father and my fur tippet to Dall, for the sun shone powerfully on the heights, and I walked and ran along the edge of the cliffs, gazing and pondering, and enjoying the solemn sound and the brilliant sight, and the nervous excitement of a slight sense of fear as I peeped over at the depth below me. From this diversion, however, my father called me away, and, to console me for not allowing me to run the risk of being dashed to pieces, offered to run a race up a small hill with me, and beat me hollow.
We had walked about four miles when we halted at one of the Preventive Service stations to look about us. The tide had not yet come in, but its usual height when up was indicated, first by a delicate, waving fringe of sea-weed, like very bright green moss, and then, nearer in shore, by an incrustation of chalk washed from the cliffs, which formed a deep embossed silver embroidery along the coast as far as eye could see. The sunshine was dazzling, and its light on the detached masses of milky chalk which lay far beneath us made them appear semi-transparent, like fragments of alabaster or carnelian. I was wishing that I could but get down the cliff, when a worthy sailor appeared toiling up it, and I discovered his winding stair case cut in the great chalk wall, down which I proceeded without further ado. I was a little frightened, for the steps were none of the most regular or convenient, and I felt as if I were hanging (and at an uncomfortable distance from either) between heaven and earth. I got down safe, however, and ran to the water's edge, danced a galop on one smooth little sand island, waited till the tide, which was coming up, just touched my toes, gave it a kick of cowardly defiance, and then showed it a fair pair of heels and scrambled up the cliff again, very much enchanted with my expedition.
I think a fight with smugglers up that steep staircase at night, with a heavy sea rolling and roaring close under it, would be glorious! When I reached the top my father said it was time to go home, so we returned. The Parade was crowded like Hyde Park in the height of the season [Thackeray called Brighton London-super-Mare], and when once I was out of the crowd and could look down upon it from our windows as it promenaded up and down, I never saw anything gayer: carriages of every description—most of them open—cavalcades of ladies and gentlemen riding to and fro, throngs of smart bonnets and fine dresses; and beyond all this the high tide, with one broad crimson path across it, thrown by the sun, looking as if it led into some enchanted world beyond the waters.
I thought of dear A——; for though she is seeing the sea—and I think the sea at Ardgillan, with its lovely mountains on one side and Skerries on the other, far more beautiful than this—I am sure she would have been enchanted with the life, the bustle, and brilliancy of the Parade combined with its fine sea view, for I, who am apt rather selfishly to wish myself alone in the enjoyment of nature, looked at the bright, moving throng with pleasure when once I was out of it.
Our house at the theater at night was very fine; and now, as you are perhaps tired of Brighton, you will not be sorry to get home with me; but pray communicate the end of our "land sorrow" to A——. We were to start for London Sunday morning at ten [a journey of six hours by coach, now of less than two by rail], and my father had taken three inside places in a coach, which was to call for us at our inn. I ran down to the beach and had a few moments alone there. It was a beautiful morning, and the fishing boats were one by one putting out into the calmest sleepy sea. I longed to ask to be taken on board one of them; but I was summoned away to the coach, and found on reaching it that, the fourth place being occupied by a sickly looking woman with a sickly looking child nearly as big as herself in her lap, my father, notwithstanding the coldness of the morning, had put himself on the outside. I went to sleep; from which blessed refuge of the wretched I was recalled by a powerful and indescribable smell, which, seizing me by the nose, naturally induced me to open my eyes. Mother and daughter were each devouring a lump of black, strong, greasy plum cake; as a specific, I presume, against (or for?) sickness in a stage-coach.
The late Duke of Beaufort, when Marquis of Worcester, used frequently to amuse himself by driving the famous fast Brighton coach, the Highflyer. One day, as my father was hastily depositing his shilling gratuity in his driver's outstretched hand, a shout of laughter, and a "Thank ye, Charles Kemble," made him aware of the gentleman Jehu under whose care he had performed the journey.
Wednesday, January 12, 1831.
Dearest H——,
I received your letter dated the 7th the night before last, and purposed ending this long epistle yesterday evening with an answer to it, but was prevented by having to go with my mother to dine with Mrs. L——, that witty woman and more than middle-aged beauty you have heard me speak of. I was repaid for the exertion I had not made very willingly, for I had a pleasant dinner. This lady has a large family and very large fortune, which at her death goes to her eldest son, who is a young man of enthusiastically religious views and feelings; he has no profession or occupation, but devotes himself to building chapels and schools, which he himself superintends with unwearied assiduity; and though he has never taken orders, he preaches at some place in the city, to which crowds of people flock to hear him; none of which is at all agreeable to his mother, whose chief anxiety, however, is lest some one of the fair Methodists who attend his exhortations should admire his earthly expectations as much as his heavenly prospects, and induce this young apostle to marry her for her soul's sake; all which his mother told mine, with many lamentations over the godly zeal of her "serious" son, certainly not often made with regard to young men who are likely to inherit fine fortunes and estates. One of this young gentleman's sisters is strongly imbued with the same religious feeling, and I think her impressions deepened by her very delicate state of health. I am much attracted by her gentle manner, and the sweet, serious expression of her face, and the earnest tone of her conversation; I like her very much.
My mother is reading Moore's "Life of Byron," and has fallen in love with the latter and in hate with his wife. She declares that he was originally good, generous, humble, religious—indeed, everything that a man can be, short of absolute perfection. She thinks me narrow-minded and prejudiced because I do not care to read his life, and because, in spite of all Moore's assertions, I maintain that with Byron's own works in one's hand his character cannot possibly be a riddle to anybody. I dare say the devil may sometimes be painted blacker than he is; but Byron has a fancy for the character of Lucifer, and seems to me, on the contrary, très pauvre diable. I have no idea that Byron was half fiend, half man (at least, no more so than all of us are); I dare say he was not at all really an atheist, as he has been reputed; indeed, I do not think Lord Byron, in spite of all the fuss that has been made about him, was by any means an uncommon character. His genius was indeed rare, but his pride, vanity, and selfishness were only so in degree. You know, H——, nobody was ever a more fanatical worshiper of his poetry than I was: time was that I devoured his verses (poison as they were to me) like "raspberry tarts;" I still know, and remember with delight, their exquisite beauty and noble vigor, but they don't agree with me. And, without knowing anything of his religious doubts or moral delinquencies, I cannot at all agree with Mr. Moore that upon the showing of his own works Byron was a "good man." If he was, no one has done him such injustice as himself; and if he was good, then what was Milton? and what genial and gentle Shakespeare?
Good-by, dear H——; write me along "thank you" for this longest of mortal letters, and believe that I am your ever affectionate
F. A. K.
I began living upon my allowance on New Year's Day, and am keeping a most rigorous account of every farthing I spend. I have a tolerable "acquisitiveness" among my other organs, but think I would rather get than keep money, and to earn would always be pleasanter to me than to save. I act in "Fazio" to-night, Friday, and Monday next, so you will know where to find me on those evenings.
Monday, 27th.
Dear H——,
Horace Twiss has been out of town, and I have been obliged to delay this for a frank. You will be glad, I know, to hear that "Fazio" has made a great hit. Milman is coming to see me in it to-night; I wish I could induce him to write me such another part.
We are over head and ears in the mire of chancery again. The question of the validity of our—the great theater—patents is now before Lord Brougham; I am afraid they are not worth a farthing. I am to hear from Mr. Murray some day this week; considering the features of my handwriting, it is no wonder it has taken him some time to become acquainted with the MSS.
Great Russell Street, January 29, 1831.
My dear H——,
All our occupations have been of a desultory and exciting kind, and all our doings and sayings have been made matter of surprise and admiring comment; of course, therefore, we are disinclined for anything like serious or solid study, and naturally conclude that sayings and doings so much admired and wondered at are admirable and astonishing. A—— is possessed of strong powers of ridicule, and the union of this sarcastic vein with a vivid imagination seems to me unusual; their prey is so different that they seldom hunt in company, I think. When I heard that she was reading "Mathilde" (Madame Cottin), I was almost afraid of its effect upon her. I remember at school, when I was her age, crying three whole days and half nights over it; but I sadly overrated her sensibility. Her letter to me contained a summary, abusive criticism of "Mathilde" as a book, and ended by presenting to me one of those ludicrous images which I abhor, because, while they destroy every serious or elevated impression, they are so absurd that one cannot defend one's self from the "idiot laughter" they excite, and leave one no associations but grinning ones with one's romantic ideals. Her letters are very clever and make me laugh exceedingly, but I am sorry she has such a detestation of Mrs. Marcet and natural philosophy. As for her letters being shown about, I am not sorry that my indiscretion has relieved A—— from a restraint which, if it had only been disagreeable to her, would not have mattered so much, but which is calculated to destroy all possibility of free and natural correspondence, and inevitably renders letters mere compositions and their young authors vain and pretentious. I have always thought the system a bad one, for under it, if a girl's letters are thought dull, she feels as if she had made a failure, and if they are laughed at and passed from hand to hand with her knowledge, the result is much worse; and in either case, what she writes is no longer the simple expression of her thoughts and feelings, but samples of wit, ridicule, and comic fancy which are to be thought amusing and clever by others than those to whom they are addressed.
You say my mother in her note to you speaks well of my acting in Bianca. It has succeeded very well, and I think I act some of it very well; but my chief pleasure in its success was certainly her approbation. She is a very severe critic, and, as she censures sharply, I am only too thankful when I escape her condemnation. I think you will be pleased with Bianca. I was surprised when I came to act it at finding how terribly it affected me, for I am not naturally at all jealous, and in this play, while feigning to be so, it seemed to me that it must be really the most horrible suffering conceivable; I am almost sorry that I can imagine it well enough to represent it well.
You say that we love intellect, but I do not agree with you; I do not think intellect excites love. I do not even think that it increases our love for those we do love, though it adds admiration to our affection. I certainly do admire intellect immensely; mental power, which allied to moral power, goodness, is a force to uphold the universe.
I have forsworn all discussions about Byron; my mother and I differ so entirely on the subject that, as I cannot adopt her view of his character, I find it easier to be silent about my own. Perhaps her extreme admiration of him may have thrown me into a deeper disapprobation than I should otherwise have expressed. He has many excuses, doubtless: the total want of early restraint, the miserable influence of the injudicious mother who alternately idolized and victimized him, the bitter castigation of his first plunge into literature, and then the flattering, fawning, fulsome adoration of his habitual associates, of course were all against him; but, after all, one cannot respect the man who strikes colors to the enemy as one does the one who comes conqueror out of the conflict. I now believe that there is a great deal of unreality in those sentiments to which the charm of his verses lent an appearance of truth and depth; in fact, his poetical feelings will sometimes stand the test of sober reflection quite as little as his grammar will that of a severe application of the rules of syntax. He has written immensely for mere effect, but all young people read him, and young people are not apt to analyze closely what they feel strongly, and, judging by my own experience, I should think Byron had done more mischief than one would like to be answerable for. When I said this the other day to my mother, she replied by referring to his "Don Juan," supposing that I alluded to his profligacy; but it is not "Don Juan" only or chiefly that I think so mischievous, but "Manfred," "Cain," "Lucifer," "Childe Harold," and through them all Byron's own spirit—the despondent, defiant, questioning, murmuring, bitter, proud spirit, that acts powerfully and dangerously on young brains and throws poison into their natural fermentation.
Since you say that my perpetual quotation of that stupid song, "Old Wilson is Dead," worries you, I will renounce my delight in teasing you with it. The love of teasing is, of course, only a base form of the love of power. Mr. Harness and I had a long discussion the other night about the Cenci; he maintains your opinion, that the wicked old nobleman was absolutely mad; but I argued the point stoutly for his sanity, and very nearly fell into the fire with dismay when I was obliged to confess that if he was not mad, then his actuating motive was simply the love of power. Do you know that that play was sent over by Shelley to England with a view to Miss O'Neill acting Beatrice Cenci? If it were ever possible that the piece could be acted, I should think an audience might be half killed with the horror of that entrance of Beatrice when she describes the marble pavement sliding from beneath her feet.
Did my mother tell you in her note that Milman was at the play the other night, and said I had made Bianca exactly what he intended? I wish he would write another tragedy. I think perhaps he will, from something Murray said the other day. That eminent publisher still has my MSS. in his possession, but you know I can take things easily, and I don't feel anxious about his decision. I act in "Fazio" Monday and Wednesday, and Friday and Saturday Mrs. Beverley and Belvidera at Brighton.
I was inexpressibly relieved by receiving a letter from my brother, and the intelligence that if I answered him he would be able to receive my reply, which I made immediate speed to send him.