Oct. 7th.—Yesterday Wordsworth drove me to Low-wovel; and then we ascended a great way towards Kirkstone by Troutbeck, passing by many interesting cots, barns, and farm-houses, where W. had constantly something to point out in the architecture, or the fringes of moss, fern, &c., on the roofs or walls. We crossed the valley, and descended on Troutbeck Church, whence we came down to the turnpike road, and I left the Poet, who was going on to assist Sir T. Pasley in laying out his grounds. I turned homeward, till I met my horse.

As we walked, I was admiring the never-ceasing sound of water, so remarkable in this country. 'I was walking,' he said, 'on the mountains, with ——, the Eastern traveller; it was after rain, and the torrents were full. I said, "I hope you like your companions—these bounding, joyous, foaming streams." "No," said the traveller, pompously, "I think they are not to be compared in delightful effect with the silent solitude of the Arabian Desert." My mountain blood was up. I quickly observed that he had boots and a stout great-coat on, and said, "I am sorry you don't like this; perhaps I can show you what will please you more." I strode away, and led him from crag to crag, hill to vale, and vale to hill, for about six hours; till I thought I should have had to bring him home, he was so tired.'

October 10th.—I have passed a great many hours to-day with Wordsworth, in his house. I stumbled on him with proof sheets before him. He read me nearly all the sweet stanzas written in his copy of the 'Castle of Indolence,'[241] describing himself and my uncle; and he and Mrs. W. both assured me the description of the latter at that time was perfectly accurate; that he was almost as a great boy in feelings, and had all the tricks and fancies there described. Mrs. W. seemed to look back on him, and those times, with the fondest affection. Then he read me some lines, which formed part of a suppressed portion of 'The Waggoner;' but which he is now printing 'on the Rock of Names,' so called because on it they had carved out their initials:

W.W. Wm. Wordsworth.
M.H. Mary W.
D.W. Dorothy Wordsworth.
S.T.C. Samuel Taylor Coleridge.
J.W. John Wordsworth.
S.H. Sarah Hutchinson.

This rock was about a mile beyond Wythburn Chapel, to which they used to accompany my uncle, in going to Keswick from Grasmere, and where they would meet him when he returned. This led him to read much of 'The Waggoner' to me. It seems a very favourite poem of his, and he read me splendid descriptions from it. He said his object in it had not been understood. It was a play of the fancy on a domestic incident and lowly character: he wished by the opening descriptive lines to put his reader into the state of mind in which he wished it to be read. If he failed in doing that, he wished him to lay it down. He pointed out, with the same view, the glowing lines on the state of exultation in which Ben and his companions are under the influence of liquor. Then he read the sickening languor of the morning walk, contrasted with the glorious uprising of Nature, and the songs of the birds. Here he has added about six most exquisite lines.

We walked out on the turf terrace, on the Loughrigg side of Rydal Water. Most exquisitely did the lake and opposite bank look. Thence he led me home under Loughrigg, through lovely spots I had never seen before. His conversation was on critical subjects, arising out of his attempts to alter his poems. He said he considered 'The White Doe' as, in conception, the highest work he had ever produced. The mere physical action was all unsuccessful; but the true action of the poem was spiritual—the subduing of the will, and all inferior passions, to the perfect purifying and spiritualising of the intellectual nature; while the Doe, by connection with Emily, is raised as it were from its mere animal nature into something mysterious and saint-like. He said he should devote much labour to perfecting the execution of it in the mere business parts, in which, from anxiety 'to get on' with the more important parts, he was sensible that imperfections had crept in, which gave the style a feebleness of character.

He talked of Milton, and observed how he sometimes indulged himself, in the 'Paradise Lost,' in lines which, if not in time, you could hardly call verse, instancing,

and then noticed the sweet-flowing lines which followed, and with regard to which he had no doubt the unmusical line before had been inserted.

'Paradise Regained' he thought the most perfect in execution of anything written by Milton; that and the 'Merchant of Venice,' in language, he thought were almost faultless: with the exception of some little straining in some of the speeches about the caskets, he said, they were perfect, the genuine English expressions of the ideas of their own great minds. Thomson he spoke of as a real poet, though it appeared less in his 'Seasons' than in his other poems. He had wanted some judicious adviser to correct his taste; but every person he had to deal with only served to injure it. He had, however, a true love and feeling for Nature, and a greater share of poetical imagination, as distinguished from dramatic, than any man between Milton and him. As he stood looking at Ambleside, seen across the valley, embosomed in wood, and separated from us at sufficient distance, he quoted from Thomson's 'Hymn on Solitude,' and suggested the addition, or rather insertion, of a line at the close, where he speaks of glancing at London from Norwood. The line, he said, should have given something of a more favourable impression:

'Ambition——[242] and pleasure vain.'

October 14th, Foxhow.—We have had a delightful day to-day. The weather being fine, Wordsworth agreed to go with us into Easedale; so we got three ponies, for Mary and Madge, and Fred and Alley, alternately, and walked from Grasmere, he trudging[243] before, with his green gauze shade over his eyes, and in his plaid jacket and waistcoat. First, he turned aside at a little farm-house, and took us into a swelling field, to look down on the tumbling stream which bounded it, and which we saw precipitated at a distance, in a broad white sheet, from the mountain. A beautiful water-break of the same stream was before us at our feet, and he noticed the connection which it formed in the landscape with the distant waterfall. Then, as he mused for an instant, he said, 'I have often thought what a solemn thing it would be, if we could have brought to our mind, at once, all the scenes of distress and misery, which any spot, however beautiful and calm before us, has been witness to since the beginning. That water-break, with the glassy, quiet pool beneath it, that looks so lovely, and presents no images to the mind but of peace,—there, I remember, the only son of his father, a poor man, who lived yonder, was drowned. He missed him, came to search, and saw his body dead in the pool.' We pursued our way up the stream, not a very easy way for the horses, near to the waterfall before mentioned, and so gradually up to the Tarn. Oh, what a scene! The day one of the softest and brightest in autumn; the lights various; the mountains in the richest colouring, fern covering them with reddish gold in great part; here and there, trees in every variety of autumn foliage; and the rock itself of a kind of lilac tint; the outlines of the mountains very fine; the Tarn, which might almost be called a lake for size and abundance of water, with no culture, or trees, or habitation around it, here and there a great rock stretching into it like a promontory, and high mountains surrounding it on three sides, on two of them almost precipitate; on the fourth side, it is more open, and on this the stream, crossed by four great stepping-stones, runs out of it, and descends into Grasmere vale and lake. He pointed out the precipitous mountain at the head of the Tarn, and told us an incident of his sister and himself coming from Langdale, which lies on the other side. He having for some reason parted, she encountered a fog, and was bewildered. At last, she sat down and waited; in a short time it began to clear; she could see that a valley was before her. In time, she saw the backs of cattle feeding, which emerged from the darkness, and at last the Tarn; and then found she had stopped providentially, and was sitting nearly on the edge of the precipice. Our return was somewhat more perilous for the riders than the ascent; but we accomplished it safely, and, in our return, turned in Butterlip How, a circular, soft, green hill, surrounded with oak trees, at the head of Grasmere. It is about twenty acres, and belongs to a London banker, purchased, as I suppose, with a view to building on it. It is a lovely spot for a house, with delicious views of the lake and church, Easedale, Helm Crag, &c. I have seen no place, I think, on which I should so much like to build my retreat.

October 16th.—Since church, we have taken our last walk with Wordsworth. M. was mounted on Dora W.'s pony. He led us up on Loughrigg, round to the Tarn, by the back of Loughrigg to the foot of Grasmere Lake, and so home by this side of Rydal; the weather warm and fine, and a lovely walk it was. The views of the mountains, Langdale Way, the Tarn itself and its banks, and the views on Grasmere and Rydal Waters, are almost beyond anything I have seen, even in this country.

He and Mrs. W. came this evening to bid us farewell. We parted with great, I believe mutual, regret; certainly they have been kind to us in a way and degree which seemed unequivocally to testify good liking to us, and them it is impossible not to love. The more I have seen of Wordsworth, the more I admire him as a poet and as a man. He has the finest and most discriminating feeling for the beauties of Nature that I ever witnessed; he expresses himself in glowing and yet manly language about them. There is much simplicity in his character, much naïveté, but it is all generous and highly moral.[244]

(c) RECOLLECTIONS OF TOUR IN ITALY, BY H.C. ROBINSON.

I feel quite ashamed, I assure you, of sending you the Itinerary of my journey with Mr. Wordsworth, so poorly accompanied as it must be, and the more, because Mr. Wordsworth seems to have thought that I might be able to make a contribution to your work worth your acceptance. At the same time, I am much relieved by recollecting that he himself cared nothing for the connection which a place might have with a great poet, unless an acquaintance with it served to illustrate his works. He made this remark in the Church of St. Onofrio at Rome, where Tasso lies buried. The place which, on this account, interested him more than any other on the journey was Vaucluse, while he cared nothing for Arezzo, which claims to be the place of Petrarch's birth. Indeed, a priest on the spot, on another visit, said it is not certain that he was born there, much less in the house marked with his name. Mr. W. was not without the esprit de corps, even before his official dignity, and took great interest in Savona, on account of Chiabrera, as appears in the 'Musings near Aquapendente,' perhaps the most beautiful of these Memorials of the Italian tour—'alas too few!' As he himself repeatedly said of the journey, 'It is too late.' 'I have matter for volumes,' he said once, 'had I but youth to work it up.' It is remarkable how in this admirable poem meditation predominates over observation. It often happened that objects of universal attraction served chiefly to bring back to his mind absent objects dear to him. When we were on that noble spot, the Amphitheatre at Nismes, I observed his eyes fixed in a direction where there was the least to be seen; and, looking that way, I beheld two very young children at play with flowers; and I overheard him say to himself, 'Oh! you darlings, I wish I could put you in my pocket and carry you to Rydal Mount.'

It was Mr. Theed, the sculptor, who informed us of the pine tree being the gift of Sir George Beaumont. This incident occurred within a few minutes after our walking up the Pincian Hill. And this was the very first observation Mr. W. made at Rome.

It was a remark justly made on the Memorials of the Swiss Journey in 1820, that Mr. W. left unnoticed the great objects which have given rise to innumerable common-place verses and huge piles of bad prose, and which every body talks about, while he dwelt on impressions peculiar to himself. As a reproach, nothing can be more idle and unmeaning. I expected it would be so with these latter poems, and so I found it. There are not more than two others which bring anything to my mind.

The most important of these is the 'Cuckoo at Laverna.' I recollect perfectly well that I heard the cuckoo at Laverna twice before he heard it; and that it absolutely fretted him that my ear was first favoured; and that he exclaimed with delight, 'I hear it! I hear it!' It was at Laverna, too, that he led me to expect that he had found a subject on which he would write; and that was the love which birds bore to St. Francis. He repeated to me a short time afterwards a few lines, which I do not recollect among those he has written on St. Francis in this poem. On the journey, one night only I heard him in bed composing verses, and on the following day I offered to be his amanuensis; but I was not patient enough, I fear, and he did not employ me a second time. He made inquiries for St. Francis's biography, as if he would dub him his Leib-heiliger (body-saint), as Goethe (saying that every one must have one) declared St. Philip Neri to be his.

The painter monk at Camaldoli also interested him, but he heard my account only in addition to a very poor exhibition of professional talent; but he would not allow the pictures to be so very poor, as every nun ought to be beautiful when she takes the veil.

I recollect, too, the pleasure he expressed when I said to him, 'You are now sitting in Dante's chair.' It faces the south transept of the cathedral at Florence.

I have been often asked whether Mr. W. wrote anything on the journey, and my answer has always been, 'Little or nothing.' Seeds were cast into the earth, and they took root slowly. This reminds me that I once was privy to the conception of a sonnet, with a distinctness which did not once occur on the longer Italian journey. This was when I accompanied him into the Isle of Man. We had been drinking tea with Mr. and Mrs. Cookson, and left them when the weather was dull. Very soon after leaving them we passed the church tower of Bala Sala. The upper part of the tower had a sort of frieze of yellow lichens. Mr. W. pointed it out to me, and said, 'It's a perpetual sunshine.' I thought no more of it, till I read the beautiful sonnet,

and then I exclaimed, I was present at the conception of this sonnet, at least of the combination of thought out of which it arose.

I beg to subscribe myself, with sincere esteem,

Faithfully yours,
H.C. ROBINSON.[246]

(d) REMINISCENCES OF WORDSWORTH.

Wordsworth made some striking remarks on Goethe in a walk on the terrace yesterday. He thinks that the German poet is greatly overrated, both in this country and his own. He said, 'He does not seem to me to be a great poet in either of the classes of poets. At the head of the first class I would place Homer and Shakspeare, whose universal minds are able to reach every variety of thought and feeling without bringing their own individuality before the reader. They infuse, they breathe life into every object they approach, but you never find themselves. At the head of the second class, those whom you can trace individually in all they write, I would place Spenser and Milton. In all that Spenser writes you can trace the gentle affectionate spirit of the man; in all that Milton writes you find the exalted sustained being that he was. Now in what Goethe writes, who aims to be of the first class, the universal, you find the man himself, the artificial man, where he should not be found; so consider him a very artificial writer, aiming to be universal, and yet constantly exposing his individuality, which his character was not of a kind to dignify. He had not sufficiently clear moral perceptions to make him anything but an artificial writer.

Tuesday, the 2d of May, Wordsworth and Miss F. came early to walk about and dine. He was in a very happy kindly mood. We took a walk on the terrace, and he went as usual to his favourite points. On our return he was struck with the berries on the holly tree, and said, 'Why should not you and I go and pull some berries from the other side of the tree, which is not seen from the window? and then we can go and plant them in the rocky ground behind the house.' We pulled the berries, and set forth with our tool. I made the holes, and the Poet put in the berries. He was as earnest and eager about it, as if it had been a matter of importance; and as he put the seeds in, he every now and then muttered, in his low solemn tone, that beautiful verse from Burns's 'Vision:'

He clambered to the highest rocks in the 'Tom Intake,' and put in the berries in such situations as Nature sometimes does with such true and beautiful effect. He said, 'I like to do this for posterity. Some people are selfish enough to say, What has posterity done for me? but the past does much for us.'

August 28th, 1841.—Mr. Wordsworth, Miss Fenwick, and Mrs. Hill came to dine, and it rained on the whole day, but happily the Poet talked on from two to eight without being weary, as we certainly were not. After dinner, when we came to the drawing-room, the conversation turned on the treatment of Wordsworth by the reviews of the day. I had never heard him open out on it before, and was much struck with the manner in which he did it; from his present elevation looking calmly back on the past, and at the same time feeling that an irreparable injury had been done to him at the time when life and hope were young. As nearly as I can I shall record his words as they were spoken. He said:

'At the time I resolved to dedicate myself to poetry and separate myself from the ordinary lucrative professions, it would certainly have been a great object to me to have reaped the profits I should have done from my writings but for the stupidity of Mr. Gifford and the impertinence of Mr. Jeffrey. It would have enabled me to purchase many books which I could not obtain, and I should have gone to Italy earlier, which I never could afford to do until I was sixty-five, when Moxon gave me a thousand pounds for my writings. This was the only kind of injury Mr. Jeffrey did me, for I immediately perceived that his mind was of that kind that his individual opinion on poetry was of no consequence to me whatever, that it was only by the influence his periodical exercised at the time in preventing my poems being read and sold that he could injure me; for feeling that my writings were founded on what was true and spiritual in human nature, I knew the time would come when they must be known, and I never therefore felt his opinion of the slightest value, except in preventing the young of that generation from receiving impressions which might have been of use to them through life. I say this, I hope not in a boasting spirit, but I am now daily surprised by receiving letters from various places at home and abroad expressive of gratitude to me from persons I never saw or heard of. As this occurs now, I may fairly conclude that it might have been so when the poems appeared, but for the tyranny exercised over public opinion by the Edinburgh and Quarterly Reviews.'

December 1841.—Wordsworth and Miss Fenwick spent the shortest day of the year with us; he brought with him his Epitaph on Southey, and as we sat round the fire after dinner, my mother asked him to read it to us, which he did in his usual impressive manner. He asked our impression of it. My mother ventured to tell him of one word, or rather two, which she thought might be altered with advantage. They were these:

'Holier nest' were the words she objected to, as not being a correct union of ideas. He took the suggestion most kindly, and said it had been much discussed in his own mind and in his family circle, but that he saw the force of what she said, and that he was aware many others would see it also. He said there was yet time to change it, and that he should consult Judge Coleridge whether the line, as he once had it,

would not be more appropriate to the simplicity of an epitaph where you con every word, and where every word is expected to bear an exact meaning. We all thought this was an improvement. During tea he talked with great animation of the separation of feeling between the rich and poor in this country; the reason of this he thinks is the greater freedom we enjoy; that the line of demarcation not being so clearly laid down in this country by the law as in others, people fancy they must make it for themselves. He considers Christianity the only cure for this state of things. He spoke of his own desire to carry out the feeling of brotherhood with regard to servants, which he all along endeavoured to do. He doubted whether he might not have had better servants on a different system; but he thought it right to endeavour to inspire your domestics with a feeling of common interest. My mother said she entirely agreed with him, but she had always found it most difficult.

November 1843.—Wordsworth holds the critical power very low, infinitely lower than the inventive; and he said to-day that if the quantity of time considered in writing critiques on the works of others were given to original composition, of whatever kind it might be, it would be much better employed; it would make a man find out sooner his own level, and it would do infinitely less mischief. A false or malicious criticism may do much injury to the minds of others; a stupid invention, either in prose or verse, is quite harmless.

December 22d, 1843.—The shortest day is past, and it was a very pleasant one to us, for Wordsworth and Miss Fenwick offered to spend it with us. They came early, and, although it was misty and dingy, he proposed to walk up Easedale. We went by the terrace, and through the little gate on the Fell, round by Brimmer Head, having diverged a little up from Easedale, nearly as far as the ruined cottage. He said, when he and his sister wandered there so much, that cottage was inhabited by a man of the name of Benson, a waller, its last inhabitant. He said on the terrace, 'This is a striking anniversary to me; for this day forty-four years ago, my sister and I took up our abode at Grasmere, and three days after we found out this walk, which long remained our favourite haunt.' There is always something very touching in his way of speaking of his sister; the tones of his voice become more gentle and solemn, and he ceases to have that flow of expression which is so remarkable in him on all other subjects. It is as if the sadness connected with her present condition was too much for him to dwell upon in connection with the past, although habit and the 'omnipotence of circumstance' have made its daily presence less oppressive to his spirits. He said that his sister spoke constantly of their early days, but more of the years they spent together in other parts of England than those at Grasmere. As we proceeded on our walk he happened to speak of the frequent unhappiness of married persons, and the low and wretched principles on which the greater number of marriages were formed. He said that unless there was a strong foundation of love and respect, the 'unavoidable breaks and cataracts' of domestic life must soon end in mutual aversion, for that married life ought not to be in theory, and assuredly it never was in practice, a system of mere submission on either side, but it should be a system of mutual cooperation for the good of each. If the wife is always expected to conceal her difference of opinion from her husband, she ceases to be an equal, and the man loses the advantage which the marriage tie is intended to provide for him in a civilised and Christian country. He then went on to say, that, although he never saw an amiable single woman without wishing that she were married, from his strong feeling of the happiness of a well-assorted marriage, yet he was far from thinking that marriage always improved people. It certainly did not, unless it was a congenial marriage.[247]

'The Oaks, Ambleside, Monday, Jan. 22. 1844.

While Mrs. Quillinan was sitting with us to-day, Henry Fletcher ran in to say that he had reserved his summons for Oxford (he had been in suspense about rooms as an exhibitioner at Balliol), and must be off within an hour. His young cousins and I went down with him to wait for the mail in the marketplace. We found Mr. Wordsworth walking about before the post-office door in very charming mood. His spirits were excited by the bright morning sunshine, and he entered at once on a full flow of discourse. He looked very benevolently on Henry as he mounted on the top of the coach, and seemed quite disposed to give an old man's blessing to the young man entering on an untried field, and then (nowise interrupted by the hurrying to and fro of ostlers with their smoking horses, or passengers with their carpet bags) he launched into a dissertation, in which there was, I thought, a remarkable union of his powerful diction, and his practical, thoughtful good sense, on the subject of college habits, and of his utter distrust of all attempts to nurse virtue by an avoidance of temptation. He expressed also his entire want of confidence (from experience he said) of highly-wrought religious expression in youth. The safest training for the mind in religion he considered to be a contemplating of the character and personal history of Christ. 'Work it,' he said, 'into your thoughts, into your imagination, make it a real presence in the mind.' I was rejoiced to hear this plain, loving confession of a Christian faith from Wordsworth. I never heard one more earnest, more as if it came out of a devoutly believing heart.

The Oaks, March 5. 1844.

On our way to Lancrigg to-day, we called at Foxhow. We met Mr. Wordsworth there, and asked him to go with us. It was a beautiful day, one of his very own 'mild days' of this month. He kindly consented, and walked with us to meet the carriage at Pelter Bridge. On our drive, he mentioned, with marked pleasure, a dedication written by Mr. Keble, and sent to him for his approval, and for his permission to have it prefixed to Mr. Keble's new volumes of Latin Lectures on Poetry delivered at Oxford. Mr. Wordsworth said that he had never seen any estimate of his poetical powers, or more especially of his aims in poetry, that appeared to him so discriminating and so satisfactory. He considers praise a perilous and a difficult thing. On this subject he often quotes his lamented friend, Sir George Beaumont, whom, in his intercourse with men of genius, literary aspirants, he describes as admirable in the modesty which he inculcated and practised on this head.

The Oaks, Ambleside, July 11. 1844.

Mr. and Mrs. Wordsworth at dinner, along with our family party. Mr. and Mrs. Price (from Rugby), two aunts of Mrs. P.'s, and her brother, Mr. Rose, a young clergyman (a devout admirer of Wordsworth), joined us at tea. A circle was made as large as our little parlour could hold. Mr. Price sat next to Mr. Wordsworth, and by design or fortunate accident, introduced some remark on the powers and the discourse of Coleridge. Mr. Wordsworth entered heartily and largely on the subject. He said that the liveliest and truest image he could give of Coleridge's talk was 'that of a majestic river, the sound or sight of whose course you caught at intervals, which was sometimes concealed by forests, sometimes lost in sand, then came flashing out broad and distinct, then again took a turn which your eye could not follow, yet you knew and felt that it was the same river: so,' he said, 'there was always a train, a stream, in Coleridge's discourse, always a connection between its parts in his own mind, though one not always perceptible to the minds of others.' Mr. Wordsworth went on to say, that in his opinion Coleridge had been spoilt as a poet by going to Germany. The bent of his mind, which was at all times very much to metaphysical theology, had there been fixed in that direction. 'If it had not been so,' said Wordsworth, 'he would have been the greatest, the most abiding poet of his age. His very faults would have made him popular (meaning his sententiousness and laboured strain), while he had enough of the essentials of a poet to make him deservedly popular in a higher sense.'

Mr. Price soon after mentioned a statement of Coleridge's respecting himself, recorded in his 'Table Talk,' namely, that a visit to the battle-field of Marathon would raise in him no kindling emotion, and asked Mr. Wordsworth whether this was true as a token of his mind. At first Mr. Wordsworth said, 'Oh! that was a mere bravado, for the sake of astonishing his hearers!' but then, correcting himself, he added, 'And yet it might in some sense be true, for Coleridge was not under the influence of external objects. He had extraordinary powers of summoning up an image or series of images in his own mind, and he might mean that his idea of Marathon was so vivid, that no visible observation could make it more so.' 'A remarkable instance of this,' added Mr. Wordsworth, 'is his poem, said to be "composed in the Vale of Chamouni." Now he never was at Chamouni, or near it, in his life.' Mr. Wordsworth next gave a somewhat humorous account of the rise and progress of the 'Ancient Mariner.' 'It arose,' he said, 'out of the want of five pounds which Coleridge and I needed to make a tour together in Devonshire. We agreed to write jointly a poem, the subject of which Coleridge took from a dream which a friend of his had once dreamt concerning a person suffering under a dire curse from the commission of some crime.' 'I,' said Wordsworth, 'supplied the crime, the shooting of the albatross, from an incident I had met with in one of Shelvocke's voyages. We tried the poem conjointly for a day or two, but we pulled different ways, and only a few lines of it are mine.' From Coleridge, the discourse then turned to Scotland. Mr. Wordsworth, in his best manner, with earnest thoughts given out in noble diction, gave his reasons for thinking that as a poet Scott would not live. 'I don't like,' he said, 'to say all this, or to take to pieces some of the best reputed passages of Scott's verse, especially in presence of my wife, because she thinks me too fastidious; but as a poet Scott cannot live, for he has never in verse written anything addressed to the immortal part of man. In making amusing stories in verse, he will be superseded by some newer versifier; what he writes in the way of natural description is merely rhyming nonsense.' As a prose writer, Mr. Wordsworth admitted that Scott had touched a higher vein, because there he had really dealt with feeling and passion. As historical novels, professing to give the manners of a past time, he did not attach much value to those works of Scott's so called, because that he held to be an attempt in which success was impossible. This led to some remarks on historical writing, from which it appeared that Mr. Wordsworth has small value for anything but contemporary history. He laments that Dr. Arnold should have spent so much of his time and powers in gathering up and putting into imaginary shape the scattered fragments of the history of Rome.[248]

These scraps of Wordsworth's large, thoughtful, earnest discourse, seem very meagre as I note them down, and in themselves perhaps hardly worth preserving and yet this is an evening which those who spent it in his company will long remember. His venerable head; his simple, natural, and graceful attitude in his arm-chair; his respectful attention to the slightest remarks or suggestions of others in relation to what was spoken of; his kindly benevolence of expression as he looked round now and then on the circle in our little parlour, all bent to 'devour up his discourse,' filled up and enlarged the meaning which I fear is but ill conveyed in the words as they are now set down.

(V.) LADY RICHARDSON: WORDSWORTH'S BIRTH-DAY.

On Tuesday, April the 7th, 1844, my mother[249] and I left Lancrigg to begin our Yorkshire journey. We arrived at Rydal Mount about three o'clock, and found the tables all tastefully decorated on the esplanade in front of the house. The Poet was standing looking at them with a very pleased expression of face; he received us very kindly, and very soon the children began to arrive. The Grasmere boys and girls came first, and took their places on the benches placed round the gravelled part of the esplanade; their eyes fixed with wonder and admiration on the tables covered with oranges, gingerbread, and painted eggs, ornamented with daffodils, laurels, and moss, gracefully intermixed. The plot soon began to thicken, and the scene soon became very animated. Neighbours, old and young, of all degrees, ascended to the Mount to keep the Poet's seventy-fourth birthday, and every face looked friendly and happy. Each child brought its own mug, and held it out to be filled with tea, in which ceremony all assisted. Large baskets of currant cakes were handed round and liberally dispensed; and as each detachment of children had satisfied themselves with tea and cake, they were moved off, to play at hide and seek among the evergreens on the grassy part of the Mount. The day was not bright, but it was soft, and not cold, and the scene, viewed from the upper windows of the house, was quite beautiful, and one I should have been very sorry not to have witnessed. It was innocent and gay, and perfectly natural. Miss F——, the donor of the fête, looked very happy, and so did all the Poet's household. The children, who amounted altogether to above 300, gave three cheers to Mr. Wordsworth and Miss F——. After some singing and dancing, and after the division of eggs, gingerbread, and oranges had taken place, we all began to disperse. We spent the night at the Oaks, and set off on our journey the following morning. The gay scene at the Mount often comes before me, as a pleasant dream. It is perhaps the only part of the island where such a reunion of all classes could have taken place without any connection of landlord and tenant, or any clerical relation, or school direction. Wordsworth, while looking at the gambols on the Mount, expressed his conviction that if such meetings could oftener take place between people of different condition, a much more friendly feeling would be created than now exists in this country between the rich and poor.

July 12th, 1844.—Wordsworth spoke much during the evening of his early intercourse with Coleridge, on some one observing that it was difficult to carry away a distinct impression from Coleridge's conversation, delightful as every one felt his outpourings to be. Wordsworth agreed, but said he was occasionally very happy in clothing an idea in words; and he mentioned one which was recorded in his sister's journal during a tour they all made together in Scotland. They passed a steam engine, and Wordsworth made some observation to the effect that it was scarcely possible to divest oneself of the impression on seeing it that it had life and volition. 'Yes,' replied Coleridge, 'it is a giant with one idea.'

He discoursed at great length on Scott's works. His poetry he considered of that kind which will always he in demand, and that the supply will always meet it, suited to the age. He does not consider that it in any way goes below the surface of things; it does not reach to any intellectual or spiritual emotion; it is altogether superficial, and he felt it himself to be so. His descriptions are not true to Nature; they are addressed to the ear, not to the mind. He was a master of bodily movements in his battle-scenes; but very little productive power was exerted in popular creations.

DUDDON EXCURSION

On Friday, the 6th September 1844, I set off to breakfast at Rydal Mount, it being the day fixed by Mr. Wordsworth for our long-projected excursion to the Valley of the Duddon.

The rain fell in torrents, and it became doubtful whether we should set off or not; but as it was a thunder-shower, we waited till it was over, and then Wordsworth, Mr. Quillinan, Miss Hutchinson, and I, set forth in our carriage to Coniston, where we were to find the Rydal Mount carriage awaiting us with Mr. Hutchinson. Wordsworth talked very agreeably on the way to Coniston, and repeated several verses of his own, which he seemed pleased that Serjeant Talfourd had repeated to him the day before. He mentioned a singular instance of T. Campbell's inaccuracy of memory in having actually printed as his own a poem of Wordsworth's, 'The Complaint:' he repeated it beautifully as we were going up the hill to Coniston. On reaching the inn in the village of Coniston, the rain again fell in torrents. At length, the carriages were ordered to the door with the intention of our returning home; but just as they were ready the sun broke out, and we turned the horse's head towards Ulpha Kirk. The right bank of Coniston was all new to me after we passed the village, and Old Man of Coniston. The scenery ceases to be bold and rugged, but is very pleasing, the road passing through hazel copses, the openings showing nice little cornfields and comfortable detached farms, with old uncropped trees standing near them; some very fine specimens of old ash trees, which I longed to transport to Easedale, where they have been so cruelly lopped. The opening towards the sea, as we went on, was very pleasing; but the first striking view of the Duddon was looking down upon it soon after we passed Broughton, where you turn to the right, and very soon after perceive the peculiar beauty of the valley, although it does not take its wild and dreamlike beauty till you pass Ulpha Kirk. We reversed the order of the sonnets, and saw the river first, 'in radiant progress tow'rd the deep,' instead of tracing this 'child of the clouds' from its cradle in the lofty waste. We reached the Kirk of Ulpha between five and six. The appearance of the little farm-house inn at once made anything approaching to a dinner an impossibility had we wished it ever so much; but in due time we had tea and boiled ham, with two eggs apiece, and were much invigorated by this our first Duddonian meal. The hostess was evidently surprised that we thought of remaining all night, so humbly did she think of the accommodation she had to offer. She remembered Mr. Wordsworth sleeping there fifteen years ago, because it was just after the birth of her daughter, a nice comely girl who attended us at tea. Mr. Quillinan showed great good nature and unselfishness in the arrangements he made, and the care he took of the admirable horse, which I saw him feeding out of a tub, a manger being too great a refinement for Ulpha.

After tea, although it was getting dark, we went to the churchyard, which commands a beautiful view towards Seathwaite, and we then walked in that direction, through a lane where the walls were more richly covered by moss and fern than any I ever saw before. A beautiful dark-coloured tributary to the Duddon comes down from the moors on the left hand, about a mile from Ulpha; and soon after we had passed the small bridge over this stream, Mr. Wordsworth recollected a well which he had discovered some thirty or forty years before. We went off the road in search of it, through a shadowy, embowered path; and as it was almost dark we should probably have failed in finding it, had we not met a very tiny boy, with a can of water in his hand, who looked at us in speechless amazement, when the Poet said, 'Is there a well here, my little lad?' We found the well, and then joined the road again by another path, leaving the child to ponder whether we were creatures of earth or air.

Saturday morning was cloudy but soft, and lovely in its hazy effects. When I went out about seven, I saw Wordsworth going a few steps, and then moving on, and stopping again, in a very abstracted manner; so I kept back. But when he saw me, he advanced, and took me again to the churchyard to see the morning effects, which were very lovely. He said he had not slept well, that the recollection of former days and people had crowded upon him, and, 'most of all, my dear sister; and when I thought of her state, and of those who had passed away, Coleridge, and Southey, and many others, while I am left with all my many infirmities, if not sins, in full consciousness, how could I sleep? and then I took to the alteration of sonnets, and that made the matter worse still.' Then suddenly stopping before a little bunch of harebell, which, along with some parsley fern, grew out of the wall near us, he exclaimed, 'How perfectly beautiful that is!