A SCRAP IN THE AIR

A wood? That? Good heavens! That poor miserable mess of splinters and gashed soil? Each time I see one of the woods destroyed by this war I thank God that our glorious Cotswold woods are still untouched. Primroses, wood-anemones, squirrels. To think of squirrels!... Not another aeroplane in sight. Neither our own nor Hun machines. Eric circles smoothly round above the wood, and then crosses back over no-man's-land to fly low, so that I can see the wood obliquely. Archie quite wide of his mark. This doubling and circling perplexes him. The sketch progresses. I look round from time to time to see that there are still no Huns about. Eric also looks about. No: nothing in sight. The guns are pooping off, but the noise of the engines makes the guns sound like tiny little "pops." There, now I've nearly done. Lucky I came, because the wood isn't quite what we thought. Yes, that'll do.... We are up at a considerable height....

Suddenly Rat-tat, tat, tat, tat, tat, tat, tat! above our heads. Three Hun aeroplanes right on top of us; Eric drives headlong in a spiral curve at full speed, smoke trailing out behind. The gun! I fumble. Can't get round to it. Damn!

Rat-tat, tat, tat, tat, tat, tat! go the Huns. But Eric is faster. Are they all Huns, though? Shall I fire? Yes. No. They daren't come down low over our lines. We are safe. Yes, look, they were all Huns. They hang about far up aloft. The Hun usually hunts in threes. Why, oh why, didn't I fire? Well, it can't be helped now. Eric looks round. We both laugh. "Why didn't you fire?" he shouts. I can't hear what he says, but I know from the shape of his mouth that's what he is saying. I just smile and shake my head. Can't explain now.

Where on earth did they come from? Coasting about very high up, I suppose, and suddenly swooped down at us.

However, the drawing is done. So that's that. Home, John!

One little bullet-hole through one of the wings, no more. Indifferent shooting, my friend Fritz. However, I can't talk, because I never fired at all!


February 16.

I've never thanked you for the chocolates which arrived two days ago. But they arrived during one of the avalanches of work, and were all eaten within half an hour or so; not by me, but by various R.F.C. men who are always coming in and out of my office for "the latest."

TOLL OF WAR

To-day all frosty and sunny. Think of going on to the terrace at home before breakfast and seeing some jolly little new flower out, with the Golden Valley behind, all grey-blue and woody.

It's all working well here, and, being the representative of the corps, I have a certain status which is pleasant. They think that I may or may not give them a good character to the Powers that be. Quite fun.

They are awfully nice fellows. The only two I knew before were Eric and Bill Vivian. Bill I have known for a very long time, and during the war I've seen a great deal of him, and was very fond of him. He was brought down by Archie yesterday in our lines. Burnt to death. Dead when they reached him. Yesterday night at mess we were all quite gay. Only one man showed that his heart was as heavy as lead. And it seemed bad form. Heaviness of heart is bad form. No gentleman should have a heavy heart. A sign of weakness, of ill breeding.


February 17.

To-day has been one of the jumpy, anxious days again, because something is to happen shortly, and those concerned are ringing up all the time asking me this and that about the Boche trenches, etc. And they want maps of this and plans of that and t'other. It's these times before some event that are so wearing. The smaller the event, the more wearing very often, because it's just some one or two officers, perhaps, who are doing the show, and, of course, half their success or failure depends on whether an unhappy intelligence officer can tell them exactly what they are up against, and exactly where it is and so on. I always go on the principle of assuming the worst. If I think there may be a minny to meet them, I tell them there is a minny, and probably two. It may not be very cheering to them. But if the minny is there, well, then I've put them on their guard; and if it isn't there, well, they can laugh at the work of the staff, and there's no harm done. People don't realize the awful strain and responsibility and hard work of staffs. It's sometimes a nightmare. Think of it in this way: I make a slip. A dozen men get killed. When the Push comes, I make another slip, and a hundred men get killed. Perhaps more. All the work of the lazy and incompetent staff! But if the staffs are lazy and incompetent, then, for goodness' sake, let's put more energetic and more competent people in their places. But where are these more competent people? In the divisions? in the battalions? But that is exactly where the present staffs came from! And they are the very people who originally jibed at the staffs! Well, anyhow, the war will end some day.


February 21.

THE WILD DUCK


Re
America. It doesn't look much as if they were coming in now, does it? However, one of the Scots Guards gave me June as the end of the war. He offered me 10 to 1 in francs; but, as I am always rather muddled as to whether that means that he gives me 10 francs if I win, or I give him 1 franc if I lose, or what, I declined to bet. I expect he thinks I don't bet on principle. But, anyway, let's hope he wins.

Leave is off at present.

The worst of this game is that now I feel I want to do it all myself. I really do know a fair amount about the Boche lines, and I long to spend a day wandering about there taking notes!

I was up yesterday afternoon trying to find out a certain T.M. battery, and what should fly by quite close and quite unconcerned but a duck! We were not very high, and it was very misty. The duck just appeared, with his neck stretched out, eager and oblivious. And then vanished into the mist again. I was thinking about that duck too much to find out what I wanted. Anyway, it was a fruitless journey. But flying amongst clouds is very beautiful. Sometimes we got above the clouds, to where the sun was functioning away as efficiently as ever. The clouds looked like millions of feather beds.


March 2.

I have been doing some drawings of R.F.C. officers. They love being "took" out here, and my office is rapidly degenerating into a club, which makes work no easier.

Well, you see from the papers what is happening. The Boche retires to the Hindenburg Line, and we follow.

I should so love to tell you all about it, but Mum's the word. A great moral defeat for poor Fritz, anyway.

The cavalry are sharpening their swords.

The aeroplanes sail high up in the blue, like hungry hawks.


March 5.

I am probably going off to-morrow. Now, where do you think? Paris? Madrid? Anything of that sort?

Wrong again. Shall I tell you?

Victoria.

I'll send you a telegram directly I get across the briny.

And I plead for no "back from the war tea-parties," please!


PERONNE
From Biaches

A few days after the evacuation. From a distance the place looked almost intact, as some of the outside walls had been left standing. That white building in the centre of the town was once the cathedral. Mont St. Quentin on the left. The thin white lines on the slopes beyond are trenches.


March 22.

THE HUN RETREAT

The Hun rearguards are now well beyond ——. I knew the place so intimately from photographs, and from high up in the air, that a view of it from terra-firma promised to be quite interesting.

So with great eagerness, some sandwiches, and the faithful sketchbook, I sallied forth. Harry came, too. A glorious day of brilliant sun and brief snowstorms.

From the aerodrome through all this devastated country, past wrecked villages, orchards laid waste, dug-out camps, bivouac camps, R.E. dumps, light railways, battered trollies lying on their sides, and all the ugly confusion of old wire rusted a red-hot colour, bits of corrugated iron, bits of netting screens, more wire, dead horses, dead men in all stages of decomposition, legs, hands, heads scattered anywhere, dead trees, mud, broken rifles, gas-bags, tin helmets, bully-beef tins, derelict trenches, derelict telephone wires, grenades, aerial torpedoes, all the toys of war, broken and useless. Tommy, the dear hairies, and the R.E. dumps, to remind you what vast stores of everything are still being accumulated.

The ground becomes more and more like boiling porridge as you approach no-man's-land. Of no-man's-land itself, perhaps, the less said the better. No-beast's-land—call it that rather. And yet men have been very brave, very tender, in no-man's-land. Next we come to those Hun trenches that I have peered at from a distance so long and mapped so often. It all seems rather futile now.

Past the support trenches. Past the second line. Damn it! how much larger and deeper that old emplacement is than I thought! The country is less pitted, too. Of course, it hasn't been fought over like our back areas. Why; here are trees scarcely knocked about at all. A recognizable field there. How real that stream looks! And, oh Jemima! a blue tit.

A little distance farther. Over that gentle rise, and there behold ——. Surely one of the loveliest towns in France, on its low hill surrounded by the quiet waters of the Somme. From a distance it looks all right; though somehow, the smoke still ascending from it doesn't look natural.

As you approach you realize that what looks so charming is just empty, shelled, charred, and broken. The Huns have destroyed every single house, all the bridges, and the cathedral, too. The cathedral that once crowned the town now stands a pale crushed ghost in the deserted market-place.

PERONNE

Some of the streets are almost amusing. Imagine Rye with the pretty alleys so encumbered and piled up with roofs, sofas, the contents of wardrobes, dormer-windows, smashed mirrors, rubble, and dust, that it's quite impossible to proceed. Very well, that's ——.

Go into the houses, and there it's just as it is in the streets. Everything crushed to atoms. Images of saints have been hurled out on to garbage-heaps, and in the cathedral huge pillars are lying about in clumsy confusion amongst chairs, organ pipes, and gilded flowers.

On a huge notice board in the Grande Place the Hun has written:

Nicht argern: nur wundern!

(Don't argue: only wonder! We the Huns did this. Why discuss what we have done? We have destroyed your city. Gape and stare, stupid fools! What does it matter to us? We took your precious town from you, because we wanted it. Now we don't want it any more. Here it is back again. With our love.) Some merry soldier wrote that up, I suppose. It was a pity.

There were French officers in —— to-day. I spoke to one. He answered with a quiet, simple bitterness and determination that would have turned even a Hohenzollern pale, I think. Unhappy Emperor! he must be feeling decidedly uneasy nowadays.

Another odd sight was a tub full of water, with a little dog trying to get out. But the little dog was dead. A crump evidently landed somewhere near, and just petrified him, as it were. You often see men like that, struck dead in the middle of some act. Men are usually turned a dull purplish or greenish black. So was this little dog. We ate a delicious lunch on the battlements, our legs dangling 50 feet above the reedy water. Lots of moorhen and coot swimming about.

The sun was warm. We enjoyed ourselves immensely. What a heavenly world it is!


April 6.

After a hectic day comes this chance of writing to you. Eleven-thirty p.m.

Would you like to hear about night flying? I didn't go, but I sketched the others going. And these are some notes. A bombing raid. It had been ordered in the morning. A raid on ——. After a cheery dinner we trooped out, singing foolish songs. The hangars a few hundred yards away across the mud. They looked huge and eerie, looming up from the dark ground, all stately in the moonlight. The moon had a halo, but was very bright, bright enough to sketch by.

NIGHT FLYING

Six flares were flickering at intervals round the aerodrome. A vivid orange colour against the dim blue sky. The horizon was greyer, and little flames flashed intermittently from it. There were the aeroplanes waiting.

It was very cold. Soon the mechanics were starting the machines. The usual loud spurting and fizzing till presently the first machine begins to move. A big semi-luminous beetle lurching forward; then faster and faster and away, lifting up, up, up into the night. Only the lights visible now, but you can hear the hum of the engines a long way off. Other machines follow. The sky is full of twinkling fairies. They circle about for a bit, and then all head towards the east. Gradually the humming dies away in the distance. Look out for yourselves, you sleeping Huns!

A long while afterwards the humming again.

The first aeroplane is coming home. There he is. Gradually lower and nearer. The machine descends smoothly on to the ground, turns and "taxis," spitting angrily towards the hangar where it lives. Muffled figures get out, and the mechanics take in the machine tail first to its home. What? oh yes, quite successful. Smashed the place to blazes. Anyone got a cigarette? Other machines begin coming in. It's such a clear night that we still stand about in groups waiting for the last one to arrive. Damn it all! where can old Rupert have got to? We'll just wait till he comes back, and then bundle off to bed. Anxious? Good Lord, no! What about?

Suddenly a small sharp flash high up in the night. Another and another. The Huns! They are coming. Archie is shelling them. Now another Archie poops off nearer here. Quick! Where's the orderly officer?

In a couple of minutes all is dark. Gradually the drone of the Huns, high up in the air, becomes audible. No. They seem to be steering more towards ——. Searchlights from three different directions grope slowly to and fro. Where the devil are the Huns? The searchlights cannot find them. They must be cruising somewhere up above those thin cirrus clouds. Are they going to drop bombs on us? No, their direction is too far south. The searchlights cannot find them.

THE END

No sign of Rupert yet. Probably he has landed at another aerodrome. Dear old Rupert. One of the very best in this world. He'll be all right. Come on. It's too cold. Let's turn in.




printed by
billing and sons, limited
guildford, england








Select Announcements
of some new and recent
volumes published by
Chatto & Windus.


NEW BOOKS

Published by Chatto & Windus



A SHORT HISTORY OF ENGLAND

By G.K. CHESTERTON

Crown 8vo., cloth, 5s. net


BOOKS AND PERSONS

By ARNOLD BENNETT

Second Impression. Crown 8vo., cloth, 5s. net


GERMAN PROBLEMS AND PERSONALITIES

By CHARLES SAROLEA

Crown 8vo., cloth, 5s. net


FORTY YEARS OF "SPY"

By LESLIE WARD

New and Cheaper Edition, with all the original colour plates.
Demy 8vo., cloth, 7s. 6d. net


THE INDUSTRIAL OUTLOOK

By Various Authors. Edited by H. SANDERSON FURNISS

Crown 8vo., cloth, 3s. 6d. net


JANUS AND VESTA

A STUDY OF THE WORLD CRISIS AND AFTER

By BENCHARA BRANFORD

Crown 8vo., cloth, 6s. net


IN THE ROYAL NAVAL AIR SERVICE

BEING THE WAR LETTERS OF HAROLD ROSHER

With Preface by ARNOLD BENNETT

Illustrated, crown 8vo., cloth, 3s. 6d. net

New and Cheaper Edition, with coloured wrapper.

Small crown 8vo., paper, 1s. net


BY THE WAYSIDE

LITTLE TALES AND LEGENDS

From the Danish of VIGGO STUCKENBERG

Illustrated and Translated by UNA HOOK

Fcap. 4to., boards, 3s. 6d. net


RECENT POETRY

Published by Chatto & Windus



THE CITY OF FEAR

By GILBERT FRANKAU

Fcap. 4to., cloth, 3s. 6d. net


ONE OF US A NOVEL IN VERSE

By GILBERT FRANKAU

New Edition, illustrated by "FISH"

Fcap. 4to., boards, 5s. net

Also 110 copies signed by the Author and the Artist, of which
100 are for sale, parchment, 12s. 6d. net


ARDOURS AND ENDURANCES

By ROBERT NICHOLS

Second Edition. Crown 8vo., cloth, 3s. 6d. net


THE TIDINGS BROUGHT TO MARY

A MYSTERY: BY PAUL CLAUDEL

Translated from the French by LOUISE MORGAN SILL

Fcap. 4to., cloth, 6s. net



BOOKS ON ART

Published by Chatto & Windus



NOTES ON THE SCIENCE OF PICTURE MAKING

By C.J. HOLMES

With Photogravure Frontispiece
Demy 8vo., cloth, 7s. 6d. net


NOTES ON THE ART OF REMBRANDT

Fully Illustrated, demy 8vo., cloth, 7s. 6d. net


ART

By CLIVE BELL

Third Edition, Revised

Illustrated, crown 8vo., buckram, 5s. net


CHILDREN'S PICTURES AND THE TEACHING OF ART

By ROGER FRY

With 10 Illustrations in Colour and Monochrome

Fcap. 4to., boards, 2s. 6d. net


THE TALES OF ANTON TCHEHOV

Published by Chatto & Windus

Translated from the Russian by CONSTANCE GARNETT

Pocket Volumes, in the St. Martin's Library, pott 8vo., cloth, 2s. net
each, or in leather, gilt edges, 3s. 6d. net


VOLUME ONE

THE DARLING, AND OTHER STORIES


VOLUME TWO

THE DUEL, AND OTHER STORIES


VOLUME THREE

THE LADY WITH THE DOG, AND OTHER STORIES


VOLUME FOUR

THE PARTY, AND OTHER STORIES


Other Volumes in preparation