098.jpg Page Image: the Arms Op The City and Kings Of Lagash
     Drawn by Faucher-Gudin, from a bas-relief from Lagash, now
     in the Louvre

After this glimpse of light on these shadowy kings darkness once more closes in upon us, and conceals from us the majority of the sovereigns who ruled afterwards in Babylon. The facts and names which can be referred with certainty to the following centuries belong not to Babylon, but to the southern States, Lagash, Uruk, Uru, Nishin, and Larsam. The national writers had neglected these principalities; we possess neither a resume of their chronicles nor a list of their dynasties, and the inscriptions which speak of their the arms of the city gods and princes are still very rare and kings of Lagash. Lagash, as far as our evidence goes, was, perhaps, the most illustrious of all these cities.* It occupied the heart of the country, and its site covered both sides of the Shatt-el-Haî; the Tigris separated it on the east from Anshan, the westernmost of the Elamite districts, with which it carried on a perpetual frontier war.

     * We are indebted almost exclusively to the researches of M.
     de Sarzec, and his discoveries at Telloh, for what we know
     of it. The results of his excavations, acquired by the
     French government, are now in the Louvre. The description of
     the ruins, the text of the inscriptions, and an account of
     the statues and other objects found in the course of the
     work, have been published by Heuzey-Sakzec, Découvertes en
     Chaldée
. The name of the ancient town has been read
     Sirpurla, Zirgulla, etc.

All parts of the country were not equally fertile: the fruitful and well-cultivated district in the neighbourhood of the Shatt-el-Haî gave place to impoverished lands ending to the eastward, finally in swampy marshes, which with great difficulty furnished means of sustenance to a poor and thinly scattered population of fisher-folk.

099.jpg Fragment of Bas-relief by Urnina, King Of Lagash.
     Drawn by Faucher-Gudin, from a stone in the Louvre.

The capital, built on the left bank of the river, stretched out to the north-east and south-west a distance of some five miles. It was not so much a city as an agglomeration of large villages, each grouped around a temple or palace—Uruazagga, Gishgalla, G-irsu, Nina, and Lagash, which latter imposed its name upon the whole. A branch of the river Shatt-el-Haî protected it on the south, and supplied the village of Ninâ with water; no trace of an inclosing wall has been found, and the temples and palaces seem to have served as refuges in case of attack. It had as its arms, or totem, a double-headed eagle standing on a lion passant, or on two demi-lions placed back to back. Its chief god was called Ningirsu, that is, the lord of Girsu, where his temple stood: his companion Bau, and his associates Ninagal, Innanna and Ninsia, were the deities of the other divisions of the city. The princes were first called kings, but afterwards vicegerents—patesi—when they came under the suzerainty of a more powerful king, the King of Uruk or of Babylon.

The earlier history of this remarkable town is made up of the scanty memoirs of its rulers, together with those of the princes of Gishban—“the land of the Bow,” of which Ishin seems to have been the principal town. A very ancient document states, that, at the instigation of Inlil, the god of Nipur, the local deities, Ningirsu and Kirsig, set up a boundary between the two cities. In the course of time, Meshilim, a king of Kishu, which, before the rise of Agadê, was the chief town in those parts, extended his dominion over Lagash and erected his stele at its border; Ush, vicegerent of Gishban, however, removed it, and had to suffer defeat before he would recognize the new order of things. After the lapse of some years, of which we possess no records, we find the mention of a certain Urukagina, who assumes the title of king: he restored or enlarged several temples, and dug the canal which supplied the town of Nina with water. A few generations later we find the ruling authority in the hands of a certain Urninâ, whose father Ninigaldun and grandfather Gurshar received no titles—a fact which proves that they could not have been reigning sovereigns. Urninâ appears to have been of a peaceful and devout disposition, as the inscriptions contain frequent references to the edifices he had erected in honour of the gods, the sacred objects he had dedicated to them, and the timber for building purposes which he had brought from Mâgan, but there is no mention in them of any war. His son Akurgal was also a builder of temples, but his grandson Idingiranagin, who succeeded Akurgal, was a warlike and combative prince.

101.jpg Idingiranagin Holding the Totem of Lagash.
     Drawn by Faucher-Gudin, from the bas-relief F2 in the
     Louvre.

It seems probable that, about that time, the kingdom of Gishban had become a really powerful state. It had triumphed not only over Babylonia proper, but over Kish, Uru, Uruk, and Larsam, while one of its sovereigns had actually established his rule in some parts of Northern Syria. Idingiranagin vanquished the troops of Gishban, and there is now in the Louvre a trophy which he dedicated in the temple of Ninglrsu on his return from the campaign.

     * Hilpeecht, Bab. Expcd. of the Univ. of Pennsylvania, vol.
     i., 2nd part, p. 47 sqq.

102.jpg Idingiranagin in his Chariot Leading His Troops.
     Drawn by Faucher-Gudin, from a bas-relief in the Louvre. The
     attendant standing behind the king has been obliterated, but
     we see clearly the contour of his shoulder, and his hands
     holding the reins. It is a large stele of close-grained
     white limestone, rounded at the top, and covered with scenes
     and inscriptions on both its faces. One of these faces
     treats only of religious subjects. Two warlike goddesses,
     crowned with plumed head-dresses and crescent-shaped horns,
     are placed before a heap of weapons and various other
     objects, which probably represent some of the booty
     collected in the campaign. It would appear that they
     accompany a tall figure of a god or king, possibly that of
     the deity Ningirsu, patron of Lagash and its kings. Ningirsu
     raises in one hand an ensign, of which the staff bears at
     the top the royal totem, the eagle with outspread wings
     laying hold by his talons of two half-lions back to back;
     with the other hand he brings a, club down heavily upon a
     group of prisoners, who struggle at his feet in the meshes
     of a large net.

103.jpg Page Image. Vultures Feeding Upon the Dead.
     Drawn by Faucher-Gudin, from the fragment of a bas-relief in
     the Louvre. This is the human sacrifice after the victory,
     such as we find it in Egypt—the offering to the national
     god of a tenth of the captives, who struggle in vain to
     escape from fate. On the other stele the battle is at its
     height. Idingiranagin, standing upright in his chariot,
     which is guided by an attendant, charges the enemy at the
     head of his troops, and the plain is covered with corpses
     cut down by his fierce blows: a flock of vultures accompany
     him, and peck at each other in their struggles over the
     arms, legs, and decapitated heads of the vanquished. Victory
     once secured, he retraces his steps to bestow funeral
     honours upon the dead.

104.jpg Piling up the Mound of The Dead After The Battle.
     Drawn by Faucher-Gudin, from the fragment of a bas-relief in
     the Louvre. The bodies raised regularly in layers form an
     enormous heap: priests or soldiers wearing loin-cloths mount
     to its top, where they pile the offerings and the earth
     which are to form the funerary mound. The sovereign,
     moreover, has, in honour of the dead, consigned to execution
     some of the prisoners, and deigns to kill with his own hand
     one of the principal chiefs of the enemy.

The design and execution of these scenes are singularly rude; men and beasts—indeed, all the figures—have exaggerated proportions, uncouth forms, awkward positions, and an uncertain and heavy gait. The war ended in a treaty concluded with Enakalli, vicegerent of Grishban, by which Lagash obtained considerable advantages. Idingiranagin replaced the stele of Meshilim, overthrown by one of Enakalli’s predecessors, and dug a ditch from the Euphrates to the provinces of Guedln to serve henceforth as a boundary. He further levied a tribute of corn for the benefit of the goddess Nina and her consort Ningirsu, and applied the spoils of the campaign to the building of new sanctuaries for the patron-gods of his city.

105.jpg King Urnina and his Family.
Drawn by Faucher-Gudin, from
a bas-relief in the Louvre.

His reign was, on the whole, a glorious and successful one. He conquered the mountain district of Elam, rescued Uruk and Uru, which had both fallen into the hands of the people of Gishban, organized an expedition against the town of Az and killed its vicegerent, in addition to which he burnt Arsua, and devastated the district of Mishime. He next directed an attack against Zuran, king of Udban, and, by vanquishing this Prince on the field of battle, he extended his dominion over nearly the whole of Babylonia.

The prosperity of his dynasty was subjected to numerous and strange vicissitudes. Whether it was that its resources were too feeble to stand the exigencies and strain of war for any length of time, or that intestine strife had been the chief cause of its decline, we cannot say. Its kings married many wives and became surrounded with a numerous progeny: Urninâ had at least four sons. They often entrusted to their children or their sons-in-law the government of the small towns which together made up the city: these represented so many temporary fiefs, of which the holders were distinguished by the title of “vicegerents.” This dismemberment of the supreme authority in the interest of princes, who believed for the most part that they had stronger claims to the throne than its occupant, was attended with dangers to peace and to the permanence of the dynasty. The texts furnish us with evidence of the existence of at least half a dozen descendants of Akurgal—Inannatuma I., Intemena, his grandson Inannatuma II, all of whom seem to have been vigorous rulers who energetically maintained the supremacy of their city over the neighbouring estates. Inannatuma I., however, proved no match in the end against Urlamma, the vicegerent of Gishban, and lost part, at least, of the territory acquired by Idingiranagin, but his son Intemena defeated Urlamma on the banks of the Lumasirta Canal, and, having killed or deposed him, gave the vicegerency of Gishban to a certain Hi, priest of Ninab, who remained his loyal vassal to the end of his days. With his aid Intemena restored the stelae and walls which had been destroyed during the war; he also cleared out the old canals and dug new ones, the most important of which was apparently an arm of the Shatt-el-Hai, and ran from the Euphrates to the Tigris, through the very centre of the domains of Ghirsu.

Other kings and vicegerents of doubtful sequence were followed lastly by Urbau and his son Gudea. These were all piously devoted to Ningirsu in general, and in particular to the patron of their choice from among the divinities of the country—Papsukal, Dunziranna, and Ninâgal. They restored and enriched the temples of these gods: they dedicated to them statues or oblation vases for the welfare of themselves and their families. It would seem, if we are to trust the accounts which they give of themselves, that their lives were passed in profound peace, without other care than that of fulfilling their duties to heaven and its ministers. Their actual condition, if we could examine it, would doubtless appear less agreeable and especially less equable; revolutions in the palace would not be wanting, nor struggles with the other peoples of Chaldæa, with Susiana and even more distant nations. When Agadê rose into power in Northern Babylonia, they fell under its rule, and one of them, Lugal-ushum-gal, acknowledged himself a dependant of Sargon. On the decline of Agade, and when that city was superseded by Uru in the hegemony of Babylonia proper, the vicegerents of Lagash were transferred with the other great towns to the jurisdiction of Uru, and flourished under the supremacy of the new dynasty.

Grudea, son of Urbau, who, if not the most powerful of its princes, is at least the sovereign of whom we possess the greatest number of monuments, captured the town of Anshan in Elam, and this is probably not the only campaign in which he took part, for he speaks of his success in an incidental manner, and as if he were in a hurry to pass to more interesting subjects.

108.jpg the Sacrifice
     Drawn by Faucher-Gudin, from a stone in the Louvre.

That which seemed to him important in his reign, and which especially called forth the recognition of posterity, was the number of his pious foundations, distinguished as they were by beauty and magnificence. The gods themselves had inspired him in his devout undertakings, and had even revealed to him the plans which he was to carry out. An old man of venerable aspect appeared to him in a vision, and commanded him to build a temple: as he did not know with whom he had to do, Nina his mother informed him that it was his brother, the god Ningirsu. This having been made clear, a young woman furnished with style and writing tablet was presented to him—Nisaba, the sister of Nina; she made a drawing in his presence, and put before him the complete model of a building. He set to work on it con amore, and sent for materials to the most distant countries—to Mâgan, Amanus, the Lebanon, and into the mountains which separate the valley of the Upper Tigris from that of the Euphrates.

109.jpg Sitting Statue of Gudea
     Drawn by Faucher-Gudin

The sanctuaries which he decorated, and of which he felt so proud, are to-day mere heaps of bricks, now returned to their original clay; but many of the objects which he placed in them, and especially the statues, have traversed the centuries without serious damage before finding a resting-place in the Louvre. The sculptors of Lagash, after the time of Idingi-ranagin, had been instructed in a good school, and had learned their business. Their bas-reliefs are not so good as those of Naramsin; the execution of them is not so refined, the drawing less delicate, and the modelling of the parts not so well thought out. A good illustration of their work is the fragment of a square stele which represents a scene of offering or sacrifice. We see in the lower part of the picture a female singer, who is accompanied by a musician, playing on a lyre ornamented with the head of an ox, and a bull in the act of walking. In the upper part an individual advances, clad in a fringed mantle, and bearing in his right hand a kind of round paten, and in his left a short staff. An acolyte follows him, his arms brought up to his breast, while another individual marks, by clapping his hands, the rhythm of the ode which a singer like the one below is reciting. The fragment is much abraded, and its details, not being clearly exhibited, have rather to be guessed at; but the defaced aspect which time has produced is of some service to it, since it conceals in some respect the rudeness of its workmanship. The statues, on the other hand, bear evidence of a precision of chiselling and a skill beyond question. Not that there are no faults to be found in the work. They are squat, thick, and heavy in form, and seem oppressed by the weight of the woollen covering with which the Chaldeans enveloped themselves; when viewed closely, they excite at once the wonder and repulsion of an eye accustomed to the delicate grace, and at times somewhat slender form, which usually characterized the good statues of the ancient and middle empire of Egypt. But when we have got over the effect of first impressions, we can but admire the audacity with which the artists attacked their material. This is of hard dolerite, offering great resistance to the tool—harder, perhaps, than the diorite out of which the Memphite sculptor had to cut his Khephren: they succeeded in mastering it, and in handling it as freely as if it were a block of limestone or marble.

111.jpg Plan of the Ruins Of Mughîer

The surface of the breast and back, the muscular development of the shoulders and arms, the details of the hands and feet, all the nude portions, are treated at once with a boldness and attention to minutiae rarely met with in similar works. The pose is lacking in variety; the individual, whether male or female, is sometimes represented standing and sometimes sitting on a low seat, the legs brought together, the bust rising squarely from the hips, the hands crossed upon the breast, in a posture of submission or respectful adoration. The mantle passes over the left shoulder, leaving the right free, and is fastened on the right breast, the drapery displaying awkward and inartistic folds: the latter widens in the form of a funnel from top to bottom, being bell-shaped around the lower part of the body, and barely leaves the ankles exposed.

112.jpg Statues from Telloh. And Head of One Of The Statue of Gudea.
     Drawn by Faucher-Gudin, from Heuzey-Sarzec.

All the large statues to be seen at the Louvre have lost their heads; fortunately we possess a few separate heads. Some are completely shaven, others wear a kind of turban affording shade to the forehead and eyes; among them all we see the same qualities and defects which we find in the bodies: a hardness of expression, heaviness, absence of vivacity, and yet withal a vigour of reproduction and an accurate knowledge of human anatomy. These are instances of what could be accomplished in a city of secondary rank; better things were doubtless produced in the great cities, such as Uru and Babylon. Chaldæan art, as we are able to catch a glimpse of it in the monuments of Lagash, had neither the litheness, nor animation, nor elegance of the Egyptian, but it was nevertheless not lacking in force, breadth, and originality. Urningirsu succeeded his father Gudea, to be followed rapidly by several successive vicegerents, ending, it would appear, in Gala-lama. Their inscriptions are short and insignificant, and show that they did not enjoy the same resources or the same favour which enabled Gudea to reign gloriously. The prosperity of Lagash decreased steadily under their administration, and they were all the humble vassals of the King of Uru, Dungi, son of Urbau; a fact which tends to make us regard Urbau as having been the suzerain upon whom Gudea himself was dependent. Uru, the only city among those of Lower Chaldæa which stands on the right bank of the Euphrates, was a small but strong place, and favourably situated for becoming one of the commercial and industrial centres in these distant ages. The Wady Eummein, not far distant, brought to it the riches of Central and Southern Arabia, gold, precious stones, gums, and odoriferous resins for the exigencies of worship. Another route, marked out by wells, traversed the desert to the land of the semi-fabulous Mâshu, and from thence perhaps penetrated as far as Southern Syria and the Sinaitic Peninsula—Mâgan and Milukhkha on the shores of the Red Sea: this was not the easiest but it was the most direct route for those bound for Africa, and products of Egypt were no doubt carried along it in order to reach in the shortest time the markets of Uru. The Euphrates now runs nearly five miles to the north of the town, but from the regions bordering the Black Sea.

114.jpg Plan of the Ruins Of Abu-shahreyn

In ancient times it was not so distant, but passed almost by its gates. The cedars, cypresses, and pines of Amamis and the Lebanon,the limestones, marbles, and hard stones of Upper Syria, were brought down to it by boat; and probably also metals— iron, copper and lead.

The Shatt-el-Haî, moreover, poured its waters into the Euphrates almost opposite the city, and opened up to it commercial relations with the Upper and Middle Tigris. And this was not all; whilst some of its boatmen used its canals and rivers as highways, another section made their way to the waters of the Persian Gulf and traded with the ports on its coast. Eridu, the only city which could have barred their access to the sea, was a town given up to religion, and existed only for its temples and its gods. It was not long before it fell under the influence of its powerful neighbour, becoming the first port of call for vessels proceeding up the Euphrates.

115.jpg an Arab Crossing the Tigris in a ‘kufa.’
     Drawn by Faucher-Gudin, from a sketch by Chesney.

In the time of the Greeks and Romans the Chaldaeans were accustomed to navigate the Tigris either in round flat-bottomed boats, of little draught—“kufas,” in fact—or on rafts placed upon inflated skins, exactly similar in appearance and construction to the “keleks” of our own day. These keleks were as much at home on the sea as upon the river, and they may still be found in the Persian Gulf engaged in the coasting trade. Doubtless many of these were included among the vessels of Uru mentioned in the texts, but there were also among the latter those long large rowing-boats with curved stem and stern, Egyptian in their appearance, which are to be found roughly incised on some ancient cylinders. These primitive fleets were not disposed to risk the navigation of the open sea. They preferred to proceed slowly along the shore, hugging it in all cases, except when it was necessary to reach some group of neighbouring islands; many days of navigation were thus required to make a passage which one of our smallest sail-boats would effect in a few hours, and at the end of their longest voyages they were not very distant from their point of departure. It would be a great mistake to suppose them capable of sailing round Arabia and of fetching blocks of stone by sea from the Sinaitic Peninsula; such an expedition, which would have been dangerous even for Greek or Roman Galleys, would have been simply impossible for them. If they ever crossed the Strait of Ormuzd, it was an exceptional thing, their ordinary voyages being confined within the limits of the gulf. The merchants of Uru were accustomed to visit regularly the island of Dilmun, the land of Mâgan, the countries of Milukhkha and Gubîn; from these places they brought cargoes of diorite for their sculptors, building-timber for their architects, perfumes and metals transported from Yemen by land, and possibly pearls from the Bahrein Islands. They encountered serious rivalry from the sailors of Dilmun and Mâgan, whose maritime tribes were then as now accustomed to scour the seas. The risk was great for those who set out on such expeditions, perhaps never to return, but the profit was considerable.

117.jpg an Assyrian Kelek Laden With Building-stone.
     Drawn by Faucher-Gudin, from a bas-relief from “Kouyunjik”
      (Layard, The Monuments of Nineveh, 2nd series, pi. 13; cf.
     Place, Ninive et l’Assyrie, pl. 43, No. 1.)

Uru, enriched by its commerce, was soon in a position to subjugate the petty neighbouring states—Uruk, Larsam, Lagash, and Nipur. Its territory formed a fairly extended sovereignty, whose lords entitled themselves kings of Shumir and Akkad, and ruled over all Southern Chaldæa for many centuries.

Several of these kings, the Lugalkigubnidudu and the Lugalkisalsi, of whom some monuments have been preserved to us, seem to have extended their influence beyond these limits prior to the time of Sargon the Elder; and we can date the earliest of them with tolerable probability. Urbau reigned some time about 2900 B.C. He was an energetic builder, and material traces of his activity are to be found everywhere throughout the country. The temple of the Sun at Larsam, the temple of Nina in Uruk, and the temples of Inlilla and Ninlilla in Nipur were indebted to him for their origin or restoration: he decorated or repaired all structures which were not of his own erection: in Uru itself the sanctuary of the moon-god owes its foundation to him, and the fortifications of the city were his work. Dungi, his son, was an indefatigable bricklayer, like his father: he completed the sanctuary of the moon-god, and constructed buildings in Uruk, Lagash, and Kutha. There is no indication in the inscriptions of his having been engaged in any civil struggle or in war with a foreign nation; we should make a serious mistake, however, if we concluded from this silence that peace was not disturbed in his time. The tie which bound together the petty states of which Uru was composed was of the slightest. The sovereign could barely claim as his own more than the capital and the district surrounding it; the other cities recognized his authority, paid him tribute, did homage to him in religious matters, and doubtless rendered him military service also, but each one of them nevertheless maintained its particular constitution and obeyed its hereditary lords. These lords, it is true, lost their title of king, which now belonged exclusively to their suzerain, and each one had to be content in his district with the simple designation of “vicegerent;” but having once fulfilled their feudal obligations, they had absolute power over their ancient domains, and were able to transmit to their progeny the inheritance they had received from their fathers. Gudea probably, and most certainly his successors, ruled in this way over Lagash, as a fief depending on the crown of Uru. After the manner of the Egyptian barons, the vassals of the kings of Chaldaea submitted to the control of their suzerain without resenting his authority as long as they felt the curbing influence of a strong hand: but on the least sign of feebleness in their master they reasserted themselves, and endeavoured to recover their independence. A reign of any length was sure to be disturbed by rebellions sometimes difficult to repress: if we are ignorant of any such, it is owing to the fact that inscriptions hitherto discovered are found upon objects upon which an account of a battle would hardly find a fitting place, such as bricks from a temple, votive cones or cylinders of terra-cotta, amulets or private seals. We are still in ignorance as to Dungi’s successors, and the number of years during which this first dynasty was able to prolong its existence. We can but guess that its empire broke up by disintegration after a period of no long duration. Its cities for the most part became emancipated, and their rulers proclaimed themselves kings once more. We see that the kingdom of Amnanu, for instance, was established on the left bank of the Euphrates, with Uruk as its capital, and that three successive sovereigns at least—of whom Singashid seems to have been the most active—were able to hold their own there. Uru had still, however, sufficient prestige and wealth to make it the actual metropolis of the entire country. No one could become the legitimate lord of Shumir and Accad before he had been solemnly enthroned in the temple at Uru. For many centuries every ambitious kinglet in turn contended for its possession and made it his residence. The first of these, about 2500 B.C., were the lords of Nishin, Libitanunit, Gamiladar, Inedîn, Bursîn I., and Ismidâgan: afterwards, about 2400 B.C., Gungunum of Nipur made himself master of it. The descendants of Gungunum, amongst others Bursîn II., Gimilsîn, Inêsin, reigned gloriously for a few years. Their records show that they conquered not only a part of Elam, but part of Syria. They were dispossessed in their turn by a family belonging to Lârsam, whose two chief representatives, as far as we know, were Nurramman and his son Sinidinnam (about 2300 B.C.). Naturally enough, Sinidinnam was a builder or repairer of temples, but he added to such work the clearing of the Shatt-el-Haî and the excavation of a new canal giving a more direct communication between the Shatt and the Tigris, and in thus controlling the water-system of the country became worthy of being considered one of the benefactors of Chaldæa.

We have here the mere dust of history, rather than history itself: here an isolated individual makes his appearance in the record of his name, to vanish when we attempt to lay hold of him; there, the stem of a dynasty which breaks abruptly off, pompous preambles, devout formulas, dedications of objects or buildings, here and there the account of some battle, or the indication of some foreign country with which relations of friendship or commerce were maintained—these are the scanty materials out of which to construct a connected narrative. Egypt has not much more to offer us in regard to many of her Pharaohs, but we have in her case at least the ascertained framework of her dynasties, in which each fact and each new name falls eventually, and after some uncertainty, into its proper place. The main outlines of the picture are drawn with sufficient exactitude to require no readjustment, the groups are for the most part in their fitting positions, the blank spaces or positions not properly occupied are gradually restricted, and filled in from day to day; the expected moment is in sight when, the arrangement of the whole being accomplished, it will be necessary only to fill in the details. In the case of Chaldæa the framework itself is wanting, and expedients must be resorted to in order to classify the elements entering into its composition. Naramsîn is in his proper place, or nearly so; but as for Gudea, what interval separates him from Naramsîn, and at what distance from Gudea are we to place the kings of Uru? The beginnings of Chaldæa have merely a provisional history: the facts in it are certain, but the connection of the facts with one another is too often a matter of speculation. The arrangement which is put forward at present can be regarded only as probable, but it would be difficult to propose a better until the excavations have furnished us with fresh material; it must be accepted merely as an attempt, without pledging to it our confidence on the one hand, or regarding it with scepticism on the other.

=========================

Frontispiece El Hammam (the Bath)
     Drawn by Boudier, after J. Dieulafoy. The vignette, which is
     by Faucher-Gudin, is reproduced from an intaglio in the
     Cabinet des Médailles.






THE CONSTRUCTION AND REVENUES OF THE TEMPLES—THE POPULAR GODS AND THE THEOLOGICAL TRIADS——THE DEAD AND HADES.

Chaldæan cities: the resemblance of their ruins to natural mounds caused by their exclusive use of brick as a building material—Their city walls: the temples and local gods; reconstruction of their history by means of the stamped bricks of which they were built—The two types of ziggurât: the arrangement of the temple of Nannar at Uru.

The tribes of the Chaldæan gods—Genii hostile to men, their monstrous shapes; the south-west wind; friendly genii—The Seven, and their attacks on the moon-god; Gibil, the fire-god, overcomes them and their snares—The Sumerian gods; Ningirsu: the difficulty of defining them and of understanding the nature of them; they become merged in the Semitic deities.

Characteristics and dispositions of the Chaldæan gods—the goddesses, like women of the harem, are practically nonentities; Mylitta and her meretricious rites—The divine aristocracy and its principal representatives: their relations to the earth, oracles, speaking statues, household gods—The gods of each city do not exclude those of neighbouring cities: their alliances and their borrowings from one another—The sky-gods and the earth-gods, the sidereal gods: the moon and the sun.

The feudal gods: several among them unite to govern the world; the two triads of Eridu—The supreme triad: Anu the heaven; Bel the earth and his fusion with the Babylonian Merodach; Ea, the god of the waters—The second triad: Sin the moon and Shamash the sun; substitution of Bamman for Ishtar in this triad; the winds and the legend of Adapa, the attributes of Ramman—The addition of goddesses to these two triads; the insignificant position which they occupy.

The assembly of the gods governs the world: the bird Zu steals the tablets of destiny—Destinies are written in the heavens and determined by the movements of the stars; comets and their presiding deities, Nebo and Ishtai—The numerical value of the gods—The arrangement of the temples, the local priesthood, festivals, revenues of the gods and gifts made to them—Sacrifices, the expiation of crimes—Death and the future of the soul—Tombs and the cremation of the dead; the royal sepulchres and funerary rites—Hades and its sovereigns: Nergal, Allât, the descent of Ishtar into the infernal regions, and the possibility of a resurrection The invocation of the dead—The ascension of Etana.



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124.jpg Chapter II








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CHAPTER II—THE TEMPLES AND THE GODS OF CHALDÆA

The construction and revenues of the temples—Popular gods and theological triads—The dead and Hades.

The cities of the Euphrates attract no attention, like those of the Nile, by the magnificence of their ruins, which are witnesses, even after centuries of neglect, to the activity of a powerful and industrious people: on the contrary, they are merely heaps of rubbish in which no architectural outline can be distinguished—mounds of stiff and greyish clay, cracked by the sun, washed into deep crevasses by the rain, and bearing no apparent traces of the handiwork of man.

126.jpg Plan of the Ruins Of Wakka

In the estimation of the Chaldæan architects, stone was a material of secondary consideration: as it was necessary to bring it from a great distance and at considerable expense, they used it very sparingly, and then merely for lintels, uprights, thresholds, for hinges on which to hang their doors, for dressings in some of their state apartments, in cornices or sculptured friezes on the external walls of their buildings; and even then its employment suggested rather that of a band of embroidery carefully disposed on some garment to relieve the plainness of the material. Crude brick, burnt brick, enamelled brick, but always and everywhere brick was the principal element in their construction. The soil of the marshes or of the plains, separated from the pebbles and foreign substances which it contained, mixed with grass or chopped straw, moistened with water, and assiduously trodden underfoot, furnished the ancient builders with materials of incredible tenacity. This was moulded into thin square bricks, eight inches to a foot across, and three to four inches thick, but rarely larger: they were stamped on the flat side, by means of an incised wooden block, with the name of the reigning sovereign, and were then dried in the sun.* A layer of fine mortar or of bitumen was sometimes spread between the courses, or handfuls of reeds would be strewn at intervals between the brickwork to increase the cohesion: more frequently the crude bricks were piled one upon another, and their natural softness and moisture brought about their rapid agglutination.** As the building proceeded, the weight of the courses served to increase still further the adherence of the layers: the walls soon became consolidated into a compact mass, in which the horizontal strata were distinguishable only by the varied tints of the clay used to make the different relays of bricks.

     * The making of bricks for the Assyrian monuments of the
     time of the Sargonids has been minutely described by Place,
     Ninive et l’Assyrie, vol. i. pp. 211-214. The methods of
     procedure were exactly the same as those used under the
     earliest king known, as has been proved by the examination
     of the bricks taken from the monuments of Uru and Lagash.

     ** This method of building was noticed by classical writers.
     The word “Bowarieh,” borne by several ancient mounds in
     Chaldoa, signifies, properly speaking, a mat of reeds; it is
     applied only to such buildings as are apparently constructed
     with alternate layers of brick and dried reeds. The
     proportion of these layers differs in certain localities: in
     the ruins of the ancient temple of Belos at Babylon, now
     called the “Mujelibeh,” the lines of straw and reeds run
     uninterruptedly between each course of bricks; in the ruins
     of Akkerkuf, they only occur at wider intervals—according
     to Niebuhr and Ives, every seventh or eighth course;
     according to Raymond, every seventh course, or sometimes
     every fifth or sixth course, but in these cases the layer of
     reeds becomes 3 1/2 to 3 3/4 inches wide. H. Rawlin-son
     thinks, on the other hand, that all the monuments in which
     we find layers of straw and reeds between the brick courses
     belong to the Parthian period.

128.jpg a ChaldÆan Stamped Brick.
     Drawn by Faucher-Gudin, from a brick preserved in the
     Louvre. The bricks bearing historical inscriptions, which
     are sometimes met with, appear to have been mostly ex-voto
     offerings placed somewhere prominently, and not building
     materials hidden in the masonry.

Monuments constructed of such a plastic material required constant attention and frequent repairs, to keep them in good condition: after a few years of neglect they became quite disfigured, the houses suffered a partial dissolution in every storm, the streets were covered with a coating of fine mud, and the general outline of the buildings and habitations grew blurred and defaced. Whilst in Egypt the main features of the towns are still traceable above ground, and are so well preserved in places that, while excavating them, we are carried away from the present into the world of the past, the Chaldæan cities, on the contrary, are so overthrown and seem to have returned so thoroughly to the dust from which their founders raised them, that the most patient research and the most enlightened imagination can only imperfectly reconstitute their arrangement.

The towns were not enclosed within those square or rectangular enclosures with which the engineers of the Pharaohs fortified their strongholds. The ground-plan of Uru was an oval, that of Larsam formed almost a circle upon the soil, while Uruk and Eridu resembled in shape a sort of irregular trapezium. The curtain of the citadel looked down on the plain from a great height, so that the defenders were almost out of reach of the arrows or slings of the besiegers: the remains of the ramparts at Uruk at the present day are still forty to fifty feet high, and twenty or more feet in thickness at the top. Narrow turrets projected at intervals of every fifty feet along the face of the wall: the excavations have not been sufficiently pursued to permit of our seeing what system of defence was applied to the entrances. The area described by these cities was often very large, but the population in them was distributed very unequally; the temples in the different quarters formed centres around which were clustered the dwellings of the inhabitants, sometimes densely packed, and elsewhere thinly scattered. The largest and richest of these temples was usually reserved for the principal deity, whose edifices were being continually decorated by the ruling princes, and the extent of whose ruins still attracts the traveller. The walls, constructed and repaired with bricks stamped with the names of lords of the locality, contain in themselves alone an almost complete history. Did Urbau, we may ask, found the ziggurat of Nannar in Uru? We meet with his bricks at the base of the most ancient portions of the building, and we moreover learn, from cylinders unearthed not far from it, that “for Nannar, the powerful bull of Anu, the son of Bel, his King, Urbau, the brave hero, King of Uru, had built E-Timila, his favourite temple.” The bricks of his son Dungi are found mixed with his own, while here and there other bricks belonging to subsequent kings, with cylinders, cones, and minor objects, strewn between the courses, mark restorations at various later periods. What is true of one Chaldæan city is equally true of all of them, and the dynasties of Uruk and of Lagash, like those of Uru, can be reconstructed from the revelations of their brickwork. The lords of heaven promised to the lords of the earth, as a reward of their piety, both glory and wealth in this life, and an eternal fame after death: they have, indeed, kept their word. The majority of the earliest Chaldæan heroes would be unknown to us, were it not for the witness of the ruined sanctuaries which they built, and that which they did in the service of their heavenly patrons has alone preserved their names from oblivion. Their most extravagant devotion, however, cost them less money and effort than that of the Pharaohs their contemporaries. While the latter had to bring from a distance, even from the remotest parts of the desert, the different kinds of stone which they considered worthy to form part of the decoration of the houses of their gods, the Chaldæan kings gathered up outside their very doors the principal material for their buildings: should they require any other accessories, they could obtain, at the worst, hard stone for their statues and thresholds in Mâgan and Milukhkha, and beams of cedar and cypress in the forests of the Amanus and the Upper Tigris. Under these conditions a temple was soon erected, and its construction did not demand centuries of continuous labour, like the great limestone and granite sanctuaries of Egypt: the same ruler who laid the first brick, almost always placed the final one, and succeeding generations had only to keep the building in ordinary repair, without altering its original plan. The work of construction was in almost every case carried out all at one time, designed and finished from the drawings of one architect, and bears traces but rarely of those deviations from the earlier plans which sometimes make the comprehension of the Theban temples so difficult a matter: if the state of decay of certain parts, or more often inadequate excavation, frequently prevent us from appreciating their details, we can at least reinstate their general outline with tolerable accuracy.

While the Egyptian temple was spread superficially over a large area, the Chalæan temple strove to attain as high an elevation as possible. The “ziggurats,” whose angular profile is a special characteristic of the landscapes of the Euphrates, were composed of several immense cubes, piled up on one another, and diminishing in size up to the small shrine by which they were crowned and wherein the god himself was supposed to dwell. There are two principal types of these ziggurats. In the first, for which the builders of Lower Chaldæa showed a marked preference, the vertical axis, common to all the superimposed stories, did not pass through the centre of the rectangle which served as the base of the whole building; it was carried back and placed near to one of the narrow ends of the base, so that the back elevation of the temple rose abruptly in steep narrow ledges above the plain, while the terraces of the front broadened out into wide platforms. The stories are composed of solid blocks of crude brick; up to the present, at least, no traces of internal chambers have been found.* The chapel on the summit could not contain more than one apartment: an altar stood before the door, and access to it was obtained by a straight external staircase, interrupted at each terrace by a more or less spacious landing.** The second type of temple frequently found in Northern Chaldæa was represented by a building on a square base with seven stories, all of equal height, connected by one or two lateral staircases, having on the summit, the pavilion of the god; this is the “terraced tower” which excited the admiration of the Greeks at Babylon, and of which the temple of Bel was the most remarkable example. The ruins of it still exist, but it has been so frequently and so completely restored in the course of ages, that it is impossible to say how much now remains of the original construction. We know of several examples, however, of the other type of ziggurat—one at Uru, another at Bridu, a third at Uruk, without mentioning those which have not as yet been methodically explored. None of them rises directly from the surface of the ground, but they are all built on a raised platform, which consequently places the foundations of the temple nearly on a level with the roofs of the surrounding houses. The raised platform of the temple of Nannar at Uru still measures 20 feet in height, and its four angles are orientated exactly to the four cardinal points. Its façade was approached by an inclined plane, or by a flight of low steps, and the summit, which was surrounded by a low balustrade, was paved with enormous burnt bricks. On this terrace, processions at solemn festivals would have ample space to perform their evolutions. The lower story of the temple occupies a parallelogram of 198 feet in length by 173 feet in width, and rises about 27 feet in height.