315.jpg the King Charging on his Chariot
     Drawn by Faucher-Gudin, from a photograph.

The first chariots introduced into Egypt were, like the horses, of foreign origin, but when built by Egyptian workmen they soon became more elegant, if not stronger than their models. Lightness was the quality chiefly aimed at; and at length the weight was so reduced that it was possible for a man to carry his chariot on his shoulders without fatigue. The materials for them were on this account limited to oak or ash and leather; metal, whether gold or silver, iron or bronze, being used but sparingly, and then only for purposes of ornamentation. The wheels usually had six, but sometimes eight spokes, or occasionally only four. The axle consisted of a single stout pole of acacia. The framework of the chariot was composed of two pieces of wood mortised together so as to form a semicircle or half-ellipse, and closed by a straight bar; to this frame was fixed a floor of sycomore wood or of plaited leather thongs. The sides of the chariot were formed of upright panels, solid in front and open at the sides, each provided with a handrail. The pole, which was of a single piece of wood, was bent into an elbow at about one-fifth of its length from the end, which was inserted into the centre of the axletree. On the gigantic T thus formed was fixed the body of the chariot, the hinder part resting on the axle, and the front attached to the bent part of the pole, while the whole was firmly bound together with double leather thongs. A yoke of hornbeam, shaped like a bow, to which the horses were harnessed, was fastened to the other extremity of the pole. The Asiatics placed three men in a chariot, but the Egyptians only two; the warrior—sinni—whose business it was to fight, and the shield-bearer—qazana—who protected his companion with a buckler during the engagement. A complete set of weapons was carried in the chariot—lances, javelins, and daggers, curved spear, club, and battle-axe—while two bow-cases as well as two large quivers were hung at the sides. The chariot itself was very liable to upset, the slightest cause being sufficient to overturn it. Even when moving at a slow pace, the least inequality of the ground shook it terribly, and when driven at full speed it was only by a miracle of skill that the occupants could maintain their equilibrium. At such times the charioteer would stand astride of the front panels, keeping his right foot only inside the vehicle, and planting the other firmly on the pole, so as to lessen the jolting, and to secure a wider base on which to balance himself. To carry all this into practice long education was necessary, for which there were special schools of instruction, and those who were destined to enter the army were sent to these schools when little more than children. To each man, as soon as he had thoroughly mastered all the difficulties of the profession, a regulation chariot and pair of horses were granted, for which he was responsible to the Pharaoh or to his generals, and he might then return to his home until the next call to arms. The warrior took precedence of the shield-bearer, and both were considered superior to the foot-soldier; the chariotry, in fact, like the cavalry of the present day, was the aristocratic branch of the army, in which the royal princes, together with the nobles and their sons, enlisted. No Egyptian ever willingly trusted himself to the back of a horse, and it was only in the thick of a battle, when his chariot was broken, and there seemed no other way of escaping from the mêlée, that a warrior would venture to mount one of his steeds. There appear, however, to have been here and there a few horsemen, who acted as couriers or aides-de-camp; they used neither saddle-cloth nor stirrups, but were provided with reins with which to guide their animals, and their seat on horseback was even less secure than the footing of the driver in his chariot.

318.jpg an Egyptian Learning to Ride, from a Bas-relief In the Bologna Museum
     Drawn by Faucher-Gudin, from a photograph by Flinders Petrie.

The infantry was divided into platoons of six to ten men each, commanded by an officer and marshalled round an ensign, which represented either a sacred animal, an emblem of the king or of his double, or a divine figure placed upon the top of a pike; this constituted an object of worship to the group of soldiers to whom it belonged. We are unable to ascertain how many of these platoons, either of infantry or of chariotry, went to form a company or a battalion, or by what ensigns the different grades were distinguished from each other, or what was their relative order of rank. Bodies of men, to the number of forty or fifty, are sometimes represented on the monuments, but this may be merely by chance, or because the draughtsman did not take the trouble to give the proper number accurately. The inferior officers were equipped very much like the soldiers, with the exception of the buckler, which they do not appear to have carried, and certainly did not when on the march: the superior officers might be known by their umbrella or flabellum, a distinction which gave them the right of approaching the king’s person.

319.jpg the War-dance of The Timihu at DeÎr El-baharÎ
     Drawn by Faucher-Gudin, from a photograph.

The military exercises to which all these troops were accustomed probably differed but little from those which were in vogue with the armies of the Ancient Empire; they consisted in wrestling, boxing, jumping, running either singly or in line at regular distances from each other, manual exercises, fencing, and shooting at a target; the war-dance had ceased to be in use among the Egyptian regiments as a military exercise, but it was practised by the Ethiopian and Libyan auxiliaries. At the beginning of each campaign, the men destined to serve in it were called out by the military scribes, who supplied them with arms from the royal arsenals. Then followed the distribution of rations. The soldiers, each carrying a small linen bag, came up in squads before the commissariat officers, and each received his own allowance.*

     * We see the distribution of arms made by the scribes and
     other officials of the royal arsenals represented in the
     pictures at Medinet-Abu. The calling out of the classes was
     represented in the Egyptian tombs of the XVIIIth dynasty, as
     well as the distribution of supplies.

Once in the enemy’s country the army advanced in close order, the infantry in columns of four, the officers in rear, and the chariots either on the right or left flank, or in the intervals between divisions. Skirmishers thrown out to the front cleared the line of march, while detached parties, pushing right and left, collected supplies of cattle, grain, or drinking-water from the fields and unprotected villages. The main body was followed by the baggage train; it comprised not only supplies and stores, but cooking-utensils, coverings, and the entire paraphernalia of the carpenters’ and blacksmiths’ shops necessary for repairing bows, lances, daggers, and chariot-poles, the whole being piled up in four-wheeled carts drawn by asses or oxen. The army was accompanied by a swarm of non-combatants, scribes, soothsayers, priests, heralds, musicians, servants, and women of loose life, who were a serious cause of embarrassment to the generals, and a source of perpetual danger to military discipline. At nightfall they halted in a village, or more frequently bivouacked in an entrenched camp, marked out to suit the circumstances of the case. This entrenchment was always rectangular, its length being twice as great as its width, and was surrounded by a ditch, the earth from which, being banked up on the inside, formed a rampart from five to six feet in height; the exterior of this was then entirely faced with shields, square below, but circular in shape at the top. The entrance to the camp was by a single gate in one of the longer sides, and a plank served as a bridge across the trench, close to which two detachments mounted guard, armed with clubs and naked swords.

321.jpg a Column of Troops on the March, Chariots And Infantry
     Drawn by Boudier, from a photograph by Emil Brugsch-Bey.

The royal quarters were situated at one end of the camp. Here, within an enclosure, rose an immense tent, where the Pharaoh found all the luxury to which he was accustomed in his palaces, even to a portable chapel, in which each morning he could pour out water and burn incense to his father, Amon-Râ of Thebes. The princes of the blood who formed his escort, his shield-bearers and his generals, were crowded together hard by, and beyond, in closely packed lines, were the horses and chariots, the draught bullocks, the workshops and the stores.

322.jpg an Egyptian Fortified Camp, Forced by the Enemy
     Drawn by Boudier, from a photograph by Beato. It represents
     the camp of Ramses II. before Qodshû: the upper angle of the
     enclosure and part of the surrounding wall have been
     destroyed by the Khâti, whose chariots are pouring in at the
     breach. In the centre is the royal tent, surrounded by
     scenes of military life. This picture has been sculptured
     partly over an earlier one representing one of the episodes
     of the battle; the latter had been covered with stucco, on
     which the new subject was executed. Part of the stucco has
     fallen away, and the king in his chariot, with a few other
     figures, has reappeared, to the great detriment of the later
     picture.

322b.jpg Two Companies on the March

The soldiers, accustomed from childhood to live in the open air, erected no tents or huts of boughs for themselves in these temporary encampments, but bivouacked in the open, and the sculptures on the façades of the Theban pylons give us a minute picture of the way in which they employed themselves when off duty. Here one man, while cleaning his armour, superintends the cooking. Another, similarly engaged, drinks from a skin of wine held up by a slave. A third has taken his chariot to pieces, and t is replacing some portion the worse for wear. Some are sharpening their daggers or lances; others mend their loin-cloths or sandals, or exchange blows with fists and sticks. The baggage, linen, arms, and provisions are piled in disorder on the ground; horses, oxen, and asses are eating or chewing the cud at their ease; while here and there a donkey, relieved of his burden, rolls himself on the ground and brays with delight.*

     * We are speaking of the camp of Thûtmosis III. near Âlûna,
     the day before the battle of Megiddo, and the words put into
     the mouths of the soldiers to mark their vigilance are the
     same as those which we find in the Ramesseum and at Luxor,
     written above the guards of the camp where Ramses II. is
     reposing.

325.jpg Scenes from Military Life in an Egyptian Camp

     Drawn by Faucher-Gudin, from a photograph by Beato.

The success of the Egyptians in battle was due more to the courage and hardihood of the men than to the strategical skill of their commanders. We find no trace of manouvres, in the sense in which we understand the word, either in their histories or on their bas-reliefs, but they joined battle boldly with the enemy, and the result was decided by a more or less bloody conflict. The heavy infantry was placed in the centre, the chariots were massed on the flanks, while light troops thrown out to the front began the action by letting fly volleys of arrows and stones, which through the skill of the bowmen and slingers did deadly execution; then the pikemen laid their spears in rest, and pressing straight forward, threw their whole weight against the opposing troops. At the same moment the charioteers set off at a gentle trot, and gradually quickened their pace till they dashed at full speed upon the foe, amid the confused rumbling of wheels and the sharp clash of metal.

327.jpg Encounter Between Egyptian and Asiatic Chariots
     Drawn by Faucher-Gudin, from a drawing by Champolion.

The Egyptians, accustomed by long drilling to the performance of such evolutions, executed these charges as methodically as though they were still on their parade-ground at Thebes; if the disposition of the ground were at all favourable, not a single chariot would break the line, and the columns would sweep across the field without swerving or falling into disorder. The charioteer had the reins tied round his body, and could, by throwing his weight either to the right or the left, or by slackening or increasing the pressure through a backward or forward motion, turn, pull up, or start his horses by a simple movement of the loins: he went into battle with bent bow, the string drawn back to his ear, the arrow levelled ready to let fly, while the shield-bearer, clinging to the body of the chariot with one hand, held out his buckler with the other to shelter his comrade. It would seem that the Syrians were less skilful; their bows did not carry so far as those of their adversaries, and consequently they came within the enemy’s range some moments before it was possible for them to return the volley with effect. Their horses would be thrown down, their drivers would fall wounded, and the disabled chariots would check the approach of those following and overturn them, so that by the time the main body came up with the enemy the slaughter would have been serious enough to render victory hopeless. Nevertheless, more than one charge would be necessary finally to overturn or scatter the Syrian chariots, which, once accomplished, the Egyptian charioteer would turn against the foot-soldiers, and, breaking up their ranks, would tread them down under the feet of his horses.*

     * The whole of the above description is based on incidents
     from the various pictures of battles which appear on the
     monuments of Ramses II.

Nor did the Pharaoh spare himself in the fight; his splendid dress, the urasus on his forehead, and the nodding plumes of his horses made him a mark for the blows of the enemy, and he would often find himself in positions of serious danger. In a few hours, as a rule, the conflict would come to an end.

ENLARGE TO FULL SIZE

328bth Ramses II.

Once the enemy showed signs of giving way, the Egyptian chariots dashed upon them precipitously, and turned the retreat into a rout: the pursuit was, however, never a long One; some fortress was always to be found close at hand where the remnant of the defeated host could take refuge.* The victors, moreover, would be too eager to secure the booty, and to strip the bodies of the dead, to allow time for following up the foe.

     * After the battle of Megiddo, the remnants of the Syrian
     army took refuge in the city, where Thûtmosis III. besieged
     them; similarly under Ramses II. the Hittite princes took
     refuge in Qodshû after their defeat.

The prisoners were driven along in platoons, their arms bound in strange and contorted attitudes, each under the charge of his captor; then came the chariots, arms, slaves, and provisions collected on the battle-field or in the camp, then other trophies of a kind unknown in modern warfare. When an Egyptian killed or mortally wounded any one, he cut off, not the head, but the right hand or the phallus, and brought it to the royal scribes. These made an accurate inventory of everything, and even Pharaoh did not disdain to be present at the registration. The booty did not belong to the persons who obtained it, but was thrown into a common stock which was placed at the disposal of the sovereign: one part he reserved for the gods, especially for his father Amon of Thebes, who had given him the victory; another part he kept for himself, and the remainder was distributed among his army. Each man received a reward in proportion to his rank and services, such as male or female slaves, bracelets, necklaces, arms, vases, or a certain measured weight of gold, known as the “gold of bravery.” A similar sharing of the spoil took place after every successful engagement: from Pharaoh to the meanest camp-follower, every man who had contributed to the success of a campaign returned home richer than he had set out, and the profits which he derived from a war were a liberal compensation for the expenses in which it had involved him.

330.jpg Counting of the Hands

The results of the first expedition of Thûtmosis I. were of a decisive character; so much so, indeed, that he never again, it would seem, found it necessary during the remainder of his life to pass the isthmus. Northern Syria, it is true, did not remain long under tribute, if indeed it paid any at all after the departure of the Egyptians, but the southern part of the country, feeling itself in the grip of the new master, accepted its defeat: Gaza became the head-quarters of a garrison which secured the door of Asia for future invasion,* and Pharaoh, freed from anxiety in this quarter, gave his whole time to the consolidation of his power in Ethiopia.

     * This fact is nowhere explicitly stated on the monuments:
     we may infer it, however, from the way in which Thûtmosis
     III. tells how he reached Gaza without opposition at the
     beginning of his first campaign, and celebrated the
     anniversary of his coronation there. On the other hand, we
     learn from details in the lists that the mountains and
     plains beyond Gaza were in a state of open rebellion.

The river and desert tribes of this region soon forgot the severe lesson which he had given them: as soon as the last Egyptian soldier had left their territory they rebelled once more, and began a fresh series of inroads which had to be repressed anew year after year. Thûtmosis I. had several times to drive them back in the years II. and III., but was able to make short work of their rebellions. An inscription at Tombos on the Nile, in the very midst of the disturbed districts, told them in brave words what he was, and what he had done since he had come to the throne. Wherever he had gone, weapon in hand, “seeking a warrior, he had found none to withstand him; he had penetrated to valleys which were unknown to his ancestors, the inhabitants of which had never beheld the wearers of the double diadem.” All this would have produced but little effect had he not backed up his words by deeds, and taken decisive measures to restrain the insolence of the barbarians. Tombos lies opposite to Hannek, at the entrance to that series of rapids known as the Third Cataract. The course of the Nile is here barred by a formidable dyke of granite, through which it has hollowed out six winding channels of varying widths, dotted here and there with huge polished boulders and verdant islets. When the inundation is at its height, the rocks are covered and the rapids disappear, with the exception of the lowest, which is named Lokoli, where faint eddies mark the place of the more dangerous reefs; and were it not that the fall here is rather more pronounced and the current somewhat stronger, few would suspect the existence of a cataract at the spot. As the waters go down, however, the channels gradually reappear. When the river is at its lowest, the three westernmost channels dry up almost completely, leaving nothing but a series of shallow pools; those on the east still maintain their flow, but only one of them, that between the islands of Tombos and Abadîn, remains navigable. Here Thûtmosis built, under invocation of the gods of Heliopolis, one of those brickwork citadels, with its rectangular keep, which set at nought all the efforts and all the military science of the Ethiopians: attached to it was a harbour, where each vessel on its way downstream put in for the purpose of hiring a pilot.*

The monarchs of the XIIth and XIIIth dynasties had raised fortifications at the approaches to Wady Haifa, and their engineers skilfully chose the sites so as completely to protect from the ravages of the Nubian pirates that part of the Nile which lay between Wady Haifa and Philse.*

     * The foundation of this fortress is indicated in an
     emphatic manner in the Tombos inscription: “The masters of
     the Great Castle (the gods of Heliopolis) have made a
     fortress for the soldiers of the king, which the nine
     peoples of Nubia combined could not carry by storm, for,
     like a young panther before a bull which lowers its head,
     the souls of his Majesty have blinded them with
     fear.” Quarries of considerable size, where Cailliaud
     imagined he could distinguish an overturned colossus, show
     the importance which the establishment had attained in
     ancient times; the ruins of the town cover a fairly large
     area near the modern village of Kerman.

Henceforward the garrison at Tombos was able to defend the mighty curve described by the river through the desert of Mahas, together with the island of Argo, and the confines of Dongola. The distance between Thebes and this southern frontier was a long one, and communication was slow during the winter months, when the subsidence of the waters had rendered the task of navigation difficult for the Egyptian ships. The king was obliged, besides, to concentrate his attention mainly on Asiatic affairs, and was no longer able to watch the movements of the African races with the same vigilance as his predecessors had exercised before Egyptian armies had made their way as far as the banks of the Euphrates. Thutmosis placed the control of the countries south of Assuan in the hands of a viceroy, who, invested with the august title of “Royal Son of Kûsh,” must have been regarded as having the blood of Râ himself running in his veins.*

     * The meaning of this title was at first misunderstood.
     Champollion and Rosellini took it literally, and thought it
     referred to Ethiopian princes, who were vassals or enemies
     of Egypt. Birch persists in regarding them as Ethiopians
     driven out by their subjects, restored by the Pharaohs as
     viceroys, while admitting that they may have belonged to the
     solar family.

Sura, the first of these viceroys whose name has reached us, was in office at the beginning of the campaign of the year III.* He belonged, it would seem, to a Theban family, and for several centuries afterwards his successors are mentioned among the nobles who were in the habit of attending the court. Their powers were considerable: they commanded armies, built or restored temples, administered justice, and received the homage of loyal sheikhs or the submission of rebellious ones.** The period for which they were appointed was not fixed by law, and they held office simply at the king’s pleasure. During the XIXth dynasty it was usual to confer this office, the highest in the state, on a son of the sovereign, preferably the heir-apparent. Occasionally his appointment was purely formal, and he continued in attendance on his father, while a trusty substitute ruled in his place: often, however, he took the government on himself, and in the regions of the Upper Nile served an apprenticeship to the art of ruling.

     * He is mentioned in the Sehêl inscriptions as “the royal
     son Sura.” Nahi, who had been regarded as the first holder of
     the office, and who was still in office under Thutmosis
     III., had been appointed by Thutmosis I., but after Sura.

     ** Under Thutmosis III., the viceroy Nahi restored the
     temple at Semneh; under Tutankhamon, the viceroy Hui
     received tribute from the Ethiopian princes, and presented
     them to the sovereign.

336.jpg a City of Modern Nubia--the Ancient Dongola
     Drawn by Faucher-Gudin, from a photograph taken by Insinger.

This district was in a perpetual state of war—a war without danger, but full of trickery and surprises: here he prepared himself for the larger arena of the Syrian campaigns, learning the arts of generalship more perfectly than was possible in the manouvres of the parade-ground. Moreover, the appointment was dictated by religious as well as by political considerations. The presumptive heir to the throne was to his father what Horus had been to Osiris—his lawful successor, or, if need be, his avenger, should some act of treason impose on him the duty of vengeance: and was it not in Ethiopia that Horus had gained his first victories over Typhon? To begin like Horus, and flesh his maiden steel on the descendants of the accomplices of Sit, was, in the case of the future sovereign, equivalent to affirming from the outset the reality of his divine extraction.*

     * In the Orbiney Papyrus the title of “Prince of Kûsh” was
     assigned to the heir-presumptive to the throne.

As at the commencement of the Theban dynasties, it was the river valley only in these regions of the Upper Nile which belonged to the Pharaohs. From this time onward it gave support to an Egyptian population as far as the juncture of the two Niles: it was a second Egypt, but a poorer one, whose cities presented the same impoverished appearance as that which we find to-day in the towns of Nubia. The tribes scattered right and left in the desert, or distributed beyond the confluence of the two Niles among the plains of Sennar, were descended from the old indigenous races, and paid valuable tribute every year in precious metals, ivory, timber, or the natural products of their districts, under penalty of armed invasion.*

     * The tribute of the Ganbâtiû, or people of the south, and
          that of Kûsh and of the Ûaûaîû, is mentioned repeatedly
          in the Annales de Thûtmosis III. for the year XXXI.,
          for the year XXXIII., and for the year XXXIV. The
          regularity with which this item recurs, unaccompanied by
          any mention of war, following after each Syrian campaign,
          shows that it was an habitual operation which was
          registered as an understood thing. True, the inscription
          does not give the item for every year, but then it only
          dealt with Ethiopian affairs in so far as they were
          subsidiary to events in Asia; the payment was none the
          less an annual one, the amount varying in accordance with
          local agreement.

Among these races were still to be found descendants of the Mazaiû and Ûaûaîû, who in days gone by had opposed the advance of the victorious Egyptians: the name of the Uaûaîû was, indeed, used as a generic term to distinguish all those tribes which frequented the mountains between the Nile and the Red Sea,* but the wave of conquest had passed far beyond the boundaries reached in early campaigns, and had brought the Egyptians into contact with nations with whom they had been in only indirect commercial relations in former times.

     * The Annals of Thûtmosis III. mention the tribute of Pûanît
     for the peoples of the coast, the tribute of Uaûaît for the
     peoples of the mountain between the Nile and the sea, the
     tribute of Kûsh for the peoples of the south, or Ganbâtiû.

338.jpg Arrival of an Ethiopian Queen Bringing Tribute To The Viceroy of KÛsii
     Drawn by Boudier, from a photograph by Insinger.

Some of these were light-coloured men of a type similar to that of the modern Abyssinians or Gallas: they had the same haughty and imperious carriage, the same well-developed and powerful frames, and the same love of fighting. Most of the remaining tribes were of black blood, and such of them as we see depicted on the monuments resemble closely the negroes inhabiting Central Africa at the present day.

339.jpg Typical Galla Woman

They have the same elongated skull, the low prominent forehead, hollow temples, short flattened nose, thick lips, broad shoulders, and salient breast, the latter contrasting sharply with the undeveloped appearance of the lower part of the body, which terminates in thin legs almost devoid of calves. Egyptian civilization had already penetrated among these tribes, and, as far as dress and demeanour were concerned, their chiefs differed in no way from the great lords who formed the escort of the Pharaoh. We see these provincial dignitaries represented in the white robe and petticoat of starched, pleated, and gauffered linen; an innate taste for bright colours, even in those early times, being betrayed by the red or yellow scarf in which they wrapped themselves, passing it over one shoulder and round the waist, whence the ends depended and formed a kind of apron. A panther’s skin covered the back, and one or two ostrich-feathers waved from the top of the head or were fastened on one side to the fillet confining the hair, which was arranged in short curls and locks, stiffened with gum and matted with grease, so as to form a sort of cap or grotesque aureole round the skull. The men delighted to load themselves with rings, bracelets, earrings, and necklaces, while from their arms, necks, and belts hung long strings of glass beads, which jingled with every movement of the wearer. They seem to have frequently chosen a woman as their ruler, and her dress appears to have closely resembled that of the Egyptian ladies. She appeared before her subjects in a chariot drawn by oxen, and protected from the sun by an umbrella edged with fringe. The common people went about nearly naked, having merely a loin-cloth of some woven stuff or an animal’s skin thrown round their hips. Their heads were either shaven, or adorned with tufts of hair stiffened with gum. The children of both sexes wore no clothes until the age of puberty; the women wrapped themselves in a rude garment or in a covering of linen, and carried their children on the hip or in a basket of esparto grass on the back, supported by a leather band which passed across the forehead. One characteristic of all these tribes was their love of singing and dancing, and their use of the drum and cymbals; they were active and industrious, and carefully cultivated the rich soil of the plain, devoting themselves to the raising of cattle, particularly of oxen, whose horns they were accustomed to train fantastically into the shapes of lyres, bows, and spirals, with bifurcations at the ends, or with small human figures as terminations. As in the case of other negro tribes, they plied the blacksmith’s and also the goldsmith’s trade, working up both gold and silver into rings, chains, and quaintly shaped vases, some specimens of their art being little else than toys, similar in design to those which delighted the Byzantine Caesars of later date.

341.jpg Gold Epergne Representing Scenes from Ethiopian Life
     Drawn by Faucher-Gudin, from a painting on the tomb of Hûi.

345.jpg Queen MÛtnofrÎt in the GÎzeh Museum
Drawn by Faucher-Gudin,
from a photograph by
Emil Brugsch-Bey.

A wall-painting remains of a gold epergne, which represents men and monkeys engaged in gathering the fruit of a group of dôm-palms. Two individuals lead each a tame giraffe by the halter, others kneeling on the rim raise their hands to implore mercy from an unseen enemy, while negro prisoners, grovelling on their stomachs, painfully attempt to raise their head and shoulders from the ground. This, doubtless, represents a scene from the everyday life of the people of the Upper Nile, and gives a faithful picture of what took place among many of its tribes during a rapid inroad of some viceroy of Kush or a raid by his lieutenants.

The resources which Thûtmosis I. was able to draw regularly from these southern regions, in addition to the wealth collected during his Syrian campaign, enabled him to give a great impulse to building work. The tutelary deity of his capital—Amon-Râ—who had ensured him the victory in all his battles, had a prior claim on the bulk of the spoil; he received it as a matter of course, and his temple at Thebes was thereby considerably enlarged; we are not, however, able to estimate exactly what proportion fell to other cities, such as Kummeh, Elephantine,* Abydos,** and Memphis, where a few scattered blocks of stone still bear the name of the king. Troubles broke out in Lower Egypt, but they were speedily subdued by Thûtmosis, and he was able to end his days in the enjoyment of a profound peace, undisturbed by any care save that of ensuring a regular succession to his throne, and of restraining the ambitions of those who looked to become possessed of his heritage.***

     * Wiedemann found his name there
     cut in a block of brown
     freestone.

     ** A stele at Abydos speaks of the
     building operations carried on by
     Thûtmosis I. in that town.

     *** The expressions from which we
     gather that his reign was disturbed
     by outbreaks of internal rebellion
     seem to refer to a period subsequent
     to the Syrian expedition, and prior
     to his alliance  with the Princess
     Hâtshopsîtû.

His position was, indeed, a curious one; although de facto absolute in power, his children by Queen Ahmasi took precedence of him, for by her mother’s descent she had a better right to the crown than her husband, and legally the king should have retired in favour of hie sons as soon as they were old enough to reign. The eldest of them, Uazmosû, died early.* The second, Amenmosu, lived at least to attain adolescence; he was allowed to share the crown with his father from the fourth year of the latter’s reign, and he also held a military command in the Delta,** but before long he also died, and Thûtmosis I. was left with only one son—a Thûtmosis like himself—to succeed him. The mother of this prince was a certain Mûtnofrit,*** half-sister to the king on his father’s side, who enjoyed such a high rank in the royal family that her husband allowed her to be portrayed in royal dress; her pedigree on the mother’s side, however, was not so distinguished, and precluded her son from being recognised as heir-apparent, hence the occupation of the “seat of Horus” reverted once more to a woman, Hâtshopsîtû, the eldest daughter of Âhmasi.

     * Uazmosû is represented on the tomb of Pahiri at El-Kab,
     where Mr. Griffith imagines he can trace two distinct
     Uazmosû; for the present, I am of opinion that there was but
     one, the son of Thûtmosis I. His funerary chapel was
     discovered at Thebes; it is in a very bad state of
     preservation.

     ** Amenmosû is represented at El-Kab, by the side of his
     brother Uazmosû. Also on a fragment where we find him, in
     the fourth year of his father’s reign, honoured with a
     cartouche at Memphis, and consequently associated with his
     father in the royal power.

     *** Mûtnofrit was supposed by Mariette to have been a
     daughter of Thûtmosis II; the statue reproduced on p. 345
     has shown us that she was wife of Thûtmosis I. and mother of
     Thûtmosis II.

Hâtshopsîtû herself was not, however, of purely divine descent. Her maternal ancestor, Sonisonbû, had not been a scion of the royal house, and this flaw in her pedigree threatened to mar, in her case, the sanctity of the solar blood. According to Egyptian belief, this defect of birth could only be remedied by a miracle,* and the ancestral god, becoming incarnate in the earthly father at the moment of conception, had to condescend to infuse fresh virtue into his race in this manner.

* A similar instance of divine substitution is known to us in the case of two other sovereigns, viz. Amenôthes III., whose father, Titmosis IV., was born under conditions analogous to those attending the birth of Thûtmosis I.; and Ptolemy Caesarion, whose father, Julius Cæsar, was not of Egyptian blood.

344.jpg Portrait of the Queen Âhmasi
     Drawn by Boudier, from a photograph by Naville.

The inscriptions with which Hâtshopsîtû decorated her chapel relate how, on that fateful night, Amon descended upon Ahmasi in a flood of perfume and light. The queen received him favourably, and the divine spouse on leaving her announced to her the approaching birth of a daughter, in whom his valour and strength should be manifested once more here below. The sequel of the story is displayed in a series of pictures before our eyes.

The protecting divinities who preside over the birth of children conduct the queen to her couch, and the sorrowful resignation depicted on her face, together with the languid grace of her whole figure, display in this portrait of her a finished work of art. The child enters the world amid shouts of joy, and the propitious genii who nourish both her and her double constitute themselves her nurses. At the appointed time, her earthly father summons the great nobles to a solemn festival, and presents to them his daughter, who is to reign with him over Egypt and the world.*

     * The association of Hâtshopsîtû with her father on the
     throne, has now been placed beyond doubt by the inscriptions
     discovered and commented on by Naville in 1895.

346.jpg Queen HÂtshopsÎtÛ in Male Costume
     Drawn by Faucher-Gudin, from a photograph by Naville.

From henceforth Hâtshopsîtû adopts every possible device to conceal her real sex. She changes the termination of her name, and calls herself Hâtshopsîû, the chief of the nobles, in lieu of Hâtshopsîtû, the chief of the favourites. She becomes the King Mâkerî, and on the occasion of all public ceremonies she appears in male costume. We see her represented on the Theban monuments with uncovered shoulders, devoid of breasts, wearing the short loin-cloth and the keffieh, while the diadem rests on her closely cut hair, and the false beard depends from her chin.

347.jpg Bust of Queen HÂtshopsÎtÛ
     Drawn by Faucher-Gudin, from a photograph by M. de Mertens.
     This was the head of one of the sphinxes which formed an
     avenue at Deîr el-Baharî; it was brought over by Lepsius and
     is now in the Berlin Museum. The fragment has undergone
     extensive restoration, but this has been done with the help
     of fragments of other statues, in which the details here
     lost were in a good state of preservation.

She retained, however, the feminine pronoun in speaking of herself, and also an epithet, inserted in her cartouche, which declared her to be the betrothed of Amon—khnûmît Amaûnû.*

     * We know how greatly puzzled the early Egyptologists were
     by this manner of depicting the queen, and how Champollion,
     in striving to explain the monuments of the period, was
     driven to suggest the existence of a regent, Amenenthes, the
     male counterpart and husband of Hâtshopsîtû, whose name he
     read Amense. This hypothesis, adopted by Rosellini, with
     some slight modifications, was rejected by Birch. This
     latter writer pointed out the identity of the two personages
     separated by Champollion, and proved them to be one and the
     same queen, the Amenses of Manetho; he called her Amûn-nûm-
     hc, but he made her out to be a sister of Amenôthes I.,
     associated on the throne with her brothers Thûtmosis I. and
     Thûtmosis IL, and regent at the beginning of the reign of
     Thûtmosis III. Hineks tried to show that she was the
     daughter of Thûtmosis I., the wife of Thûtmosis II. and the
     sister of Thûtmosis III.; it is only quite recently that her
     true descent and place in the family tree has been
     recognised. She was, not the sister, but the aunt of
     Thûtmosis III. The queen, called by Birch Amûn-nûm-het, the
     latter part of her name being dropped and the royal prenomen
     being joined to her own name, was subsequently styled Ha-asû
     or Hatasû, and this form is still adopted by some writers;
     the true reading is Hâtshopsîtû or Hâtshopsîtû, then
     Hâtshopsîû, or Hâtshepsîû, as Naville has pointed out.

Her father united her while still young to her brother Thûtmosis, who appears to have been her junior, and this fact doubtless explains the very subordinate part which he plays beside the queen. When Thûtmosis I. died, Egyptian etiquette demanded that a man should be at the head of affairs, and this youth succeeded his father in office: but Hâtshopsîtû, while relinquishing the semblance of power and the externals of pomp to her husband,* kept the direction of the state entirely in her own hands. The portraits of her which have been preserved represent her as having refined features, with a proud and energetic expression. The oval of the face is elongated, the cheeks a little hollow, and the eyes deep set under the arch of the brow, while the lips are thin and tightly closed.