The gentleman waited, for he was nourishing an idea.

"Come, my kittens," he said, "you must try them on."

There was a torrent of exclamations, and they squeezed their petticoats between their legs, as if they thought he was going to ravish them, but he quietly waited his time, and said: "Well, if you will not, I shall pack them up again."

And he added cunningly: "I offer any pair they like, to those who will try them on."

But they would not, and sat up very straight, and looked dignified.

But the two pumps looked so distressed that he renewed the offer to them, and Flora especially visibly hesitated, and he possessed her: "Come, my dear, a little courage! Just look at that lilac pair; it will suit your dress admirably ..."

That decided her, and pulling up her dress she showed a thick leg fit for a milk-maid, in a badly-fitting, coarse stocking. The commercial traveler stooped down and fastened the garter below the knee first of all and then above it; and he tickled the girl gently, which made her scream and jump. When he had done, he gave her the lilac pair, and asked: "Who next?"

"I! I!" they all shouted at once, and he began on Rosa the Jade, who uncovered a shapeless, round thing without any ankle, a regular "sausage of a leg," as Raphaele used to say.

The commercial traveler complimented Fernande, and grew quite enthusiastic over her powerful columns.

The thin tibias of the handsome Jewess met less success, and Louise Cocote, by way of a joke, put her petticoats over his head, so that Madame was obliged to interfere to check such unseemly behavior.

Lastly, Madame herself put out her leg, a handsome, muscular, Norman leg, and in his surprise and pleasure, the commercial traveler gallantly took off his hat to salute that master calf, like a true French cavalier.

The two peasants, who were speechless from surprise, looked aside, out of the corners of their eyes, and they looked so exactly like fowls that the man with the light whiskers, when he sat up, said co—co—ri—co, under their very noses, and that gave rise to another storm of amusement.

The old people got out at Motteville, with their basket, their ducks, and their umbrella, and they heard the woman say to her husband, as they went away:

"They are bad women, who are off to that cursed place Paris."

The funny commercial traveler himself got out at Rouen, after behaving so coarsely, that Madame was obliged sharply to put him into his right place, and she added, as a moral: "This will teach us not to talk to the first comer."

At Oissel they changed trains, and at a little station further on, Monsieur Joseph Rivet was waiting for them with a large cart and a number of chairs in it, which was drawn by a white horse.

The carpenter politely kissed all the ladies, and then helped them into his conveyance.

Three of them sat on three chairs at the back, Raphaele, Madame and her brother on the three chairs in front, and Rosa, who had no seat, settled herself as comfortably as she could on tall Fernande's knees, and then they set off.

But the horse's jerky trot shook the cart so terribly that the chairs began to dance, and threw the travelers into the air, to the right and to the left, as if they had been dancing puppets, which made them make horrible grimaces and screams, which, however, were cut short by another jolt of the cart.

They clung onto the sides of the vehicle, their bonnets fell onto their backs, their noses on their shoulders, and the white horse went on stretching out his head, and holding out his tail quite straight, a little, hairless rat's tail, with which he whisked his buttocks from time to time.

Joseph Rivet, with one leg on the shafts and the other bent under him, held out the reins with his elbows very high, and he kept uttering a kind of chuckling sound, which made the horse prick up its ears and go faster.

The green country extended on either side of the road, and here and there the colza in flower presented a waving expanse of yellow, from which there arose a strong, wholesome, sweet and penetrating smell, which the wind carried to some distance.

The cornflowers showed their little blue heads among the rye, and the women wanted to pick them, but Monsieur Rivet refused to stop.

Then sometimes a whole field appeared to be covered with blood, so thickly were the poppies growing, and the cart, which looked as if it were filled with flowers of more brilliant hue, drove on through the fields colored with wild flowers, and disappeared behind the trees of a farm, only to reappear and to go on again through the yellow or green standing crops, which were studded with red or blue.

One o'clock struck as they drove up to the carpenter's door. They were tired out, and pale with hunger, as they had eaten nothing since they left home, and Madame Rivet ran out, and made them alight, one after another, and kissed them as soon as they were on the ground, and she seemed as if she would never tire of kissing her sister-in-law, whom she apparently wanted to monopolize. They had lunch in the workshop, which had been cleared out for the next day's dinner.

A capital omelette, followed by boiled chitterlings, and washed down by good, sharp cider, made them all feel comfortable.

Rivet had taken a glass so that he might hob-nob with them, and his wife cooked, waited on them, brought in the dishes, took them out, and asked all of them in a whisper whether they had everything they wanted. A number of boards standing against the walls, and heaps of shavings that had been swept into the corners, gave out a smell of planed wood, or carpentering, that resinous odor which penetrates the lungs.

They wanted to see the little girl, but she had gone to church, and would not be back until evening, so they all went out for a stroll in the country.

It was a small village, through which the high road passed. Ten or a dozen houses on either side of the single street, were inhabited by the butcher, the grocer, the carpenter, the inn-keeper, the shoemaker and the baker.

The church was at the end of the street, and was surrounded by a small churchyard, and four enormous lime-trees, which stood just outside the porch, shaded it completely. It was built of flint, in no particular style, and had a slated steeple. When you got past it, you were in the open country again, which was broken here and there by clumps of trees which hid the homestead.

Rivet had given his arm to his sister, out of politeness, although he was in his working clothes, and was walking with her majestically. His wife, who was overwhelmed by Raphaele's gold-striped dress, was walking between her and Fernande, and round-about Rosa was trotting behind with Louise Cocote and Flora, the see-saw, who was limping along, quite tired out.

The inhabitants came to their doors, the children left off playing, and a window curtain would be raised, so as to show a muslin cap, while an old woman with a crutch, and who was almost blind, crossed herself as if it were a religious procession, and they all looked for a long time after those handsome ladies from the town, who had come so far to be present at the confirmation of Joseph Rivet's little girl, and the carpenter rose very much in the public estimation.

As they passed the church, they heard some children singing; little shrill voices were singing a hymn, but Madame would not let them go in, for fear of disturbing the little cherubs.

After a walk, during which Joseph Rivet enumerated the principal landed proprietors, spoke about the yield of the land, and productiveness of the cows and sheep, he took his herd of women home and installed them in his house, and as it was very small, they had put them into the rooms, two and two.

Just for once, Rivet would sleep in the workshop on the shavings; his wife was going to share her bed with her sister-in-law, and Fernande and Raphaele were to sleep together in the next room. Louise and Flora were put into the kitchen, where they had a mattress on the floor, and Rosa had a little dark cupboard at the top of the stairs to herself, close to the loft, where the candidate for confirmation was to sleep.

When the girl came in, she was overwhelmed with kisses; all the women wished to caress her, with that need of tender expansion, that habit of professional wheedling, which had made them kiss the ducks in the railway carriage.

They all of them took her onto their laps, stroked her soft, light hair, and pressed her in their arms with vehement and spontaneous outbursts of affection, and the child, who was very good and religious, bore it all patiently.

As the day had been a fatiguing one for every body, they all went to bed soon after dinner. The whole village was wrapped in that perfect stillness of the country, which is almost like a religious silence, and the girls, who were accustomed to the noisy evenings of their establishment, felt rather impressed by the perfect repose of the sleeping village, and they shivered, not with cold, but with those little shivers of solitude which come over uneasy and troubled hearts.

As soon as they were in bed, two and two together, they clasped each other in their arms, as if to protect themselves against this feeling of the calm and profound slumber of the earth. But Rosa the Jade, who was alone in her little dark cupboard, felt a vague and painful emotion come over her.

She was tossing about in bed, unable to get to sleep, when she heard the faint sobs of a crying child close to her head through the partition. She was frightened, and called out, and was answered by a weak voice, broken by sobs. It was the little girl, who was always used to sleeping in her mother's room, and who was frightened in her small attic.

Rosa was delighted, got up softly so as not to awaken anyone, and went and fetched the child. She took her into her warm bed, kissed her and pressed her to her bosom, cossetted her, lavished exaggerated manifestations of tenderness on her, and at last grew calmer herself and went to sleep. And till morning, the candidate for confirmation slept with her head on the prostitute's naked bosom.

At five o'clock, the little church bell ringing the Angelus, woke the women up, who usually slept the whole morning long.

The peasants were up already, and the women went busily from house to house, carefully bringing short, starched, muslin dresses in band—boxes, or very long wax tapers, with a bow of silk fringed with gold in the middle, and with dents in the wax for the fingers.

The sun was already high in the blue sky, which still had a rosy tint towards the horizon, like a faint trace of dawn, remaining. Families of fowls were walking about outside houses, and here and there a black cock, with a glistening breast, raised his head, which was crowned by his red comb, flapped his wings, and uttered his shrill crow, which the other cocks repeated.

Vehicles of all sorts came from neighboring parishes, and discharged tall, Norman women, in dark dresses, with neck—handkerchiefs crossed over the bosom, which were fastened with silver brooches, a hundred years old.

The men had put on their blouses over their new frock—coats, or over their old dress—coats of green cloth, the two tails of which hung down below their blouses. When the horses were in the stable, there was a double line of rustic conveyances along the road; carts, cabriolets, tilburies, char—a—bancs, traps of every shape and age, resting on their shafts, or else with them in the air.

The carpenter's house was as busy as a beehive. The ladies, in dressing—jackets and petticoats, with their hanging down, thin, short hair, which looked as if it were faded and worn by use, were busy dressing the child, who was standing motionless on a table, while Madame Tellier was directing the movements of her battalion. They washed her, did her hair, dressed her, and with the help of a number of pins, they arranged the folds of her dress, and took in the waist, which was too large.

Then, when she was ready, she was told to sit down and not to move, and the women hurried off to get ready themselves.

The church bell began to ring again, and its tinkle was lost in the air, like a feeble voice which is soon drowned in space. The candidates came out of the houses, and went towards the parochial building which contained the two—school and the mansion house—and which stood quite at one end of the village, while the church was situated at the other.

The parents, in their very best clothes, followed their children, with awkward looks, and those clumsy movements of the body, which is always bent at work.

The little girls disappeared in a cloud of muslin, which looked like whipped cream, while the lads, who looked like embryo waiters in a café, and whose heads shone with pomatum, walked with their legs apart, so as not to get any dust or dirt onto their black trousers.

It was something for the family to be proud of, when a large number of relations, who had come from a distance, surrounded the child, and, consequently, the carpenter's triumph was complete.

Madame Tellier's regiment, with its mistress at its head, followed Constance; her father gave his arm to his sister, her mother walked by the side of Raphaele, Fernande, with Rosa and the two pumps together, and thus they walked majestically through the village, like a general's staff in full uniform, while the effect on the village was startling.

At the school, the girls arranged themselves under the Sister of Mercy, and the boys under the schoolmaster, and they started off, singing a hymn as they went. The boys led the way, in two files, between the two rows of vehicles, from which the horses had been taken out, and the girls followed in the same order; and as all the people in the village had given the town ladies the precedence out of politeness, they came immediately behind the girls, and lengthened the double line of the procession still more, three on the right and three on the left, while their dresses were as striking as a bouquet in fireworks.

When they went into the church, the congregation grew quite excited. They pressed against each other, they turned round, they jostled one another in order to see, and some of the devout ones spoke almost aloud, as they were so astonished at the sight of those ladies whose dresses were more trimmed than the priest's chasuble.

The Mayor offered them his pew, the first one on the right, close to the choir, and Madame Tellier sat there with her sister-in-law, Fernande and Raphaele, Rosa the Jade, and the two pumps occupied the second seat, in company with the carpenter.

The choir was full of kneeling children, the girls on one side, and the boys on the other, and the long wax tapers which they held looked like lances, pointing in all directions, and three men were standing in front of the lectern, singing as loud as they could.

They prolonged the syllables of the sonorous Latin indefinitely, holding onto Amens with interminable a—a's, while the serpent of the organ kept up its monotorious, long drawn out notes, which that longthroated, copper instrument uttered.

A child's shrill voice took up the reply, and from time to time a priest sitting in a stall and wearing a biretta, got up, muttered something, and sat down again, while the three singers continued, with their eyes fixed on the big book of plain song lying open before them on the outstretched wings of an eagle, mounted on a pivot.

Then silence ensued, and so the service went on, and towards the end of it, Rosa, with her head in both her hands, suddenly thought of her mother and her village church on a similar occasion. She almost fancied that that day had returned, when she was so small, and almost hidden in her white dress, and she began to cry.

First of all, she wept silently, and the tears dropped slowly from her eyes, but her emotion increased with her recollections, and she began to sob. She took out her pocket-handkerchief, wiped her eyes, and held it to her mouth, so as not to scream, but it was useless.

A sort of rattle escaped her throat, and she was answered by two other profound, heart-breaking sobs; for her two neighbors, Louise and Flora, who were kneeling near her, overcome by similar recollections, were sobbing by her side, amidst a flood of tears, and as they are contagious, Madame soon in turn found that her eyes were wet, and on turning to her sister-in-law, she saw that all the occupants of her seat were also crying.

Soon, throughout the church, here and there, a wife, a mother, a sister, seized by the strange sympathy of poignant emotion, and agitated by those handsome ladies on their knees, who were shaken by their sobs, was moistening her cambric pocket-handkerchief, and pressing her beating heart with her left hand.

Just as the sparks from an engine will set fire to dry grass, so the tears of Rosa and of her companions infected the whole congregation in a moment. Men, women, old men, and lads in new blouses were soon all sobbing, and something superhuman seemed to be hovering over their heads; a spirit, the powerful breath of an invisible and all-powerful being.

Suddenly a species of madness seemed to pervade the church, the noise of a crowd in a state of frenzy, a tempest of sobs and stifled cries. It passed through them like gusts of wind which bow the trees in a forest, and the priest, paralyzed by emotion, stammered out incoherent prayers, without finding words, prayers of the soul, when it soars towards heaven.

The people behind him, gradually grew calmer. The cantors, in all the dignity of their white surplices, went on in somewhat uncertain voices, and the serpent itself seemed hoarse, as if the instrument had been weeping; the priest, however, raised his hand, as a sign for them to be still, and went and stood on the chancel steps, when everybody was silent, immediately.

After a few remarks on what had just taken place, which he attributed to a miracle, he continued, turning to the seats where the carpenter's guests were sitting:

"I especially thank you, my dear sisters, who have come from such a distance, and whose presence among us, whose evident faith and ardent piety have set such a salutary example to all. You have edified my parish; your emotion has warmed all hearts; without you, this great day would not, perhaps, have had this really divine character. It is sufficient, at times, that there should be one chosen to keep in the flock, to make the whole flock blessed."

His voice failed him again, from emotion, and he said no more, but concluded the service.

Then they all left the church as quickly as possible, and the children themselves were restless, as they were tired with such a prolonged tension of the mind. Besides that, they were hungry, and by degrees they all left the churchyard, to see about dinner.

There was a crowd outside, a noisy crowd, a babel of loud voices, where the shrill Norman accent was discernible. The villagers formed two ranks, and when the children appeared, each family seized its own.

The whole houseful of women caught hold of Constance, surrounded her and kissed her, and Rosa was especially demonstrative. At last she took hold of one hand, while Madame Tellier held the other, and Raphaele and Fernande held up her long muslin petticoat, so that it might not drag in the dust; Louise and Flora brought up the rear with Madame Rivet, and the child, who was very silent and thoughtful, set off home, in the midst of this guard of honor.

The dinner was served in the workshop, on long boards supported by trestles, and through the open door they could see all the enjoyment that was going on. Everywhere they were feasting, and through every window were to be seen tables surrounded by people in their Sunday best, and a cheerful noise was heard in every house, while the men were sitting in their shirt-sleeves, drinking cider, glass after glass.

In the carpenter's house, their gaiety maintained somewhat of an air of reserve, which was the consequence of the emotion of the girls in the morning, and Rivet was the only one who was in a good cue, and he was drinking to excess. Madame Tellier was looking at the clock every moment, for, in order not to lose two days following, they ought to take the 3:55 train, which would bring them to Fécamp by dark.

The carpenter tried very hard to distract her attention, so as to keep his guests until the next day, but he did not succeed, for she never joked when there was business to be done, and as soon as they had had their coffee she ordered her girls to make haste and get ready, and then, turning to her brother, she said:

"You must have the horse put in immediately," and she herself went to finish her last preparations.

When she came down again, her sister-in-law was waiting to speak to her about the child, and a long conversation took place, in which, however, nothing was settled. The carpenter's wife finished, and pretended to be very much moved, and Madame Tellier, who was holding the girl on her knees, would not pledge herself to anything definite, but merely gave vague promises ... she would not forget her, there was plenty of time, and then, they should meet again.

But the conveyance did not come to the door, and the women did not come downstairs. Upstairs, they even heard loud laughter, falls, little screams, and much clapping of hands, and so, while the carpenter's wife went to the stable to see whether the cart was ready, Madame went upstairs.

Rivet, who was very drunk, and half undressed, was vainly trying to violate Rosa, who was half choking with laughter. The two pumps were holding him by the arms and trying to calm him, as they were shocked at such a scene after that morning's ceremony; but Raphaele and Fernande were urging him on, writhing and holding their sides with laughter, and they uttered shrill cries at every useless attempt that the drunken fellow made.

The man was furious, his face was red, he was all unbuttoned, and he was trying to shake off the two women who were clinging to him, while he was pulling Rosa's petticoat with all his might.

But Madame, who was very indignant, went up to her brother, seized him by the shoulders, and threw him out of the room with such violence that he fell against a wall in the passage, and a minute afterwards they heard him pumping water onto his head in the yard, and when he came back with the cart, he was already quite appeased.

They started off in the same way as they had come the day before, and the little white horse started off with his quick, dancing trot. Under the hot sun, their fun, which had been checked during dinner, broke out again. The girls now were amused at the jolts which the wagon gave, pushed their neighbors' chairs, and burst out laughing every moment, for they were in the vein for it, after Rivet's vain attempt.

There was a haze over the country, the roads were glaring, and dazzled their eyes, and the wheels raised up two trails of dust, which followed the cart for a long time along the high road, and presently Fernande, who was fond of music, asked Rosa to sing something, and she boldly struck up the Gros Curé de Meudon, but Madame made her stop immediately, as she thought it a song which was very unsuitable for such a day, and she added:

"Sing us something of Béranger's." And so, after a moment's hesitation, she began Béranger's song, The Grandmother, in her worn-out voice, and all the girls, and even Madame herself, joined in the chorus:

"How I regret
My dimpled arms,
My well-made legs,
And my vanished charms."

"That is first rate," Rivet declared, carried away by the rhythm, and they shouted the refrain to every verse, while Rivet beat time on the shafts with his foot, and on the horse's back with the reins, who, as if he himself were carried away by the rhythm, broke into a wild gallop, and threw all the women in a heap, one on the top of the other, onto the bottom of the conveyance.

They got up, laughing as if they were mad, and the song went on, shouted at the top of their voices, beneath the burning sky, among the ripening grain, to the rapid gallop of the little horse, who set off every time the refrain was sung, and galloped a hundred yards, to their great delight, while occasionally a stone breaker by the roadside sat up and looked at the wild and shouting female load through his wire spectacles.

When they got out at the station, the carpenter said:

"I am sorry you are going; we might have had some fun together." But Madame replied very sensibly: "Everything has its right time, and we cannot always be enjoying ourselves." And then he had a sudden inspiration:

"Look here, I will come and see you at Fécamp next month." And he gave a knowing look, with a bright and roguish eye.

"Come," Madame said, "you must be sensible; you may come if you like, but you are not to be up to any of your tricks."

He did not reply, and as they heard the whistle of the train, he immediately began to kiss them all. When it came to Rosa's turn, he tried to get to her mouth, which she, however, smiling with her lips closed, turned away from him each time by a rapid movement of her head to one side. He held her in his arms, but he could not attain his object, as his large whip, which he was holding in his hand and waving behind the girl's back in desperation, interfered with his efforts.

"Passengers for Rouen, take your seats, please!" a guard cried, and they got in. There was a slight whistle, followed by a loud whistle, from the engine, which noisily puffed out its first jet of steam, while the wheels began to turn a little, with a visible effort, and Rivet left the station and went to the gate by the side of the line to get another look at Rosa, and as the carriage full of human merchandise passed him, he began to crack his whip and to jump, while he sang at the top of his voice:

"How I regret
My dimpled arms,
My well-made legs,
And my vanished charms."

And then he watched a white pocket-handkerchief, which somebody was waving, as it disappeared in the distance.

PART III

They slept the peaceful sleep of a quiet conscience, until they got to Rouen, and when they returned to the house, refreshed and rested, Madame could not help saying:

"It was all very well, but I was already longing to get home."

They hurried over their supper, and then, when they had put on their usual light evening costume, waited for their usual customers, and the little colored lamp outside the door told the passers-by that the flock had returned to the fold, and in a moment the news spread, nobody knew how or by whom.

Monsieur Philippe, the banker's son, even carried his forgetfulness so far, as to send a special messenger to Monsieur Tournevau, who was in the boson of his family.

The fish-curer used every Sunday to have several cousins to dinner, and they were having coffee, when a man came in with a letter in his hand. Monsieur Tournevau was much excited, he opened the envelope and grew pale; it only contained these words in pencil:

"The cargo of cod has been found; the ship has come into port; good business for you. Come immediately."

He felt in his pockets, gave the messenger two-pence, and suddenly blushing to his ears, he said: "I must go out." He handed his wife the laconic and mysterious note, rang the bell, and when the servant came in, he asked her to bring him his hat and overcoat immediately. As soon as he was in the street, he began to run, and the way seemed to him to be twice as long as usual, in consequence of his impatience.

Madame Tellier's establishment had put on quite a holiday look. On the ground floor, a number of sailors were making a deafening noise, and Louise and Flora drank with one and the other, so as to merit their name of the two Pumps more than ever. They were being called for everywhere at once; already they were not quite adequate to their business, and the night bid fair to be a very jolly one for them.

The upstairs room was full by nine o'clock. Monsieur Vasse, the Judge of the Tribunal of Commerce, Madame's usual, but Platonic wooer, was talking to her in a corner, in a low voice, and they were both smiling, as if they were about to come to an understanding.

Monsieur Poulin, the ex-mayor, was holding Rosa on his knees; and she, with her nose close to his, was running her hands through the old gentleman's white whiskers.

Tall Fernande, who was lying on the sofa, had both her feet on Monsieur Pinipesse, the tax-collector's stomach, and her back on young Monsieur Philippe's waistcoat; her right arm was round his neck, while she held a cigarette in her left.

Raphaele appeared to be discussing matters with Monsieur Dupuis, the insurance agent, and she finished by saying: "Yes, my dear, I will."

Just then, the door opened suddenly, and Monsieur Tournevau came in, who was greeted with enthusiastic cries of: "Long live Tournevau!" And Raphaele, who was still twirling round, went and threw herself into his arms. He seized her in a vigorous embrace, and without saying a word, lifting her up as if she had been a feather, he went through the room, opened the door at the other end and disappeared.

Rosa was chatting to the ex-mayor, kissing him every moment, and pulling both his whiskers at the same time in order to keep his head straight.

Fernande and Madame remained with the four men, and Monsieur Philippe exclaimed: "I will pay for some champagne; get three bottles, Madame Tellier." And Fernande gave him a hug, and whispered to him: "Play us a waltz, will you?" So he rose and sat down at the old piano in the corner, and managed to get a hoarse waltz out of the entrails of the instrument.

The tall girl put her arms round the tax-collector, Madame asked Monsieur Vasse to take her in his arms, and the two couples turned round, kissing as they danced. Monsieur Vasse, who had formerly danced in good society, waltzed with such elegance, that Madame was quite captivated.

Frederic brought the champagne; the first cork popped, and Monsieur Philippe played the introduction to a quadrille, through which the four dancers walked in society fashion, decorously, with propriety, deportment, bows and curtsies, and then they began to drink.

Monsieur Philippe next struck up a lively polka, and Monsieur Tournevau started off with the handsome Jewess, whom he held up in the air, without letting her feet touch the ground. Monsieur Pinipesse and Monsieur Vasse had started off with renewed vigor, and from time to time one or other couple would stop to toss off a long glass of sparkling wine, and that dance was threatening to become never-ending, when Rosa opened the door.

"I want to dance," she exclaimed. And she caught hold of Monsieur Dupuis, who was sitting idle on the couch, and the dance began again.

But the bottles were empty. "I will pay for one," Monsieur said. "So will I," Monsieur Vasse declared. "And I will do the same," Monsieur Dupuis remarked.

They all began to clap their hands, and it soon became a regular ball, and from time to time, Louise and Flora ran upstairs quickly, had a few turns, while their customers downstairs grew impatient, and then they returned regretfully to the café. At midnight they were still dancing.

Madame shut her eyes to what was going on and she had long private talks in corners with Monsieur Vasse, as if to settle the last details of something that had already been settled.

At last, at one o'clock, the two married men, Monsieur Tournevau and Monsieur Pinipesse declared that they were going home, and wanted to pay. Nothing was charged for except the champagne, and that only cost six francs a bottle, instead of ten, which was the usual price, and when they expressed their surprise at such generosity, Madame, who was beaming, said to them:

"We don't have a holiday every day."


THE BANDMASTER'S SISTER

"What a joke!" the bandmaster said, twirling his moustache with the foolish smile of a good-looking man, who dangles after women's petticoats, in order that he may get on all the quicker.

His comrades' equivocal allusions puzzled him, though they flattered him like applause, and he stealthily looked in the large mirrors at the new lyres embroidered in gold on the collar of his tunic. They fascinated him by their glitter, and half intoxicated by the doubtful champagne that he had drunk during dinner, and by the glasses of chartreuse and of Bavarian beer which he had imbibed afterwards, and excited by the songs, he was indulging in his usual dreams of success.

He saw himself on the platform of a public garden, standing before his musicians in a flood of light, and he fancied already that he could hear the whispers of women, and feel the caress of their look upon him.

He would be invited even into the drawing-rooms of the Faubourg Saint Germain, which was so difficult of access. With his handsome, pale face, and his wonderful manner of playing Chopin's music, he would penetrate every where, and perhaps some romantic heiress would fall in love with him, and consent to forget that he was only a poor musician, the son of small shopkeepers, who were still in trade at Bayeux.

Lieutenant Varache, who was stirring the punch, shrugged his shoulders, and continued in a bantering voice:

"Yes, Monsieur Parisel, they are sure to ask you whether you have just joined the regiment, or whether you have a mistress ..."

"What do I know?"

"But they say that you have, and that her eyes grow so bright when she speaks to you, that a man would forfeit three months' pay for a glance of them, by Jove!"

Another traced her likeness in a few words, and described her as if she had been some knick-knack for sale at an auction. Her hair came low on her forehead like a golden net, her skin was dazzlingly white, while her bright eyes threw out glances that were like those flashes of summer lightning which dart across the sky on a calm night in June.

Her delicate figure, and she did not look very strong, recalled a plant that has grown too rapidly. She was a droll creature, on the whole, who at times looked as if she had made a mistake in the door, who buried herself in the shade, hid herself, and did not surrender either her heart or her body, and only left the impression of a statue on the bed in which she slept, who appeared delighted with the ignoble business she carried on, and who allured men, and surpassed the common streetwalkers in shamelessness.

Parisel, however, was not listening to them any longer.

He was terribly vexed at meeting with such a common-place adventure at the first start, and to come across that girl on his road, who would make him loose, and soil him with unclean love. She would lower him, and bring him down to the level of rollicking troopers, who are welcome guests in houses of bad character.

"Well," one of them said suddenly, "suppose we go and finish the night at that establishment; it will be far jollier, and the chief will not be obliged to cudgel his brains to remember the name of the girl he loves!"


The officers pushed open the door of the saloon, where a servant was lighting the chandelier, and Marchessy called out in a loud voice, and amidst bursts of laughter:

"Here, Lucie! We have brought your sweetheart to you!"

She came in first, slowly, and wrapped in a transparent muslin dressing-gown, and stopped, as if the beating of her heart were choking her. The bandmaster did not move or say a word; he resembled a duellist, who sees his adversary advancing towards him and taking aim at him, and who is waiting for death.

Great drops of perspiration rolled down his face, and all the blood had left it, while the woman looked at him, and did not appear to recognize him, although her eyes wore a look of triumphant pleasure, and when he started back, and turned his head away, she said to him, in a mocking voice:

"What, my dear, are you not going to kiss me, after a whole year? ... I must have altered very much, very much indeed ... Do not my mouth, and this mark by the side of my ear, bring something to your mind?"

And Varache, who had just lit a cigar, muttered: "Are you going to act a play until to-morrow?"

Then Lucie threw herself on to a sofa, and with her chin in her hands, and in the posture of a chimera on the look out for the pleasures she wishes, continued gravely:

"We lived at the end of a quiet street behind the cathedral, a street in which pots of carnations stood on the window ledges, through which the seminarists went twice a day, as if it had been a procession, and where I was bored to death. Our parents' shop was cold and dark; my mother thought of nothing but of going to all the services, and of attending the novenas, while my father bent over the counter. There was nobody to pet me, to advise me, or to teach me what life really was, and besides that, I had the instinctive feeling that they cared for nobody in this world but my brother.

"The first kiss that touched my lips nearly sent me mad, and I had not the force to resist or to say no. I did not even ask the man who seduced me to marry me, to promise me what men do promise girls. We met in a booth at the fair, and I used to go to meet him every evening in a meadow bordered by poplar trees. He had a situation as clerk or collector, I believe, and when he was sent to another town, I was already three months in the family way. My people soon found it out, and forced me to acknowledge everything, and they locked me up like a prisoner who wished to escape from jail.

"My brother was home for his holidays—do you remember now, Monsieur Parisel? He had just been appointed second head clerk, was reckoning on still further speedy advancement, and was bursting with pride. He was harder and more inexorable than the two old people towards me, poor forsaken girl as I was, although they had never left their home. He spoke about his future, which would be compromised, of the disgrace which would fall on all the family, went into a rage, arid pitied neither my tears nor my prayers, and treated me with the cruelty of a hangman.

"And they sent me a long way off, like a servant who has committed a theft, and condemned me to be confined at a farm in a village, where the peasants treated me harshly. The child died, but the mother lived through everything.

"One does not have good luck very frequently, confound it, and the only thing that I could do was to return evil, to strike at the coward whom I hated, to dishonor and to lower his name, to stick to the fellow who strutted about in his uniform, and who had won the game, from garrison to garrison, as if I had been vermin. That is why I, of my own accord, came to this house, where one belongs to everybody, and have become almost more vicious than any of the other girls, and why I have told you this unentertaining story.

"I say, you fellows, who will pay ten francs for the bandmaster's sister? Upon my honor, you will not regret your money!"

His comrades got Parisel out of the house. He resisted for a week, but then sold everything he had, borrowed the money to pay Lucie's debts, and tried in vain to free himself from that weight, and to get her expelled from the town, but she always returned. She was as implacable towards him as a gerfalcon that is devouring its prey, and as the adventure had got wind, and was even talked about at the soldiers' mess, and as the scandal increased every day, the colonel forced the bandmaster to resign.

When Lucie heard the news, she looked vexed, and, said spitefully:

"I had hoped that he would have blown his brains out!"


FALSE ALARM

"I have a perfect horror of pianos," Frémecourt said, "of those hateful boxes that fill up a drawing-room, and which have not even the soft sound and the queer shape of the mahogany or veneered spinets, to which our grandmothers sighed out exquisite, long-forgotten ballads, and allowed their fingers to run over the keys, while around them there floated a delicate odor of powder and muslin, and some little Abbé or other turned over the leaves, and was continually making mistakes, as he was looking at the patches close to the lips on the white skin of the player instead of at the music.

"I wish there were a tax upon them, or that some evening, during a riot, the people would make huge bonfires of them, which would illuminate the whole town. They simply exasperate me, and affect my nerves, and make me think of the tortures those poor girls must suffer, who are condemned not to stir for hours, but to keep on constantly strumming away at the chromatic scales and monotonous arpeggios, and to have no other object in life except to win a prize at the Conservatoire.

"Their incoherent music suggests to me the sufferings of those who are ill, abandoned, wounded, as it proceeds from every floor of every house, and irritates you, nearly drives you mad, and makes you break out into ironical fits of laughter.

"And yet when that madcap Lâlie Spring honored me with her love, as I never can refuse anything to a woman who smells of fresh scent, and who has a large store of promises in her looks, and who puts out her red, smiling lips immediately, as if she were going to offer you handsel money, I bought a piano, so that she might strum upon it to her heart's content. I got it, however, on the hire-purchase system, and paid so much a month, like grisettes[9] do for their furniture.

"At that time, I had the apartments I had so long dreamed of: warm, elegant, light, well-arranged, with two entrances, and an incomparable porter's wife; she had been canteen-keeper in a Zouave regiment, and knew everything and understood everything at a wink.

"It was the kind of apartment from which a woman has not the courage to escape, so as to avoid temptation, but becomes weak, and rolls herself up on the soft, eider down cushions like a cat, and so is appeased, and in spite of herself, thinks of sin at the sight of the low, wide couch, which is so suitable for caresses, of the heavy curtains, which quite deaden the sound of voices and of laughter, and of the flowers that scent the air, and whose smell lingers on the folds of the hangings.

"They were rooms in which a woman forgets time, where she begins by accepting a cup of tea and nibbling a sweet cake, and abandons her fingers timidly and with regret to other fingers which tremble, and are hot, and so by degrees she loses her head and succumbs.

"I do not know whether the piano brought us ill luck, but Lâlie had not even time to learn four songs before she disappeared like the wind, just as she had come, flick-flack, good-night, good-bye; perhaps from spite, because she had found letters from other women on my table, perhaps to renew her advertisement, as she was not one of those to hang onto one man and become a fixture.

"I had not been in love with her, certainly, but yet it always has some effect on a man; it breaks a spring when a woman leaves you, and you think that you must start again, risk it, and go in for forbidden sport in which one is exposed to knocks, common sport that one has been through a hundred times before, and which provides you with nothing to show for it.

"Nothing is more unpleasant than to lend your apartments to a friend, to have to say to yourself that someone is going to disturb the mysterious intimacy which really exists between the actual owner and his furniture, the soul of those past kisses which floats in the air; that the room whose tints you connect with some recollection, some dream, some sweet vision, and whose colors you have tried to make harmonize with certain fair-haired, pink-skinned girls, is going to become a common-place lodging, like the rooms in an ordinary lodging house, which are suitable to hidden crime and to evanescent love affairs.

"However, poor Stanis had begged me so urgently to do him that service; he was so very much in love with Madame de Fréjus, and among the characters in the play there was a brute of a husband who was terribly jealous and suspicious; one of those Othellos who have always a flea in their ear, and come back unexpectedly from shooting or the club, who pick up pieces of torn paper, listen at doors, smell out meetings with the nose of a detective, and seem to have been sent into the world only to be cuckolds, but who know better than most how to lay a snare, and to play a nasty trick—that when I went to Venice, I consented to let him have my room.

"I will leave you to guess whether they made up for lost time, although, after all, it is no business of yours. My journey, however, which was only to have lasted a few weeks—just long enough to benefit by the change of air, to rid my brain of the image of my last mistress, and perhaps to find another among that strange mixture of society which one meets there, a medley of American, Slav, Viennese and Italian women, who instill a little artificial life into that old city, which is asleep amidst the melancholy silence of the lagoons—was prolonged, and Stanis was as much at home in my rooms as he was in his own.

"Madame Piquignolles, the retired canteen-keeper, took great interest in this adventure, watched over their little love affair, and, as she used to say, she was on guard as soon as they arrived one after the other, the marchioness covered with a thick veil, and slipping in as quickly as possible, always uneasy, and afraid that Monsieur de Fréjus might be following her, and Stanis with the assured and satisfied look of an amorous husband, who is going to meet his little wife after having been away from home for a few days.

"Well, one day during one of those calm moments when his beloved one, fresh from her bath, and impregnated with the coolness of the water, was pressing close to her lover, reclining in his arms, and smiling at him with half closed eyes, at one of those moments when people do not speak, but continue their dream, the sentinel, without even asking leave, suddenly burst into the room, for worthy Madame Piquignolles was in a terrible fright.

"A few minutes before, a well-dressed gentleman, followed by two others of seedy appearance, but who looked very strong, and fit to knock anybody down, had questioned her in a rough manner, and cross-questioned her, and tried to turn her inside out, as she said, asking her whether Monsieur de Fréjus lived on the first floor, without giving her any explanation, and when she declared that there was nobody occupying the apartments then, as her lodger was not in France, Monsieur de Fréjus—for it could certainly be nobody but he—had burst out into an evil laugh, and said: 'Very well; I shall go and fetch the Police Commissary of the district, and he will make you let us in!'

"And as quickly as possible, while she was telling her story, now in a low, and then in a shrill voice, the woman picked up the marchioness' dress, cloak, lace-edged drawers, silk petticoat, and little varnished shoes, pulled her out of bed, without giving her time to let her know what she was doing, or to moan, or to have a fit of hysterics, and carried her off, as if she had been a doll, with all her pretty toggery, to a large, empty cupboard in the dining room, that was concealed by Flemish tapestry. 'You are a man... Try to get out of the mess,' she said to Stanis as she shut the door; 'I will be answerable for Madame.' And the enormous woman, who was out of breath by hurrying upstairs as she had done, and whose kind, large red face was dripping with perspiration, while her ample bosom shook beneath her loose jacket, took Madame de Fréjus onto her knees as if she had been a baby, whose nurse was trying to quiet her.

"She felt the poor little culprit's heart beating as if it were going to burst, while shivers ran over her skin, which was so soft and delicate that the porter's wife was afraid that she would hurt it with her coarse hands. She was struck with wonder at the cambric chemise, which a gust of wind would have carried off as if it had been a pigeon's feather, and by the delicate odor of that scarce flower which filled the narrow cupboard, and which rose up in the darkness from that supple body, that was impregnated with the warmth of the bed.

"She would have liked to be there, in that profaned room, and to tell them in a loud voice—with her hands upon her lips like at the time when she used to serve brandy to her comrades at Daddy l'Arb's—that they had no common sense, that they were none of them good for much, neither the Police Commissary, the husband nor the subordinates, to come and torment a pretty young thing, who was having a little bit of fun, like that. It was a nice job, to get over the wall in that way, to be absent from the second call of names, especially when they were all of the same sort, and were glad of five francs an hour! She had certainly done quite right to get out sometimes and to have a sweetheart, and she was a charming little thing, and that she would say, if she were called before the Court as a witness!

"And she took Madame de Fréjus in her arms to quiet her, and repeated the same thing a dozen times, whispered pretty things to her, and interrupted her occasionally to listen whether they were not searching all the nooks and corners of the apartment. 'Come, come,' she said, 4 do not distress yourself. Be calm, my dear...It hurts me to hear you cry like that.... There will be no mischief done, I will vouch for it.'

"The marchioness, who was nearly fainting, and who was prostrate with terror, could only sob out: 'Good heavens! Good heavens!'

"She scarcely seemed to be conscious of anything; her head seemed vacant, her ears buzzed, and she felt benumbed, like one does when one goes to sleep in the snow.

"Oh! Only to forget everything, as her love dream was over, to go out quickly, like those little rose-colored tapers at Nice, on Shrove Tuesday evening.

"Oh! Not to awake any more, as the to-morrow would come in, black and sad, because a whole array of barristers, ushers, solicitors and judges would be against her, and disturb her usual quietude, would torment her, cover her with mud, as her delicious, amorous adventure—her first—which had been so carefully enveloped in mystery, and had been kept so secret behind closed shutters and thick veils, would become an everyday episode of adultery, which would get wind, and be discussed from door to door; the lilac had faded, and she was obliged to bid farewell to happiness, as if to an old friend who was going far, very far away, never to return!

"Suddenly, however, she started and sat up, with her neck stretched out and her eyes fixed, while the excanteen-keeper, who was trembling with emotion, put her hands to her left ear, which was her best, like a speaking trumpet, and tried to hear the cries which succeeded each other from room to room, amidst a noise of opening and shutting of doors.

"'Ah! upon my word, I am not blind....It is Monsieur de Tavernay who is applying again, and making all that noise....Don't you hear, Mame Piquignolles, Mame Piquignolles! Saved, saved!' And she dashed out of the cupboard like an unwieldy mass, with her cap all on one side, an anxious look and heavy legs.

"Tavernay was still quite pale, and in a panting voice he cried out to them: 'Nothing serious, only that fool Frémecourt, who lent me the rooms, has forgotten to pay for his piano for the last five months, a hundred francs a month....You understand ...they came to claim it, and as we did not reply ...why, they fetched the Police Commissary, and so, in the name of the law....

"'A nice fright to give one!' Madame Piquignolles said, throwing herself onto a chair. 'Confound the nasty piano!'

"It may be useless to add, that the marchioness has quite renounced trifles, as our forefathers used to say, and would deserve a prize for virtue, if the Academy would only show itself rather more gallant towards pretty women, who take crossroads in order to become virtuous.

"Emotions like that cure people of running risks of that kind!"


WIFE AND MISTRESS

It was not only her long, silky curls, which covered her small, fairy-like head, like a golden halo, nor her beautiful complexion, nor her mouth, which was like some delicate shell, nor was it her supreme innocence, which was shown by her sudden blushes, and by her somewhat awkward movements, nor was it her ingenious questions which had assailed and conquered George d'Harderme's heart. He had a peculiar temper, and any appearance of a yoke frightened him and put him to flight immediately, and his unstable heart was ready to yield to any temptation, and he was incapable of any lasting attachment, while a succession of women had left no more traces on it than on the seashore, which is constantly being swept by the waves.

It was not the dream of a life of affection, of peace, the want of loving and of being loved, which a fast man so often feels between thirty and forty. His insurmountable lassitude of that circle of pleasure in which he has turned, like a horse in a circus, the voids in his existence which the marriage of his bachelor friends cause, and which in his selfishness he looks upon as desertion, and whom he, nevertheless, envies, which had at last induced him to listen to the prayers and advice of his old mother, and to marry Mademoiselle Suzanne de Gouvres; but the vision that he had had when he saw her playing with quite little children, covering them with kisses, and looking at them with ecstacy in her limpid eyes, and in hearing her talk of the pleasures and the anguish that they must feel who are mothers in the fullest sense of the word-the vision of a happy home where a man feels that he is living again in others of that house, which is full of laughter and of song, and seems as if it were full of birds.

As a matter of fact, he loved children, like some men love animals, and he was interested in them, as in some delightful spectacle, and they attracted him.

He was very gentle, kind and thoughtful with them, invented games for them, took them on his knees, was never tired of listening to their chatter, or of watching the development of their instincts, of their intellect, and of their little, delicate souls.

He used to go and sit in the Parc Monceau, and in the squares, to watch them playing and romping and prattling round him, and one day, as a joke, somebody, a jealous mistress, or some friends in joke, had sent him a splendid wet nurse's cap, with long, pink ribbons.

At first, he was under the influence of the charm that springs from the beginning of an intimacy, from the first kisses, and devoted himself altogether to that amorous education which revealed a new life to him, as it were, and enchanted him.

He thought of nothing except of increasing the ardent love that his wife bestowed on him, and lived in a state of perpetual adoration. Suzanne's feelings, the metamorphosis of that virginal heart, which was beginning to glow with love, and which vibrated, her passion, her modesty, her sensations, were all delicious surprises to him.

He felt that feverish pleasure of a traveler who has discovered some marvelous Eden, and loses his head over it, and, at times, with a long affectionate and proud look at her, which grew even warmer on looking into Suzanne's limpid, blue eyes, he would put his arms round her waist, and pressing her to him so strongly that it hurt the young woman, he exclaimed:

"Oh! I am quite sure that nowhere on earth are there two people who love each other as we do, and who are as happy as you and I are, my darling!"

Months of uninterrupted possession and enchantment succeeded each other without George altering, and without any lassitude mingling with the ardor of their love, or the fire of their affection dying out.

Then, however, suddenly he ceased to be happy, and, in spite of all his efforts to hide his invincible lowness of spirits, he became another man, restless, being irritated at nothing, morose, and bored at everything and everywhere; whimsical, and never knowing what he wanted.

But there was certainly something that was now poisoning that affection which had formerly been his delight, which was coming more and more between him and his wife every day, and which was giving him a distaste for home.

By degrees, that vague suffering assumed a definite shape in his heart, got implanted and fixed there, like a nail. He had not attained his object, and he felt the weight of chains, understood that he could never get used to such an existence, that he could not love a woman who seemed incapable of becoming a mother, who lowered herself to the part of a lawful mistress, and who was not faithful to him.

Alas! To awake from such a dream, to say to himself that he was reduced to envying the good fortune of others, that he should never cover a little, curly, smiling head with kisses, where some striking likeness, some undecided gleams of growing intellect fill a man with joy, but that he would be obliged to take the remainder of his journey in solitude, heart-broken, with nothing but old age around him; that no branch would again spring from the family tree, and that on his death-bed he should not have that last consolation of pressing his dear ones, for whom he struggled and made so many sacrifices, in his failing arms, and who were sobbing with grief, but that soon he should be the prey of indifferent and greedy heirs, who were discounting his approaching death like some valuable security!

George had not told Suzanne the feelings which were tormenting him, and took care that she should not see his state of unhappiness, and he did not worry her with trying questions, that only end in some violent and distressing scene.

But she was too much of a woman, and she loved her husband too much, not to guess what was making him so gloomy, and was imperiling their love.

And every month there came a fresh disappointment, and hope was again deferred. She, however, persisted in believing that their wish would be granted, and grew ill with this painful waiting, and refused to believe that she should never be a mother.

She would have looked upon it as a humiliation either to consult a medical man, or to make a pilgrimage to some shrine, like so many women did, in their despair, and her proud, loyal and loving nature at last rebelled against that hostility, which showed itself in the angry outbursts, the painful silence, and the haughty coldness of the man who could, however, have done anything he liked with her, by a little kindness.

With death in her soul, she had a presentiment of the way of the cross, which is an end of love, of all the bitterness, which sooner or later would end in terrible quarrels, and in words which would put an impassable barrier between them.

At last, one evening, when George d'Hardermes had lost his temper, had wounded her by equivocal words and bad jokes, Suzanne, who was very pale, and who was clutching the arms of her easy chair convulsively, interrupted him with the accents of farewell in her melancholy face:

"As you do not love me any more, why not tell me so, at once, instead of wounding me like this by small, traitorous blows, and, above all, why continue to live together?...You want your liberty, and I will give it to you; you have your fortune, and I have mine. Let us separate without a scandal and without a lawsuit, so that, at least, a little friendship may survive our love...I shall leave Paris and go and live in the country with my mother.... God is my witness, however, that I still love you, my poor George, as much as ever, and that I shall remain your wife, whether I am with you, or separated from you!"

George hesitated for a few moments before replying, with an uneasy, sad look on his face, and then said, turning away his head:

"Yes, perhaps it will be best for both of us!"

They voluntarily broke their marriage contract, as she had heroically volunteered to do. She kept her resolution, exiled herself, buried herself in obscurity, accepted the trial with calm fortitude, and was as resigned as only faithful and devoted souls can be.

They wrote to each other, and she deluded herself, pursued the chimera that George would return to her, would call her back to his side, would escape from his former associates, would understand of what deep love he had voluntarily deprived himself, and would love her again as he had formerly loved her; and she resisted all the entreaties and the advice of her friends, to cut such a false position short, and to institute a suit for divorce against her husband, as the issue would be certain.

He, at the end of a few months of solitude, of evanescent love affairs, when to beguile his loneliness, a man passes from the arms of one woman to those of another, had set up a new home, and had tied himself to a woman whom he had accidentally met at a party of friends, and who had managed to please him and to amuse him.

His deserted wife was naturally not left in ignorance of the fact, and, stifling her jealousy and her grief, she put on a smile, and thought that it would be the same with this one as it had been with all his other ephemeral mistresses, whom her husband had successively got rid of.

Was not that, after all, the best thing to bring about the issue which she longed and hoped for? Would not that doubtful passion, that close intimacy certainly make Monsieur d'Hardermes compare the woman he possessed with the woman he had formerly had, and cause him to invoke that lost paradise and that heart full of forgiveness, of love and of goodness, which had not forgotten him, but which would respond to his first appeal?

And that confidence of hers in a happier future, which neither all the proofs of that connection, in which Monsieur d'Hardermes was becoming more and more involved, and which her friends so kindly furnished her with, nor the disdainful silence with which he treated all her gentle, indulgent letters could shake, had something touching, angelic in it, and reminded those who knew her well, of certain passages in the Lives of the Saints.

At length, however, the sympathy of those who had so often tried to save the young woman, to cure her, and to open her eyes, became exhausted, and, left to herself, Suzanne proudly continued her dream, and absorbed herself in it.

Two interminable years had passed since she had lived with Monsieur d'Hardermes, and since he had put that hateful mistress in her place. She had lost all trace of them, knew nothing about him, and, in spite of everything, did not despair of seeing him again, and regaining her hold over him, who could tell when, or by what miracle, but surely before those eyes which he had so loved were tired of shedding tears, and her fair hair, which he had so often covered with kisses, had grown white.

And the arrival of the postman every morning and evening, made her start and shiver with nervousness.

One day, however, when she was going to Paris, Madame d'Hardermes found herself alone in the ladies' carriage, into which she had got in a hurry, with a peasant woman in her Sunday best, who had a child with pretty pink cheeks and rosy lips, and which was like the dimpled cherubs that one sees in pictures of the Assumption of the Virgin Mary, on her lap.

The nurse said affectionate words to the child in a coaxing voice, wrapped it up in the folds of her large cloak, sometimes gave it a noisy, hearty kiss, and it beat the air with little hands, and crowed and laughed with those pretty, attractive babyish movements, that Suzanne could not help exclaiming: "Oh! the pretty little thing!" and taking it into her arms.

At first the child was surprised at the strange face, and for a moment, seemed as if it were going to cry; but it became reassured immediately, smiled at the stranger who looked at it so kindly, inhaled the delicate scent of the iris in the bodice of her dress, with dilated nostrils, and cuddled up against her.

The two women began to talk, and, without knowing why, Madame d'Hardermes questioned the nurse, asked her where she came from, and where she was taking the little thing to.

The other, rather flattered that Suzanne admired the child and took an interest in it, replied, somewhat vaingloriously, that she lived at Bois-le-Roy, and that her husband was a wagoner.

The child had been entrusted to their care by some people in Paris, who appeared very happy, and extremely well off. And the nurse added in a drawling voice:

"Perhaps, Madame, you know my master and mistress, Monsieur and Madame d'Hardermes?"

Suzanne started with surprise and grief, and grew as pale as if all her blood were streaming from some wound, and thinking that she had not heard correctly, with a fixed look and trembling lips, she said, slowly, as if every word hurt her throat:

"You said, Monsieur and Madame d'Hardermes?"

"Yes; do you know them?"

"I, yes...formerly...but it is a long time ago."

She could scarcely speak, and was as pale as death; she hardly knew what she was saying, with her eyes on this pretty child, which George must be so fond of.

She saw him, as if in a window which had suddenly been lifted up, where everything had been dark before, with their arms round each other, and radiant with happiness, with that fair head, that divine dawn, the living, smiling proof of their love, between them.

They would never leave each other; they were already almost as good as married, and were robbing her of the name which she had defended and guarded as a sacred deposit.

She would never succeed in breaking such bonds. It was a shipwreck where nothing could survive, and where the waves did not even drift some shapeless waif and stray ashore.

And great tears rolled down her cheeks, one by one, and wet her veil.

The train stopped at the station, and the nurse scarcely liked to ask Suzanne for the child, who was holding it against her heaving bosom, and kissing it as if she intended to smother it, and she said:

"I suppose the baby reminds you of one you have lost, my poor, dear lady, but the loss can be repaired at your age, surely; a second is as good as a first, and if one does not do oneself justice..."

Madame d'Hardermes gave her back the child, and hurried out straight ahead of her, like a hunted animal, and threw herself into the first cab that she saw...

She sued for a divorce, and obtained it.